Academic literature on the topic 'Literary and Historical Society of Quebec'

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Journal articles on the topic "Literary and Historical Society of Quebec"

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Jakubczuk, Renata. "L’engagement politique des pièces « bourgeoises » de Marcel Dubé." Lublin Studies in Modern Languages and Literature 43, no. 1 (2019): 137. http://dx.doi.org/10.17951/lsmll.2019.43.1.137-145.

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<p>Considered to be one of the founders of Quebec theater, Marcel Dubé began to make his mark on Quebec’s literary scene in the 1950s. In his works, he focused on the underprivileged parts of society to expose a variety of injustices, then attacked the bourgeois in order to charge them with their responsibility for the fate of the Quebec people. After revisiting the historical context that determined the political situation at the dawn of the Quiet Revolution, this article aims to show the playwright’s involvement in the Quebec liberation movement.</p>
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Lafon, Dominique. "Entre Cassandre et Clytemnestre: le théâtre québécois, 1970–90." Theatre Research International 17, no. 3 (1992): 236–45. http://dx.doi.org/10.1017/s0307883300016588.

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The purpose of this article is to examine theatre in Quebec as the site of transformation of its collective images as they have evolved through theatrical texts over the past twenty years. Quebec society, in a constant state of mutation as it searches for its national identity, has been particularly receptive to forms of theatre that emphasize the theme of the family. For example, the first important work of this ‘new theatre’ which dared to liberate the language from its French model was Tremblay's Les Belles-Sœurs, a play where all the action is located in a kitchen and whose characters are
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Wallot, Jean-Pierre. "Discours du président : Frontière ou fragment du système atlantique : Des idées étrangères dans l’identité bas‑canadienne au début du XIXe siècle." Historical Papers 18, no. 1 (2006): 1–29. http://dx.doi.org/10.7202/030897ar.

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Abstract A group's collective identity is a complex phenomenon which is always difficult to delineate and understand, but however one does so, historical antecedents must be a crucial element. This year's "Presidential Address" explores this important question, which was raised in an earlier presidential discourse. On that occasion, Robert Craig Brown noted that "historical knowledge is an essential component of a nation's sense of cultural identity. ' ' Professor Wallot elucidates this theme: without a concept of what you have been, you cannot know who you are, or what you can be. As one of t
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Wootton, David. "The Fear of God in Early Modern Political Theory." Historical Papers 18, no. 1 (2006): 56–80. http://dx.doi.org/10.7202/030899ar.

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Abstract A group's collective identity is a complex phenomenon which is always difficult to delineate and understand, but however one does so, historical antecedents must be a crucial element. This year's "Presidential Address" explores this important question, which was raised in an earlier presidential discourse. On that occasion, Robert Craig Brown noted that "historical knowledge is an essential component of a nation's sense of cultural identity. ' ' Professor Wallot elucidates this theme: without a concept of what you have been, you cannot know who you are, or what you can be. As one of t
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Killick, Rachel, and Christopher Rolfe. "Focus on Quebec: Five Essays on Quebec Culture and Society." Modern Language Review 95, no. 4 (2000): 1089. http://dx.doi.org/10.2307/3736657.

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Zaretsky, V. K., and A. B. Kholmogorova. "World Psychology And Pedagogy In Search Of The Developmental Theory Relevant To Modern Challenges: Forward To Vygotsky." Консультативная психология и психотерапия 25, no. 3 (2017): 170–75. http://dx.doi.org/10.17759/cpp.2017250312.

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Bridgman, Aengus, Rosalie Nadeau, and Dietlind Stolle. "A Distinct Society? Understanding Social Distrust in Quebec." Canadian Journal of Political Science 55, no. 1 (2021): 107–27. http://dx.doi.org/10.1017/s0008423921000780.

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AbstractFollowing public debates on the topic of trust in Quebec, this article examines the alleged social capital differential between Quebec and the rest of Canada. The literature has found lower levels of generalized trust in Quebec, but explanations offered are diverse and conjectural, with historical, sociological and political factors all in contention. We test contextual and compositional influences, including cohort differences, language and linguistic ability, religion, ethnicity, and neighbourhood-level measures of diversity, using pooled cross-sectional data from the Canadian Genera
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Bédard-Goulet, Sara. "Littératures migrantes: concept d’un champ littéraire excentrique." Interlitteraria 25, no. 1 (2020): 66–75. http://dx.doi.org/10.12697/il.2020.25.1.7.

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Abstract. Migrant Literatures: Concept from an Excentric Literary Field. This article focuses on the concept of migrant literatures as it was developed by literary studies in Quebec at the beginning of the 1980s. It examines the conditions that led to the emergence of the notion, such as the historical evolution, immigration policies and linguistic specificity, and compares it with the situation in France, where such a concept was not considered by literary theory until recently and still meets with a certain resistance to multiculturalism. Hybridity is a key term to define migrant literatures
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Woehrling, José. "La modification constitutionnelle de 1987, la reconnaissance du Québec comme société distincte et la dualité linguistique du Canada." Les Cahiers de droit 29, no. 1 (2005): 3–63. http://dx.doi.org/10.7202/042868ar.

