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Books on the topic 'Linear narratives'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

Jewesbury, Daniel. No higher unity: Hybridity, non-linear narratives and the mirage in the Arizona desert. The Author], 2001.

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2

Jadecola, Costantino. Linea Gustav. Centro studi sorani "V. Patriarca", 1994.

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3

Zangrilli, Franco. Linea pirandelliana nella narrativa contemporanea. Longo, 1990.

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4

La linea siciliana nella narrativa moderna: Verga, Pirandello & C. Rubbettino, 2006.

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5

L' Ortigara il 25 giugno 1917: Nel racconto degli ufficiali di prima linea. Gaspari, 2007.

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6

Mainardis, Luigi. Un adolescente sulla linea gotica: Volontario nel battaglione "Forlì". Ritter, 2006.

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7

Cardarelli, Romualdo. Diario di guerra: Due anni in prima linea, 1916-1918. Polistampa, 2007.

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8

Miller, Rosalind. Can narrative be presented in an interactive non-linear manner successfully?: M. A. Communication Design Thesis 2002. Central Saint Martins College of Art & Design, 2002.

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9

Nicola, Francesco De. La linea dell'avventura: Studi sui narratori e la narrativa in lingua nel novecento. Liguria-Sabatelli, 1987.

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10

Nicola, Francesco De. La linea dell'avventura: Studi sui narratori e la narrativa in Liguria nel novecento. Edizioni Sabatelli, 1987.

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11

Mainardis, Luigi. Un adolescente sulla linea gotica: Volontario nel battaglione "Forlì". Ritter, 2006.

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12

Giani, Enzo. Una ferrovia sulla linea del fronte: 1942-1944 : diario di Enzo Giani. FM, 2003.

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13

Lavoravo alla Todt: La costruzione della linea gotica nel Mugello. Protagon, 2010.

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14

Dalle navi bianche alla Linea gotica, 1941-1944. Mursia, 2011.

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15

Alberti, Agostino. Bombe sulla Linea gotica: Le incursioni aeree sulla Versilia e sul territorio apuano (1943-45). Pezzini, 2013.

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16

Giudice, Davide Del, and Riccardo Mori. La linea gotica tra la Garfagnana e Massa Carrara, settembre 1944-aprile 1945: Cronache di guerra, diari, testimonianze documenti americani, partigiani, tedeschi, R.S.I. e civili. Libreria Gasperini, 2000.

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17

editor, Bebi Anna Lisa, ed. Dietro la linea del fuoco: Corrispondenze dal fronte della prima guerra mondiale a "La Nazione" di Firenze. Le lettere, 2015.

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18

1901-1978, Larice Terzo, ed. Tigre: Diario e ricordi di Terzo Larice partigiano della 8a brigata Garibaldi : dalla Romagna alla Foresta Amazzonica, dalla guerra partigiana sulla linea gotica, ai documenti segreti di Mussolini a Milano. Stampa alternativa/ Nuovi equilibri, 2007.

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19

Francesconi, Teodoro. La linea dell'Isonzo: Diario postumo di un soldato della RSI Battaglione bersaglieri volontari "Benito Mussolini". Effepi, 2009.

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20

Dessì, Giuseppe, and Enrico Falqui. Lettere 1935-1972. Edited by Alberto Baldi. Firenze University Press, 2015. http://dx.doi.org/10.36253/978-88-6655-771-5.

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Poco più di 150 pezzi epistolari, provenienti dagli archivi novecenteschi di Firenze e di Roma, pubblicati per la prima volta grazie all’attenta trascrizione di Alberto Baldi, consentono non solo di ricostruire la storia di un’amicizia nata intorno alle pagine dei giornali e consolidatasi nel tempo fino a coinvolgere le compagne dei due interlocutori (Gianna Manzini, Lina Baraldi e Luisa Babini), ma di seguire la presenza di Giuseppe Dessí su uno dei quotidiani più letti nella capitale. La corrispondenza editoriale (precocemente avviata da un Falqui animatore di cultura) si trasforma ben prest

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21

Leonardi, Giancarlo. Senza patria: Con la San Marco in Liguria sulla Linea gotica, 1944-1945. Associazione culturale Italia, 2009.

