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Dissertations / Theses on the topic 'Line drawings'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Lin, Fung-Yaw. "Core-line tracing of digital images of line drawings." Thesis, Cranfield University, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302773.

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2

Zhao, Shu Jie. "Line drawings abstraction from 3D models." Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2130124.

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3

Rhodenizer, Mark Russel. "Automatic extraction of features from line drawings." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq22385.pdf.

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4

Wenban, James David. "Methods for recognizing patterns in digitized line drawings." Thesis, Virginia Polytechnic Institute and State University, 1986. http://hdl.handle.net/10919/101334.

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A system for the extraction and storage of line and region data from digitized engineering line drawings, first proposed by Watson et.al.[3] and further developed by Bixler et.al.[4], is completed. As a means for the automatic analysis of picture content, a model based recognizer for line patterns is developed. The pattern matcher uses a simple scheme to decompose a line drawing into basic parts: strokes and junctions, and then finds graph isomorphisms between known line pattern models stored in a database and portions of the image line data. Hu's moment invariants [16] are used to match simpl

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5

Sinuraibhan, Soranart. "Draw the line : an alternative form of architectural drawings." Thesis, University of Sheffield, 2005. http://etheses.whiterose.ac.uk/12791/.

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For centuries, architectural drawing has been considered one of the most effective representational tools, representing buildings and communicating architectural designs between architects and non-architects. It conveys information by using a set of graphic codes, which then becomes a message that allows architectural drawing not only to be read at a basic level, but also to be decoded. However, the codes have over time become internalised and play out as a private language that excludes non-architects. The use of particular codes within an architectural drawing leads to difficulties in readin

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6

Ros, Lluís. "A kinematic-geometric approach to spatial interpretation of line drawings." Doctoral thesis, Universitat Politècnica de Catalunya, 2000. http://hdl.handle.net/10803/5932.

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This Thesis contributes with new algorithms for line drawing interpretation. A line drawing is a 2D diagram of vertices and straight edges aiming to depict a polyhedral 3D scene. Given one such drawing we usually want to first test whether it is a correct projection. If it is, then we wish to reconstruct all possible scenes it can depict. Otherwise, we attempt to correct the drawing so that it becomes reconstractable.<br/><br/>Traditionally, the Machine Vision approach to these problems has been mainly algebraic. Although computer scientists have discovered graphical techniques like the re

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7

Varley, Peter Ashley Clifford. "Automatic creation of boundary-representation models from single line drawings." Thesis, Cardiff University, 2003. http://orca.cf.ac.uk/107713/.

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This thesis presents methods for the automatic creation of boundary-representation models of polyhedral objects from single line drawings depicting the objects. This topic is important in that automated interpretation of freehand sketches would remove a bottleneck in current engineering design methods. The thesis does not consider conversion of freehand sketches to line drawings or methods which require manual intervention or multiple drawings. The thesis contains a number of novel contributions to the art of machine interpretation of line drawings. Line labelling has been extended by catalogu

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8

Ros, Giralt Lluís. "A kinematic-geometric approach to spatial interpretation of line drawings." Doctoral thesis, Universitat Politècnica de Catalunya, 2000. http://hdl.handle.net/10803/5932.

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This Thesis contributes with new algorithms for line drawing interpretation. A line drawing is a 2D diagram of vertices and straight edges aiming to depict a polyhedral 3D scene. Given one such drawing we usually want to first test whether it is a correct projection. If it is, then we wish to reconstruct all possible scenes it can depict. Otherwise, we attempt to correct the drawing so that it becomes reconstractable.Traditionally, the Machine Vision approach to these problems has been mainly algebraic. Although computer scientists have discovered graphical techniques like the reciprocal d

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9

Cheetham, Stephen J. "The automatic extraction and classification of curves from conventional line drawing." Thesis, University of Sheffield, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328106.

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10

Sanford, Jerald Patrick. "An automatic system for converting digitized line drawings into highly compressed mathematical primitives." Thesis, Virginia Polytechnic Institute and State University, 1985. http://hdl.handle.net/10919/101259.

