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Journal articles on the topic 'Linguistic Synaesthesia'

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1

f, f. "A Study on Directionalities of Linguistic Synaesthesia Based on Modern and Ancient Chinese." Society for Chinese Humanities in Korea 85 (December 31, 2023): 21–33. http://dx.doi.org/10.35955/jch.2023.12.85.21.

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Synaesthesia is a physical phenomenon which refers to ‘the involuntary experience of a cross-modal association’ (Shen 2008). In linguistics, generally speaking, synaesthesia is considered as a common sort of metaphor in poetic and ordinary language which can make a metaphoric transfer from one sensory domain to another. For instance, ‘cold color’ is linguistically synaesthetic, because the speaker expresses a perception of vision by using a word related to touch. In this paper, I make a brief introduction to linguistic synaesthesia, namely, synaesthetic metaphor, based on previous studies in d
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Ronga, Irene, Carla Bazzanella, Ferdinando Rossi, and Giandomenico Iannetti. "Linguistic synaesthesia, perceptual synaesthesia, and the interaction between multiple sensory modalities." Pragmatics and Cognition 20, no. 1 (2012): 135–67. http://dx.doi.org/10.1075/pc.20.1.06ron.

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Recent studies on cortical processing of sensory information highlight the importance of multisensory integration, and define precise rules governing reciprocal influences between inputs of different sensory modalities. We propose that psychophysical interactions between different types of sensory stimuli and linguistic synaesthesia share common origins and mechanisms. To test this hypothesis, we compare neurophysiological findings with corpus-based analyses relating to linguistic synaesthesia. Namely, we present Williams’ hypothesis and its recent developments about the hierarchy of synaesthe
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Root, Nicholas B., Karen Dobkins, Vilayanur S. Ramachandran, and Romke Rouw. "Echoes from the past: synaesthetic colour associations reflect childhood gender stereotypes." Philosophical Transactions of the Royal Society B: Biological Sciences 374, no. 1787 (2019): 20180572. http://dx.doi.org/10.1098/rstb.2018.0572.

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Grapheme–colour synaesthesia is a neurological phenomenon in which linguistic symbols evoke consistent colour sensations. Synaesthesia is believed to be influenced by both genetic and environmental factors, but how these factors interact to create specific associations in specific individuals is poorly understood. In this paper, we show that a grapheme–colour association in adult synaesthetes can be traced to a particular environmental effect at a particular moment in childhood. We propose a model in which specific grapheme–colour associations are ‘locked in’ during development in children pre
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Strik Lievers, Francesca. "Synaesthesia." Functions of Language 22, no. 1 (2015): 69–95. http://dx.doi.org/10.1075/fol.22.1.04str.

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In the existing literature on synaesthetic metaphors in poetry it is proposed that transfers tend to go from the ‘lower’ (touch, smell, taste) to the ‘higher’ (sight, hearing) sensory modalities. The purpose of this article is to establish if the same directionality also holds for synaesthetic associations found in other text types. To this end, a method for the semi-automatic extraction of synaesthesia is introduced and applied to general-purpose corpora of English (ukWaC) and Italian (itWaC). In the data collected for these languages, most transfers proceed in the expected direction, e.g. sw
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Bargary, Gary, Kylie J. Barnett, Kevin J. Mitchell, and Fiona N. Newell. "Colored-Speech Synaesthesia Is Triggered by Multisensory, Not Unisensory, Perception." Psychological Science 20, no. 5 (2009): 529–33. http://dx.doi.org/10.1111/j.1467-9280.2009.02338.x.

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Although it is estimated that as many as 4% of people experience some form of enhanced cross talk between (or within) the senses, known as synaesthesia, very little is understood about the level of information processing required to induce a synaesthetic experience. In work presented here, we used a well-known multisensory illusion called the McGurk effect to show that synaesthesia is driven by late, perceptual processing, rather than early, unisensory processing. Specifically, we tested 9 linguistic-color synaesthetes and found that the colors induced by spoken words are related to what is pe
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Zhao, Qingqing, Chu-Ren Huang, and Yunfei Long. "Synaesthesia in Chinese: A corpus-based study on gustatory adjectives in Mandarin." Linguistics 56, no. 5 (2018): 1167–94. http://dx.doi.org/10.1515/ling-2018-0019.

