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1
Iermolenko, Svitlana, Svitlana Bybyk, Tetiana Kots′, Halyna Siuta, and Anhelina Hanzha. "The modern Ukrainian academic linguistic stylistics: A strategy of the integrative development." Ukrainska mova, no. 4 (2021): 3–23. http://dx.doi.org/10.15407/ukrmova2021.04.003.
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This article offers an analytical review of the Department of Stylistics, Culture of Language, and Sociolinguistics’ study outcomes in 1991—2021. It focuses on the publications with the expanded linguo-stylistic analysis and the developing of the terminological system of Ukrainian stylistics. The authors reinterpret a term style and concept of language culture and outline the contribution to the development of structural stylistics, i.e., linguistic text analysis, and interpretive stylistics from the Department staff also naming major studies which determined the connection of linguistic stylistics with the history of Standard Ukrainian and establishing the significant role of historical stylistics. Being determined by the view of language as a system of signs the structural approach in linguistic stylistics dominated at early stages the Ukrainian stylistics formation. The paper advances a new idea regarding the fluidity of the modern system of functional styles and the need to revise and restructure their socially significant hierarchy with respect to the linguo-cultural and communicative-pragmatic reinterpretation of integrative linguo-stylistics. The interdisciplinary aspects of functional-stylistic and genre-stylistic researches are the following: linguoculturology, linguofolkloristics, linguosophy, linguopersonology, linguoconflictology, discourseology, media stylistics, legal linguistics, psycholinguistics, ethnolinguistics, and linguistic expertise. The conclusion evaluates the digital methods to process texts in Standard Ukrainian and the need to create lexicographic sources of stylistic terminology and expand the aspects of stylistic lexicography. Keywords: linguo-stylistics, style, culture of language, norm, interdisciplinarity, research method, integrative linguo-stylistics
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Srailova, Akmaral B., Kseniia M. Baranova, Alexander K. Kalioppin, Yelena G. Knyazeva, and Olga V. Sergeeva. "Linguostylistic specifics of the pragmatical and symbolic realization of the English poetic discourse." XLinguae 14, no. 2 (April 2021): 215–26. http://dx.doi.org/10.18355/xl.2021.14.02.16.
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The article examines linguostylistic specifics of the pragmatical and symbolic realization of the poetic discourse based on English. As the purpose of the work, we analyzed the use of linguistic means of symbolization in the English poetic discourse in the linguopragmatic aspect. The article discusses the importance of stylistic means in English for poetic influence on the addressee. In analyzing verses from pragmalinguistic side is necessary to show their stylistic peculiarities. We did a contextual analysis of poetic works at the text and hypotext levels using the method of symbolic interpretation, stylistic analysis, and linguopragmatic analysis. As the material of the study, we analyzed the poetic works of English poets. The theoretical significance of research results is to identify linguistic specifics of pragmatic and symbol realization of the poetic discourse in the English linguoculture. The study contributes to the development of discursive linguistics, pragmalinguistics, lexicology and stylistics of English, theory of linguistics, linguoculturology. In practical terms, results can be used in teaching the theory of discourse, pragmalinguistics, linguistic analysis of the poetic text, lexicology, and stylistics of English.
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Z.K., Orazimbetova, and Mukhiyatdinova T. "LINGUISTIC ANALYSIS OF NEWSPAPER TEXT." CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 02, no. 10 (October 1, 2021): 82–85. http://dx.doi.org/10.37547/philological-crjps-02-10-16.
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Dr. Aisha Farid, Madiha Saeed, and Dr. Muhammad Sabboor Hussain. "An Exploration of Muhammadu Bukhari’s Socio-Political Cognition through Stylistic Analysis." sjesr 4, no. 2 (May 1, 2021): 100–108. http://dx.doi.org/10.36902/sjesr-vol4-iss2-2021(100-108).
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Political discourse is a recent but increasingly exciting field of study. The political discourse offers much scope for interdisciplinary research. This current study is a stylistic analysis of the Inaugural speech delivered by Nigerian President Muhammadu Bukhari in Abuja on 29th May 2015. The current study aims to signify the role of Stylistics in CDA to unleash socio-political cognition in speeches. This qualitative research owing to its interdisciplinary nature draws on stylistics and critical discourse analysis as well. Teun A. Van Dijk's socio-cognitive approach is used to analyze the mental models underlying linguistic structures made explicit through stylistic analysis. The stylistic analysis is conducted on lexical and grammatical levels, but cohesion and speech acts have also been highlighted in the findings and discussion part. The study explores how stylistic devices are used to create a rhetorical effect and how this effect qualifies for being persuasive. The stylistic analysis reconnoiters the linguistic patterns, and CDA leads to the ideologies that shape these patterns. This study strengthens the belief that both stylistics and critical discourse analysis have great scope and power in revealing discursive practices of hegemony and persuasion.
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Fadhil Kadhum Al-Janabi, Suadad, and Nawar Hussein Rdhaiwi Al-Marsumi. "Doing Stylistic Versus Critical Stylistic: An Analysis of If by Rudyard Kipling." Arab World English Journal 12, no. 1 (March 15, 2021): 239–52. http://dx.doi.org/10.24093/awej/vol12no1.17.
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This paper displays the ideological positioning as found in Rudyard Kipling’s poem If. It is a poem published in 1910. It presents the embedded ideologies and shows how the poet used the available linguistic resources to achieve his goal. The models of analysis adopted are Critical Stylistics as proposed by Lesley Jeffries (2010) and Stylistic Analysis as submitted by McIntyre (2010). The paper aims at identifying the poet’s beliefs to show that success is the outcome of self-control and a real sense of the values of things. It is a try to discover how the poet used various linguistic choices to build a message telling us how to deal with life confidently and identify a line of ideological positioning through Critical Stylistic strategies. The paper presents a theoretical background of the term stylistics and critical stylistics, explaining the adopted models; Analyzing the poem stylistically with a focus on critical stylistic regarding two tools: Representing and Negating for their dominant use in the poem and their effectiveness in interpreting the hidden ideologies. Stylistic devices are used because they steer the text to enable the writer to reach the intended goal. In conclusion, the paper displays that the poet uses the stylistic tools in a brilliant way that leads All, not only his son, to follow and consider it a moral lesson of life.
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Styshov, Oleksandr, and Dmytro Syzonov. "Innovative linguistic ideas and concepts of Larysa Shevchenko." Actual issues of Ukrainian linguistics: theory and practice, no. 38 (2019): 8–23. http://dx.doi.org/10.17721/apultp.2019.38.8-23.
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The article establishes innovative views on modern linguistics in systematic analysis of numerous works by prof. L.I. Shevchenko – a prominent Ukrainian linguist, head of the department of stylistics and language communication, a vice-chairman of the Ukrainian committee of Slavists, a member of two commissions of the International committee of Slavists (media linguistic and stylistic), chief editor of the international edition «Actual issues of Ukrainian linguistics: theory and practice». The pre-anniversary article focuses on the scholar’s concept of intellectualization of the Ukrainian literary language, integration of the researcher’s works with European academic discourse, particularly, in the context of innovative linguistic directions – legal linguistics, media linguistics, business linguistics, political linguistics etc., the analysis of which is determined by exploratory vector of a modern linguist. The authors also mention the works of prof. L.I. Shevchenko’s mentees. More than 10 PhD and doctoral theses have been defended under the scholar’s supervision. Prof. L.I. Shevchenko holds a special place at Kyiv stylistic school, which is confirmed by the researcher’s numerous works that have qualitatively changed and deepened views on some issues of theoretical and functional stylistics. These are primarily theoretical problems of modern linguistics and the search for new research paradigms, the problems of stylistic differentiation of the Ukrainian literary language, the analysis of concepts of the theory of language intellectualization, modern view on idiostylistics, the issue of the national language status in contemporary social space, a profound analysis of Ukrainian linguistics in ideas, concepts and personalities. Productivity and polyphony of the researcher’s interests, her wide scientific outlook, encyclopedic knowledge, desire to be modern in the context of innovative views and ideas in world linguistics, fundamental role in formation of new research directions define a significant place of prof. L.I. Shevchenko in the XXI century linguistics.