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22

Ghigi, Bruno. La guerra sulla linea gotica dal Metauro al Senio fino al Po: Le battaglie di Rimini e del Senio, l'invasione di San Marino e il disperato tentativo tedesco di varcare il Po. B. Ghigi, 2003.

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23

God and circumstances: A lineal study of intent in Edgar Allan Poe's The narrative of Arthur Gordon Pym and Mark Twain's The great dark. P. Lang, 1989.

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24

Ghigi, Bruno. La guerra sulla linea gotica dal Metauro al Senio fino al Po: Le battaglie di Rimini e del Senio, l'invasione di San Marino e il disperato tentativo tedesco di varcare il Po. B. Ghigi, 2003.

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25

Dessì, Giuseppe. Diari 1949-1951. Edited by Franca Linari. Firenze University Press, 2010. http://dx.doi.org/10.36253/978-88-6453-055-0.

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From a tender age Giuseppe Dessí was in the habit of entrusting to private writings the unquiet story of his formation, recording against the background of significant vital abodes the events of his life, his reading and his encounters … Franca Linari, who has for some time been studying the relations between the writing of diaries and narrative composition, after the critical edition of the Diaries 1926 –1931 and 1931–1948 (Roma, Jouvence, 1993 and 1999), is now proposing this new collection, philologically impeccable and attentively annotated, which makes it possible to reappraise years subj

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26

Cipollini, Giovanni. Operazioni contro i ribelli: I crimini della 16. S.S. Panzer Grenadier Division nel settore occidentale della Linea gotica, estate 1944 : documenti e testimonianze per la ricerca storica. Baroni, 1996.

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27

Edge of survival: Vietnam, the other side. Ashley Pub., 1993.

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28

Mondics, Ingrid. Nordic Linea. Ceshore Publishing Co., 2002.

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29

Drury, Joseph. Novel Machines. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198792383.001.0001.

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Novel Machines argues that many of the most important formal innovations in eighteenth-century fiction were critical responses to the new prominence of machines in Britain’s Industrial Enlightenment. Although narratives and machines had been seen as sharing a basic affinity since Aristotle, their relationship acquired a new urgency in the eighteenth century as authors sought to organize their narratives according to the new ideas about nature, art, and the human subject that emerged out of the Scientific Revolution. Novel Machines tracks the consequences of this effort to transform the novel i

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30

Burnham, Michelle. Transoceanic America. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198840893.001.0001.

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Transoceanic America offers a new approach to American literature by emphasizing the material and conceptual interconnectedness of the Atlantic and Pacific worlds. These oceans were tied together economically, textually, and politically, through such genres as maritime travel writing, mathematical and navigational schoolbooks, and the relatively new genre of the novel. Especially during the age of revolutions in the late eighteenth and early nineteenth centuries, long-distance transoceanic travel required calculating and managing risk in the interest of profit. The result was the emergence of

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31

Meretoja, Hanna. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190649364.003.0008.

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Drawing together the main lines of argumentation developed in the book, the concluding chapter synthesizes the hermeneutic ethics of storytelling as a framework that provides analytical resources for studying both oppressive and empowering narrative practices and the (ab)uses of narratives in specific cultural contexts. It summarizes narrative hermeneutics as an approach that is attentive to how practices of storytelling expand and diminish a sense of the possible, and it explores narrative fiction as an inquiry into the ethics of being implicated in histories of violence, silence, and dialogu

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32

Toye, John. Introduction to ideas of development. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198723349.003.0001.

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The 2008 financial crisis has sparked student demands to rewrite the economics curriculum, giving more space to economic history and the history of economic thought. This can be done within a survey of the main narratives of socioeconomic development. Pre-18th-century discussions of improvement were narratives of linear social progress, however. Once the moderns triumphed over the ancients, the term ‘development’ became common in English. The alternative ‘civilization’ proved to be too ambiguous and too controversial. The development concept bifurcated into ‘organic and constructive versions’,

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33

Hingston, Kylee-Anne. Articulating Bodies. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620757.001.0001.

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Articulating Bodies investigates the contemporaneous developments of Victorian fiction and disability’s medicalization by focusing on the intersection between narrative form and the body. The book examines texts from across the century, from Frederic Shoberl’s 1833 English translation of Victor Hugo’s Notre-Dame de Paris (1831) to Arthur Conan Doyle’s Sherlock Holmes story “The Adventure of the Crooked Man” (1893), covering genres that typically relied upon disabled or diseased characters. By tracing the patterns of focalization and narrative structure across six decades of the nineteenth cent

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34

Leman, Peter. Singing the Law. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621136.001.0001.