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The design of an efficient, low-cost system for automatically converting a hardcopy technical drawing into a highly compressed electronic representation is the motivation for this work. An improved method for extracting line and region information from a typical engineering drawing is presented. An efficient encoding method has also been proposed that takes advantage of the preprocessing done by the region and line extraction steps. Finally, a technique for creating a highly compressed mathematical representation (based on spline approximations) for the drawing is presented.<br>M.S.

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11

Shen, Dandan. "Categorization of Line Drawings of Natural Scenes Using Non-Accidental Properties Matches Human Behavior." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1337539407.

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12

Jolley, Richard Paul. "Children's production and perception of visual metaphors for mood and emotion in line drawings and art." Thesis, University of Birmingham, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.405725.

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13

Nayef, Nibal [Verfasser], and Thomas M. [Akademischer Betreuer] Breuel. "Geometric-based Symbol Spotting and Retrieval in Technical Line Drawings / Nibal Nayef. Betreuer: Thomas M. Breuel." Kaiserslautern : Technische Universität Kaiserslautern, 2013. http://d-nb.info/102998171X/34.

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14

Wilbraham, Danelle Alexis. "Using systematic image transformations to reveal invariant properties in the multidimensional perceptual representation of faces." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1276806127.

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15

Lytle, Nicole E. "The referent can obscure performance: Requiring young children to use their own bodies impedes their use of 2D human line drawings as self-representations." University of Toledo / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1437414098.

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16

Hörr, Christian, Elisabeth Lindinger, and Guido Brunnett. "Considerations on Technical Sketch Generation from 3D Scanned Cultural Heritage." Universitätsbibliothek Chemnitz, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-200901463.

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Drawing sketches is certainly one of the most important but at the same time elaborate parts of archaeological work. Currently, 3D scanning technology is affording a number of new applications, and only one of them is using virtual copies instead of the originals as the basis for documentation. Our major contribution are methods for automatically generating stylized images from 3D models. These are not only intuitive and easy to read but also more objective and accurate than traditional drawings. Besides some other useful tools we show several examples from our daily work proving that the syst

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17

Judd, Tilke (Tilke M. ). "Apparent ridges for line drawing." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/38669.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 2007.<br>Includes bibliographical references (p. 69-72).<br>Non-photorealistic line drawing depicts 3D shapes through the rendering of feature lines. A number of characterizations of relevant lines have been proposed but none of these definitions alone seem to capture all visually-relevant lines. We introduce a new definition of feature lines based on two perceptual observations. First, human perception is sensitive to the variation of shading, and since shape perception is little affect

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18

Mooman, Abdelniser A. "Synchronization of line drawing and audio." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ30523.pdf.

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19

Liguori, Elizabeth Angela. "(Not) Drawing The Line: Technology Reexamined." Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/77949.

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(Not) Drawing The Line: Technology Re-examined is the culmination of interdisciplinary research exploring the nature of materiality and process in the fields of art, science, and technology. Exploration and experimentation in these diverse disciplines have helped to illuminate many of the ideas and concepts that have guided the overall research process. These explorations have also honed the ability to critically examine how technology is perceived and represented, post-internet. This document illustrates the processes involved in the conception and creation of a body of work manifested th

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20

Skiles, Joshua Brisbin. "Field, Lines and Drawing." Thesis, Virginia Tech, 2010. http://hdl.handle.net/10919/33598.

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An architectural idea has been drawn out in a row house on an imaginary site. Architectural drawings in plan, section and elevation, as well as diagrams, sketches and graphite renderings show a process of working that presupposes existential questions as necessary for making architecture.<br>Master of Architecture

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21

Roberts, Amanda. "Re: Drawing : reconfiguring a feminist response to life drawing practice." Thesis, University of Wales Trinity Saint David, 2018. http://repository.uwtsd.ac.uk/954/.

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This practice-based thesis aims to explore and demonstrate the conflict that exists between traditional, male-oriented attitudes and feminist perceptions of the female nude within the context of life drawing practices. The research interrogates the problematisation of life-drawing practice for female practitioners, proposing that perceived tensions and conflicts can be resolved through practice-based enquiry. In response to this, practice has been devised and tested, that negotiates this opposition, evolving an innovative system of projective geometry for drawing and painting which considers r

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22

Phillips, Antonia. "Life-drawing in training and practice." Thesis, University of Reading, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340425.