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Javed, Noveen, Ezzah Shakil, and Fiza Ali Beenish. "A Stylistic Analysis of The Good-Morrow by John Donne." Global Language Review V, no. III (September 30, 2020): 258–66. http://dx.doi.org/10.31703/glr.2020(v-iii).26.
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The present paper aims to analyze John Donne's poem "The Good-Morrow" stylistically. Being a branch of applied linguistics, Stylistics scrutinizes the literary and non-literary texts in terms of their tonal and linguistic style. Donne's poem, being rich in hyperboles and conceits, depicts the universal theme of undying love where Donne welcomes new dawn and is optimistic for upcoming years of adoration and is exuberant over the magical union of two soulmates. The paper in hand adopts the stylistic analysis as a research methodology to unveil the basic theme of the poem and analyses the poem on the grammatical, phonological and graphological levels. The theoretical framework incorporates the main tenets of Geoffrey N. Leech (1969) from his well-known work "A Linguistic Guide to English Poetry", and also this work focuses on the notions of Mick Short (1996). Stylistic analysis of the chosen poem portrays how the poet, via the use of striking stylistic devices, communicates the central concept of the poem and how the poet has adorned the poem with various elements of style on the levels of grammar phon and graphology.
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Simpson, Paul, and Geoff Hall. "7. DISCOURSE ANALYSIS AND STYLISTICS." Annual Review of Applied Linguistics 22 (March 2002): 136–49. http://dx.doi.org/10.1017/s0267190502000077.
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This review focuses on contemporary work in discourse stylistics, defined here as that designated branch of stylistics which draws specifically on the techniques and methods of discourse analysis. The review acknowledges a key assumption in modern discourse stylistic research, namely that the distinction between ‘literary’ and ‘nonliterary’ discourse, if tenable at all, is drawn not on a purely linguistic basis but in terms of multiple intersections among texts, readers, institutions, and sociocultural contexts. In spanning studies of both literary and nonliterary discourse, therefore, the coverage of the present review is intended to reflect this axiom. It also attempts to foreground the diversity of method and approach in contemporary discourse stylistics. Given that the techniques of discourse analysis are themselves many and various, the survey seeks to cover stylistic work that offers productive applications of the many available models in pragmatics, conversation analysis, cognitive linguistics, speech act theory, and discourse psychology. Finally, in covering a selection of important monographs, articles, and book chapters, the review seeks both to highlight some of the critical, cultural, and ideological frameworks currently employed by discourse stylisticians and to demarcate, in more general terms, the current state-of-play in this research tradition.
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McIlroy, Tara. "Interview: Talking with Michael Toolan about stylistics, coherence, and language teaching." Language Teacher 38, no. 3 (May 1, 2014): 11. http://dx.doi.org/10.37546/jalttlt38.3-2.
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Michael Toolan is a stylistician with a particular interest in narrative analysis, creativity, and language in literature. In this interview he talks about his teaching and research, some aspects of narrative studies, and how stylistics research makes increasing use of corpus linguistics and often features multimodality. His single-authored books include The Stylistics of Fiction (1988), Total Speech (1996), Language in Literature (1998) and Narrative (2nd ed., 2001). Much of his work is supervising masters and PhD research at the University of Birmingham, UK, in the areas of corpus linguistic and critical discourse analysis of mass media, stylistic analysis of poetry (especially 20th/21st century), linguistic analysis of literary narratives, and integrational linguistic theory. He was a visiting consultant at Kanda University of International Studies in December 2013.
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Ali, Kainat, Shadab Fatima, Tarique Tarique, and Rashid Ali Chandio. "Stylistic analysis of charles lamb’s essay dream children-reverie." International journal of linguistics, literature and culture 5, no. 6 (October 26, 2019): 68–77. http://dx.doi.org/10.21744/ijllc.v5n6.760.
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The study has been designed to analyze a literary piece that is “Dream Children Reverie” written by Charles Lamb via stylistics. The stylistic study deals with linguistic, graphological, phonological, grammatical, syntactical and structural aspects of the essay. In the study, the text has been explicated via stylistics analysis of the literary devices and style in which the text has been composed of. The study excavates various literary devices from the essay like symbolism, imagery, humor, and pathos that provides ancillary support to the overall meaning and impact of the essay. The present paper is a comprehensive study of literary text via a linguistic perspective. In addition, the study is also useful to find out themes in the essay Dream Children Reverie and it ensures to depict the self-portraying nature of the composition.
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Goatly, Andrew. "Locating stylistics in the discipline of English studies: a case study analysis of A.E. Housman’s ‘From Far, from Eve and Morning’." Journal of Literary Semantics 50, no. 2 (October 1, 2021): 127–49. http://dx.doi.org/10.1515/jls-2021-2034.
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Abstract Literary stylistics, whose subject matter is literary language, straddles the disciplines of literary criticism and linguistics, as Henry Widdowson pointed out 45 years ago. Since then, developments in discourse analysis and multimodal studies have had the potential to expand the map of the interactions between different disciplines. This case study performs a traditional stylistic analysis of the poem ‘From Far, from Eve and Morning’ from A E Housman’s A Shropshire Lad but also demonstrates the potential for a multimodal perspective on stylistics by relating it to a musical analysis of Vaughan-Williams’ setting of the poem. It begins with a linguistic analysis of phonology, graphology and punctuation, lexis, phrase structure, clause structure and clausal semantics. It proceeds to a discourse analysis of pragmatics and discourse structure. And it ends by relating the linguistic and discoursal analysis to the music through music criticism. By way of conclusion, it suggests that both linguistic analysis and appreciation of musical structure and mood are useful ways into Spitzer’s philological circle, by which linguistic analysis and musical appreciation can pave the way for literary appreciation.
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Hasan Nofal, Khalil. "Darkness in Conrad's Heart of Darkness : A Linguistic and Stylistic Analysis." Buckingham Journal of Language and Linguistics 6 (November 12, 2013): 77–93. http://dx.doi.org/10.5750/bjll.v6i0.141.
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This paper is intended to discuss the concept of "darkness" in Joseph Conrad's Heart of Darkness. It incorporates a fairly detailed linguistic and stylistic analysis of the novel in terms of setting, lexical choices and grammatical choices which all indicate mystery, obscurity, murkiness and then darkness. A linguistic and stylistic analysis of the novel is used to illustrate the literary value of the book. Most specifically all linguistic and stylistic devices used can not only provide a more detailed descriptive basis for widely accepted interpretation of the novel , but also identify the significant linguistic features which may not noticed by critics.
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Shevchenko, Larysa. "Ukrainian research perspective in the context of stylistic discussions of the XVI International congress of slavists." Actual issues of Ukrainian linguistics: theory and practice, no. 37 (2018): 7–19. http://dx.doi.org/10.17721/apultp.2018.37.7-19.