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On June 3, 1987, the Prime Minister of Canada and the ten provincial premiers signed the 1987 Constitutional Accord in which they agreed to amend the Canadian Constitution in order to meet the Quebec government's conditions for adherence to the Constitution Act, 1982. The recognition of Canada's linguistic duality and of Quebec as a distinct society were among the constitutional amendments agreed upon. These clauses continue to spark controversy, with some commentators claiming that the terms used in the Accord are too ambiguous, while others argue that their insertion in the Constitution will
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Rudin, Ronald. "Revisionism and the Search for a Normal Society: A Critique of Recent Quebec Historical Writing." Canadian Historical Review 73, no. 1 (1992): 30–61. http://dx.doi.org/10.3138/chr-073-01-02.

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Dissertations / Theses on the topic "Literary and Historical Society of Quebec"

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Domareki, Sarah. "To Stay or to Go? A Literary and Historical Study of French-Canadian Emigration From Quebec to New England, 1820-1930." Fogler Library, University of Maine, 2005. http://www.library.umaine.edu/theses/pdf/DomarekiS2005.pdf.

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Schaffer, Bernardo Davi. "O teatro épico na modernidade: notas a partir de “A vida de Galileu Galilei”, de Bertolt Brecht." Universidade Tecnológica Federal do Paraná, 2017. http://repositorio.utfpr.edu.br/jspui/handle/1/2707.

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Através deste trabalho de pesquisa, pretende-se apresentar uma análise sobre a representação do desenvolvimento tecnológico na dramaturgia de Bertolt Brecht na peça teatral “A Vida de Galileu Galilei”. Na primeira parte, apresenta-se o panorama histórico do século XX, tema que serve como base ao assunto tratado. Na segunda parte do trabalho, apresentam-se as referências que articulam a tecnologia como tema político, no âmbito do período analisado. Por último, a análise refletirá sobre a relação social da tecnologia com a sociedade no decorrer do século XX, investigando a hipótese de que a tecn
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Musvoto, Rangarirai Alfred. "Society writ large: the vision of three Zimbabwean women writers." Diss., 2006. http://hdl.handle.net/2263/24663.

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This study explores the social ‘vision’ of three Shona women writers vis-à-vis their Zimbabwean society, attempting to ascertain whether this vision is entrenched in the post-independence context or has been shaped by the whole canvas of colonization and its impact on Shona society. For this purpose, Tsitsi Dangarembga’s Nervous Conditions (1988), Yvonne Vera’s Why Don’t You Carve Other Animals (1992) and Freedom Nyamubaya’s Dusk of Dawn (1995) have been selected to explore the representation of Zimbabwean society in different artistic genres. The approach is mainly socio-historical, examining
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Hyde, Michael. "The Sixties - the lived experience." Thesis, 2013. https://vuir.vu.edu.au/25862/.

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The period commonly referred to as the Sixties, which in fact mainly covered the years between 1967 and 1975, was a time when society’s accepted values were questioned, undermined and sometimes overthrown. In Australia, opposition to the Vietnam War was at the heart of this turmoil. It is commonly believed that this period is dealt with extensively in the Australian literary canon but I discovered in my initial literary search that, while some fiction made oblique references to the period and there were some literary works by Vietnam veterans, very few novels or memoirs told the story of the S
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Kearney, Celine. "Southern Celts: an investigation of how people with a Celtic/Gaelic background live out their traditions in Aotearoa New Zealand." Thesis, 2015. https://vuir.vu.edu.au/32765/.

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Southern Celts, a practise-led narrative inquiry (Arnold, 2007; Gray, 1997; Stewart, 2001), explores how people with Scottish and Irish backgrounds live out their cultural connections to the northern hemisphere homelands, while living in Aotearoa New Zealand. Using narrative as method and text (Clandinin, 2007; Clandinin & Connelly, 2000; De Fina & Georgakopoulou, 2012; Reissman, 2008), the inquiry combines journalistic (Jeppesen & Hansen, 2011), autoethnographic (Bochner & Riggs, 2014; Chang, 2008; Ellis & Bochner, 2000; Holman-Jones, Adams & Ellis, 2013), and arts-based methods (Butler-Kisbe
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Books on the topic "Literary and Historical Society of Quebec"

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MacLeod, D. R. On the Literary and Historical Society of Quebec. s.n., 1985.

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Quebec, Literary and Historical Society of. Catalogue of the mineralogical collection belonging to the Literary and Historical Society of Quebec. s.n., 1987.

