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Journal articles on the topic 'Lingual poetics'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Kačerauskas, Tomas. "Theology, Hermeneutics and Philosophical Poetics." International Studies. Interdisciplinary Political and Cultural Journal 14, no. 1 (2012): 95–107. http://dx.doi.org/10.2478/v10223-012-0056-y.

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The article deals with Heidegger’s attitudes towards theology. Heidegger, stating that existential philosophy and theology are incompatible, advances a thesis of not objectivating poetic thinking. Whereas, Ricoeur’s biblical hermeneutics is based on his theory of metaphor. The lingual act here means the destruction of the old outlook for the sake of the new one. In this dramatic way cognition occurs as a meeting. The poetica thinking of the late Heidegger is also based on a meeting that covers both horizontal coexistence and vertical direction. The author raises the question whether the poetic

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2

Ramaswamy, Sumathi. "En/gendering Language: The Poetics of Tamil Identity." Comparative Studies in Society and History 35, no. 4 (1993): 683–725. http://dx.doi.org/10.1017/s0010417500018673.

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Since the publication of Benedict Anderson's Imagined Communities almost a decade ago, historians and anthropologists have become accustomed to think of the nation—that bedrock of our existence as moderns—as an imagined entity.1 Yet it is problematic, at least to this author, that while the spotlight is (once again) on the nation, the other key actor in Anderson's formulation, the language through which a specific nation is subjectively conceived and imagined, appears to have been relegated to the sidelines. By proposing that languages, too, be considered cultural and symbolic entities that ar

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Lu, Wei-lun, Svitlana Shurma, and Suzanne Kemmer. "Delivering the unconventional across languages." Review of Cognitive Linguistics 18, no. 1 (2020): 244–74. http://dx.doi.org/10.1075/rcl.00058.lu.

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Abstract This paper presents an analysis of nonce words that relies on Cognitive Grammar (CG) using the English version of “Jabberwocky” and its two Ukrainian renditions. We identify great variation among the versions, both inter-lingual and intra-lingual. In particular, not only do the versions differ greatly in terms of construal presented in CG terms, but there are various elements that do not, and simply cannot, get through between the English version and the Ukrainian ones. We accordingly propose that the use of Multiple-Parallel-Text (MultiParT) approach can not only help make generaliza

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Siuta, Halyna. "Terminology of receptive stylistics: the adaptation of other-disciplinary concepts." Terminological Bulletin, no. 5 (2019): 104–11. http://dx.doi.org/10.37919/2221-8807-2019-5-13.

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Receptive stylistics is the latest trend in the stylistics of text. It studies the mechanisms of text perception, in view of the account time, socio-cultural and individual psychological factors of perception. This integrative model of textology combines the ideas of hermeneutics, phenomenology, receptive aesthetics and poetics, traditional poetics, linguоsynergetics etc. Maximum openness to the researching of the intellectual and communicative nature of the text is reflected in the terminology of receptive stylistics. One of the theoretical platforms of receptive stylistics is receptive aesth

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Davis, Alex. "Collaborator: Ezra Pound, Translation, and Appropriation." Modernist Cultures 14, no. 1 (2019): 17–35. http://dx.doi.org/10.3366/mod.2019.0238.

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This article discusses a number of Pound's poetic works, including Homage to Sextus Propertius, Hugh Selwyn Mauberley, and selected cantos, in relation to the practice of collaborative translation undertaken by numerous modernist authors. In Pound's case, such collaboration takes the form, in the main, of a creative partnership with poets central to his conception of the ‘Tradition’, for example, Homer and Propertius. In Pound's hands, the source text is ‘made new’ for a modernist target culture by means of strategies allied to his development of a poetics of appropriation, beginning with his

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Мартакова, А.В. "Мовна гра в контексті постмодерної поетики й стилістики". Лінгвістичні дослідження : Збірник наукових праць Харківського національного педагогічного університету імені Г.С. Сковороди, № 39 (24 червня 2015): 153–58. https://doi.org/10.5281/zenodo.18947.

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Modern understanding of language games in scientific discourse is characterized by its polyas-pectual and multi-faceted study: from general world view and aesthetic principles to the author’s lingual means of its expression. Language games acquired special functionality in Ukrainian poetry texts of the late XX – early XXI centuries (the format of postmodernism), due to the change in artistic and aesthetic dominants and thus the stylistic resources of text creation. The article comments on the ideological and aesthetic principles of language game as a discursive phenomenon and speci

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Khabotniakova, Polina S., and Vira H. Nikonova. "BIBLICAL IMAGES-SYMBOLS IN FRANK PERETTI’S MYSTICAL THRILLERS: LINGUAL REPRESENTATION AND PRAGMATIC VALUE." Alfred Nobel University Journal of Philology 2, no. 26/1 (2023): 221–31. http://dx.doi.org/10.32342/2523-4463-2023-2-26/1-16.