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The article analyzes "state and status" of functional stylistics in Ukraine in the beginning of the 21st century in the categories and concepts of modern linguistics. The research context of the analysis is determined by comparison with the stylistic issues of the XVI International Congress of Slavists, held on August 20-27, 2018 in Belgrade (Serbia). Issues of synchronization of scientific consciousness with time of culture, its chronological sections, configurations of development, evolution of cultural consciousness, changes of cultural verbalized patterns and reasons for emergence of new ideas and non-standard intellectual reflection in the scientific knowledge of linguistic consciousness are being actualized. It is stated that the triad "human - science - time of culture" is dominant in linguistics, defining at the same time the peculiarities of the information age: the synthesis of humanistic tradition and new, paradoxical scientific ideas is quite representative for world linguistics, which is clearly represented in Ukrainian stylistics. The author unfolds the thesis about the formation of scientific consciousness as an existential search for the spiritual affinity of researchers. Thus, in the development of functional stylistics, one can observe continuity from F. de Saussure to the linguists of the XXI century, where the Geneva, Baden or Prague schools ideologically formed various national scientific discourses. The problematic aspects in the development of modern stylistics with their projection into Ukrainian linguistics are considered: the systematic nature of operational stylistic terminology, the diffusion of the objectivity of various areas of linguistics, in particular, functional stylistics, communicative linguistics and genomics, logics of formation of neolinguistics as a subject area that relies on synthesis of linguistic functionalism and other branches of human sciences, etc. The criteria of the Ukrainian research perspective in modern stylistics are formulated.
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Maryanchik, Victoria. "Implicit Meanings of the Discourse of Fiction: Linguistic-And-Stylistic Analysis of the Story by I.A. Bunin “The Murderess”." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 3 (August 2021): 109–19. http://dx.doi.org/10.15688/jvolsu2.2021.3.10.
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The theme of the work is the mechanisms of implicit meanings verbalization infiction. The aim is to analyze stylistic convergence in the story of I.A. Bunin "The murderess" as an explication of subtext. The main methods are the following: denotative, chronotopic, stylistic, narrative, conceptual analysis. The main results identify stylistic mechanisms that provide an appropriate interpretation of the literary text. It is revealed that the stylistic convergence includes colorative gradation, parcelling, semantic-syntactic verbalization of perceptual concept, semantic-stylistic actualization of the "golden section", conceptual antonymy, semantic sound images. Implicit meanings are identified in the narrative development: stylistic techniques and mechanisms of implicit artistic meanings verbalization are distinguished in each macrosituation. The term "method" traditionally refers to the conscious using of stylistic means by the author; the term "mechanism" is understood as a synergistic process of organizing the text space as a result of interpretative operations. The described techniques and mechanisms add to the repertoire of artistic stylistics. The means of fiction temporality are nominated; the vertical chronotope in macrosituations is modelled. The special feature of Bunin's story composition is "the effect of eversion": it transfers the semantic emphasis from the criminal action to the assessment of this action. The analysis confirms ecphrasticityand visualization of the image of an icon of the phenomenon within the analyzed story. The main oppositions power / people is distinguished in the conceptual field. The role of stylistic device in the synergetic organization of the text is shown. The main conclusion is drawn that the implicitness, ambiguity and "multi-focus" of the author's assessment as a feature of Bunin's idiostyle is realized through the mechanism of stylistic convergence.
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Orebe, Oluwabukola O. "A Linguistic-stylistic Analysis of Selected Aspects of Minutes of Meeting." Journal of Language Teaching and Research 12, no. 2 (March 1, 2021): 286. http://dx.doi.org/10.17507/jltr.1202.10.
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Linguistic-stylistics explores the use of language, and how it (language) affects the building of a text to create effective meaning. Language is about meaning, as such, speakers and writers are often conscious of their language choice to create meaning in every given social context. The present study is a linguistic stylistic analysis of parliamentary type of minutes of meetings selected from two Faculties in Ekiti State University, Ado-Ekiti. The study adopts the theory of Systemic Functional Linguistic [SFL] to analyze tense, mood and sentence types in the selected minutes of meetings. The study reports that a minute of meeting, being a report of speech activities is normally in the past tense, and the mood is predominantly declarative, and sentences are selected to reflect a narrative piece.
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Ponomarenko, Elena B., Gennady G. Slyshkin, Ekaterina A. Baranova, Irina G. Anikeeva, and Yelena V. Sausheva. "Linguistic and cultural analysis of the gender characteristics of British song slang." XLinguae 14, no. 2 (April 2021): 169–84. http://dx.doi.org/10.18355/xl.2021.14.02.13.
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The article establishes the linguacultural gender specifics of the British song slang. All languages are constantly changing, slang invades the vocabulary of people (male and female). Of research, interest is the definition of slang, its origin, the vital need for human communication. The purpose of the study is to identify the gender characteristics of British song slang. Slang as a language system of modern linguistics is considered. In the article, main features and gender characteristics of British slang are described. The authors analyze the song slang of female and male performers and compare the song slang of performers of both sexes. The methods of research are descriptive method, comparative analysis, definitional analysis, lexical and semantic analysis, lexical and grammatical analysis, stylistic analysis, interpretive analysis, quantitative analysis, involving a continuous sample. The material of the study was songs by modern British male and female performers. The theoretical significance of the study is to identify the features of modern British song slang. Research results contribute to the development of lexicology and stylistics of the English language, to contrastive linguistics, linguoculturology. The establishment of the gender specificity of British musical slang contributes to the development of linguistic gender studies. The practical application of the research results is revealed in the possibility of teaching courses in English lexicology, stylistics, and gender linguistics, as well as compiling a linguistic dictionary of modern musical culture.
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Khavronich, Alina Alekseevna. "To the question on methodology of stylistic stratification in analysis of the Early Modern English dramatic oeuvre (on the example of John Skelton’s play “Magnificence”)." Litera, no. 5 (May 2020): 1–13. http://dx.doi.org/10.25136/2409-8698.2020.5.32833.
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The subject of this research is the methods of differentiation of neutral units and elements of inherent connotation of stylistic plan, which can be applied in stylistic analysis of literary texts of the Early Modern English period. Attention is focused on the peculiarities of general linguistic processes relevant for the early XVI century, as well as sociolinguistic conditionality of establishment of a literary canon. The author examines the specificity of perception of aureate style and unpoetic style as a system of deviations from the forming norm. The article determines the fundamental criteria of identification of stylistically marked units, as well as category of linguistic units revenant for the stylistic analysis, certain common attributes indicating a potential markedness of the word. The work demonstrates an integration algorithm of the data of diachronic corpora at the semantic and metasemiotic stages of the three-level stylistic analysis of a literary text of the Early Modern English period. The scientific novelty lies in the attempt to develop an algorithm that allows verifying or clarifying the stylistic status of linguistic elements in retrospective by applying to interpretation of lexical units of a play of the Early Modern English period the data of corpus-based linguistics and pragmatics. The author refers to the relevant treatises of the XVI century dedicated to the problem of style and corresponding research, systematizing the data for specification of criteria for stylistic stratification.
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Barannikova, Tatyana B., and Fatimat N. Suleymanova. "Stylistic Contrast in the Organization of Literary Texts in the Aspect of Translation (Based on the Material of the Lezghin and Russian Languages)." Polylinguality and Transcultural Practices 18, no. 4 (December 14, 2021): 451–59. http://dx.doi.org/10.22363/2618-897x-2021-18-4-451-459.
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The topicality and novelty of this article, devoted to the device of stylistic contrast, are predetermined by its rather poor study, as well as by the approach to its investigation from the angle of translation theory and comparative linguistics. The material of the research includes the examples of stylistic contrast selected from literary texts in the Lezghin language and their translations into Russian, Russian-language literary texts and their translations into the Lezghin language. The work is based on the semantico-stylistic and comparative methods, the method of linguistic description of a literary text, elements of linguoculturological and conceptual analysis, as well as the specific methods of translation studies (comparison of the translation and the original, comparison of various translations, questionnaire of informants, educational translation, an experiment). The results of the research consist in clarifying the proceeding interpretation of stylistic contrast, as well as in identifying the difficulties that translators face when transmitting it in a literary text, and indicating the algorithm for overcoming them. They can be used in the courses of Stylistics, Text Linguistics, Translation Theory and Practice, etc., as well as in the development of the translation direction in the Dagestani linguistics, which needs practical developments and theoretical generalizations.