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Literary and Historical Society of Quebec. Catalogue of the mineralogical collection belonging to the Literary and Historical Society of Quebec. s.n., 1987.

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Literary and Historical Society of Quebec., ed. Localities of Canadian minerals, with notes and extracts: Chiefly collected from the writings of John Bigsby, M.D., F.L.S., M.G.S., and published by order of "The Literary and Historical Society of Quebec". s.n.], 1985.

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Literary and Historical Society of Quebec., ed. Localities of Canadian minerals, with notes and extracts: Chiefly collected from the writings of John Bigsby, M.D., F.L.S., M.G.S., and published by order of the Literary and Historical Society of Quebec. s.n.], 1985.

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Roche, A. R. Island of Anticosti: Scientific reports : made by A. R. Roche, Esq., before the Literary and Historical Society of Quebec, and James Richardson, assistant geological surveyor under Sir William E. Logan, provincial surveyor. s.n.], 1987.

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Ryan, Claude. Liberal values in contemporary Quebec: An historical perspective on the role played by the Quebec Liberal Party in the development of Quebec, past and present. Parti Libéral du Québec, 2004.

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Claude, Ryan. Liberal values in contemporary Quebec: A historical perspective on the role played by the Quebec Liberal Party in the development of Quebec, past and present. Parti Libéral du Québec, 2004.

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1949-, McLean David, ed. Media and society in the twentieth century: A historical introduction. Blackwell Publishing, 2003.

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Tahir, Maimunah Mohd. Modern Malay literary culture: A historical perspective. Institute of Southeast Asian Studies, 1987.

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Book chapters on the topic "Literary and Historical Society of Quebec"

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Rodionov, Oleg. "Historical and Literary Context of Michael Psellos’ Theologica 59." In Patrologia Pacifica: Selected Papers Presented to the Western Pacific Rim Patristics Society, edited by Vladimir Baranov. Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463216320-017.

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Hu, Yamin. "People: The Starting Point and the Destination of Literary Criticism." In The Contemporary Construction of the Chinese Form of Marxist Literary Criticism. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-2947-4_2.

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AbstractThe People is a primary concept of the Chinese form and is simultaneously the starting point and the destination of it. Inheriting historical materialism’s discourse, the concept of people in the Chinese form acquires a novel quality. “The people become a revolutionary aggregation of classes with broad common interests and an association based on but also transcend class,” and the people are all millions of real individuals. The people are the creators of history. Instead of regarding the masses or citizens mainly as the objects of salvation as Western Marxists, the Chinese form adhere
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Ashton, Rosemary. "8. Augustus De Morgan and the Bloomsbury Milieu." In Augustus De Morgan, Polymath. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0408.08.

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Augustus De Morgan lived in Bloomsbury, never more than a quarter of an hour’s walk from University College’s premises, for around a decade and a half during the early part of his career; even after he and his family moved slightly north of Euston he worked in Bloomsbury until his resignation from the College in 1866. Always a sociable man with wide connections, he was part of several Bloomsbury-based networks, including staff of the London University (later, University College) and the somewhat overlapping group of writers involved in the Society for the Diffusion of Useful Knowledge, as well
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Van den Bruel, Luz. "‘To the Further Improvement of Philology’: Vans Kennedy’s Historical Approach to Language Science in 19th Century India." In Documenter et décrire les langues d’Asie : histoire et épistémologie. Société d’histoire et d’épistémologie des sciences du langage, 2025. https://doi.org/10.4000/138n8.

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The Scottish Orientalist Vans Kennedy (1784–1846) was active in oriental linguistic scholarship during the beginning of the 19th century. Kennedy traveled to Bombay in 1800 as part of the East India Company army (Bird 1848). Due to his pre-existing interest in languages and his role as Persian interpreter, Kennedy was also accepted as a member of the Bombay Literary Society (later the BBRAS) in 1817. Simultaneous with his military career, Kennedy published texts on various oriental topics, his language studies concerning Persian, Hindustani, ‘Maratha’, and Sanskrit. However, Ludo Rocher (1989:
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"Quebec and the Historical Meaning of “Distinct Society”." In Everyone Says No. McGill-Queen's University Press, 2011. http://dx.doi.org/10.1515/9780773587106-006.

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Colvin, Stephen. "Literary Languages." In A Historical Greek Reader. Oxford University PressOxford, 2007. http://dx.doi.org/10.1093/oso/9780199226597.003.0045.

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Abstract Greek literary language forces us to recognize that no society uses the same linguistic variety in oral literary texts, in written texts (whether literary or not), and in verbal interaction (the normal spoken language). A strict division between poetry and prose, fundamental in modern western thinking, has had an unhelpful effect on the appreciation of the literary languages of Greece (including the koiné). The various genres of ancient literature were all written in koinai: there is no a priori reason to expect that a historian would attempt to write his prose in the local vernacular
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Sarris, Peter. "Landownership and rural society in the writings of Procopius." In Procopius of Caesarea: Literary and Historical Interpretations. Routledge, 2017. http://dx.doi.org/10.4324/9781315602288-15.