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The paper aims to clarify the biblical image-symbols in Frank Peretti’s mystical thrillers. The problem of the detailed analysis of the lingual representation of the biblical image-symbols and their pragmatic value is solved in the article by applying a complex of methods of linguistic poetics, cognitive linguistics, stylistics and methodological tools of discourse analysis. The paper considers the biblical images-symbols, used in American mystical thrillers written by the protestant author Frank Peretti, as biblical intertexts depicting not only biblical knowledge but also author’s intentions

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Chapman, Alison. "INTERNATIONALISING THE SONNET: TORU DUTT'S “SONNET – BAUGMAREE”." Victorian Literature and Culture 42, no. 3 (2014): 595–608. http://dx.doi.org/10.1017/s1060150314000163.

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“When the history of theliterature of our country comes to be written, there is sure to be a page in it dedicated to this fragile exotic blossom of song” (Dutt xxvii). This sentence is Edmund Gosse's famous final flourish to his memoir of Toru Dutt, which introduced her posthumous volumeAncient Ballads and Legends of Hindustan, published in 1882, five years after her death from tuberculosis at the age of twenty-one. But what would Dutt's page look like in the history of “our country,” by which Gosse means of course England? This question is a tricky one, because placing a late nineteenth-centu

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SІUTA, Halyna. "ELITISM AND COMMON ACCESSIBILITY OF LINA KOSTENKO’S POETIC LANGUAGE." Culture of the Word, no. 92 (2020): 87–100. http://dx.doi.org/10.37919/0201-419x-2020.92.7.

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The article proves that elitism and universality, common accessibility defining creative and aesthetic features of Lina Kostenko’s poetic language. Their harmony is created by three aesthetic and creative dimensions: world, national and individual. World culture in L. Kostenko’s texts reflects by different lingual-and-aesthetic units – images, aphorized statements, quotations. Panoramic linguo-culturally holistic perception of world culture in the poetry of Lina Kostenko represents the dictionary of precedent names. This dictionary is formed by names from the texts of Bible, culture of antiqui

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Agamben, Giorgio. "La Poesia Come Traduzione." Romanic Review 115, no. 1 (2024): 45–51. http://dx.doi.org/10.1215/00358118-11011991.

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Abstract Questo saggio riflette sul costitutivo bilinguismo che caratterizza l’autotraduzione in italiano dei poeti dialettali del Novecento. Qui, propone Agamben, la poesia non abita più nell’identità di una lingua, ma trova una vera casa nello spazio bianco che unisce e divide i due testi, spesso stampati su pagine contrapposte. Agamben fa risalire questo bilinguismo poetico a Dante, che contrappone la lingua volgare, “che i bambini acquisiscono da chi li circonda”, alla lingua che chiama “grammaticale”, che dobbiamo imparare attraverso un lungo percorso di studi. Questa tensione traduttiva

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Nesterova, Natalya M., and Evgeniya A. Naugolnykh. "The Deformation of Language in James Joyce’s Literary Works: Interpretation and Translation Challenges." Russian Journal of Linguistics 23, no. 2 (2019): 460–72. http://dx.doi.org/10.22363/2312-9182-2019-23-2-460-472.

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The paper deals with studying language deviations of different types in James Joyce’s Ulysses and Finnegans Wake . Deviations in general are known to be a departure from a norm or accepted standard; in linguistics deviations are viewed as an artistic device that can be applied in different forms and at various textual levels. The author’s language deformation is analyzed as a form of deviation used for expressing the writer’s language knowledge. It is concluded that in Ulysses the destruction of the language is thoroughly thought out and multi-aimed. For instance, occasional compound units tha

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Liberti, Giuseppe Andrea. "Oltre Marechiare." Polisemie 3 (April 13, 2022): 1–22. http://dx.doi.org/10.31273/polisemie.v3.914.

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This paper describes some of the routes taken by Neapolitan poetry during the 21st century, paying particular attention to the most recognizable literary experiences and to authors whose works have been relevant for the evolution of the local poetic language. The paper traces a linguistic and formal path of the main tendencies of Neapolitan poetry: starting from the persistence of dialect, it continues by addressing experimentalism in Italian poetry written in Naples. Then, it focuses on the junction of performance and spoken strategies with long poems and narrative compositions, which I compa

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Romanyshyn, Nataliia. "LINGUAL AND POETIC ACTUALIZATION OF POLITICAL AND SOCIAL CONCEPTS IN GEORGE GORDON BYRON’S POETIC DISCOURSE." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 5(73) (2019): 165–69. http://dx.doi.org/10.25264/2519-2558-2019-5(73)-165-169.

