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Relevant bibliographies by topics / Lisbon (portugal), fiction

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Academic literature on the topic 'Lisbon (portugal), fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Lisbon (portugal), fiction"

1

Tipper, Becky. "All the Animals: Short Fiction about Multispecies Families." Animal Studies Journal 13, no. 1 (2024): 137–58. http://dx.doi.org/10.14453/asj/v13i1.7.

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The five-part short story ‘All the Animals’ imagines an array of animals who feature in the life of a fictional human family over many years. The story is inspired by qualitative research into human-animal relationships in families with children in Lisbon, Portugal. ‘All the Animals’ aims to offer a fictional ‘thick description’ of multispecies families in a particular time and place, but also to provide a reflection on the role of storytelling in human-animal entanglements.

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2

Antunes, Rafael. "Blue Pencil." Interactive Film and Media Journal 1, no. 1 (November 22, 2021): 95–109. http://dx.doi.org/10.32920/ifmj.v1i1.1496.

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This article aims at analyzing and discussing the proposed objectives and outcomes of a transmedia project that was run in partnership with CICANT/Universidade Lusófona, in Lisbon, Portugal, and the Portuguese media group Impresa, as part of a European Commission-funded project named CIAKL-Cinema and Industry Alliance for Knowledge and Learning. The Blue Pencil project had as its main objective the development of a transmedia narrative that grouped different platforms and technologies, which included intersections inside the narrative within the genres of entertainment and education. Taking as its central theme the censorship in Portugal during the Estado Novo, the narrative extends into a short fiction film, a documentary, a site with archive material, an online game that challenges writing on freedom of the press, an online store, and a school program, in partnership with the network of school libraries, to launch the debate of censorship in schools.

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3

Nery, Isabel. "ALICE TRINDADE: a pioneira do jornalismo literário lusófono." Revista Observatório 4, no. 6 (October 8, 2018): 117–40. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n6p117.

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Professora de Língua e Cultura inglesa em Portugal, Alice Trindade, mais interessada em estudar a realidade do que a ficção, começa a dedicar-se ao jornalismo literário pelo prazer dos textos. Mas tudo muda depois de um encontro da Associação Internacional de Estudos de Jornalismo Literário (IALJS). Apoiada por John Hartsock, que procurava novas vozes, dá início a um percurso até aí inesperado. Torna-se a primeira mulher presidente da IALJS e dá um impulso inédito ao jornalismo literário lusófono. O seu percurso irá fundir-se com um novo fôlego dado à área, até aqui menosprezada pela academia portuguesa. A investigadora é hoje vice-presidente do Instituto Superior de Ciências Sociais e Políticas (ISCSP), em Lisboa, que aposta no jornalismo literário como caminho para a internacionalização. PALAVRAS-CHAVE: Jornalismo Literário; Jornalismo literário lusófono; Narrativa de Não Ficção; Lusofonia. ABSTRACT Professor of English Language and Culture in Portugal, Alice Trindade, more interested in studying reality than fiction, begins to dedicate herself to literary journalism for the pleasure of the texts. But everything changes after a meeting of the International Association of Literary Journalism Studies (IALJS). Supported by John Hartsock, who was looking for new voices, he began an unexpected journey. She becomes the first woman president of IALJS and gives an unprecedented impulse to the literary journalism lusófono. Your course will merge with a new breath given to the area, hitherto overlooked by the Portuguese academy. The researcher is now vice-president of the Higher Institute of Social and Political Sciences (ISCSP) in Lisbon, which focuses on literary journalism as a path to internationalization. KEYWORDS: Literary Journalism; Lusophone literary journalism; Nonfiction Narrative; Lusophony. RESUMEN Profesor de idiomas Inglés y Cultura en Portugal, Alice Trinidad, más interesados en el estudio de la realidad supera a la ficción, comienza a dedicarse al periodismo literario por el bien de los textos. Pero todo cambia después de un encuentro de la Asociación Internacional de Estudios de Periodismo Literario (IALJS). Apoyado por John Hartsock, que buscaba nuevas voces, da inicio a un recorrido hasta allí inesperado. Se convierte en la primera mujer presidenta de la IALJS y da un impulso inédito al periodismo literario lusófono. La tubería se fusionará con un nuevo impulso dado a la zona hasta ahora pasado por alto por las instalaciones portugués. El investigador es ahora vicepresidente del Instituto de Ciencias Sociales y Políticas (ISCSP) en Lisboa, que se centra en el periodismo literario como camino hacia la internacionalización. PALABRAS CLAVE: Periodismo Literario; Periodismo literario lusófono; Narrativa de No Ficción; Mundo de habla portuguesa.

