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Relevant bibliographies by topics / Liszt, Franz, 1811-1886 – Criticism and interpretation

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Academic literature on the topic 'Liszt, Franz, 1811-1886 – Criticism and interpretation'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 January 2023

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Dissertations / Theses on the topic "Liszt, Franz, 1811-1886 – Criticism and interpretation"

1

Van, Dine Kara Lynn. "Musical Arrangements and Questions of Genre: A Study of Liszt's Interpretive Approaches." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28488/.

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Through his exceptional creative and performing abilities, Franz Liszt was able to transform compositions of many kinds into unified, intelligible, and pleasing arrangements for piano. Nineteenth-century definitions of "arrangement" and "Klavierauszug," which focus on the process of reworking a composition for a different medium, do not adequately describe Liszt's work in this area. His piano transcriptions of Schubert's songs, Berlioz's Symphonie fantastique and the symphonies of Beethoven are not note-for-note transcriptions; rather, they reinterpret the originals in recasting them as compos

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2

Goodchild, Neil John English Media &amp Performing Arts Faculty of Arts &amp Social Sciences UNSW. "Liszt's technical studies: a methodology for the attainment of pianistic virtuosity." Awarded by:University of New South Wales, 2007. http://handle.unsw.edu.au/1959.4/38153.

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In 1970, the Hungarian publishing firm Editio Musica Budapest began a long term project, ending in 2005, that endeavored to compile and publish all Liszt's works in a complete edition titled, The New Liszt Edition (NLE). Through the efforts of this firm, Liszt's Technical Studies were published in the way that he had originally intended for the first time in 1983. Yet, although the eminent Liszt-scholar Michael Saffle has stated that 'Pedagogy is one of the most thoroughly-mined veins of Liszt material ever uncovered', academic discussions on Liszt's Technical Studies (Walker, 2005), his defin

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3

Cloutier, David 1948. "A Comparison of the Transcription Techniques of Godowsky and Liszt as Exemplified in Their Transcriptions of Three Schubert Lieder." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc331767/.

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This investigation sought to compare the transcription techniques of two pianist-composers, Godowsky and Liszt, using three Schubert lieder as examples. The lieder were "Das Wandern" from Die Schöne Müllerin, "Gute Nacht" from Winterreise, and "Liebesbotschaft" from Schwanengesang. They were compared using four criteria: tonality, counterpoint, timbral effects, and harmony. Liszt, following a practice common in the nineteenth century, was primarily concerned with bringing new music into the home of the domestic pianist. The piano transcription was the most widely used and successful medium for

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4

Lin, Wan-yu, and 林菀榆. "The Analysis and Interpretation of “Ballade in b Minor, No. 2” by Franz Liszt (1811-1886)." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/80177884569003242026.

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碩士<br>東吳大學<br>音樂學系<br>99<br>Abstract The purpose of this thesis is to analyze and discuss the interpretation of Ballade in b Minor by Franz Liszt. Liszt is one of the most important musicians in the Romantic Period. He composed two ballades. His first ballade, Ballade No. 1 in D-flat major, started in 1848 and completed in 1849. His second ballade was finished in 1953. At the same year, he also composed Piano Sonata in b minor. This thesis is going to situate the context of Liszt’s music and explore the composition background of this piece. Furthermore, this thesis is to discuss the prev

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Books on the topic "Liszt, Franz, 1811-1886 – Criticism and interpretation"

1

1963-, Hamilton Kenneth, ed. The Cambridge companion to Liszt. Cambridge: Cambridge University Press, 2005.

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1930-, Walker Alan, Saffle Michael 1946-, and Deaville James Andrew 1954-, eds. New light on Liszt and his music: Essays in honor of Alan Walker's 65th birthday. Stuyvesant, N.Y: Pendragon Press, 1997.

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3

Revolution and religion in the music of Liszt. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.

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4

Liszt: A listener's guide to his piano works. New York: Amadeus Press, 2009.

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5

Liszt: A chorus of voices. Hillsdale, NY: Pendragon Press, 2011.

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Liszt's legacies: Based on papers presented at the International Liszt Conference held at Carleton University, Ottawa, Canada, 28-31 July 2011. Hillsdale, New York: Pendragon Press, 2014.

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7

Liszt's transcultural modernism and the Hungarian-gypsy tradition. Rochester: University of Rochester Press, 2011.

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8

Liszt as transcriber. New York: Cambridge University Press, 2010.

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9

Monumentale Erinnerung, ästhetische Erneuerung: Beethovenrezeption und die Ästhetik der Intermedialität in den Schriften der Neudeutschen Schule. Göttingen: V&R unipress, 2012.

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10

editor, Saffle Michael 1946, ed. Liszt and England. Hillsdale, NY: Pendragon Press, 2015.

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