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Abstract This study adopted a corpus-based approach to examine the synaesthetic metaphors of gustatory adjectives in Mandarin. Based on the distribution of synaesthetic uses in the corpus, we found that: (1) the synaesthetic metaphors of Mandarin gustatory adjectives exhibited directionality; (2) the directionality of Mandarin synaesthetic gustatory adjectives showed both commonality and specificity when compared with the attested directionality of gustatory adjectives in English, which calls for a closer re-examination of the claim of cross-lingual universality of synaesthetic tendencies; and
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Arend, Isabel, and Avishai Henik. "What Can Illusory Conjunctions Reveal About Synaesthetic Bindings?" Multisensory Research 30, no. 3-5 (2017): 235–51. http://dx.doi.org/10.1163/22134808-00002555.

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The visual system successfully binds the shapes and colours of objects; therefore, our visual experience regarding the objects around us is coherent. However, this binding process can break down when attention is diverted, producing illusory conjunctions (ICs); for example, when presented with a red 2 and a green 5, the observer may report a green 2 and a red 5. The strongest observation of binding in human cognition is found in synaesthesia. In grapheme–colour synaesthesia, linguistic stimuli (e.g., letters or numbers) are strongly associated with colours. It is debatable whether these highly
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Rouw, Romke, and Nicholas B. Root. "Distinct colours in the ‘synaesthetic colour palette’." Philosophical Transactions of the Royal Society B: Biological Sciences 374, no. 1787 (2019): 20190028. http://dx.doi.org/10.1098/rstb.2019.0028.

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In grapheme-colour synaesthesia, particular linguistic elements evoke particular colour sensations. Interestingly, when asked, non-synaesthetes can also associate colours to letters, and previous studies show that specific letter-to-colour associations have similar biases to those of synaesthetes. However, it is an open question whether the colours reported by synaesthetes and non-synaesthetes differ overall : is there a ‘synaesthetic colour palette’? In this study, we visualize the overall distribution in colour space of colour concurrents in grapheme-colour synaesthetes, and colour associati
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Wojtera, Dominika, and Monika Obrębska. "Synaesthesia and special abilities in people from the general population with differing degrees of autistic traits." Psychiatria i Psychologia Kliniczna 25, no. 1 (2025): 51–56. https://doi.org/10.15557/pipk.2025.0007.

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Introduction and objective: The study was carried out to explore the potential positive correlations between the degree of autistic traits and various types of special abilities or synaesthetic experiences. Autistic traits are a set of cognitive and social features that occur both in individuals with autism spectrum disorder and – less frequently and to a lesser degree – in individuals from the general population. Synaesthesia refers to phenomena whose common foundation is the principle of intersensuality. It occurs more frequently among individuals fulfilling the diagnostic criteria for autis
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Barnett, Kylie J., Joanne Feeney, Michael Gormley, and Fiona N. Newell. "An exploratory study of linguistic–colour associations across languages in multilingual synaesthetes." Quarterly Journal of Experimental Psychology 62, no. 7 (2009): 1343–55. http://dx.doi.org/10.1080/17470210802483461.

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In one of the most common forms of synaesthesia, linguistic–colour synaesthesia, colour is induced by stimuli such as numbers, letters, days of the week, and months of the year. It is not clear, however, whether linguistic–colour synaesthesia is determined more by higher level semantic information—that is, word meaning—or by lower level grapheme or phoneme structure. To explore this issue, we tested whether colour is consistently induced by grapheme or phoneme form or word meaning in bilingual and trilingual linguistic–colour synaesthetes. We reasoned that if the induced colour was related to
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Ward, Jamie, and Julia Simner. "Lexical-gustatory synaesthesia: linguistic and conceptual factors." Cognition 89, no. 3 (2003): 237–61. http://dx.doi.org/10.1016/s0010-0277(03)00122-7.