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“Singing the Law” is about the legal lives and afterlives of oral cultures in East Africa, particularly as they appear within the pages of written literatures during the colonial and postcolonial periods. In examining these cultures, I begin with an analysis of the cultural narratives of time and modernity that formed the foundations of British colonial law. Recognizing the contradictory nature of these narratives (i.e., they both promote and retreat from the Euro-centric ideal of temporal progress) enables us to make sense of the many representations of and experiments with non-linear, open-e

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35

Alden, Maureen. Para-Narratives for Telemachus. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199291069.003.0005.

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The poet’s design for Odysseus’ revenge on the suitors is projected in Athene/Mentes’ story (A1) of him standing fully armed at the outermost doors of the Taphian palace on a journey to fetch poison for his arrows. A story from Helen (B1) explores the possibility of confiding the rescue plan to the heroine after being recognized by her in hostile territory and receiving a bath. However, Menelaus’ account (B2) of Helen’s treachery towards the soldiers in the Wooden Horse by mimicry of their wives shows that the heroine may not keep the secret until the plan has been executed. (Penelope cannot t

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36

Pushkin Threefold: Narrative, Polemic, and Ribald Verse. The Originals with Linear and Metric Translations. Ardis Publishers, 1993.

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37

Arndt, Walter, and Aleksandr Sergeevich Pushkin. Pushkin Threefold: Narrative, Lyric, Polemic and Ribald Verse, the Originals with Linear and MetricTranslations. Duckworth Publishers, 2012.

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38

Carter, Warren. Narrative Readings, Contextualized Readers, and Matthew’s Gospel. Edited by Danna Nolan Fewell. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199967728.013.26.

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This chapter begins by identifying and evaluating five central emphases evident in narrative criticism as it involves work on Matthew’s Gospel: attention to a unified coherent narrative, the linear reading experience, examination of dimensions of the narrative (plot, characters, settings, etc.), attention to reading as an implied reader, and the relationship between narrative and history. It argues that claims of some narrative exponents to produce the expected reading of an ideal implied reader is an illusion. It proposes instead that the way ahead lies in an acknowledgment of and attention t

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39

Pushkin, Aleksandr Sergeevich. Pushkin Threefold: Narrative, Lyric, Polemic and Ribald Verse. The Originals with Linear and Metric Translations. Ardis Publishers, 1993.

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40

Ho, Jennifer. Southern Eruptions in Asian American Narratives. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037832.003.0009.

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This chapter discusses the emergence of Asian American literature and film about the South as they disrupt multiple narratives about race relations and racial subjectivity. It particularly studies Susan Choi's novel The Foreign Student (1998), Mira Nair's feature-length film Mississippi Masala (1992), and Paisley Rekdal's creative nonfiction collection of autobiographical essays, The Night My Mother Met Bruce Lee: Observations on Not Fitting In (2000). Asian American stories set in the South erupt the myth of imaginary lines between the past and present, arguing that the inclusion of Asian Ame

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41

Conrad, Joseph. Juventud, la linea de sombra / Youth, a Narrative, 1902 The Shadow-Line, a Confession, 1917. Grupo Anaya Comercial, 2003.

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42

Phillips, Murray G., and Gary Osmond. Digital History Flexes its Muscle. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038938.003.0012.

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This concluding chapter discusses the potentially far-reaching impact of the intersection between history and the digital era. An important consequence of this discussion is the encouragement of experimentation in history making. Digital history, at its maximalist end, engages with the practice of experimentation by denaturalizing every dimension of traditional history: the dominance of qualitative research, traditional source materials, the practice of sole authoring, one-way scholarly communication, peer review, filter-then-publish models, linear narratives, intellectual property, and the vi

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43

Meyer, Michel. The foundations of literary rhetoric. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199691821.003.0007.