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Шмігер, Тарас. "ТЕКСТ КРІЗЬ ЧАС: ЧАСOВІДДАЛЕНІ ОРИГІНАЛИ, ЧАСOВІДДАЛЕНІ ПЕРЕКЛАДИ (“SAMSON AGONISTES” ДЖОНА МІЛТОНА ТА ЙОГО ПЕРЕКЛАДИ УКРАЇНСЬКОЮ МОВОЮ ІВАНА ФРАНКА ТА СЛОВАЦЬКОЮ МОВОЮ МАР’ЯНА АНДРІЧИКА)". Inozenma Philologia, № 136 (10 грудня 2023): 86–100. http://dx.doi.org/10.30970/fpl.2023.136.4206.

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The paper is dedicated to John Milton’s poem “Samson Agonistes” (published in 1671) and its two translations: the Ukrainian translation was done by Ivan Franko (1912; published in 1913), and the Slovak translation was rendered by Marián Andričík (2022). The translation strategies applied in both target texts illustrate the ways and limits of the reception and perception of common European – sometimes predominantly Christian – poetics among modern readers. Local divergences can contribute to the integral theory of textual recreations in reader-oriented translation strategies. The focus of the p

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BEDOUI, Asma, and Sandra Sabrina TRIKI. "La scoperta delle manifestazioni e degli aspetti socioculturali dell’Italia mediante il testo letterario: Il caso di “NATALE A REGALPETRA” di Leonardo Sciascia e di “A Gesù BAMBINO” di Umberto Saba." ALTRALANG Journal 5, no. 3 (2023): 428–48. http://dx.doi.org/10.52919/altralang.v5i3.379.

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ABSTRACT: Teaching/ learning Italian as a foreign language has always been linked to the use of literary texts in language classes. It is considered a place where Italian culture and language are practiced. This article proposes to present and explain the complementary role of literature in language classes, showing the effectiveness and importance of the use of literary text as an educational tool and support and a sociocultural medium, presenting cultural aspects, linguistic and communicative language that foster the acquisition of intercultural competence through an analysis of a narrative

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Răciula, Lilia. "Semn lingval/semn poetic/simbol." Limbaj şi context : Rev. internaţională de lingvistică, semiotică şi şt. literară 2010 (1) (April 6, 2017): 39–47. https://doi.org/10.5281/zenodo.495363.

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IVANOV, DMITRY IGOREVICH, and DMITRY LEONIDOVICH LAKERBAI. "COGNITIVE HUMANITARIAN SEMIOTICSAS A ‘GROWTH POINT’ OF PHILOLOGICAL KNOWLEDGE." Lomonosov Journal of Philology, no. 3, 2023 (June 19, 2023): 65–78. http://dx.doi.org/10.55959/msu0130-0075-9-2023-47-3-6.

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This article considers the authors’ theoretical complex ‘cognitive humanitarian semiotics’ (ST (synthetic text) - SLP (synthetic lingual personality) - CPP (cognitive-pragmatic program)) as ‘growth points’ of philological knowledge. This complex is built in the mode of metadisciplinarity, the essence of which is in a deep epistemological substantiation of those interdisciplinary connections that unambiguously point to the internal kinship of outwardly heterogeneous principles that define a complex (hybrid) cultural and linguistic object.Main results: for a deep interpretation of the ‘subject-t

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Diadchenko, Hanna. "Ukrainian poetic generations second half of XX century: language-aesthetic analysis." Culture of the Word, no. 90 (2019): 104–19. http://dx.doi.org/10.37919/0201-419x-2019.90.10.

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In the article chronological as well as lingual and aesthetical stratification of the Ukrainian poetry at the end of the ХХ century is observed. With the aim of revealing of the traditional and individual features correlation the notion of the poetic generation is used. The author of the article gives the analyses of the lingual creative activity of the literary generations at the end of the ХХ century such as man of the sixties, seventies, eighties and nineties. It is stressed that the dominant creative principals of the Ukrainian poetry of the period observed are lingual and expressive freed

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Ponzio, Augusto. "Semiotica della metafora in Vico." PARADIGMI, no. 1 (May 2009): 27–40. http://dx.doi.org/10.3280/para2009-001003.

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- According to Vico metaphor is a fundamental and primary instrument of thought. This concept was further developed by Du Marsais and Rousseau. Particularly important is Vico's concept of poetical logic. Linguistic creativity is the capacity to form new metaphorical associations, to propose new cognitive combinations, and invent new figurations. The species-specific trait of the human being is a modelling device capable of inventing an indeterminate number of worlds. This species-specific human modelling capacity is the lingua mutola, the mute language discussed by Vico: gesture or body langua

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Oleksandr, Oleksandr. "VERBALIZATION OF MYTH OF THE «GARDEN» IN OLEKSII DOVHIY’S POETIC LANGUAGE." Studia Linguistica, no. 15 (2019): 250–60. http://dx.doi.org/10.17721/studling2019.15.250-260.