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Prokofyeva, L. P. "Synaesthesia in a Modern scientific Paradigm." Izvestiya of Saratov University. Philology. Journalism 10, no. 1 (2010): 3–10. http://dx.doi.org/10.18500/1817-7115-2010-10-1-3-10.

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The author surveys modern definitions of synaesthesia, analyses research methods of this phenomenon, suggests the classification on basis of combining of linguistic, psychological, cultural studies approaches.
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Strik Lievers, Francesca. "Figures and the senses." Review of Cognitive Linguistics 15, no. 1 (2017): 83–101. http://dx.doi.org/10.1075/rcl.15.1.04str.

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Abstract It is usually taken for granted that synaesthesia (e.g., sweet voice) is a metaphor. However, the fact that partly different interpretations have also been proposed suggests that further research is needed. Based on a critical review of the alternative positions on the topic and on a detailed analysis of relevant data, I argue in this paper that synaesthesia (in both its conventional and living instances) is indeed a metaphor, displaying a conflict between separate sensory concepts that cannot be connected in terms of a consistent conceptual relationship. The clearer and more explicit
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Razlogova, Elena E., and Polina V. Iaroshenko. "Linguistic synaesthesia through the prism of stylistic devices." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 77 (June 1, 2022): 66–84. http://dx.doi.org/10.17223/19986645/77/3.

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Merzlikina, Olga V. "Synaesthetic metaphors in the description of fragrance properties in perfumery discourse (on the material of the modern Spanish language)." Vestnik of Saint Petersburg University. Language and Literature 21, no. 1 (2024): 208–23. http://dx.doi.org/10.21638/spbu09.2024.111.

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The article deals with the use of synaesthetic metaphors with an olfactory component of meaning in the perfumery discourse of the Spanish language. Synaesthetic metaphors are considered as emotional-evaluative units of linguistic coding of interrelations of polysensory perception of smells, sounds, colours, tastes, temperatures through different organs of human perception and are the result of cognitive-symbolic integration of human sensory experience. The synaesthetic metaphor is viewed as a result of synaesthesia which at the level of perception influences the inventory of the linguistic mea
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Jonas, Clare. "Synaesthesia and the SNARC effect." Seeing and Perceiving 25 (2012): 221. http://dx.doi.org/10.1163/187847612x648477.

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In number-form synaesthesia, numbers become explicitly mapped onto portions of space in the mind’s eye or around the body. However, non-synaesthetes are also known to map number onto space, though in an implicit way. For example, those who are literate in a language that is written in a left-to-right direction are likely to assign small numbers to the left side of space and large numbers to the right side of space (e.g., Dehaene et al., 1993). In non-synaesthetes, this mapping is flexible (e.g., numbers map onto a circular form if the participant is primed to do so by the appearance of a clock
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SIMNER, J., L. GLOVER, and A. MOWAT. "Linguistic Determinants of Word Colouring in Grapheme-Colour Synaesthesia." Cortex 42, no. 2 (2006): 281–89. http://dx.doi.org/10.1016/s0010-9452(08)70353-8.

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Spiller, Mary Jane. "Exploring synaesthetes’ mental imagery abilities across multiple sensory modalities." Seeing and Perceiving 25 (2012): 219. http://dx.doi.org/10.1163/187847612x648459.

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Previous research on the mental imagery abilities of synaesthetes has concentrated on visual and spatial imagery in synaesthetes with spatial forms (Price, 2009, 2010; Simner et al., 2008) and letter-colour synaesthesia (Spiller and Jansari, 2008). Though Barnett and Newell (2008) asked synaesthetes of all types to fill out a questionnaire on visual imagery, most of their synaesthetes reported some form of linguistic–colour synaesthesia. We extend the investigation of mental imagery to a wider variety of synaesthesia types and a wider variety of sensory modalities using a questionnaire study a
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Iaroshenko, Polina V. "Towards the linguistic approach to ideasthesia (case study of the multilingual parallel corpus)." Vestnik of Saint Petersburg University. Language and Literature 20, no. 1 (2023): 156–69. http://dx.doi.org/10.21638/spbu09.2023.109.