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4

Botelho, Teresa, and Isabel Oliveira Martins. "(Re)Thinking Earth: From Representations of Nature to Climate Change Fiction, 22-23 April 2020 in the National Library of Portugal, Lisbon." Science Fiction Studies 47, no. 1 (2020): 156–57. http://dx.doi.org/10.1353/sfs.2020.0035.

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5

Botelho and Martins. "(Re)Thinking Earth: From Representations of Nature to Climate Change Fiction, 22-23 April 2020 in the National Library of Portugal, Lisbon." Science Fiction Studies 47, no. 1 (2020): 156. http://dx.doi.org/10.5621/sciefictstud.47.1.0156a.

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6

Martins Marcos, Patrícia. "Refusing the Fictions of Unmarked Whiteness: Challenging Human Rank, Race, and History." Eighteenth-Century Fiction 36, no. 1 (January 1, 2024): 127–31. http://dx.doi.org/10.3138/ecf.36.1.127.

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The 2017 inauguration of a statue in Lisbon, Portugal, to the seventeenth-century Jesuit missionary in colonial Brazil, Father António Vieira, offers an opportunity to discuss history writing as a narrative genre. The statue epitomizes the naturalization of Portugal’s imperial narrative genres of history writing, instantiating their recapitulation into the future. Vieira’s statue exposes how colonial mythologies constitute a narrative of power premised on the erasure of colonial resistance. These dynamics, I argue, are intrinsic to the history of history writing. They arch back to a panegyric tradition of narrating the past that emerged in the eighteenth century in the Portuguese Royal Academy of History. Confronting eighteenth-century fictions demands exposing the epistemic whiteness undergirding Western exercises of recovery of the past and narrating history. Focusing on History as a genre, and its attending exercises of curatorial knowledge-production, exposes the deliberate erasure of Black, Indigenous, and other historically marginalized agents of anti-colonial resistance.

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7

Kuntz, Maria Cristina. "A metaficção historiográfica em História do Cerco de Lisboa." Revista do Centro de Estudos Portugueses 22, no. 30 (June 30, 2002): 199. http://dx.doi.org/10.17851/2359-0076.22.30.199-224.

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<p>Fato fundador da nação portuguesa, o cerco de Lisboa e o conseqüente extermínio dos mouros remete-nos, incontestavelmente, à mítica figura de seu primeiro rei, Afonso Henriques. A partir de seu título, supomos estar diante de um romance histórico. Entretanto, o autor surpreendenos apresentando outra história, a do revisor Raimundo Silva. Trata-se de um romance em que o passado é revisto pela ótica desta personagem, num trabalho de releitura e de reescrita. Resulta desse processo uma desmistificação dos heróis e da História nacional, bem como uma proposta de reflexão para o futuro. Passado e presente se entrelaçam de maneira a construir um diálogo onde vários pontos de vista substituem a voz una e autoritária do autor. Ao fundirem-se totalidade e particularidade, é traçado um paralelo entre a história particular do protagonista e a conquista da cidade, isto é, os primórdios da História de Portugal. Emaranham-se História e Ficção conferindo um novo sentido àquela, ao mesmo tempo em que nasce uma reflexão. Ao trabalhar o riso e a ironia, José Saramago instaura na estrutura e no discurso deste romance a chamada carnavalização bakhtiniana reforçando a metaficção historiográfica e descortinando novas perspectivas sobre a História de Portugal, a Arte e valores existenciais humanos.</p> <p>Le siège de Lisbonne fut un événement fondateur de la nation portuguaise. L’extermination des maures renvoie au personnage mythique d’Afonso Henriques, premier roi de Portugal. Le titre du roman nous fait penser à un roman historique, cependant l’auteur nous surprend et nous présente une autre histoire, celle du reviseur Raimundo Silva. <em>História do Cerco de Lisboa </em>est un roman où le passé est revu par l’optique de ce personnage dans un travail de relecture et reécriture. De ce processus de démythification et des héros et de l’Histoire naît une proposition de reflexion pour le futur. Passé et présent se lient dans un dialogue où plusieurs points de vue subtituent la voix autoritaire de l’auteur. José Saramago, dans ce roman établit un parallèle entre l’histoire particulier du protagoniste et la conquête de la ville. Il renoue la signification de l’ Histoire en la mélangeant avec la Fiction. Le rire et l’ironie créent la “carnavalisation bakhtinienne” dans la structure et dans le discours de ce roman et ouvre de nouvelles perspectives sur l’Histoire de Portugal, sur l’Art et sur des valeurs humaines.</p>

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8

Knudson-Vilaseca, Emily. "Mudado para Pior: Residents’ responses to Portugal’s ‘Special Rehousing Program’ as expressed in Outros Bairros and Nada Fazi." International Journal of Iberian Studies 36, no. 1 (March 1, 2023): 21–40. http://dx.doi.org/10.1386/ijis_00089_1.