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The article analyzes peculiarities of interpretation of the myth «garden» of Oleksii Dovhiy’s lyrical hero and the nature of its lingual expression. During the research it was found out that within the anthropocentric approach in linguistics special attention was paid to the study of the peculiarities of lingual reflection of the worldview by the individual. Based on a review of linguistic research on the subject, it was concluded that the linguistic worldview is a way of reflecting reality in the human mind through the lens of the lingual and cultural-national features of a particular lingual

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KOZLOVSKA, Larysa, та Hanna DIADCHENKO. "CONCEPT “LONELINESS” IN THE POETIC CREATIVITY OF THE END OF ХХ – BEGINNING OF ХХІ CENTURIES". Culture of the Word, № 95 (2021): 184–95. http://dx.doi.org/10.37919/0201-419x-2021.95.15.

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The article is devoted to the linguistic description of the concept “loneliness” in the language of the Ukrainian poetry at the end of ХХ – beginning of ХХІ centuries. The authors prove that “loneliness” concept is a productive instrumentation of lingual depiction of the psychological portrayal of a contemporary. Language of the poetic works at the end of ХХ – beginning of ХХІ centuries gives a convincing evidence to this statement. It represents such lingual signs of the “loneliness” leitmotif as the abstract nouns loneliness, solitude, fragmentation, loner, sad and lonely, recluse, away from

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Lucia, Carmela. "I “suoni dei sensi” e le partiture sonore nella lingua di scena del teatro di Ruggero Cappuccio." Forum Italicum: A Journal of Italian Studies 52, no. 2 (2018): 648–66. http://dx.doi.org/10.1177/0014585818757730.

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Obiettivo del saggio è presentare una prima analisi della lingua del teatro di Ruggero Cappuccio, autore multanime e poliedrico, considerato una delle voci più originali della drammaturgia contemporanea, non solo dell’area napoletana. Oggetto della ricerca sono due opere pubblicate Shakespea Re di Napoli (2002) e Le ultime sette parole di Caravaggio (2012), con un copione inedito, intitolato Circus Don Chisciotte (2017). Le scelte formali, fortemente ancorate alla dialettalità del napoletano, ma anche del siciliano e, con minore frequenza, del veneziano, si affrancano dalla koinè regionale del

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La Rosa, Maddalena. "Un Omero "ragionato": alcuni aspetti di riforma poetica nella traduzione dell'"Iliade" di Melchiorre Cesarotti." AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica 6, no. 1 (2025): 121–45. https://doi.org/10.54103/2724-3346/29273.

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Il presente contributo si propone di mettere in luce alcuni aspetti traduttivi e teorici dell’immenso (e ancora poco approfondito) lavoro svolto da Melchiorre Cesarotti sull’Iliade: al di là della riscrittura de La Morte di Ettore (1795), questo ha avuto come esito due edizioni in dieci tomi del poema (Penada, 1786-1794; Brandolese, 1798-1802) comprendenti un Ragionamento preliminare, un eccezionale apparato di note e due distinte traduzioni, di cui una letterale in prosa e una “bella infedele” in versi, volta a restituire l’Iliade che Omero avrebbe scritto se fosse vissuto nel Settecento. Del

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Mohigul KAXAROVA. "THE PRINCIPLES OF LINGUA-POETIC ANALYSIS OF LITERARY WORKS." UzMU xabarlari 1, no. 1.2 (2025): 325–27. https://doi.org/10.69617/nuuz.v1i1.2.6407.

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The article is about a theoretical analysis of literary works, focusing on how language and its aesthetic functions play a crucial role in the creation and understanding of literary fiction. It also discusses the relationship between form and content in literature, the significance of content’s components, and the role of linguistic poetics in analyzing literary texts.

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Pritula, Anton. "From Tigris to Jerusalem: East Syriac Poetic Notes from the Ottoman Time." Hugoye: Journal of Syriac Studies 22, no. 1 (2019): 193–234. http://dx.doi.org/10.31826/hug-2019-220106.