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The article considers the possibility of applying the term ideasthesia to linguistic material. This term refers to word combinations usually classified as synesthetic metaphors, despite the fact that they do not imply multimodality, because only one of the words contains a sensory semantic component (e. g. bitter love, sweet desire). The research is based on a parallel multilingual corpus including the original text of V.Nabokov’s Lolita in English (1955) and its Russian (1967) and French (1959, 2001) translations. The work’s objective is to determine the place of ideasthesia in the context of
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20

Jurčević, Jana. "Lexical Synaesthesia in Metaphorical Collocations." Journal for Foreign Languages 16, no. 1 (2024): 63–82. https://doi.org/10.4312/vestnik.16.63-82.

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This study seeks to shed more light on the role of lexical synaesthesia (LS), a phenomenon exemplified by expressing one sense in terms of another (e.g., gustation for sound – a sweet melody), in the process of forming metaphorical collocations. Lexical synaesthesia is a fascinating intersection of sensory perception and linguistic expression, the investigation of which has proved to be significant for several reasons. Namely, it points to the complex workings of human conceptualization, the relevance of the embodied nature of language, and subsequently shows ways in which it affects the forma
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Watson, M. R., K. A. Akins, J. Chromy, J. Alderete, M. Hahn, and J. T. Enns. "What colours a letter? The deep learned structure of synaesthesia in two linguistic groups." Journal of Vision 14, no. 10 (2014): 1139. http://dx.doi.org/10.1167/14.10.1139.

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Trufanova, Irina V. "Types of Synesthesia in B. Pasternak’s Story “Childhood Luvers” (“Childhood Eyelets”)." RUDN Journal of Language Studies, Semiotics and Semantics 15, no. 1 (2024): 126–37. http://dx.doi.org/10.22363/2313-2299-2024-15-1-126-137.

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The study is devoted to the issue of developing a typology of synesthesia. In our card index there are 40,000 examples from the works of Russian writers, in the story “Childhood Luvers” (“Childhood Eyelets”) there are about 200 of them, there are 32 types of synesthesia in the story, and, if synaesthesia is included in synesthesia, there are about 40. The study is written on the material of the story “Childhood of Eyelets” by B. Pasternak “, since the story reveals rare types of synesthesia, without which the typology of synesthesia would be incomplete. The lack of a consensus on the mechanism
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Bolognesi, Marianna, and Francesca Strik Lievers. "How language and image construct synaesthetic metaphors in print advertising." Visual Communication 19, no. 4 (2018): 431–57. http://dx.doi.org/10.1177/1470357218782001.

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Research in (multi-)sensory marketing suggests that engaging consumers’ senses is an efficient way to create effective advertisements. In this study, the authors explore how sensory cues are used in print advertising. In particular, they identify and describe print advertisements featuring instances of synaesthesia, that is, a metaphor by which properties of a given sensory modality are attributed to a concept that relates primarily to a different sensory modality. They propose that these advertisements can be classified based on the role played by the image and the text, as well as based on t
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Iaroshenko, Polina V. "Sensory Semantic Component as the Basis for Synaesthesia Formation in Language: a Case Study of Arthur Rimbaud’s Poem "Le Bateau ivre" ("The Drunken Boat") and its Russian Translations." NSU Vestnik. Series: Linguistics and Intercultural Communication 18, no. 1 (2020): 144–56. http://dx.doi.org/10.25205/1818-7935-2020-18-1-144-156.

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The current article considers the phenomenon of synaesthesia in a literary text on the material of the Russian and French languages. Our study proposes a new approach to a linguistic analysis of synaesthesia at the levels of words and word combinations. It introduces a systemic model describing groups of words related to sensory perception which serve as a basis for synaesthetic word combinations’ formation. The units of analysis were selected from a manually prepared author’s corpus of parallel texts including Arthur Rimbaud’s poem “Le Bateau ivre” and its 15 Russian translations. In order to
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Ilyicheva, Inna L. "Perceptual Portrait of Belovezhskaya Pushcha in Regional Linguistic Consciousness." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 6 (December 25, 2024): 73–82. https://doi.org/10.37482/2687-1505-v391.

