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Journal articles on the topic 'Linden-Museum'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Trost, Vera. "Osmanische Handschriften in der Ausstellung "Reisen durch das Osmanische Reich"." WLBforum 5, no. 2 (2003): 24–25. http://dx.doi.org/10.53458/wlbf.v5i2.474.

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Bei der Vorbereitung der beiden Ausstellung im Linden-Museum Stuttgart und in der Landesbibliothek fanden sich sowhol im Gründungsbestand Herzog Carl Eugens als auch in der ehemals Fürstlich-Fürstenbergischen Hofbibliothek Donaueschingen Osmanische Handschriften.

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Kottmann, Carsten, and Andrea Worm. "Rezension von: Worm, Andrea u.a. (Hrsg.), Drucksachen." Schwäbische Heimat 76, no. 1 (2025): 78–79. https://doi.org/10.53458/sh.v76i1.16755.

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Andrea Worm, Sandra Linden und Kristina Stöbener (Hrsg.): Drucksachen. Inkunabeln und Einblattdrucke der Universitätsbibliothek Tübingen Museum der Universität Tübingen MUT 2024. 391 Seiten, zahlr. Abb., Hardcover 39,90 €. ISBN 978-3-949680-09-0

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Hummel, Siegbert. "Fünf Seltene Tibetische Kultgefässe im Linden-Museum Stuttgart Ein Beitrag Zur Bon-Religion." Monumenta Serica 44, no. 1 (1996): 383–91. http://dx.doi.org/10.1080/02549948.1996.11731296.

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4

Penny, H. Glenn. "The Museum für Deutsche Geschichte and German National Identity." Central European History 28, no. 3 (1995): 343–72. http://dx.doi.org/10.1017/s0008938900011869.

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Not far from the Brandenburger Tor on Unter den Linden, visitors to the Museum für Deutsche Geschichte (MfDG) entered Berlin's most beautiful Baroque building. Built by Europe's finest architects under the auspices of Prussia's Kings, the Zeughaus once held a collection of the nation's weapons and Prussia's trophies of war. But since its restoration in the 1950s, this eighteenth-century edifice's long sculptured hallways and high-ceilinged rooms housed the Marxist story of the German people's struggle; images of Prussian peasants, Silesian weavers, and hardened revolutionaries were arranged in

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Bessonova, Albina S., and Vladimir A. Viktorovich. "“Why Is This About Dostoevsky?” Or On the Vicissitudes of the Restoration of Darovoe." Dostoevsky and World Culture. Philological journal, no. 1 (2022): 18–51. http://dx.doi.org/10.22455/2619-0311-2022-1-18-51.

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The fourth of a series of articles dedicated to the restoration and museification of the memorial space of Darovoe — Monogarovo — Cheremoshnya. Dostoevsky’s Darovoe Museum-Estate opened anew on November 20th, 2021, while the restoration of the Church of the Descent of the Holy Spirit is still running. The authors of the article concentrate on the pressing issues of the ongoing processes and suggest reflecting on the basic principles ruling contemporary Russian restorers. The directives of the “Venice Charter” (1964), when absolutized, lead as in this case to the destruction of authenticity. In

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Nica, Liliana, Viorica Vasilache, Ana Drob, Silvea Pruteanu, and Ion Sandu. "Preservation and Restoration of an Old Wooden Icon with Complex Carved Ornaments, in a Conservation State of Precollapse." Applied Sciences 12, no. 10 (2022): 5073. http://dx.doi.org/10.3390/app12105073.

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Wooden icons used in liturgical activities suffer a series of evolutionary deteriorations and degradations over time, due to improper storage and use conditions. The deterioration of the physical state of the structural-functional elements and degradation of the chemical nature of the components often lead old easel paintings to precarious preservation (almost close to pre-collapse), impossible to use or display as an artifact. In this study was included an old oil-painted icon on a carved linden wood support with fine gilded ornaments, which frames a central icon (“Coronation of Virgin Mary”)

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Leyman, Viviane, Piet Stoffelen, Sofie De Smedt, and Ann Bogaerts. "Fibres in Meise Botanic Garden: A Future for Heritage Collections?" Biodiversity Information Science and Standards 2 (June 13, 2018): e26663. http://dx.doi.org/10.3897/biss.2.26663.

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The precious historical collection of fibres in Meise Botanic Garden, with over 500 specimens in old hand-blown glass jars, was rehabilitated in 2017. Most of the specimens date back to the second half of the 19th century, a period of technological revolution. The rehabilitation retraces the industrious search for every possible raw material provided by nature at that time. The result is astonishing, not only regarding the origin and quality of the preserved material, its label information and its accompanying manuscripts, but also because of the extremely wide range of fibre species and their

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Leyman, Viviane, Piet Stoffelen, Smedt Sofie De, and Ann Bogaerts. "Fibres in Meise Botanic Garden: A Future for Heritage Collections?" Biodiversity Information Science and Standards 2 (June 13, 2018): e26663. https://doi.org/10.3897/biss.2.26663.