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Abstract The poems published and studied here - most of them for the first time - represent literary tastes of East Syriac educated circles of the Ottoman period. These text collections appeared as later additions in the manuscripts written by ʿAbdīšōʿ of Gāzartā, the Uniate East Syriac Church poet and the second patriarch (1555-1570). These small texts, usually having very little or even nothing to do with the main manuscript text, represent a kind of verse notes made by different pilgrims, and reflect popular poetic tastes of the period. Short poems, especially quatrains, are an ideal form f

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HALAUR, SVITLANA, RUSLANA SHRAMKO, and SVITLANA PEDCHENKO. "POSITIONAL EMPHASIS IN THE MODERN LITERARY TEXT." AD ALTA: 11/01 11, no. 1 (2021): 287–91. http://dx.doi.org/10.33543/1101287291.

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The given article touches upon one of the most relevant in modern psycholinguistics problems of literary cognition of reality by the addresser and perception of his knowledge by the addressee. A positional emphasis has therefore been analysed as a productive way of regulating the reader’s perception of the text information. The research focuses on the relevant exposure of all the traits of lingual units’ actualization and on the further sustainable in-depth description of its linguistic techniques. The investigation grounds on up-to-date methods of literary texts’ analysis, particularly on lin

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Di Nino, Nicola. "realismo poetico dell’American Idiom di William Carlos Williams." Quaderns d’Italià 27 (December 22, 2022): 151–64. http://dx.doi.org/10.5565/rev/qdi.562.

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L’articolo si sofferma su una quasi sconosciuta prefazione scritta da William Carlos Williams ai sonetti dialettali di Giuseppe Gioachino Belli tradotti da Harold Norse alla fine degli anni Cinquanta. Nel breve saggio, qui tradotto per la prima volta in italiano, il poeta americano ribadisce con forza la sua poetica realista basata sull’uso dell’American Idiom, una lingua considerata diversa dall’inglese parlato nel Regno Unito, e il cui valore letterario viene paragonato a quello raggiunto da Belli nello scrivere i suoi sonetti in dialetto

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پیرۆت, بەرزان علی, та هێمن جاسم محمد. "ڕەنگدانەوەی سەبکی عێراقی لە شیعرەكانی حەریقدا". Journal of University of Raparin 6, № 2 (2019): 352–71. http://dx.doi.org/10.26750/vol(6).no(2).paper20.

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The title of the research is (The reflection of Iraqi Style on Hariq‌s poems) In Persian language the word (Sabk) stands for the word (Style) in English and (Shewaz) in Kurdish. Persian Literature stylistically is divided into (Khorasani Style, Iraqi style and Hindi style). style is the lingual, ideological and literary characteristics that is common in a certain period, and poets follow it. As Persian literature has had strong influence on Old Kurdish Literature, so in this research it has been tried to explain the lingual, ideological and literary characteristics that (Sirus Shamisa) has inv

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Garbelli, Marta. "«E in realtà il friulano non lo sapevo». Il casarsese di Pasolini da Poesie a Casarsa (1942) a La meglio gioventù (1954)." Moderna Språk 117, no. 2 (2023): 82–103. http://dx.doi.org/10.58221/mosp.v117i2.14476.

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La scelta del dialetto friulano da parte di Pasolini in Poesie a Casarsa (1942) si giustifica in primo luogo come presa di posizione contro l’usurata lingua della tradizione letteraria italiana in favore di una lingua marginale, «antichissima eppure del tutto vergine» (Pasolini, 1946, p. 14), trasfigurata in un personale idioletto poetico. Dal punto di vista strettamente dialettale, si tratta di una lingua libresca e artefatta, frutto di una «violenza linguistica» che «tendeva a fare del parlato casarsese insieme una koiné friulana e una specie di linguaggio assoluto, inesistente in natura» (P

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Dicuonzo, Angelo R. "Le risonanze infinite: Gnoseologia, lingua e poetica in Carlo Emilio Gadda." Italianist 20, no. 1 (2000): 156–92. http://dx.doi.org/10.1179/ita.2000.20.1.156.

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Viselli, Sante A. "L'oggetto poetico, la lingua e la parola dei poeti italo-canadesi." Italian Canadiana 4 (May 3, 2023): 123–35. http://dx.doi.org/10.33137/ic.v4i.41058.

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Winet, Kristin, and Ryan L. Winet. "Lingua Anglia: Bridging Language and Learners--Bridging Literacies: Poetic Translation as an Act of Empowerment." English Journal 106, no. 1 (2016): 66–68. http://dx.doi.org/10.58680/ej201628746.

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SІUTA, Halyna. "TRANSFORMATION OF THE ARTISTIC AND AESTHETIC CANON OF THE UKRAINIAN POETIC LANGUAGE DURING THE WAR." Culture of the Word, no. 101 (December 2024): 102–11. https://doi.org/10.37919/0201-419x-2024.101.8.