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O’Halloran, Kieran. "Performance stylistics: Deleuze and Guattari, poetry and (corpus) linguistics." International Journal of English Studies 12, no. 2 (December 1, 2012): 171. http://dx.doi.org/10.6018/ijes/2012/2/161811.
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<p>Taking as stimulus some key ideas of the French philosopher, Gilles Deleuze, and his collaborator the psychoanalyst, Félix Guattari, I demonstrate an alternative interpretative engagement with poetry. In this approach, a poem is seen as an invitation to the reader to be creative via a web-based, interpretative journey which is individual, edifying and refreshing. This approach allows a poem’s obliqueness and suggestiveness to trigger, randomly, knowledge and resources on the world-wide-web that are new for the reader; in turn, these can be used as fresh perspectives on the poem in order to perform it in individual ways, to ‘fill in’ creatively personas and scenarios in the poem. This web-based engagement with a poem involves stylistic analysis.</p><p>The web-based element of performance stylistics is centrifugal, taking the reader outside of the poem, travelling from website to website. This centrifugal movement is balanced by a centripetal one which takes the reader into the patterns of the poem. Stylistic analysis meets this centripetal need effectively. Traditionally, stylistic analysis has been used to provide linguistic evidence for interpretation of a literary work. However, influenced by ideas in the work of Deleuze and Guattari, I also use stylistic analysis in a non-traditional way - to <em>mobilise</em> interpretation of a poem. In this article, the poem I use to demonstrate performance stylistics is Robert Frost’s, ‘Putting in the Seed’. Performance stylistics can draw on corpus analysis too.</p>
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Pratama, Ikke Dewi. "PROLOGUE AND EPILOGUE NARRATIONS OF 'MATA NAJWA: PARA PEMBURU RENTE'." LEKSEMA: Jurnal Bahasa dan Sastra 1, no. 1 (June 15, 2016): 9–16. http://dx.doi.org/10.22515/ljbs.v1i1.28.
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The study of stylistics has grown wider in literatures and in linguistics. Stylistics provides linguistic features that support the interpretation of certain text so that the investigation becomes comprehensive. This research aims at finding stylistic features of the narrations of the prologue and epilogue of Mata Najwa talk show in an episode entitled Pejabat Pemburu Rente. Using ear-catching word arrangements, the prologue and epilogue successfully attract the audiences’ attention and, thus, the talk show becomes one of the most popular TV show in Indonesia. The stylistic features observed in this research are based on deviation and parallelism. This is a descriptive qualitative research. The data source is Mata Najwa show with the sub-title Pejabat Pemburu Rente, while the data are the prologue and the epilogue of the show. The analysis shows three features in the prologue as well as in the epilogue: figurative language, sound repetition and word repetition.
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Saleem, Mian Muhmmad, Ayaz Ahmad, and Sana Hussain. "The Construction of Factuality in Pakistan’s Legal Discourse: A Stylistic Analysis of Logical Fallacies." Review of Economics and Development Studies 5, no. 2 (June 4, 2019): 397–404. http://dx.doi.org/10.26710/reads.v5i2.630.
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Factuality remains the highest virtue of a legal text. The paper finds how this virtue is jeopardized by the presence of logical fallacies. The stylistics analysis is performed for identification of linguistic features of logical fallacies in legal language. Two randomly selected verdicts of the Supreme Court of Pakistan are selected for analysis. Analysis of verdicts reveals that factuality is compromised by fallacies with distinctive stylistic features. These features include the fallacies of relevance, defective induction and ambiguity. Lexical choices, syntactically complicated structure and graphological markers of style contribute to the formation of these fallacies. The findings establish that stylistic aspect themselves contribute to the projection of fallacies in verdicts, therefore, the study recommends avoiding stylistic formulae of the legalese or legal registers which lead to the formation of logical fallacies in the legal language.
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Vazhenina, O. G. "LINGUISTIC AND STYLISTIC DOMINANTS OF YEVHEN HUTSALOʼS BIZARRE DISCOURSE." Opera in linguistica ukrainiana, no. 28 (September 28, 2021): 195–206. http://dx.doi.org/10.18524/2414-0627.2021.28.235539.
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Purpose. The article is devoted to the study of the authorʼs stylistics by Yevhen Hutsalo, in particular to the identification of the linguistic and stylistic dominants of the writerʼs bizarre tdiscourse. The material of the study was a bizarre trilogy of the writer «Borrowed Man», «Private Life of the Phenomenon», «Parade of Planets». Research methods. The research is based on general scientific methods, using inductive and descriptive-analytical methods – for the accumulation, systematization and analysis of factual material; method of phraseological analysis – to identify the phraseology of the phrase; structural and semantic methods – for the analysis of textual integration of phraseology; the method of comparative analysis is used to compare casual and occasional phraseological units; the method of contextual analysis was used to establish the authorʼs intentions and text-forming potentials of transformed phraseology. Results. The authorʼs linguistic and stylistic organization of Yevhen Hutsaloʼs bizarre trilogy is analyzed, its linguistic and stylistic dominants, which appear as text-forming, plotforming and genre-forming factors of Yevhen Hutsaloʼs bizarre discourse, are determined. Their typological manifestations and expressive-pragmatic functions in the text space of the studied chimera are determined. It is revealed that the writer uses structural-semantic transformations and semantic modifications of phraseology, occasional phraseology, synonymization of phraseological units, authorʼs aphorisms, authorʼs paraphrasing and title creation productively to create a chimerical modality of the literary-art text. Conclusions. Itʼs established that the verbalizers of the authorʼs pretentiousness by Yevhen Hutsalo are a complex system of lexical and phraseological means with the dominance of different manifestations of the authorʼs modification of phraseological units. The most significant in the context of the stylistic dominance of pretentiousness are the semantic modification of phraseology, in particular the reception of double actualization, expanded phraseological metaphor, and structural-semantic transformation of phraseology, in particular the reception of phraseological hints, capable of directing. In order to enhance the linguistic-art expressiveness of bizarre novels, the writer productively uses the synonymization of phraseology, to realize the harmony of form and content uses the authorʼs paraphrasing and authorʼs aphorisms.
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DASHCHENKO, NATALIІA. "LINGUOSTYLISTIC ANALYSIS OF WORD-FORMING AND MORPHOLOGICAL MEANS IN JOURNALISTIC TEXT." Scientific Issues of Ternopil Volodymyr Hnatiuk National Pedagogical University. Series: pedagogy, no. 2 (April 6, 2021): 117–25. http://dx.doi.org/10.25128/2415-3605.20.2.16.
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In modern media, materials which are characterized by skillful organization of language tools to reveal the topic and focus on the recipient, are highly valued. Having professional journalistic skills and a thorough knowledge of the language helps to create texts according to such requirements. Actual in this context is the formation of skills in the years of study related to the observation of the linguistic and stylistic skills of practicing journalists. The purpose of the article is to present the sequence and example of linguistic-stylistic analysis of a journalistic text to clarify the place and role of word-forming and morphological means that form the semantic background and communicative orientation of the message.
Methodological bases of linguistic and stylistic analysis of word-forming and morphological means are a set of approaches that take into account: selection of the publication according to certain criteria (relevance of the topic, genre, authorship, etc.); the structure of tokens and grammatical features of individual parts of speech that create the semantic and stylistic expressiveness of a particular journalistic text. Among the research methods are linguistic analysis, compositional-textual and functional-semantic analysis, the method of establishing semantic-functional paradigms, the quantitative method, and others.
