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Journal articles on the topic 'Line drawings'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Holm, E. "Guide to biological drawing - Part 1: Line drawings." Suid-Afrikaanse Tydskrif vir Natuurwetenskap en Tegnologie 5, no. 3 (1986): 143–50. http://dx.doi.org/10.4102/satnt.v5i3.989.

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The advantages of drawings above photographic illustrations are listed, and the difference between skills needed for technical rendering and artwork is explained. Materials and techniques for good line drawing are treated in progressive steps, followed by appropriate recommended exercises. The text is elucidated by 18 illustrations.

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2

Edgar, Simo-Serra, and Satoshi Iizuka. "1-1 Drawing Assistances for Manga and Line Drawings; Learning to Simplify Rough Sketch Drawings." Journal of The Institute of Image Information and Television Engineers 72, no. 5 (2018): 337–41. http://dx.doi.org/10.3169/itej.72.337.

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3

Wall, Georgia, and Nick Bastis. "Reveries and Line Drawings." Leonardo 44, no. 4 (2011): 378–79. http://dx.doi.org/10.1162/leon_a_00226.

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4

Taylor, Peter. "Peter Taylor line drawings." Carnivorous Plant Newsletter 20, no. 1-2 (1991): 34–43. http://dx.doi.org/10.55360/cpn201-2.pt652.

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5

Yu, Kyungho, Juhyeon Noh, and Hee-Deok Yang. "Line Drawing Extraction from Cartoons Using a Conditional Generative Adversarial Network." Applied Sciences 11, no. 16 (2021): 7536. http://dx.doi.org/10.3390/app11167536.

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Recently, three-dimensional (3D) content used in various fields has attracted attention owing to the development of virtual reality and augmented reality technologies. To produce 3D content, we need to model the objects as vertices. However, high-quality modeling is time-consuming and costly. Drawing-based modeling is a technique that shortens the time required for modeling. It refers to creating a 3D model based on a user’s line drawing, which is a 3D feature represented by two-dimensional (2D) lines. The extracted line drawing provides information about a 3D model in the 2D space. It is some

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6

Liu, Xueting, Wenliang Wu, Huisi Wu, and Zhenkun Wen. "Deep Style Transfer for Line Drawings." Proceedings of the AAAI Conference on Artificial Intelligence 35, no. 1 (2021): 353–61. http://dx.doi.org/10.1609/aaai.v35i1.16111.

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Line drawings are frequently used to illustrate ideas and concepts in digital documents and presentations. To compose a line drawing, it is common for users to retrieve multiple line drawings from the Internet and combine them as one image. However, different line drawings may have different line styles and are visually inconsistent when put together. In order that the line drawings can have consistent looks, in this paper, we make the first attempt to perform style transfer for line drawings. The key of our design lies in the fact that centerline plays a very important role in preserving line

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7

FRATI, FABRIZIO. "ON MINIMUM AREA PLANAR UPWARD DRAWINGS OF DIRECTED TREES AND OTHER FAMILIES OF DIRECTED ACYCLIC GRAPHS." International Journal of Computational Geometry & Applications 18, no. 03 (2008): 251–71. http://dx.doi.org/10.1142/s021819590800260x.

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It has been shown that there exist planar digraphs that require exponential area in every upward straight-line planar drawing. On the other hand, upward poly-line planar drawings of planar graphs can be realized in Θ(n2) area. In this paper we consider families of DAGs that naturally arise in practice, like DAGs whose underlying graph is a tree (directed trees), is a bipartite graph (directed bipartite graphs), or is an outerplanar graph (directed outerplanar graphs). Concerning directed trees, we show that optimal Θ(n log n) area upward straight-line/poly-line planar drawings can be construct

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8

Sheppard, Elizabeth, Danielle Ropar, and Peter Mitchell. "Drawing the Line: How People with Autism Copy Line Drawings of Three-Dimensional Objects." Perception 38, no. 7 (2009): 1104–6. http://dx.doi.org/10.1068/p6449.

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9

GARG, ASHIM, and ADRIAN RUSU. "AREA-EFFICIENT ORDER-PRESERVING PLANAR STRAIGHT-LINE DRAWINGS OF ORDERED TREES." International Journal of Computational Geometry & Applications 13, no. 06 (2003): 487–505. http://dx.doi.org/10.1142/s021819590300130x.