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The article notes that the reality of the war changed the Ukrainian lingual consciousness. Accordingly, there has been a certain transformation of the artistic and aesthetic canon. The article describes in detail the following characteristic changes: a) transformation of the figurative and expressive canon, vulgarisation of the vocabulary; b) transformation of the emotional and expressive canon, dominance of the modalities of anger, rage, hatred, call for revenge and punishment towards ‘outsiders’ and glorification towards ‘insiders’; c) emergence of new semantic and evaluative accents in the

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Skubic, Mitja. "Goran Filipi, Istrorumunjski lingvistički atlas. Atlasul lingvistic istroromân.Atlante linguistico istrorumeno, Knjižnica Atlas, Knjiga 2, Znanstvena udruga Mediteran=Societas studiorum Mediterraneum, Pula 2002, pag. 785." Linguistica 43, no. 1 (2003): 161–63. http://dx.doi.org/10.4312/linguistica.43.1.161-163.

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L'edizione di un atlante linguistico e sempre fonte di giustificato orgoglio per l'autore ed e nello stesso tempo fonte di allegria, di entusiasmo per chi si accinge a servirsene. II detto vale anche per l'apparizione dell'Atlante linguistico istrorumeno. Tuttavia, all'allegria si associa un sentimento di malinconia: si tratta di un pezzo della Romania che a poco a poco sta scomparendo, l'istrorumeno. II fenomeno non e proprio sorprendente, ne eccezionale: per limitarci al mondo romanzo si con statano territori latinizzati o romanizzati nell'epoca antica, l'epoca dell'espansione della forza p

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Kurbanov, Davronbek, and Botir Pulatovich Zaripov. "LINGUA-CULTURAL AND LINGUA-POETIC FEATURES OF LIMITED LAYER WORDS USED IN UTKIR HOSHIMOV'S NOVEL “IKKI ESHIK ORASI”." Theoretical & Applied Science 99, no. 07 (2021): 6–9. http://dx.doi.org/10.15863/tas.2021.07.99.2.

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Jovanović, Aleksandra V. "Charles Simić and Vasko Popa: Poetic Encounters." Serbian Studies: Journal of the North American Society for Serbian Studies 34, no. 1-2 (2023): 96–110. https://doi.org/10.1353/ser.2023.a952186.

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Abstract: From their irst encounter in 1970 Vasko Popa and Charles Simić became close associates and friends. Since then Charles Simić has translated more than eighty of Popa's poems. Simić has also written extensively on Popa's poetry placing his early work in a wider context of Surrealism. In his analysis, he focuses on the free play of images and the way Popa unlocks the extraordinary meanings of ordinary things. Besides, he traces the origins of Popa's poetry to myth and folklore. Simić holds that Popa draws heavily on Serbian folklore as a source of his mythical as well as Surreal imagina

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Ditmajer, Nina. "Slovenska nabožna pesem od Trubarja do Pohlina (1550–1799)." Jezik in slovstvo 65, no. 3-4 (2024): 37–54. http://dx.doi.org/10.4312/jis.65.3-4.37-54.

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The article presents selected poetic texts with religious content that have been preserved in the literary tradition in both printed and manuscript form. These were printed and written in Slovenian lectionaries, catechisms, prayer books, alphabets, dictionaries, leaflets and independent hymnals. The focus is on the most commonly represented poetic genres, such as Mary’s, saintly, festive, eschatological and passion songs, as well as songs about the Holy Body of the Saviour. The content of well-known Latin hymns, sequences and antiphons is presented, such as Pange lingua, Ave maris stella, Stab

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Dal Bianco, Stefano. "Farsi del male con la lingua." L'ospite ingrato 15, no. I (2024): 361–72. http://dx.doi.org/10.36253/oi-16376.

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The essay is a personal testimony on the sidelines of the conference on poetry and rubble held in Freiburg (proceedings published in No. 14 of «L’Ospite Ingrato»). After a brief survey of the presence of the theme of rubble in his own poetic production, the author dwells on issues of free metrics of the immediate contemporary, which appears characterized by an increase in the distance between accents, in the direction of the spoken language. In this context, however, the endecasyllabic tradition – but also the more recent tradition of other verses canonized in the twentieth century, such as th

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Rubini, Jacopo. "De novo sodalicio Opaca Fronde quantumque conferat ad sermonem latinum firmius tenendum carmina haicua (haiku) latine pangere." Salesianum 83, no. 2 (2021): 381–99. https://doi.org/10.63343/cm2121dc.