Results of the research. A linguistic and stylistic analysis of O. Suprunenko’s publication «Chym Pakhne Yevropa» («What does Europe smell like?») (Post-Postup. 2008) demonstrates the course of consideration of word-forming and part-of-speech means of a professional text; shows a way of coherent and consistent presentation of their own observations and opinions. In the analyzed text there is objective information, which includes specific names, words with direct meaning, construction terminology, quotes. Subjective information is the author’s reasoning about the topic covered. The tone of its disclosure is informative and skeptical, which aims to provoke a corresponding reaction from the reader. Stylistic originality of the presentation of the theme is manifested in the use of appropriate linguistic and stylistic means: individual innovations, the expressive potential of grammatical categories of nouns, adjectives, verbs, as well as in the creation of ironic imagery.
Stylistic analysis of the text by language levels is an effective means of forming language and speech competence, as it develops the skills of identifying stylistic means in the text and determining their functions to reveal the author’s intention. This form of work also has a research and creative purpose, as it encourages careful study of the stylistic potential of certain means of speech and independently explain their feasibility in a particular text.
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Lebedeva, Ekaterina S., and Tatyana A. Lupacheva. "Linguistic and Stylistic Features of Translingual Writers: Comparative analysis." Polylinguality and Transcultural Practices 16, no. 3 (December 15, 2019): 347–57. http://dx.doi.org/10.22363/2618-897x-2019-16-3-347-357.
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The present research is conducted within the frameworks of language contacts theory, intercultural communication theory, text linguistics and linguacontactology. Creative translingualism is the object of the research. Linguacreative characteristics of translingual fiction are the subject of the research. Fiction written by Russian and Chinese authors in English (Olga Grushin, Irina Reyn, Lara Vapnyar, Anya Ulinich, Gish Jen, Ha Jin, Amy Tan, Jade Snow Wong, Frank Chin, etc.) has served as the material for the analysis. Within the scope of the present research the similarities and differences of linguacreativity in the fiction written by authors belonging to unrelated linguacultures were determined. The range of native culture description means used by translingual writers is very diverse: loan-words, code switching and code mixing, native literature and songs allusions, contaminated speech, usage of English lexical units to transmit significant for native culture events (by attributing culturally specific meanings).
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Ibrahim Ali, Habibullah Ali. "DIRASAH AL-USLUB WA AL-USLUBIYAH FI NAQD AL-ARABY." LiNGUA: Jurnal Ilmu Bahasa dan Sastra 10, no. 1 (August 13, 2015): 45. http://dx.doi.org/10.18860/ling.v10i1.3033.
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In this study, we addressed method and style in Arabic criticism. By the efforts of Arab critics of old and new issue, the subjects of study were as follows: First, the stylistic origins. It means a stylistic in linguistic and rhetoric and literary criticism and other related; Second, analysis of stylistic levels where we focus on stylistic study premises for literary texts; Third, a study of the method in the old Arab criticism, in this part of the study, we noted some efforts by Arab critics about stylistic and their relevance studies in this stylistic aspect; Fourth, the stylistic of contemporary Arab criticism. This aspect of the survey stood at some critics of contemporary Arab studies in Stylistics, as stated what distinguishes each study than other studies. It is included as an appendix in whale most important results achieved in this study.
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McIntyre, Dan. "Towards an integrated corpus stylistics." Topics in Linguistics 16, no. 1 (December 1, 2015): 59–68. http://dx.doi.org/10.2478/topling-2015-0011.
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Abstract Over recent years, the use of corpora in stylistic analysis has grown in popularity. However, questions still remain over the remit of corpus stylistics, its distinction from corpus linguistics generally and its capacity to explain complex stylistic effects. This article argues in favour of an integrated corpus stylistics; that is, an approach to corpus stylistics that integrates it with other stylistic methods and analytical frameworks. I suggest that this approach is needed for two main reasons: (i) it is analytically necessary in order to fully explain stylistic effects in texts, and (ii) integrating corpus methods with other stylistic tools is what will distinguish corpus stylistics from corpus linguistics. My argument is supported by reference to examples from Mark Haddon’s no vel The Curious Incident of the Dog in the Night-time and the HBO TV series Deadwood. Both these examples rely for their explanation on a combination of corpus stylistic analytical techniques and other stylistic methods of analysis.
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COLLINS, William. "Impenetrable Eyes, Stealth and Surveillance: A Corpus Stylistic Study of Salient Adjectives in William Faulkner’s The Hamlet." Studies in Linguistics and Literature 5, no. 4 (November 16, 2021): p94. http://dx.doi.org/10.22158/sll.v5n4p94.
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Stylistics combines both a granular and global approach to works of literature. Through analysis of linguistic and semantic patterns in a text, stylistics explores how authors construct a fictional text world and populate it with vividly realized characters. In this article, I adopt a corpus-stylistic approach to William Faulkner’s The Hamlet. Through identification of high-frequency words and close reading of their concordances, I explore what the data reveals about Faulkner’s thematic concerns in the novel and how his linguistic strategies convey them to the reader.
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Mao, Mengying. "Lexical and Rhetorical Features in The Time Machine: A Corpus-stylistic Analysis." International Journal of Linguistics, Literature and Translation 5, no. 3 (March 16, 2022): 151–57. http://dx.doi.org/10.32996/ijllt.2022.5.3.19.
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Corpus stylistics is the study of style by applying linguistic theory and the corpus-based approach. Therefore it combines qualitative and quantitative study. This study adopts the stylistic theory of Leech and Short (2007) and the corpus-based approach to analyze the science fiction The Time Machine. By using the corpus tools WordSmith 7.0 and AntConc, the lexical features and rhetorical features are extracted. Then the writing style and the theme are discussed. Therefore, the research enriches the empirical study of corpus-based fiction stylistics and encourages the appreciation of science fiction in the early times.
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Guo, Hua. "“Leda and the Swan”’s Revisions: A Cognitive Stylistic Analysis." International Journal of English Linguistics 8, no. 6 (September 2, 2018): 193. http://dx.doi.org/10.5539/ijel.v8n6p193.
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Previous literary studies on the revision of “Leda and the Swan” by William B. Yeats are mainly concerned with its psychological, social and historical implications conveyed by the relationship between Leda and the swan, and seldom explain the realization of this relationship in linguistic terms and its reception by the readership. Stylistic studies can furnish linguistic evidence for literary interpretation. Building on previous literary criticism and stylistic analysis, this study takes the first stanza as an example and conducts a cognitive stylistic analysis of the poem’s three versions by means of Langacker’s reference point model and dynamic discourse analysis framework. The poet’s aspiration to achieve subtle balance in the relationship through syntactic and semantic alteration is thus better understood and the possibility of applying Langacker’s cognitive grammar to stylistic analysis of poetry is tentatively explored.
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Egbert, Jesse. "Style in nineteenth century fiction." Scientific Study of Literature 2, no. 2 (December 31, 2012): 167–98. http://dx.doi.org/10.1075/ssol.2.2.01egb.
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Recent years have seen substantial advances in ‘corpus stylistics’, which is the use of corpora and computational techniques to study literary style. Corpus stylistics has produced analyses of otherwise imperceptible features of literary style. However, studies in corpus stylistics have rarely considered the full set of core linguistic features. The present study explores literary style through the application of Multi-Dimensional analysis. Stylistic variation along three dimensions is accounted for using a large, principled corpus of fiction. The dimensions of variation are interpreted as ‘Thought Presentation versus Description’, ‘Abstract Exposition versus Concrete Action’, and ‘Dialogue versus Narrative’. These three dimensions are then used to compare the styles of nineteenth-century fiction between authors, and the range of stylistic variation among the novels of individual authors. The findings are interpreted qualitatively and with reference to previous analyses of author style.