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Ordered trees are generally drawn using order-preserving planar straight-line grid drawings. We investigate the area-requirements of such drawings and present several results. Let T be an ordered tree with n nodes. We show that: • T admits an order-preserving planar straight-line grid drawing with O(n log n) area. • If T is a binary tree, then T admits an order-preserving planar straight-line grid drawing with O(n log log n) area. • If T is a binary tree, then T admits an order-preserving upward planar straight-line grid drawing with optimalO(n log n) area. We also study the problem of drawing

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10

Jenei, Attila Zoltán, István Valálik, and Dávid Sztahó. "Assessing parkinsonism & cerebellar dysfunction with spiral & line drawings." Ideggyógyászati szemle 77, no. 11-12 (2024): 407–15. https://doi.org/10.18071/isz.77.0407.

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Background abd purpose – Recognising neurological diseases is challenging without accurate diagnostic tools. Therefore, many approaches have been taken to recognise and evaluate these diseases through speech, movement, or drawing modalities. The purpose of the study is to compare the recognition of Parkinson’s and cerebellar symptoms using spiral and line drawings recorded from the same subjects. We also investigate the importance of pin pressure in classification. Furthermore, an attempt is made to use the two types of drawings together for more accurate classification. Methods – Images were

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11

Li, Hua, and David Mould. "Continuous Line Drawings and Designs." International Journal of Creative Interfaces and Computer Graphics 5, no. 2 (2014): 16–39. http://dx.doi.org/10.4018/ijcicg.2014070102.

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Continuous Line Drawing (CLD) is a drawing style where a picture consists of a single closed non-intersecting line. This paper presents an automatic algorithm for constructing CLDs, with tone and structural information obtained from input images. The connectivity of the line is maintained through a tree generated by path finding with consideration of the key features for a given image. A branching tree structure is grown incrementally by selecting pixels by a cost function, relating to both the tone map and an importance map. After labeling each branch, an artificial wall is then constructed t

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12

Dehlinger, Hans. "Line Drawings that Appear Unsharp." International Journal of Creative Interfaces and Computer Graphics 2, no. 1 (2011): 1–13. http://dx.doi.org/10.4018/jcicg.2011010101.

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A straight line, pen-drawn and executed on a pen-plotter, is by default sharp and crisp. This is the nature of a straight line between two points. Likewise, drawings generated from such lines are by definition sharp. This paper considers generative line drawings, executed on a pen-plotter which appears to be wholly or in part unsharp when viewed. Described here are some strategies based on systematic experiments with geometric transformations to produce such drawings. The topic is approached from an artist’s point of view with a focus on the generative and algorithmic issues involved, and the

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13

Kim, T., and D. L. Neuhoff. "Delta codes for line drawings." IEEE Transactions on Information Theory 34, no. 3 (1988): 400–416. http://dx.doi.org/10.1109/18.6021.

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14

Burns, Kevin J. "Mental Models of Line Drawings." Perception 30, no. 10 (2001): 1249–61. http://dx.doi.org/10.1068/p3237.

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15

Shimaya, Akira. "Perception of complex line drawings." Journal of Experimental Psychology: Human Perception and Performance 23, no. 1 (1997): 25–50. http://dx.doi.org/10.1037/0096-1523.23.1.25.

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16

Burns, Michael, Janek Klawe, Szymon Rusinkiewicz, Adam Finkelstein, and Doug DeCarlo. "Line drawings from volume data." ACM Transactions on Graphics 24, no. 3 (2005): 512–18. http://dx.doi.org/10.1145/1073204.1073222.

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17

Lee, Yunjin, Lee Markosian, Seungyong Lee, and John F. Hughes. "Line drawings via abstracted shading." ACM Transactions on Graphics 26, no. 3 (2007): 18. http://dx.doi.org/10.1145/1276377.1276400.

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18

Vembar, M., and S. Mohan. "Tree encoding of line drawings." IEEE Transactions on Acoustics, Speech, and Signal Processing 36, no. 9 (1988): 1542–49. http://dx.doi.org/10.1109/29.90390.

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19

Fu, Hongbo, Shizhe Zhou, Ligang Liu, and Niloy J. Mitra. "Animated construction of line drawings." ACM Transactions on Graphics 30, no. 6 (2011): 1–10. http://dx.doi.org/10.1145/2070781.2024167.

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20

Iqbal Hossain, Md, and Md Saidur Rahman. "Straight-line monotone grid drawings of series–parallel graphs." Discrete Mathematics, Algorithms and Applications 07, no. 02 (2015): 1550007. http://dx.doi.org/10.1142/s179383091550007x.