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23

Kagia, Mercy. "Documenting daily life through reportage drawing." Thesis, Kingston University, 2013. http://eprints.kingston.ac.uk/27791/.

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This thesis is a practice-based inquiry into contemporary Reportage Drawing in the UK. The role of the practice in present day, its various forms and purposes and how digital media has influenced both the working process and reception of such work, is discussed through comparisons of visual work and theoretical engagement from practitioners. Verbal and visual contributions from current artists about their methods, means and motivations are included to present a clear picture of the varied forms of documentary drawing. This research is structured around questions and issues raised about the pro

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24

Li, Boren. "Human-like Robotic Handwriting and Drawing." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1337547609.

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25

Smith, Brenda Forrester. "Drawing an Education: Influence and Evidence." Thesis, Virginia Tech, 2000. http://hdl.handle.net/10919/35486.

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This thesis is concerned with the art and act of sketching existing architecture. "Drawing an Education" refers to both educating the line by the practice and habit of drawing and to allowing the line to be the educator by drawing from buildings and places, disclosing relationships, structure and meaning. "Influence and evidence" refers to the influences that affect the process and the evidence as exhibited in a finely tuned intuition. This thesis is arranged as a three-part inquiry: * Drawing: how sketching facilitates an intimate connection between the architect and the place, the eff

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26

Thomas, Danielle K. "Collaborative Drawing Projects." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1276792482.

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27

Heath, Claude P. R. "Drawing out interaction : lines around shared space." Thesis, Queen Mary, University of London, 2014. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8817.

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Despite advances in image, video, and motion capture technologies, human interactions are frequently represented as line drawings. Intuitively, drawings provide a useful way of filtering complex, dynamic sequences to produce concise representations of interaction. They also make it possible to represent phenomena such as topic spaces, that do not have a concrete physical manifestation. However, the processes involved in producing these drawings, the advantages and limitations of line drawings as representations, and the implications of drawing as an analytic method have not previously been inv

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28

Lalonde, Christine Carleton University Dissertation Art History. "Cross-cultural lines of inquiry; the drawings of Pitseolak Ashoona." Ottawa, 1995.

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29

Cook, Kirsten M. Odmark 1950. "A comparison of Kinetic Family Drawings and Adlerian life styles." Thesis, The University of Arizona, 1990. http://hdl.handle.net/10150/277291.

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This study compares information gathered by Kinetic Family Drawings with information gathered by an Adlerian Life Style Interview. A non-clinical population of university students participated in the study. The participants drew a crayon picture of their families from the perspective of age five and then answered three questions about their drawings. The participants then participated in a structured Life Style Interview which dealt with their perceptions of their lives as young children in their families of origin. All questions were tape-recorded and later transcribed. A panel of experts in

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30

Tani, Ayako. "Multi-dimensional line-drawing with glass through a development of lampworking." Thesis, University of Sunderland, 2013. http://sure.sunderland.ac.uk/5030/.

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This is practice-based research about glass art, undertaken by an artist specialising in the lampworking technique. Over many centuries, lampworking has been widely used for scientific, industrial and craft purposes. In the early 1990s, there was a notable shift where traditional lampworking began merging with contemporary glass art, but there is still room for further development. The research focus is line-making through lampworking. Building upon Hoyt (1989), who determined the fundamental procedures in lampworking, this research identifies five operations relating to line-making: ‘bending’

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31

Long, Emma. "Drawing the line : Religion, Education, and the Establishment Clause, 1947-1997." Thesis, University of Kent, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504658.

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32

Lee, Katherine, and katielee mail@gmail com. "Embodying the Built World: Drawing Boundaries, Walking Lines." RMIT University. Art, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20091015.141915.