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As part of the larger discussion about the persistent and worldwide problem of access to adequate housing, I examine in this article the effects of government-led rehousing efforts in Lisbon, Portugal, through the lens of filmic representations of those effects. Specifically, I look at how residents of both the self-built neighbourhoods (demolished or soon-to-be) and public housing responded to the Projeto Especial de Realojamento through an analysis of two films, the documentary Outros Bairros and the fictional short film Nada Fazi , which represent a sort of ‘before and after’ of those government efforts. The residents’ voices and stories are compared to each other and set against a backdrop of journalistic reporting and sociological studies.

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9

Silva, Luís Cláudio Ferreira, and Marco Antonio Hruschka Teles. "Entrevista com José Eduardo Agualusa: A literatura quebrando muros." Acta Scientiarum. Language and Culture 44, no. 1 (March 14, 2022): e59266. http://dx.doi.org/10.4025/actascilangcult.v44i1.59266.

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José Eduardo Agualusa nasceu em Huambo, Angola, em 1960. Estudou Silvicultura e Agronomia em Lisboa, Portugal. Escreve crônicas para o jornal brasileiro O Globo. É membro da União dos Escritores Angolanos. Seus livros já foram traduzidos para mais de 30 idiomas. Pelo selo Tusquets da Editora Planeta do Brasil, publicou O terrorista elegante e outras histórias (2019), livro escrito a quatro mãos com Mia Couto, de quem é amigo. Publicou também A sociedade dos sonhadores involuntários (2017) e O vendedor de passados (2018), romance pelo qual venceu o Independent Foreign Fiction Awards. Seu último romance publicado é Os vivos e os outros, de 2020. A entrevista que segue é parte de uma mesa na 7ª Festa Literária Internacional de Maringá (FLIM), realizada de maneira virtual, no dia 11 de dezembro de 2020.

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10

Brito, Cristina. "The Voice of Skogula in ‘Beasts Royal’ and a Story of the Tagus Estuary (Lisbon, Portugal) as Seen through a Whale’s-Eye View." Humanities 8, no. 1 (March 5, 2019): 47. http://dx.doi.org/10.3390/h8010047.

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Patrick O’Brian inspired this work, with his 1934 book of chronicles “Beasts Royal,” where he gives a voice to animals. Therein, among other animals, we find Skogula, a young sperm whale journeying with his family group across the South Seas and his views on the surrounding world, both underwater and on land. This paper tells a story of historical natural events, from the viewpoint of a fin whale that travelled, rested and stranded in the Tagus estuary mouth (Lisbon, Portugal) during the early 16th century. It allows us to move across time and explore the past of this estuarine ecosystem. What kind of changes took place and how can literature and heritage contribute to understand peoples’ constructions of past environments, local maritime histories and memories? In the second part of this essay we present a fictional short story, supported on historical documental sources and imagery research where Lily, the whale, is the main character. Thus, we see the Tagus estuary as perceived through this whale’s-eye view. Finally, we discuss past earthquakes, whale strandings, the occurrence of seals and dolphins and peoples’ perceptions of the Tagus coastal environment across time. We expect to make a contribution to the field of the marine environmental humanities. We will do so both by addressing, by means of this literary approach, the writing of “new thalassographies,” oceanic historiographies and “historicities” and by including all intervening actors—people, animals and the physical space—in the understanding of the past of more-than-human aquatic worlds.

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Books on the topic "Lisbon (portugal), fiction"

1

Saramago, José. The history of the Siege of Lisbon. London: Harvill, 1996.

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Saramago, José. The history of the siege of Lisbon. New York: Harcourt Brace, 1996.

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3

Zimler, Richard. The last kabbalist of Lisbon. Woodstock, N.Y: Overlook Press, 2000.

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Zimler, Richard. The last kabbalist of Lisbon. Woodstock, New York: Overlook Press, 2000.

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Zimler, Richard. The last Kabbalist of Lisbon. London: Arcadia Books, 2001.

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Zimler, Richard. The last kabbalist of Lisbon. Woodstock, New York: Overlook Press, 1998.

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7

Tabucchi, Antonio. Requiem: A hallucination. New York: New Directions Pub. Corp., 1994.

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Tabucchi, Antonio. Requiem: Un'allucinazione. Milano: Feltrinelli, 1994.

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Tabucchi, Antonio. Requiem: Un'allucinazione. Milano: Feltrinelli, 1992.

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10

Robert, Wilson. A small death in Lisbon. New York: Harcourt, 2000.

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