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A monotone drawing of a planar graph G is a planar straight-line drawing of G where a monotone path exists between every pair of vertices of G in some direction. Recently monotone drawings of graphs have been discovered as a new standard for visualizing graphs. In this paper we study monotone drawings of series–parallel graphs in a variable embedding setting. We show that a series–parallel graph of n vertices has a straight-line planar monotone drawing on a grid of size O(n) × O(n2) and such a drawing can be found in linear time.

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21

Wango, Kamau. "Development of Human Figure Drawings from Gesture Drawings to Shaded Drawings - Analysis of Selected Drawings by Second Year Students at Kenyatta University." East African Journal of Arts and Social Sciences 5, no. 1 (2022): 256–83. http://dx.doi.org/10.37284/eajass.5.1.743.

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Human figure drawing or life drawing is a fundamental requirement for all art students. It is applied in all disciplines of art from basic line drawings, to all aspects of design work as well as sketching in painting, sculpture, and ceramics. This paper examines selected work of second year students to determine whether they are able to progress from gesture drawings to developed shaded drawings and achieve this objective within the prescribed unit duration of a semester. The paper also seeks to determine the extent to which observation in life drawing is significant as a formative strategy in

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22

Hertzmann, Aaron. "Why Do Line Drawings Work? A Realism Hypothesis." Perception 49, no. 4 (2020): 439–51. http://dx.doi.org/10.1177/0301006620908207.

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Why is it that we can recognize object identity and 3D shape from line drawings, even though they do not exist in the natural world? This article hypothesizes that the human visual system perceives line drawings as if they were approximately realistic images. Moreover, the techniques of line drawing are chosen to accurately convey shape to a human observer. Several implications and variants of this hypothesis are explored.

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23

Martin, R. R., H. Suzuki, and P. A. C. Varley. "Labeling Engineering Line Drawings Using Depth Reasoning." Journal of Computing and Information Science in Engineering 5, no. 2 (2005): 158–67. http://dx.doi.org/10.1115/1.1891045.

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Automatic creation of B-rep models of engineering objects from freehand sketches would benefit designers. One step aims to take a line drawing (with hidden lines removed), and from it deduce an initial three-dimensional (3D) geometric realization of the visible part of the object, including junction and line labels, and depth coordinates. Most methods for producing this frontal geometry use line labeling, which takes little or no account of geometry. Thus, the line labels produced can be unreliable. Our alternative approach inflates a drawing to produce provisional depth coordinates, and from

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24

Hertzmann, Aaron. "The Role of Edges in Line Drawing Perception." Perception 50, no. 3 (2021): 266–75. http://dx.doi.org/10.1177/0301006621994407.

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It has often been conjectured that the effectiveness of line drawings can be explained by the similarity of edge images to line drawings. This article presents several problems with explaining line drawing perception in terms of edges, and how the recently proposed Realism Hypothesis resolves these problems. There is nonetheless existing evidence that edges are often the best features for predicting where people draw lines; this article describes how the Realism Hypothesis can explain this evidence.

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25

Katsikitis, Mary. "The Classification of Facial Expressions of Emotion: A Multidimensional-Scaling Approach." Perception 26, no. 5 (1997): 613–26. http://dx.doi.org/10.1068/p260613.

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Photographs (study 1) or line-drawing representations (study 2) of posed facial expressions and a list of emotion words (happiness, surprise, fear, disgust, anger, sadness, neutral) were presented to two groups of observers who were asked to match the photographs or line drawings, respectively, with the emotion categories provided. A multidimensional-scaling procedure was applied to the judgment data. Two dimensions were revealed; pleasantness – unpleasantness and upper-face – lower-face dominance. Furthermore, the similarity shown by the two-dimensional structures derived first from the judgm

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26

NISHIYAMA, Megumi, Sachio OTSUKA, Fumitaka NAKAHARA, and Jun KAWAGUCHI. "Visual Statistical Learning with line drawings;." Proceedings of the Annual Convention of the Japanese Psychological Association 74 (September 20, 2010): 1EV039. http://dx.doi.org/10.4992/pacjpa.74.0_1ev039.

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27

Kawabata, Nobuo. "Depth Perception in Simple Line Drawings." Perceptual and Motor Skills 85, no. 3 (1997): 1043–57. http://dx.doi.org/10.2466/pms.1997.85.3.1043.

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Three-dimensional interpretation of simple line drawings, composed of two triangles with a common side, was studied through the quantitative measurement of perceived orientation of the surface indicated by a stimulus figure. In a single triangle, depth perception is ambiguous and is not stable even if perceived. In two triangles with a common side, however, depth is stably perceived. Depth effect, defined as the magnitude of the angle formed by the two perceived surfaces, increased linearly as the magnitude of an angle at a vertex facing the common side became larger. The depth effect did not

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28

Premadasa, I. G. "Realistic line drawings—a simple technique." Medical Teacher 13, no. 4 (1991): 349–51. http://dx.doi.org/10.3109/01421599109089916.