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Chapter 7 deals with one of the most traditional aspects of rhetoric, namely literature. It describes a basic law of literary rhetoric which accounts for the increasing problematicity of literary language in novels, poetry, and drama. This chapter also explains the evolution of literary criticism. The fact that literature is less and less linear in its narratives, and is increasingly enigmatic (Joyce or Kafka) is accounted for by the law of auto-contextualization of the problematic in the fictional answers. This law encourages the reader to provide the meaning of the text, even when it is cons

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44

Santoro, Daniella. The Dancing Ground. Edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199331444.013.17.

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The performative traditions of New Orleans second line parades offer profound insight into localized expressions of health and disability. As public, festive, and symbolic spaces of music, dance and movement, second lines privilege the body as a site of knowledge production and individual improvisation within a collective tradition. This essay focuses on the relationship between dance and disability as observed during second line parades in New Orleans from 2010 to 2013. The narratives of those participants who are marked as disabled by age or circumstance reveal how the public space of dance

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45

Chin, Tamara T. Colonization, Sinicization, and the Polyscriptic Northwest. Edited by Wiebke Denecke, Wai-Yee Li, and Xiaofei Tian. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199356591.013.31.

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This chapter gives a chronological sketch of China’s past as a real and imagined part of a culturally larger history. It addresses the significance of the historiographic paradigms of colonization and Sinicization, highlighting the literary genres and frontier contexts that complicate linear narratives of empire and literary practice. The final section on the “Polyscriptic Northwest” introduces the diversity of literatures in foreign scripts and languages that flourished alongside Literary Chinese texts in eastern Central Asia (China’s Northwest). Throughout the first millennium ce, mass migra

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46

Confino, Alon. History and Memory. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199225996.003.0003.

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This chapter describes how memory has shaped the academic discipline of history. In the past two decades or so, ‘memory’ as a category to analyze and understand the relation of human beings to their past has become a nearly ubiquitous concept. Triggered jointly by the general crisis of representationalism and by a specific historical experience—the Holocaust—‘memory’ has replaced for some scholars a rather linear and monodimensional concept of ‘society’. Whereas in the past, memory was considered to be subjective and unreliable, it has now moved to centre-stage: it is in individual and collect

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47

Laski, Gregory. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190642792.003.0001.

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This introductory chapter outlines the conceptual, historical, and literary stakes of the book’s examination of the place of progress in definitions of democracy. The chapter opens with a reading of Walt Whitman’s Democratic Vistas (1871) as articulating one of the constitutive tensions of standard narratives of American democracy: the tendency to locate this political form’s promise in a future that is divorced from the past of racial slavery. Offering context for Whitman’s vision, the chapter surveys key political, cultural, and legal developments that functioned to consolidate the idea of t

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48

Eagleton, Mary. The Feminist Novel. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198749394.003.0028.

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This chapter defines ‘the feminist novel’ as a novel produced within an awareness of contemporary feminist debates, but by no means promoting any party line. It focuses on three particular concerns that have resonated throughout the post-1968 novel — the desire to become ‘free women’, the rewriting of culture and history, and the interest in female relationships. The chapter shows that, though the women of the feminist novel are not ‘free’, they certainly test the boundaries of proper femininity. In addition, feminist rewriting of cultural and literary narratives has both reconceptualized ‘wom

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49

Seymour, Nicole. Trans Ecology and the Transgender Road Narrative. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.152.

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This article identifies a particular subgenre of the road narrative, the transgender road narrative, analyzing the filmTransamericaand the novelNevadaas representative examples. The first part draws on transgender studies scholarship, showing how these texts both depict a long history of trans (im)mobility and engage with the affective geographies of gender transitioning, including the idea of the body as home. The second part draws on ecocriticism and environmental humanities scholarship, comparing howTransamericaandNevadadepict landscapes and environments in relation to trans bodies. This ar

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50

Williams, Tami. Negotiating Art and Industry in the Postwar Context. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038471.003.0003.

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This chapter studies several of Dulac's early narrative Impressionist films, and her ideal of cinema as a spatiotemporally complex universe of symbols—one in which meaning is created through an intertextual network of figurative associations, such as pictorial and rhythmic gesture. Dulac's integral approach, based on life, movement, and rhythm, exemplified in a surviving extract of what is considered the first Impressionist film, La Fête espagnole (1920), is used in a particularly innovative and feminist manner in one of her earliest extant films, La Belle Dame sans merci (1921). Dulac's use o

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