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The precious historical collection of fibres in Meise Botanic Garden, with over 500 specimens in old hand-blown glass jars, was rehabilitated in 2017. Most of the specimens date back to the second half of the 19th century, a period of technological revolution. The rehabilitation retraces the industrious search for every possible raw material provided by nature at that time. The result is astonishing, not only regarding the origin and quality of the preserved material, its label information and its accompanying manuscripts, but also because of the extremely wide range of fibre species and their

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9

Строков, А. А., Д. А. Куприянов та Г. А. Камелина. "Хylotomical study of Early Mediaeval wooden artifacts from Crimea (based on materials from the necropolis of Chufut-Kale)". Proceedings in Archaeology and History of Ancient and Medieval Black Sea Region, № 14 (23 вересня 2022): 206–26. http://dx.doi.org/10.53737/2713-2021.2022.30.40.008.

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Статья посвящена исследованию древесины, сохранившейся на металлических предметах из раскопок В.В. Кропоткина на могильнике Чуфут-Кале недалеко от Бахчисарая в 1957—1961 гг. Датировка могильника укладывается в рамки конца V—IX вв. Материал хранится в Государственном Историческом музее в Москве. Древесина сохранилась в основном на железных предметах, прежде всего на ножах и их фрагментах (как на лезвиях, так и на черешках). Вероятно, это были ножны (футляры) и рукояти ножей. Проведено ксилотомическое исследование для определения породы древесины. Отобрано 52 образца из 19-ти погребений, определ

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Игошев, Валерий Викторович. "Memorial Crosses of Veliky Novgorod: The Cross of Venerable Savva Vishersky and the Wander or the Black Cross." Вестник церковного искусства и археологии, no. 1(2) (June 15, 2020): 110–43. http://dx.doi.org/10.31802/2658-5111-2020-1-2-110-143.

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В статье исследуются деревянные поклонные кресты работы новгородских мастеров, которые устанавливались для поклонения и в память каких-либо значимых событий. На основании изучения истории бытования, типологии, стилистических и технико-технологических особенностей сохранившегося в Новгородском музее креста Саввы Вишерского и утраченного Чудного (Чёрного) креста выявлены разновременные части этих памятников и сделана их атрибуция. В результате исследования деревянного креста Саввы Вишерского установлено, что памятник является сложным и разновременным, в основе которого сохранилась древняя массив

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Koren, Toni, Domen Trkov, Kaja Vukotić, and Mitja Črne. "New records of the rare dragonfly, Black Pennant – Selysiothemis nigra (Vander Linden, 1825) (Insecta: Odonata) in Bosnia and Herzegovina." Natura Sloveniae 14, no. 2 (2012): 65–69. http://dx.doi.org/10.14720/ns.14.2.65-69.

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In 2012, we recorded a Black Pennant, Selysiothemis nigra, at two sites in Bosnia and Herzegovina, i.e. in the surroundings of Klepci village and in Hutovo Blato Nature Park, Neretva River. These are the first recent records of this species in Bosnia and Herzegovina, which had previously been known only from the entomological collection in the Museum of Sarajevo. As this species had previously been recorded on the Croatian side of the Neretva River, these records fit into the distribution area of the species. With the confirmation of this record, the dragonfly fauna of Bosnia and Herzegovina c

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12

Drewes, G. W. J., Taufik Abdullah, Th End, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 143, no. 4 (1987): 555–613. http://dx.doi.org/10.1163/22134379-90003324.

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- G.W.J. Drewes, Taufik Abdullah, Islam and society in Southeast Asia, Institute of Southeast Asian studies, Singapore, 1986, XII and 348 pp., Sharon Siddique (eds.) - Th. van den End, T.Valentino Sitoy, A history of Christianity in the Philippines. The initial encounter , Vol. I, Quezon City (Philippines): New day publishers, 1985. - R. Hagesteijn, David G. Marr, Southeast Asia in the 9th to 14th centuries, Singapore: Institute of Southeast Asian studies and the research school of Pacific studies of the Australian National University, 1986, 416 pp., A.C. Milner (eds.) - R. Hagesteijn, Constan

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13

Korintenberg, Bettina. "Resonaciones: sounds vibrating sympathetically into time and space." Artnodes, no. 34 (April 15, 2024). http://dx.doi.org/10.7238/artnodes.v0i34.424747.