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Nel presente contributo in latino vengono inizialmente riportate le vicissitudini riguardanti la nascita del sodalizio poetico Opaca Fronde, fondato dal prof. Jacopo Rubini presso il Pontificium Institutum Altioris Latinitatis. Vengono brevemente presentate le cause, che hanno spinto Jacopo Rubini a fondare il suddetto sodalizio; vengono poi esposte le ragioni, per cui, secondo l’opinione dell’autore, la scrittura di haiku in latino può contribuire in maniera significativa all’approfondimento delle conoscenze e delle competenze riguardanti la lingua latina (laddove essa sia coltivata secondo m

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Sayidova, Gulrukh Yokubovna. "LINGUAPOETICS OF T TICS OF TASHBIH (COMP ASHBIH (COMPARISON) IN THE POE ARISON) IN THE POETIC WORKS OF ALISHER NAVOI." Scientific Reports of Bukhara State University 5, no. 1 (2021): 205–23. http://dx.doi.org/10.52297/2181-1466/2021/5/1/17.

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Introduction. The article identifies and classifies the structure, internal and external features of the tahsbeh (comparison) as well as explaining its semantic peculiarities in lingua poetic and lingua culturiological aspects in the poetic works of Alisher Navoi, the great poet of the Turkic peoples, uniting the Turkic peoples from China to Khorasan under the banner of a single literary language. As there is a significant difference between similar and compared words in tashbih, it makes the reader think and reflect over it. The reader tries to find a logical connection in the tashbih, and in

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Dorofeev, Daniil Yu. "Religious Metaphysics and Poetics of the Language of Joseph Brodsky (to the 80th Anniversary of the Poet’s Birth)." Voprosy Filosofii, no. 1 (2020): 100–110. http://dx.doi.org/10.21146/0042-8744-2021-1-100-110.

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An article dedicated to the 80th anniversary of Joseph Brodsky examines the metaphysical and religious aspects of the poet’s understanding of the language. The author explores the problem of the evolution of Brodsky's attitude to religion through the material of his numerous interviews and essays, showing that his particular poetic religiosity, the underlying metaphysics of the language and the assessment of religious denominations were shaped under the direct influence of the ethos of the English language and its specific incarnations in the works of J. Donn and especially W. Auden. The o

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Dorofeev, Daniil Yu. "Religious Metaphysics and Poetics of the Language of Joseph Brodsky (to the 80th Anniversary of the Poet’s Birth)." Voprosy Filosofii, no. 1 (2020): 100–110. http://dx.doi.org/10.21146/0042-8744-2021-1-100-110.

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An article dedicated to the 80th anniversary of Joseph Brodsky examines the metaphysical and religious aspects of the poet’s understanding of the language. The author explores the problem of the evolution of Brodsky's attitude to religion through the material of his numerous interviews and essays, showing that his particular poetic religiosity, the underlying metaphysics of the language and the assessment of religious denominations were shaped under the direct influence of the ethos of the English language and its specific incarnations in the works of J. Donn and especially W. Auden. The o

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Sini, Stefania, and Noemi Albanese. "Boris Kazanskij: retorica e poetica del discorso di Lenin." ENTHYMEMA, no. 34 (March 3, 2024): 1–49. http://dx.doi.org/10.54103/2037-2426/22615.

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Lo stile di Lenin, incisivo e dai tratti distintivi ben marcati, è stato per i formalisti banco di prova e di confronto fondamentale per applicare le proprie teorie alla contemporaneità più stringente. Particolarmente indicativo, a questo riguardo, è il numero 1(5) di LEF, uscito nel 1924 e dedicato alla lingua di Lenin. Vi partecipa anche Boris Kazanskij, personalità poliedrica, antichista di formazione, per il quale proprio la retorica e l’oratoria classiche ripensate nella prospettiva del presente divengono chiave di accesso e di analisi del fenomeno del discorso leniniano nonché fondamenta

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Iqbal, Maimoona, Abdus Samad, and Mansoor Ali. "Lack of Recognition of Khattak Dialect is a Threat to Khattak Poetry." Global Language Review V, no. III (2020): 97–107. http://dx.doi.org/10.31703/glr.2020(v-iii).11.

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Khattak dialect is one of the highlighted dialects of the Pashto language. The speakers of Khattak dialect fall between 2-3 million still this dialect is considered as a low resource language and is deprived of recognition which resultantly limits Khattak poetry only to its true natives. Yousafzai dialect has gained the status of lingua franca in documentation which has suffered the Khattak dialect on a large scale. This paper aims to highlight Danish Khattak's poetic work, which is unveiling the profound potential of Khattak's poetry and how it is alarming for the art of Khattak dialect, whic

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Kotelevskaya, Vera. "Paul Celan and Osip Mandelstam: Poetry under the Critique of Language." Literatūra 62, no. 2 (2020): 47–58. http://dx.doi.org/10.15388/litera.2020.2.2.