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Intro In this practice-led research project I investigate relations between structures of coercion in the built world and sculptural language. The aim of my project is to present a series of exhibitions and situations that examine architectures of bodily discipline as practices of form/space composition and spatial manipulation. Such architectures range from the delineation of public space to the choreography of bodies by urban design. The project engages the viewer in a dialogue around art and the spatio-visual codes that embody what Michel Foucault regarded as the coercive powers of modern

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33

Mesheau, Michael. "Life with Marge, experiencing success through representational drawing." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ38397.pdf.

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34

Scheuer, Benedict Leo. "A Spiritual Ecology of the Line." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587552184531075.

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35

Williams, Sasha. "Drawing the line : an explanation of how lay people construct child neglect." Thesis, University of Huddersfield, 2015. http://eprints.hud.ac.uk/id/eprint/25505/.

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This thesis uses a Foucauldian approach to explore how lay people construct child neglect in England. The concept of child neglect developed after the Industrial Revolution in conjunction with the construction of ‘normal’ childhood. Both depend on developmental models of childhood produced by psy-complex discourse. However, the knowledge producing the ‘normal’ family and the disciplinary institutions producing and protecting the ‘normal’ childhood have been challenged by late modernity, with a potential impact on what can be considered ‘abnormal’ and therefore neglectful. Recent years have see

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36

Branton, Nicole Louise. "Drawing the line: Places of power in the Japanese-American internment eventscape." Diss., The University of Arizona, 2004. http://hdl.handle.net/10150/290055.

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Relocation, the removal of over 110,000 "persons of Japanese ancestry" from their West Coast homes to relocation centers in the continental interior during World War II, was a culturally critical event in the history of Japanese Americans. While internment has been intensively studied, it has lacked a unifying theoretical approach to the disparate material, behavioral, and symbolic experiences of internment. When viewed through the lens of place, and a particular variety of cultural landscape called an eventscape, the relationships between different scales of experience of gender, age, or fact

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37

Sung, Courtney (Courtney A. ). "Drawing the line : spatial street vendor management in Ho Chi Minh City." Thesis, Massachusetts Institute of Technology, 2011. http://hdl.handle.net/1721.1/67241.

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Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 2011.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (p. 87-92).<br>A lack of consensus exists among urban planners and government officials on what to do with the complex issue of informal street vending and sidewalk usage, with cities often turning to ineffective licensing or harmful street clearance. This paper seeks to address this unfulfilling dichotomy by analyzing a tourism proposal for a painted pedestrian path in Ho Chi Minh City, Vietnam, to assess whether thi

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38

McCall, Carali. "A line is a brea(d)thless length : introducing the physical act of running as a form of drawing." Thesis, University of the Arts London, 2014. http://ualresearchonline.arts.ac.uk/6511/.

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This practice-based investigation offers an understanding of the role of the body in drawing. The research proposes that drawing is not only connected to movement but can be located in a larger inquiry into the performative nature of human activity. Analysis of artworks produced in the late 1960s and early 1970s provide a context and operative means to explore duration, expenditure of energy, measurement and time, in relation to practices of performance and drawing. The examination of these artists’ works is provided to inform an investigation of physical processes of drawing through performan

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39

Jacobson, Lillian Ring. "Drawing outside the lines : participatory design in unincorporated communities." Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/98937.

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Thesis: M.C.P., Massachusetts Institute of Technology, Department of Urban Studies and Planning, 2015.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Cataloged from student-submitted PDF version of thesis.<br>Includes bibliographical references (pages 148-152).<br>Design is both a mode of communication and a collaborative process. It is a powerful tool with which to convey ideas about the built environment and unlock creativity. Yet urban planning has not harnessed design's potential to en

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40

dos, Anjos Afonso Manoela. "Language and place in the life of Brazilian women in London : writing life narratives through art practice." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/12000/.

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Studies on Brazilians living in Britain show that, along with loneliness, unemployment and cost of living, the lack of proficiency in English is a key problem. However, there is little qualitative information about how the host language affects their daily lives. This interdisciplinary practice-based research asks how an art practice activated by experiences of displacement and dislocation in language can become a place of enunciation for decolonial selves. To this end, this research includes not only individual practices, but also collective activities carried out with a group of Brazilian wo

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41

He, Fei. "Novel drawing algorithms and application of texture mapping for 2D cartographic line symbolization /." Zürich : ETH, 2008. http://e-collection.ethbib.ethz.ch/show?type=diss&nr=17439.