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29

Wijntjes, Maarten W. A., and Astrid M. L. Kappers. "Angle Discrimination in Raised-Line Drawings." Perception 36, no. 6 (2007): 865–79. http://dx.doi.org/10.1068/p5603.

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30

Cole, F., F. Durand, B. Freeman, and E. Adelson. "Interpreting line drawings of smooth shapes." Journal of Vision 11, no. 11 (2011): 47. http://dx.doi.org/10.1167/11.11.47.

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31

Veenstra, Jack, and Narendra Ahuja. "Line drawings of octree-represented objects." ACM Transactions on Graphics 7, no. 1 (1988): 61–75. http://dx.doi.org/10.1145/42188.42189.

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32

Phillips, F., J. Mazzarella, and P. Docter. "Specularity and shape from line drawings." Journal of Vision 14, no. 10 (2014): 729. http://dx.doi.org/10.1167/14.10.729.

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33

Hoffmann, Christoph, Zygmunt Pizlo, Voicu Popescu, and Steve Price. "Perception of surfaces from line drawings." Displays 28, no. 1 (2007): 1–7. http://dx.doi.org/10.1016/j.displa.2006.11.001.

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34

Gray, Mike. "Valuable work on interpreting line drawings." Computer-Aided Design 19, no. 7 (1987): 387. http://dx.doi.org/10.1016/0010-4485(87)90058-3.

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35

Lou, Liming, Lu Wang, and Xiangxu Meng. "Stylized strokes for coherent line drawings." Computational Visual Media 1, no. 1 (2015): 79–89. http://dx.doi.org/10.1007/s41095-015-0009-1.

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36

Shimaya, Akira. "Interpreting non-3-D line drawings." Artificial Intelligence 77, no. 1 (1995): 1–41. http://dx.doi.org/10.1016/0004-3702(95)00011-3.

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37

Malik, Jitendra. "Interpreting line drawings of curved objects." International Journal of Computer Vision 1, no. 1 (1987): 73–103. http://dx.doi.org/10.1007/bf00128527.

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38

Tambouratzis, Tatiana, and Michael J. Wright. "The Relative Effectiveness of Serial and Parallel Viewing of Line Drawings Depicting Possible and Impossible Objects." Perception 22, no. 11 (1993): 1271–85. http://dx.doi.org/10.1068/p221271.

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In a series of experiments, subjects were asked to make judgments concerning the three-dimensional constructibility of line drawings depicting possible and impossible objects. A spectrum of objects was employed in which complexity as well as, for impossible objects, the cause and saliency of the contradiction in three-dimensional structure varied widely. The line drawings were presented under varying viewing conditions and exposure times. It was found that line drawings of possible objects were more often correctly identified than those of impossible ones. Parallel (simultaneous) viewing was m

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39

Boshyan, Jasmine, Lisa Feldman Barrett, Nicole Betz, Reginald B. Adams, and Kestutis Kveraga. "Line-Drawn Scenes Provide Sufficient Information for Discrimination of Threat and Mere Negativity." i-Perception 9, no. 1 (2018): 204166951875580. http://dx.doi.org/10.1177/2041669518755806.

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Previous work using color photographic scenes has shown that human observers are keenly sensitive to different types of threatening and negative stimuli and reliably classify them by the presence, and spatial and temporal directions of threat. To test whether such distinctions can be extracted from impoverished visual information, we used 500 line drawings made by hand-tracing the original set of photographic scenes. Sixty participants rated the scenes on spatial and temporal dimensions of threat. Based on these ratings, trend analysis revealed five scene categories that were comparable to tho

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40

Hu, Zhongying, Kohei Inoue, and Kiichi Urahama. "Cartesian Resizing of Line Drawings for Pixel Line Arts." Journal of The Institute of Image Information and Television Engineers 68, no. 4 (2014): J174—J177. http://dx.doi.org/10.3169/itej.68.j174.

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41

Szubielska, Magdalena, Ewa Niestorowicz, and Bogusław Marek. "The Relevance of Object Size to the Recognizability of Drawings by Individuals with Congenital Blindness." Journal of Visual Impairment & Blindness 113, no. 3 (2019): 295–310. http://dx.doi.org/10.1177/0145482x19860015.