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The dialogue of Paul Celan, a reader and translator, with the poetry and the whole complex poetic views of Osip Mandelstam demonstrates an important general condition: both poets worked in the context of the modernist language crisis and language critique. Mandelstam takes on the task of creating a pure language of poetry in the struggle against the symbolist “code,” in the “resurrection” of words (V. Shklovsky) by means of a “defamiliarizated” intermixture of meanings and contexts, in intentional semantic oblivion and, among other things, by immersing himself in foreign languages (“An alien s

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ROTIROTI, Giovanni. "IL CORPO VIVO DELLA LINGUA: ALCUNE CONSIDERAZIONI PRATICO-TEORICHE SULLE LINGUE «SPARGĂ» E «LEOPARDĂ» DI NINA CASSIAN E VIRGIL TEODORESCU." Analele Universității București. Limba și literatură română 73, no. 1/2024 (2024): 135–50. http://dx.doi.org/10.62229/aubllrlxxiii/24/8.

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This contribution, starting from the studies of Giorgio Agamben, aims to highlight the peculiarity of two poetic languages invented by Nina Cassian and Virgil Teodorescu: the “spargă” language and the “leopardă” languages. The “spargă” and “leopardă” languages, developed during the surrealist period in Bucharest, embody the intrinsic dynamism of language. On the one hand, they reflect the multiplicity and original complexity of poetic language, where meanings are manifold and semantic closure is not definitive. On the other hand, these two fantastic languages highlight the pulsional heterogene

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Testa, Carlo. "Per una traduzione multidimensionale della poesia: “Notte, strada, lampione, farmacia” di Aleksandr Blok tra esistenzialismo e simbolismo." Quaderni d'italianistica 34, no. 1 (2013): 217–40. http://dx.doi.org/10.33137/q.i..v34i1.19880.

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Questo articolo propone al pubblico di lingua italiana una nuova traduzione in verso e rima, commentata e ragionata, della classica poesia blokiana “Notte, strada, lampione, farmacia,” anche nota come Danza macabra II (1912), tratta dalla raccolta Un mondo terribile (Strashnyi mir). La mia proposta viene presentata analiticamente attraverso un confronto puntuale con quattro preesistenti traduzioni in italiano: in primo luogo quella di Renato Poggioli, ne Il fiore del verso russo (1949), e successivamente quelle di Angelo Maria Ripellino (1975), Bruno Carnevali (1977) e Sergio Pescatori (1981).

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Scotti Jurić, Rita, and Lorena Lazarić. "TRADUZIONE E TRADIZIONE. ALCUNE RIFLESSIONI SULLA POESIA DI DANIEL NAČINOVIĆ." Folia linguistica et litteraria XI, no. 30 (2020): 175–93. http://dx.doi.org/10.31902/fll.30.2020.11.

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C’è una differenza sostanziale tra chi si esprime con la lingua standard e chi lo fa in dialetto. Gli studi sulla traduzione della poesia dialettale sono pochi e le prospettive teoriche denunciano per lo più difficoltà implicite in una tale operazione, ma non forniscono modelli operativi soddisfacenti. La domanda che ci si pone è se sia corretto tradurre la poesia ciacava nel dialetto istroveneto o lo si debba fare in italiano standard. Nel saggio si discuteranno le peculiarità della scrittura poetica dialettale di Daniel Načinović: l'espressività della lingua orale legata alla concretezza e a

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STROKAL, Oleksandr. "Verbalization of concept MOTHER in Oleksii Dovhiy’s poetic language." Linguistic and Conceptual Views of the World, no. 77 (1) (2025): 177–201. https://doi.org/10.17721/2520-6397.2025.1.10.

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Background. Human knowledge about the environment exists in human consciousness in the form of certain mental formations called concepts. The concept MOTHER in the poetic worldview of the lyrical hero forms a unique conceptual space, as it combines both numerous collective traditional ideas and an individual author’s interpretation of it. In the poetic language, the specified concept is implemented by actualizing of its signs by the semantic components of the lexeme “mother”. Topicality. The lexemes that denote the semantic components of the lexeme “mother” act as a unique language material th

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Rudavsky-Brody, Nathaniel. "Quest'è la letra : From Lyric Parody to Modern Tragedy in Ruzante's Venice." MLN 139, no. 1 (2024): 1–34. http://dx.doi.org/10.1353/mln.2024.a930284.

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Abstract: Paduan playwright Angelo Beolco, alias Ruzante, wrote against a vibrant tradition of dialect parody lyric and popular verse theater in the Veneto region. Yet in a pair of darkly comic one-act plays, the Due dialoghi in lingua rustica , Beolco pushes beyond his comic roots to reach new depths of tragic seriousness. Though in prose, the Dialoghi should be read as responding to the corpus of dialect poetry; when the humorous tension between the peasant speaker and his high poetic form is confronted with social and economic reality, tragedy is born. Comparison with another gem of Paduan

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