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The article presents the results of an experimental study on the perceptual embodiment of the BELOVEZHSKAYA PUSHCHA concept as a fragment of regional worldview. The research aimed to characterize the way this concept is expressed in the linguistic consciousness of residents of the Brest region by modelling and analysing its perceptual component. The main research method applied in the paper is the anthropometric method, combined with statistical and contextual analysis techniques. The material consists of associative reactions to the stimulus phrase Belovezhskaya Pushcha, obtained by processin
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Scotto, Carolina. "Wittgenstein: Iconicity in Language and «Experience of Meaning» [Wittgenstein: iconicidad en el lenguaje y «experiencia del significado»]." Disputatio. Philosophical Research Bulletin 6, no. 7 (2017): 423–57. https://doi.org/10.5281/zenodo.1418402.

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Facing the almost unanimous acceptance of the arbitrariness of linguistic sign thesis, it is possible, relying on recent cognitive linguistic research, to argue for the relative importance of iconicity in natural languages. Different expressions of the iconic phenomenon known as «sound symbolism», moreover, strengthen a multimodal approach to language, in opposition to the prevalent view in linguistics as well as in the analytic philosophy of language. In this paper, my aim is to show that Wittgenstein has correctly identified these iconic and multimodal phenomena as cases of &ldqu
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Kushneryk, V. I., and S. S. Andriiva. "SEMANTIZATION OF SOUND UNITS IN MULTILEVEL LANGUAGES." Writings in Romance-Germanic Philology, no. 1(52) (June 25, 2024): 80–90. http://dx.doi.org/10.18524/2307-4604.2024.1(52).310312.

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It is crucial to consider two foundational principles of phonosemantics: the principle of non-arbitrariness (motivation), principle of the arbitrariness of the linguistic sign. The former principle suggests a pervasive interrelation among real-world phenomena and objects. Numerous instances in the history of science demonstrate the discovery of connections between seemingly unrelated phenomena. In contrast, the principle of the arbitrariness of the linguistic sign asserts the independence between the signifier and the signified, clashing with the overarching principle of hierarchization. Accor
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Wild, Gerhard. "Ideen-Maschinen – Klang-Figuren – Bewegungs-Bilder – Sprach-Barrieren. Ebenen poetischer Subjektivität in Texten schreibender Maler (Chirico, Dalí, Giacometti, Miró, Ernst, Duchamp, Picabia, Magritte)." Zeitschrift für Katalanistik 21 (July 1, 2008): 39–75. http://dx.doi.org/10.46586/zfk.2008.39-75.

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Summary: European painters’ writing activities may be seen as an intent of “heteropoetry” with the aim of revealing aesthetic experience in a linguistic mode that avoids the traditional problem of visual art as representation of external reality. Henceforth, poetry becomes a privileged medium of expression of an imaginary which in Renaissance and Baroque art and literature is centered on the Neo-Platonist concept of “idea” (cf. Panofsky, Hocke). Studying the texts of surrealist painters, four aesthetic levels to perform poetic subjectivity can be detected. At the early beginning of 20th centur
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Shibuya, Yoshikata, and Hajme Nozawa. "Constraints on Synaesthesia." Annual Meeting of the Berkeley Linguistics Society 29, no. 1 (2003): 403. http://dx.doi.org/10.3765/bls.v29i1.978.

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Proceedings of the Twenty-Ninth Annual Meeting of the Berkeley Linguistics Society: General Session and Parasession on Phonetic Sources of Phonological Patterns: Synchronic and Diachronic Explanations (2003)
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Ginter, Anna. "Metafory synestezyjne w opisach doznań zapachowych we współczesnym języku rosyjskim (na podstawie wpisów na blogach o tematyce perfumeryjnej)." Linguodidactica 24 (2020): 67–82. http://dx.doi.org/10.15290/lingdid.2020.24.06.

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The aim of the article is to identify the mechanism of the functioning of synaesthetic metaphors describing fragrance in the modern Russian language. The linguistic material comes from posts on Internet perfume blogs. Synaesthetic metaphors are understood here as metaphors which result from a mapping of perceptual concept from a source domain onto a concept of perceptual or non-perceptual domain. The discussion is conducted mainly from the perspective of cognitive linguistics and neuronal sciences. As the results of the analysis prove, descriptions of olfactory sensations involve references to
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Anthony-Gerroldt, Laure-Hélène. "Connecting with the world: poetic synaesthesia, sensory metaphors and empathy." Journal of Literary Semantics 52, no. 2 (2023): 233–48. http://dx.doi.org/10.1515/jls-2023-2014.