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42

Dudley, Marc Kevin Ludington Townsend. "Drawing the (color)line Hemingway's America, Africa, and the question(ing) of authority /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2006. http://dc.lib.unc.edu/u?/etd,614.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2006.<br>Title from electronic title page (viewed Oct. 10, 2007). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English." Discipline: English; Department/School: English.

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43

Roché, Matthew William. "The validation of a computer-based version of the Maher line drawing task." Diss., Online access via UMI:, 2009.

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44

Glaviano, Breeanne Nicole. "Ambush Marketing in Mega-Sporting Events: Drawing the Line with Freedom of Expression." Thesis, The University of Arizona, 2013. http://hdl.handle.net/10150/297615.

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International sporting mega-events such as the Olympic Games, are constantly in a behind the scenes and public all out commercial war. This war is a combat between event organizers and ambush marketers who engage in ambush marketing tactics. These marketing strategies can be found from big corporate companies to tiny local shops but almost always end in legal action. While this battle is very real it often goes unnoticed by the public and many fans. This war is fought during most sports mega-events in order to protect the highly lucrative commercial rights of an event's sponsor. This paper wil

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45

Grisewood, Jane. "Marking time : investigating drawing as a performative process for recording temporal presence and recalling memory through the line, the fold and repetition." Thesis, University of the Arts London, 2010. http://ualresearchonline.arts.ac.uk/6509/.

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This research seeks to identify drawing as an alternative exemplar for investigating memory and temporal presence, while determining its potential as a performative tool for negotiation and transformation, throught the line, fold and repetition. The aim is to position drawing in the dynamics of movement, using the journey as a trope and the physical act of repeating the line to evoke memory and disrupt concepts of linear, orderly time. The investigation, driven by my ongoing practice and concerns of dislocation and exile, was inspired and informed by Gilles Deleuze's notion of 'becoming' as a

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46

Viewegh, James. "Life! land, air, and sea : a series of mixed media drawings on plexiglass." Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/864920.

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The creative project was a series of three, mixed media drawings created on multiple layers of transparent plexiglass. The artist designed a frame in which three sheets of plexiglass were contained. This unit portrayed a three-dimensional drawing. The artist then experimented with a variety of mediums to determine which material was best suited for successful rendering on plexiglass. The artist then did a number of sketches to determine what images would best convey the idea of humankind's close connection to the land, air, and sea.The primary accomplishments achieved in this project were the

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47

Malpani, Czaee. "Drawing Between the Lines: Intersections of Gender, Narratives and Representations." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305893464.

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48

Mayhew, Margaret 1936. "Modelling subjectivities: life-drawing, popular culture and contemporary art education." Phd thesis, Department of Gender and Cultural Studies, 2009. http://hdl.handle.net/2123/7735.

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Mayhew, Margaret. "Modelling Subjectivities: Life Drawing, Popular Culture and Contemporary Art Education." Thesis, The University of Sydney, 2010. http://hdl.handle.net/2123/9542.

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This thesis examines life-drawing as a social, cultural and aesthetic practice. It is principally concerned with the changes occurring within life-drawing classes since the mid twentieth century; and how life drawing has spread from being a highly regulated practice confined to art institutions to proliferating among a variety of recreational, semi-professional and pedagogical settings. It is also critically concerned with the discourses surrounding life-drawing, and how these discourses permeate the spaces and practices within life classes. This thesis is concerned with the blind spots in vis

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50

Lawson, Michael Wayne. "Relationship Between Line and Tone." Thesis, Virginia Tech, 2018. http://hdl.handle.net/10919/83777.

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This project is the search for a room. The search included that which is sensible through tone, and that which is intelligible through line. Tone and color were used to paint the sensible, geometric constructions were used to understand the intelligible. The constructed axonometric drawings became both sensible and intelligible in the way that their very construction is an active reconstitution of the charred contours of a dream. This project began with a glass of Scotch, which is a container of a world; dreamlike, smoky, and ethereal. It ended with drawings of a room; a reconstitution of a d

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