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Ahmed, Instructor Munna Ibrahim. "STYLISTIC ANALYSIS “THE SNAKE”– BY D.H. LAWRENCE." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 60, no. 1 (March 13, 2021): 143–56. http://dx.doi.org/10.36473/ujhss.v60i1.1298.
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Stylistic analysis implies analyzing a poem from the linguistic as well as critical point of view. While the former leads to a better understanding of the devices used and the construction of the poem, the latter enables one to look at the poem from a critical angle. Together, one gets a complete and comprehensive picture of the poem. In stylistics, it is possible to look at a poem from the point of view of graphology, morphology, phonology and lexico-syntactic level. In this paper, the poem “the Snake’ by D. H. Lawrence has been analysed stylistically. It helps the reader to notice the unique features of the poem that may be otherwise missed and leads to a better understanding of the poem.
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Litvinova, A. A., and N. V. Stepanova. "Linguistic and Cultural Analysis of Translation Techniques in the Process of Localization of an English Fairy Tale." Discourse 8, no. 1 (February 25, 2022): 168–80. http://dx.doi.org/10.32603/2412-8562-2022-8-1-168-180.
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Introduction. This article is devoted to the consideration of linguistic and cultural study of translation techniques in the process of localization of an English fairy tale for a Russianspeaking readership. The relevance of the research is determined by the need for a comprehensive study of the localization process of various ethno-cultural phenomena displayed during translation, as well as the stylistic transformations used in this process for the purpose of adapting the original text to the linguistics and culture of the target language.Methodology and sources. The typology of translation transformations by L.K. Latyshev was used as a reference classification, within which the author distinguished lexical, morphological, syntactic, mixed and stylistic transformations. The research was conducted in the context of a linguistic-stylistic approach to the analysis of the text using continuous sampling method, the methods of contextual, linguistic and cultural analysis, as well as the descriptive and comparative method, which implies identifying and understanding of stylistic transformations performed by the translator, and semantic and cognitive analysis, consisting in the study of verbal representations of the concept in the language, were used. The research material is presented by an English-language fairy tale and its translation into Russian (the book by K. Lewis “The Lion, the Witch and the Wardrobe” and the translation made by G.A. Ostrovskaya).Results and discussion. Stylistic transformations implemented during the localization of a fairy tale significantly change the original text in accordance with the requests of the culture of the target language. The most common stylistic transformations during localization of an English fairy-tale texts are related to such stylistic devices as metaphors and idioms, due to discrepancies in the system of images between languages, as well as exotisms, that underlie the key concepts of a particular culture, and allusions, since, due to the distance between cultures, they may be unknown to the recipient of the translation.Conclusion. A fairy tale preserves the wisdom, traditions and morals of a particular society, and therefore is a way of reflecting national identity. Localization, as a process of adaptation of works of this genre, is directly related to stylistic transformations, since they play a key role in achieving an adequate translation.
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Mostafa, Mohamed M., and Nicolas Roser Nebot. "A Corpus-based Computational Stylometric Analysis of the Word “Árabe” in Three Spanish Generación Del 98 Writers." Journal of Language Teaching and Research 9, no. 5 (September 1, 2018): 928. http://dx.doi.org/10.17507/jltr.0905.05.
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Although the Generation of ’98 writers represents a group of renown Spanish novelists, philosophers, essayists and poets active during the 1898 Spanish-American war, no previous studies have attempted to analyze the diverse linguistic and stylistic features employed by such writers. This study aims to use computational stylometry to detect hidden stylistic and linguistic patterns employed by three Generation of ’98 writers, namely Pío Baroja, Vicente Blasco Ibáñez and Miguel de Unamuno. We employ a large corpus comprising 1,702,243 words representing nineteen works by the three writers. Several rigorous criteria were satisfied in designing the corpora such as authorship, genre, topic and register. Concordance, wordclouds, consensus trees, multidimensional and cluster analyses were performed to reveal the different stylistic and linguistic patterns used by the three writers. Although we focus solely on the use of the word “árabe”, we show that computational stylometry techniques can be used to help detect hidden stylistic and linguistic patterns employed by different writers. This result is significant since it can help the reader navigate across various possibilities of expressions and terminologies employed by different writers.
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Ircham, M. "Educational Values in The Arabic Imperatives (A Stylistic Analysis of the Qur'an)." ALSINATUNA 4, no. 2 (June 25, 2019): 229. http://dx.doi.org/10.28918/alsinatuna.v4i2.2045.
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This study aims to reveal the education values in al-Qur’an through its stylistics (a linguistic aspect), such as imperative (al-amr). So far, the exploration of values in al-Qur’an still has a lot to do with the substance of the verse. This study uses a stylistic analysis of al-Qur’an, which is descriptive and theoretical, with a literature approach. The results of this study include, first, the stylistics of al-Qur’an implies educational values and explains how these values are internalized. Second, the stylistics of al-Qur’an in imperative form (al-amr) contains educational values that enable a person to become a better, more developed and mature human being. The education values meant here are obedience, affection and responsibility.
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Bernar, Gloria. "LINGUISTIC STYLISTIC PECULIARITIES OF THE PLAY “BETRAYAL” BY HAROLD PINTER." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 10(78) (February 27, 2020): 142–45. http://dx.doi.org/10.25264/2519-2558-2020-10(78)-142-145.
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The article deals with detailed linguistic stylistic analysis of one of Harold Pinter’s “memory plays” Betrayal. The object of our investigation is the text of the play and the subject is its linguistic stylistic peculiarities. This literary work stands out from the rest of the plays due to its autobiographical element – the prototypes of main characters of Betrayal are Pinter himself, his lover Joan Bakewell and her husband. The central motif, as the title suggests, is betrayal which incorporates two types of this phenomenon – a betrayal of a spouse and a betrayal of a friend. We have studied the motif of betrayal realized both in author’s remark and characters’ dialogue at all language levels. It is noticeable that incomplete, elliptical sentences together with aposiopesis prevail – their purpose is to reflect emotional tension presented in characters’ utterances. Among other dominant figures of speech are repetition of different type (alliteration, morphological and lexical repetition, anaphora, epiphora and parallel construction), semantic associative group of words denoting human relationship and marriage, words denoting emotions (mostly adjectives), numerous intensifiers, words with strong emotional connotations and verbal irony. Also, author’s remarks “pause” and “silence”, performing various functions, are conspicuous.
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Kornienko, E. R. "The Informativity of Publicistic Texts of the XVIII Century in N. I. Novikov's Journals." Bulletin of Kemerovo State University 21, no. 3 (October 5, 2019): 811–20. http://dx.doi.org/10.21603/2078-8975-2019-21-3-811-820.
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The article deals with the stylistic specificity of journal text of the second half of the XVIII century, published by N. I. Novikov. The author identifies linguistic and compositional features in the comparison with the modern style model of publicism. The author analysed the dominant features of the texts: dialogicality, educational function, and the synthesis of pedagogical and publicistic discourse. The study focuses on the stylistic uniqueness of the titles and emphasizes that the specificity of N. I. Novikov’s journalistic language was determined by his linguistic personality, as well as by the target settings of informing the reader. The research method included analyses of thematic, compositional, factual, and modal types of information content of the media text. A semantic and stylistic analysis of headlines made it possible to define the following types: plot, nominative-ascertaining, genre, spatial, precedent, and address headlines, which had an informative function and penetrating boundaries. Analysing the expressive resources of the texts, the author observed the specifics and typical use of Novikov’s idiostyle. The strengthening compositional element of the analysed texts is the image of a real individual author, implemented in various textual images and actualised in the context of the stylistic effect of dialogicality. The field of application of the research results includes stylistics and rhetoric.