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This article unfolds the research and exhibition project Resonaciones. An Embrace to Awake, that originates from an encounter with ancient whistling vessels from the Moche culture from the collection of the Ethnological Museum Stuttgart (Linden Museum). Different forms of knowledge and practices from sound art, new materialism, quantum physics and indigenous philosophies connect within the experiential and experimental setting of the exhibition space. Thus, the potential of curatorial and artistic practice is revealed in forging connections and relations and opening up reflections on philosoph

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14

Hushtan, Kateryna. "Catalogue of specimens of genus Leucorrhinia Brittinger, 1850 (Insecta, Odonata) deposited in the State Museum of Natural History NASU, Lviv, Ukraine." Catalogue of the digitized collections, deposited in the State Museum of Natural History, National Academy of Sciences of Ukraine, May 10, 2023, 75–100. http://dx.doi.org/10.36885/cdcsmnh.2023.3.

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Dragonflies of genus Leucorrhinia is commonly called whitefaces because of their distinctive pale frons. Five species of this genus are common in Europe and Ukraine (Dijkstra, 2006). Leucorrhinia albifrons (Burmeister, 1839) in Ukraine recorded from the Volynska oblast (Pisochne Lake) (Павлюк, 1974), Kyiv (Шарлемань Артоболевський, 1915). Natural habitats this species are shrub-dominated wetlands, swamps, intermittent freshwater lakes, and freshwater marshes. Leucorrhinia caudalis (Charpentier, 1840) in Ukraine recorded from Volynska oblast (Berestechko, Lutsk, Radekhiv, Chorne and Pisochne La

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15

Kakucs, Lajos. "Contribuţii la istoria francmasoneriei din Banat / Contributions to the History of Freemasonry from Banat." Analele Banatului XXIV 2016, January 1, 2016. http://dx.doi.org/10.55201/hzka5613.

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According to the information provided by the historian, Ludwig Aigner/Lajos Abafi (1840–1909), born in a locality from Banat, Iecea Mare, the first freemasons’ lodge from Banat, named Zu den drei weißen Lilien (At the three white lilies), was founded by a baron, Maximilian Josef Linden (1736–1801) who, known by freemasons as Ardaxanes Linniphoen Mimichemen, had already acted in the Viennese lodges Zur Hoffnung and Zur gekrönte Hoffnung. Besides the Viennese connections set up in the lodge of Rosicrucians from Timișoara there were also some local personalities such as the Orthodox bishop of Ara

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16

Crescia, Paolo, Christiana Soccini, Vincenzo Ferri, and Stefano Celletti. "[First occurrence of Lindenia tetraphylla (Vander Linden, 1825) for Northern Lazio (Odonata, Gomphidae)]." Natural History Sciences 7, no. 2 (2020). http://dx.doi.org/10.4081/nhs.2020.471.

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[The presence of the Bladetail, Lindenia tetraphylla, is reported in the Mignone River Valley, Tarquinia (VT) (ZSC IT6010035 “River Mignone - lower course”) reconfirming this gomphid for Lazio. This rare dragonfly is localized in Italy and is reported in a few locations in Tuscany, Campania, Umbria, Molise, Abruzzo, Puglia, Sicilia and Sardinia. Lindenia tetraphylla was previously reported for a locality in southern Lazio (Lago di Fondi, LT) on the basis of two preserved specimen in the Entomological Collection A. Costa of the Museum of Zoology of the Naples University in and dating back to th

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17

Сидельникова, М. В., and Д. Ю. Власов. "Distribution features of fungi diseases on trees and shrubs in the parks of the State Museum Reserve «Peterhof»." Известия СПбЛТА, no. 228() (September 16, 2019). http://dx.doi.org/10.21266/2079-4304.2019.228.336-351.

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Проведены фитопатологические обследования древесных и кустарниковых растений на территории парков Государственного музеязаповедника Петергоф . Сбор материала и анализ распространения заболеваний проводились в летнеосенние периоды 2013 2017 гг. (Верхний сад и Нижний парк, Нижний сад и Верхний парк Ораниенбаума). В летний период 2018 г. в исследования, включены парк Александрия и Колонистский парк. На древеснокустарниковых породах парков выявлено 120 видов грибов (микро и макромицетов). Большинство видов (97) составили микромицеты, в числе которых возбудители мучнистой росы, пятнистостей, ржавчи

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18

Mesch, Claudia. "Racing Berlin." M/C Journal 3, no. 3 (2000). http://dx.doi.org/10.5204/mcj.1845.

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Bracketed by a quotation from famed 1950s West German soccer coach S. Herberger and the word "Ende", the running length of the 1998 film Run Lola Run, directed by Tom Tykwer, is 9 minutes short of the official duration of a soccer match. Berlin has often been represented, in visual art and in cinematic imagery, as the modern metropolis: the Expressionist and Dadaist painters, Walter Ruttmann, Fritz Lang and Rainer Werner Fassbinder all depicted it as the modernising city. Since the '60s artists have staged artworks and performances in the public space of the city which critiqued the cold war o

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