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Abstract Many poems rely on sensory lexis and metaphors, making them amenable to the readerly experience of sensory overlap or fusion that characterizes synaesthesia. Such sensory language can be considered a way to connect with our emotions and bodies, since our bodily experiences directly influence and control many of our other experiences. Synaesthetic metaphors can thus be related to empathy via embodiment, especially when empathy is understood as playing a part in the reader’s or the spectator’s sensory engagement with works of art. In this article, I explore how empathy can derive from o
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Mousavi, S. Hamzeh, and Mohammad Amouzadeh. "‘I hear the smell of roses’." Review of Cognitive Linguistics 18, no. 2 (2020): 397–427. http://dx.doi.org/10.1075/rcl.00065.mou.

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Abstract This paper investigates the synaesthetic constructions in Persian with the aim of finding out what motivates them despite their incongruous syntactic-semantic assignments. It is argued that these paradoxical elements require a metaphoric/metonymic frame to assign appropriate lexical units (LUs) to their corresponding syntactic categories (NP + rɑ +VP and NP + AP). The discrepancy derives from the semantic aspects for which frame semantics provides two types of explanations: internal and external frame factors. Internal factors deal with the metaphoric/metonymic compatibility or simila
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Nuntana Wongthai. "Synaesthetic Metaphors in Thai: A Cognitive Linguistic Study." JOURNAL OF KOREAN ASSOCIATION OF THAI STUDIES 16, no. 2 (2010): 1–27. http://dx.doi.org/10.22473/kats.2010.16.2.001.

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Dzienisiewicz, Maria. "Językowy obraz dźwięku (na materiale polsko- i rosyjskojęzycznych recenzji muzycznych)." Studia Rossica Posnaniensia 46, no. 2 (2021): 243–55. http://dx.doi.org/10.14746/strp.2021.46.2.17.

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The aim of the article is to present the ways of conceptualization of sound in Polish and Russian musical critical texts. For the purpose of the article 145 examples in Polish and 145 examples in Russian were analyzed. The material has been divided into three groups based on the type of sense: a visual approach to sound impressions, a tactile approach to sound impressions and a tastebased approach to sound impressions. The analyzed research material was presented with the use of the linguistic worldview methodology, and grouped into categories. The results of the comparative analysis showed a
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Maier, Carmen Daniele. "Multimodality, Synaesthesia and Intersemiotic Translation." HERMES - Journal of Language and Communication in Business, no. 55 (August 29, 2016): 7. http://dx.doi.org/10.7146/hjlcb.v0i55.24284.

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Maier, Carmen Daniela. "Multimodality, Synaesthesia and Intersemiotic Translation." HERMES - Journal of Language and Communication in Business, no. 55 (August 30, 2016): 7. http://dx.doi.org/10.7146/hjlcb.v0i55.24306.

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Spiller, Mary Jane, and Ashok S. Jansari. "Mental imagery and synaesthesia: Is synaesthesia from internally-generated stimuli possible?" Cognition 109, no. 1 (2008): 143–51. http://dx.doi.org/10.1016/j.cognition.2008.08.007.

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Dayan, Peter. "Synaesthetics: Art as Synaesthesia by Paul Gordon." Modern Language Review 117, no. 4 (2022): 693–94. http://dx.doi.org/10.1353/mlr.2022.0124.

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Mankin, Jennifer L., Christopher Thompson, Holly P. Branigan, and Julia Simner. "Processing compound words: Evidence from synaesthesia." Cognition 150 (May 2016): 1–9. http://dx.doi.org/10.1016/j.cognition.2016.01.007.

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Чорна, Лідія Валеріївна. "ФЕНОМЕНІДЕАЛУ В КОНТЕКСТІ СУЧАСНОГО АНТРОПОЛОГІЧНОГО ПОВОРОТУ". Філософські обрії, № 35 (12 липня 2016): 68–79. https://doi.org/10.5281/zenodo.57509.