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Hernandez, Hjalmar Punla. "A (FORENSIC) STYLISTIC ANALYSIS OF ADVERBIALS OF ATTITUDE AND EMPHASIS IN SUPREME COURT DECISIONS IN PHILIPPINE ENGLISH." Indonesian Journal of Applied Linguistics 7, no. 2 (September 30, 2017): 217. http://dx.doi.org/10.17509/ijal.v7i2.8354.
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Contemporarily, stylistics today has developed into its multiplicity – one of which is forensic stylistics. Being a powerfully legal written discourse, Supreme Court decisions are a rich corpus in which linguistic vis-a-vis stylistic choices of Court justices could be examined. This study is a humble attempt at stylistically analyzing Supreme Court decisions in Philippine English (PhE) drafted by two Filipino justices. Specifically, it sought to investigate on the classes, placements, and environments of adverbials of attitude and emphasis employed by the two justices, and drew their implications to teaching and learning English for Legal Purposes (ELP). Using McMenamin (2012), Quirk, Greenbaum, Leech, and Svartvik (1985), and Dita’s (2011) frameworks, 54 randomly selected Supreme Court decisions as primary sources of legal language were analyzed. Results are the following. Firstly, the classes of adverbials of attitude in Supreme Court decisions in PhE used by the two judges were the evaluation to the subject of the clause, judgment to the whole clause, and evaluation to an action performed by the subject of the clause, while those adverbials of emphasis were adverbials of conviction and doubt. Secondly, both adverbials they used have placements that were frequently medial and less initial in sentences where they belonged. Thirdly, the two justices put their adverbials within two principal environments, i.e. within functor, and before/after the verb among others. In these regards, legal and stylistic explanations with respect to these recurrent linguistic features in the two justices’ Court decisions were revealed. Implications of the study to ELP are explained. Lastly, trajectories for future (forensic) stylistic analyses have been recommended.
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Malyuga, Elena N., Maria Ivanova, and Rita Feigina. "British and Australian Corporate Communication: A Socio-Linguistic Perspective." International Journal of English Linguistics 10, no. 5 (July 14, 2020): 125. http://dx.doi.org/10.5539/ijel.v10n5p125.
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In this study, the corpora of British and Australian corporate communications were compared with the aim of specifying their sociolinguistic features in the context of five lexical and stylistic markers: professional jargon, as well as expressive, colloquial, uncodified and evaluative lexis. Lexical and stylistic characteristics of corporate communication from the point of view of a sociolinguistic approach were analyzed using transcripts of British and Australian communicative corporate interactions. The methods of continuous sampling, comparative, lexical-stylistic and sociolinguistic analysis were implemented to process an assembled corpus of 158 authentic transcripts. Based on the results of the analysis, quantitative data were compared, reflecting the volume of use of the indicated lexical-stylistic markers in the two samples. Quantitative data were subsequently analyzed to determine sociolinguistic characteristics that can be assessed as specific features of the communicative behavior of British and Australian superiors in dealing with subordinates. For each of the markers of lexical-stylistic differentiation under consideration, the two samples analyzed in the work showed differing results of a varied and at the same time exponential degree of discrepancy.
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Shevchenko, M. "Prototype sequence theory in the linguistic and stylistic text analysis." International Humanitarian University Herald. Philology 40, no. 2 (2019): 101–3. http://dx.doi.org/10.32841/2409-1154.2019.40.2.24.
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Onanuga, Paul. "Language Use in Nigerian Spam SMSs: A Linguistic Stylistic Analysis." Language Matters 48, no. 2 (May 4, 2017): 91–116. http://dx.doi.org/10.1080/10228195.2017.1337805.
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Ghazzoul, Nahed. "A Linguistic and Stylistic Analysis of Ted Hughes’s “Hawk Roosting”." Theory and Practice in Language Studies 11, no. 7 (July 1, 2021): 798–805. http://dx.doi.org/10.17507/tpls.1107.05.
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The world of birds in Ted Hughes poems has always been the subject of a controversy and critical interest. His attempts to majestify their violence, and project their terrifying and brutal traits might tend to give the impression that the poet is the envoy of terror. However, a closer inspection indicates that the bird-of-prey-world is boldly a foil to project human concerns and moral behaviour. This study provides a linguistic and stylistic analysis of the poem “Hawk Roosting”. Metonymically, the figure of the Hawk in the poem stands for birds of prey, and allegorically, it refers to political dictators in human history. The study, and for the first time, applies the concept of mind style, dramatic monologues and mask lyrics in its analysis to reflect the Hawk’s strange psychology and worldview depending on the rhythmic form and stylistic features. Thus, the study shows how distinctive linguistic features—such as, the use of pronouns, simple present tense, polysemy, enjambment, and deviant constructions among others—relate to the mental representation of the Hawk’s world. This view indicates that there would always be a Hawk to plague, or a dictator to rule, no matter where you are, or which time you live in.
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Ryabova, Marina Yu. "Graphic-Stylistic Expressivity in Media Discourse." SHS Web of Conferences 50 (2018): 01151. http://dx.doi.org/10.1051/shsconf/20185001151.
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The article deals with the analysis of graphic-stylistic means of the language, such as punctuation, functioning in modern English based on the language material of literary and media texts (on-line site of The Guardian). The aim of the paper is to reveal some actual functional characteristics of punctuation marks compared with their traditional syntactic and stylistic usage. The linguistic analysis is conducted within the methodology of semantic and syntactic interpretation and description. The following new functional usage of punctuation marks is described: the playing (ludic) function (creating an ironic, comic or parody effect in communication) and the expressive function emphasizing the semantics of an element in a communicative context. The importance of the undertaken analysis is to show the necessity of studying the English punctuation functions from the point of view of modern theory of communication and media linguistics as well as with an empirical educational purpose of teaching the English grammar.
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Rong, Jianan. "An Analysis on Stylistic Features of Donald Trump’s Speech." International Journal of English Linguistics 11, no. 3 (March 8, 2021): 11. http://dx.doi.org/10.5539/ijel.v11n3p11.
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For government or leaders, public speaking is an important way to show the statesmanship and eloquence. It is a means of attracting groups of people who come from different classes. As the president of the United States, Donald Trump’s speaking talent plays an important role in the general election. Stylistics, which uses theories of modern linguistics to solve problems, aims at studying linguistic features and revealing the effect and function of pragmatic expression. This article selected Donald Trump’s three typical speeches, which studies from the perspective of stylistics on three major aspects—language description, textual analysis and contextual analysis. The analysis yielded the following results, 1) Language description consists of lexical analysis and syntactic analysis. On lexical level, Trump tends to use more abstract nouns and first person plural pronoun to make the addresses persuasive and more acceptable. Syntactically, for the sake of expressing information effectively and attracting more support, simple sentences and declarative sentences are prevailing in the speeches; 2) On the aspect of textual analysis, Trump employs topical division, problem-solution division and chronological division in an overlapping way in main body of speeches and creates crescendo in closure; 3) Contextual analysis shows that language varies from situations and they are formal and highly-structured. In a word, to analyze Donald Trump’s speech on stylistic features is significant for us on observing the features of his speeches and word-using habits.
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Sarfraz, Maha. "Stylistic Analysis of Coelho’s novel The Alchemist." International Journal of Linguistics, Literature and Translation 5, no. 3 (March 7, 2022): 58–66. http://dx.doi.org/10.32996/ijllt.2022.5.3.7.