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Introduction: The aim of this study was to determine whether individuals with congenital blindness make more recognizable drawings of known objects that are furniture sized (table, man, tree) rather than hand sized (egg, coconut, banana; Hypothesis 1). We also investigated whether knowledge that the tactile drawings had been produced by people who are blind increased judges’ perceptions of their recognizability (Hypothesis 2). Methods: The raised-line drawings were made by children and teenagers who are blind and had no prior experience in tactile graphics. After a minimal initial training in

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42

Leder, Helmut. "Line Drawings of Faces Reduce Configural Processing." Perception 25, no. 3 (1996): 355–66. http://dx.doi.org/10.1068/p250355.

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The highly specialised skill of face recognition found in humans is thought to be dependent on the processing of a combination of edge-based and surface-based information, and of single-feature as well as of configural information. An investigation was carried out into how the saliency of facial information differs between faces presented as line drawings and the same faces presented as photographs. In experiment 1, the participants showed a decreased sensitivity in their detection of changed configural properties if the faces were presented as line drawings. In experiment 2 an investigation w

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43

Sheng, Heping, John Wilder, and Dirk B. Walther. "Where to draw the line?" PLOS ONE 16, no. 11 (2021): e0258376. http://dx.doi.org/10.1371/journal.pone.0258376.

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We often take people’s ability to understand and produce line drawings for granted. But where should we draw lines, and why? We address psychological principles that underlie efficient representations of complex information in line drawings. First, 58 participants with varying degree of artistic experience produced multiple drawings of a small set of scenes by tracing contours on a digital tablet. Second, 37 independent observers ranked the drawings by how representative they are of the original photograph. Matching contours between drawings of the same scene revealed that the most consistentl

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44

Charitonidou, Marianna. "Frank Gehry’s Self-Twisting Uninterrupted Line: Gesture-Drawings as Indexes." Arts 10, no. 1 (2021): 16. http://dx.doi.org/10.3390/arts10010016.

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The article analyses Frank Gehry’s insistence on the use of self-twisting uninterrupted line in his sketches. Its main objectives are first, to render explicit how this tendency of Gehry is related to how the architect conceives form-making, and second, to explain how Gehry reinvents the tension between graphic composition and the translation of spatial relations into built form. A key reference for the article is Marco Frascari’s ‘Lines as Architectural Thinking’ and, more specifically, his conceptualisation of Leon Battista Alberti’s term lineamenta in order to illuminate in which sense arch

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45

Bénard, Pierre, and Aaron Hertzmann. "Line Drawings from 3D Models: A Tutorial." Foundations and Trends® in Computer Graphics and Vision 11, no. 1-2 (2019): 1–159. http://dx.doi.org/10.1561/0600000075.

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46

Bessmeltsev, Mikhail, and Justin Solomon. "Vectorization of Line Drawings via Polyvector Fields." ACM Transactions on Graphics 38, no. 1 (2019): 1–12. http://dx.doi.org/10.1145/3202661.

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47

Noris, Gioacchino, Alexander Hornung, Robert W. Sumner, Maryann Simmons, and Markus Gross. "Topology-driven vectorization of clean line drawings." ACM Transactions on Graphics 32, no. 1 (2013): 1–11. http://dx.doi.org/10.1145/2421636.2421640.

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48

Cardoner, Rafael, and Federico Thomas. "Efficient Morphological Set Transformations on Line Drawings." International Journal of Pattern Recognition and Artificial Intelligence 11, no. 06 (1997): 947–59. http://dx.doi.org/10.1142/s0218001497000433.

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Image compression techniques have been recently used not only for reducing storage requirements, but also computational costs when processing images on low cost computers. This approach might be also of interest for processing large engineering drawings, where feature extraction techniques must be intensively applied for their segmentation into regions of interest for subsequent analysis. This paper explores this alternative using a simple run-length compression, leading to excellent results. Although this approach is not new and can be classified within the decomposition paradigm used since t

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49

Minoh, Michihiko, and Toshiyuki Sakai. "Mesh-Oriented Line Drawings Theory (MOLD Theory)." IEEE Transactions on Pattern Analysis and Machine Intelligence PAMI-8, no. 2 (1986): 210–21. http://dx.doi.org/10.1109/tpami.1986.4767774.

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50

Jianzhuang Liu and Xiaoou Tang. "Evolutionary Search for Faces from Line Drawings." IEEE Transactions on Pattern Analysis and Machine Intelligence 27, no. 6 (2005): 861–72. http://dx.doi.org/10.1109/tpami.2005.119.

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