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The article analyses the Ideal in the light of modern anthropological turning-point comprehension. Nowadays the Ideal interpretation is also topical theme for discussions of philosophy. Deep changes in cultural practices of contemporary globalist world don’t allow to reserve the Ideal within the old bounds of Modern. The purpose of article is to pass from general vision of Ideal to its interpretation within the limits of anthropological turning-point. The Ideal is analyzed in realities of modern cultural practices that influence on its forming. There is scientifically proved that Ideal a
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Laeng, B. "Searching through synaesthetic colors." Attention, Perception & Psychophysics 71, no. 7 (2009): 1461–67. http://dx.doi.org/10.3758/app.71.7.1461.

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Monopoli, Davide, and Cristina Cacciari. "Il linguaggio letterale e figurato nelle descrizioni dell'esperienza sensoriale: l'olfatto č davvero un senso "senza parole"?" PARADIGMI, no. 1 (May 2009): 147–62. http://dx.doi.org/10.3280/para2009-001011.

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- The Role of Literal and Figurative Language Olfaction is still the less investigated of the sensory modalities. This also reflects the fact that olfaction is the most subjective and emotional sensory modality and the one with the fewer relationships with verbal language. Since metaphors are cognitive bridges between perception and language, in principle they might be more effective in giving voice to olfaction, the "speechless sense". However, research in this fascinating field is still in its infancy, and the linguistic and psychological results are still scarce and contradicting. Key Words
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43

Makioka, Shogo. "A self-organizing learning account of number-form synaesthesia." Cognition 112, no. 3 (2009): 397–414. http://dx.doi.org/10.1016/j.cognition.2009.06.004.

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Barnett, Kylie J., Ciara Finucane, Julian E. Asher, et al. "Familial patterns and the origins of individual differences in synaesthesia." Cognition 106, no. 2 (2008): 871–93. http://dx.doi.org/10.1016/j.cognition.2007.05.003.

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45

Szarke, Margot. "Modern Sensitivity: ÉMile Zola’s Synaesthetic Cheeses." French Studies 74, no. 2 (2020): 203–22. http://dx.doi.org/10.1093/fs/knaa003.

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Müller-Tamm, Jutta. "The colours of vowels: synaesthesia in physiology and aesthetics, 1850–1900." Word & Image 36, no. 1 (2020): 18–26. http://dx.doi.org/10.1080/02666286.2019.1651989.

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SAGIV, N., J. SIMNER, J. COLLINS, B. BUTTERWORTH, and J. WARD. "What is the relationship between synaesthesia and visuo-spatial number forms?" Cognition 101, no. 1 (2006): 114–28. http://dx.doi.org/10.1016/j.cognition.2005.09.004.

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Shi, Cunqian. "A Study on “Chou” Metaphors in 300 Song Lyrics." Studies in Linguistics and Literature 8, no. 4 (2024): p143. http://dx.doi.org/10.22158/sll.v8n4p143.

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Advancements in modern cognitive linguistics have rendered metaphor a conceptual tool for understanding the world. The interplay between emotion and cognition highlights the importance of studying human emotions, which are often metaphorized by people. The expression “Chou” is one of the most prevalent emotions in Chinese Song Lyrics. This paper adopts a cognitive linguistics perspective, utilizing 300 Song Lyrics as the corpus, to conduct a detailed exploration and analysis of the types and meanings of “Chou” metaphors by applying Conceptual Metaphor Theory. The study identifies six main type
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Mandelker, Amy. "Synaesthesia and Semiosis: Icon and Logos in Andrej Belyj's Glossalolija and Kotik Letaev." Slavic and East European Journal 34, no. 2 (1990): 158. http://dx.doi.org/10.2307/309143.

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Simner, Julia, and Sarah L. Haywood. "Tasty non-words and neighbours: The cognitive roots of lexical-gustatory synaesthesia." Cognition 110, no. 2 (2009): 171–81. http://dx.doi.org/10.1016/j.cognition.2008.11.008.

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