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Style can be defined as the way language is used in a given context. Literary style can be defined as the linguistic patterns chosen by a particular author intentionally or unintentionally among all of the other options that are not chosen by her/him. The focal point of the study is to do a stylistic analysis of The Alchemist (1993), written by famous Brazilian writer Paulo Coelho, which is the most influential novel with its profound thoughts and remarkable artistry. The novel has a unique narrative structure and profound symbolic meaning. As the research is theoretical, analytical, and descriptive in nature, close reading text-based analysis is applied in the analysis of the novel. The theoretical framework for the present study is a stylistic model based on linguistic and stylistic features proposed by Leech and Short (2007) that have been applied. They described a list of different categories; lexical categories, grammatical categories, figures of speech, coherence, and cohesion, but the present study focused on only two categories; lexical categories and grammatical categories. The researcher used a “mixed approach” for the study. The researcher used a secondary source of data collection. The present study used a non-random sampling design. Thus, in this study, the researcher has done a stylistic analysis of the novel and has presented how academic readers can better understand the writer’s use of different literary elements and how meanings are constructed from a specific novel to reveal its themes.
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Kurniawan, Muhammad Hafiz. "A COGNITIVE STYLISTIC ANALYSIS OF THE GAME “LAUNCHA LIBRE”." IdeBahasa 2, no. 2 (December 31, 2020): 91–106. http://dx.doi.org/10.37296/idebahasa.v2i2.45.
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Playing games are the common activities among teenagers nowadays, especially when smartphone becomes massive devices for every communication. Playing games on smartphone can be either a killing-time activity or a wasting time activity depends on the people who use that facility. However, games nowadays can be used for educational learning materials which make the students more engaged to the class. This analysis offers an insight to use the game as the one of materials in teaching linguistics. By analyzing the language use in the names of the game characters and the conceptual system of the game, this research can be brought into the linguistic class. This research not only focuses on the names of the game characters but also to the game’s conceptual system which is used to promote the Mexican culture. The research method uses the screenshot feature of smartphone to collect the data and then the data were analyzed using cognitive stylistics. The names of the characters are created mostly by using puns and the game conceptual system is built basically by using metonymy.
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Fischer-Starcke, Bettina. "Keywords and frequent phrases of Jane Austen’s Pride and Prejudice." International Journal of Corpus Linguistics 14, no. 4 (December 15, 2009): 492–523. http://dx.doi.org/10.1075/ijcl.14.4.03fis.
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Corpus linguistic analyses reveal meanings and structural features of data, that cannot be detected intuitively. This has been amply demonstrated with regard to non-fiction data, but fiction texts have only rarely been analysed by corpus linguistic techniques. This is the case even though it has been shown by previous analyses that corpus stylistic analyses reveal literary meanings of the data that are left undetected by the intuitive analyses of literary criticism. The analysis of the keywords and most frequent phrases of Jane Austen’s novel Pride and Prejudice presented in this article confirms this claim by uncovering meanings that are not discussed in literary critical secondary sources. This constitutes evidence for the large potential of corpus stylistics for the analysis of literature and its meanings.
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Vinogradova, Elizaveta Andreevna, and Marina Vladimirovna Kuznetsova. "Analysis of stylistic repetitions in economic discourse." LAPLAGE EM REVISTA 7, Extra-C (June 19, 2021): 657–71. http://dx.doi.org/10.24115/s2446-622020217extra-c1056p.657-671.
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The article covers the issue of the use of stylistic repetitions as a figure of speech in economic discourse. The topic is quite relevant today, given that this kind of syntactic stylistic devices is frequently used. The objective of the present article is to touch upon the issue of such a linguistic phenomenon as stylistic repetition, to find the regularities of its functioning and to present comparative analysis of the findings of this investigation considering one major limitation that should be acknowledged regarding the present study. It concerns the framework of economic discourse. The results of the research may find application in studying of different courses, both theoretical and practical.
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Najeeb, Sabitha S. R., and Manar AlDawood. "Linguistic Choices for Literary Dialectics: A Coming Together of Divergent Entities." European Scientific Journal, ESJ 12, no. 32 (November 30, 2016): 269. http://dx.doi.org/10.19044/esj.2016.v12n32p269.
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Literature involves the manipulation of language for creative purposes and the discipline which fosters this synergic relationship between literature and language is termed stylistics. The purpose of this article is to show how it is possible to bridge the divide between language and literature by using the analytical techniques available within this sub-discipline of language study. Stylistics aims to interconnect linguistic form and literary effect, and also account for what it is that readers respond to when they praise the quality of a particular piece of writing. This article attempts to depict how the knowledge of linguistic intricacies can affect the reader’s interpretation. It also discusses how linguistic form relates to literary effect by analysing “Domination of Black”, by the renowned American poet Wallace Stevens. We aim to show that a linguistic approach to the analysis of a literary text does not have to mean that interpretation is disregarded. On the contrary, stylistic analysis can often illuminate why a particular literary text is regarded so highly.
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Guo, Hua. "Isolation and Communication A Stylistic Analysis of Thought Presentation in Mrs. Dalloway." Advances in Language and Literary Studies 8, no. 1 (February 1, 2017): 167. http://dx.doi.org/10.7575/aiac.alls.v.8n.1p.167.
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Mrs. Dalloway by Virginia Woolf is well-acclaimed for its almost non-intrusive portrayal of characters’ state of mind. Many studies approach it from biographical, socio-historical, philosophical, and other non-linguistic perspectives, and most linguistic investigations deal with illustrative examples of a single linguistic device in this novel. Few are concerned with the presence of particular linguistic patterns that explain how the intricate flow of thought is successfully depicted. This paper offers a detailed elaboration on the criteria for categorizing thought presentation in Leech& Short’s model and distinguishes cases of ambiguity. A case study of Mrs. Dalloway’s flower purchase scene illustrates how different types of thought presentation along with different reporting clauses are used to convey the variation in the character’s mental state and the negotiation between her inner voice and the outside world.
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Bybyk, Svitlana. "The idea of “yourself – another” in the Ukrainian migrant legislation (On the material of A. Chapai’s novel “Ponaihali”)." Culture of the Word, no. 90 (2019): 30–45. http://dx.doi.org/10.37919/0201-419x-2019.90.3.
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The article presents linguocognitive analysis of contemporary prose work. The basis of the research methodology was the definition of three conceptual lines that represent the ideal of “one’s own – stranger” from the point of view of self-, mutual evaluation of characters. These lines are one of the varieties of textual stylistic paradigms, which are based on associative-figurative and semantic-stylistic principles (microgroups, subgroups), reflect the ideas and motives of the authorʼs language. The stylistic load of common vocabulary – names of persons by affinity, by national and ethnic origin, by occupation, by territorial origin, by color epithets is shown. The semantic-grammatical and stylistic changes in the verb “came down”, in the nouns “mother”, “orphan”, in personal and possessive pronouns are noted. Emphasis is placed on the barbarization, vulgarization of linguistic thinking of the generation of parents and children, on the linguistics of the polarization of family members by linguistic, temporal and spatial features. The concept of “Me and my world” is such a perspective from which the writer represents the migration of Ukrainians, not only in the world, but also within the internal spiritual, moral and psychological boundaries, as evidenced by the relevant metaphor in reasoning-generalizations The characters are put by the author in various natural-geographical, linguistic-cultural, economic conditions. But all migrant workers are caught by three associative-semantic lines of the ideal of “one’s own-stranger”, which are verbalized through characteristic nominative, nominally-evaluative complexes. Based on such a stylistic model A. Chapai focuses on the existence of modern Ukrainian, on the transformation of linguistic and cultural consciousness of the generation of “parents and children”.