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Jones, Howard, and Martin H. Jones. "Historical, Cultural, and Literary Background." In The Oxford Guide to Middle High German. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199654611.003.0004.

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This chapter describes the context in which the texts chosen for study originated and in which the use of German as a written language developed during the Middle High German period. No prior knowledge of the period is presupposed; key concepts are explained as they arise. The chapter is divided into three sections. The first explains the formation of the kingdom of Germany and of the Holy Roman Empire and examines the relationship between them. The second section describes the structure and working of German society under the following headings: the church; kingship and the secular nobility (
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Nadel, Alan. "The Integrated Literary Tradition." In A Historical Guide to Ralph Ellison. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195152500.003.0006.

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Abstract Ellison’s connections to nineteenth-century American have been extensively discussed by numerous critics by Ellison himself. From his earliest days as a writer, as s collected essays make clear, Ellison was profoundly concerned with the literary canon and with his relation to it. The Collected Essays discusses at length, over a fifty-year period, the range of influences that forged Ellison’s personal canon out of canonical American literature. In “Twentieth-Century Fiction and the Mask of Black Humanity,” an essay written in 1946 just prior to his beginning work on Invisible Man, Elli
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Borisova, Valentina V., and Sergey S. Shaulov. "The Adolescent. Realia and Historical-Literary Commentary." In Dostoevsky’s Novel The Adolescent: Current State of Research. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0677-2-608-650.

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The article presents a commentary on the realia and the historicalliterary aspects of the novel The Adolescent, mostly based on the proceedings over the Kumanin inheritance. There is distinct parallelism between the case and Dostoevsky’s novel, which allows us to assume that the writer could have intentionally used this true-to-life material in his oeuvre. However, unlike the Petrashevsky case, the proceedings over the Kumanin inheritance did not become a part of Dostoevsky’s biographic myths. The two legends through history kept modifying the writer’s image, personality, and destiny in the co
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Conference papers on the topic "Literary and Historical Society of Quebec"

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Ojars, Lams. "REFUGEES-IMMIGRANTS-INTEGRANTS: NARRATIVES ABOUT FORCED DISPLACEMENT IN BALTIC REGION AT THE END OF WW2." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s10.26.

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The process of displacement and the large numbers of Baltic refugees due to the return of Soviet occupation at the end of World War II is important theme in literature. In the literatures of Latvia, Lithuania and Estonia after war a new and long-lasting phenomenon appeared � literature of exile. This paper will turn to three texts that are from different decades and are written in different styles about displacement. The research focus will be on the novel �After Doomesday� (1968, English translation 2017) [3] by Latvian author Gunars Janovskis (1916�2000) who started his career as a writer in
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Cenusa, Felicia. "Current literary prose: the documentary valence." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN" cu genericul G. Călinescu. 125 ani de la naştere, Ediţia a 18-a. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2024. http://dx.doi.org/10.52505/filomod.2024.18.13.

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The present paper is research of literary prose from Bessarabia from the end of the 20th century to the present in a contiguous relationship with historical events in society, contributing to the perception of their social significance, of the phenomena of life taken in the perspective of their development. Artistically embodied with the writer’s own stylistic means, they become a true document of the collective memory, in which there is a battle between the facts and the interpretation of the facts, introducing a certain order into their chaos.
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ŢVIC, Irina. "The study of a literary text through the prism of culture and history." In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p81-86.

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The article «THE STUDY OF A LITERARY TEXT THROUGH THE PRISM OF CULTURE AND HISTORY» is devoted to the study of the historical and cultural component of a literary text for educational purposes. The article draws attention to the fact that historical and cultural information is the most important component of the content of a literary text, which is associated with the reflection / expression of the historical context and cultural background of the epoch, country, society. The author argues for the need to study texts in these aspects, reveals the essence of both the historical aspect, which ma
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Thilakarathne, S., S. C. Gopure, and A. WIickramasinghe. "Visualising intangible cultural heritage: a conceptual framework on the adaptation of oral traditions into creative practices." In Awakening the economy through design innovation. Department of Integrated Design, University of Moratuwa, Sri Lanka, 2023. http://dx.doi.org/10.31705/idr.2023.9.

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Folklore encompasses the knowledge, experiences, and creative thinking passed down from ancestors through generations via word of mouth. It serves as a means of preserving cultural traditions and expressing socio-cultural aspects of a society. One such folklore narrative deeply rooted in the cultural heritage of Sri Lanka is the story of Kuweni. Kuweni, the unacknowledged queen who aided King Vijaya in his conquest of the island, holds historical, literal, geographical, and cultural significance. This narrative highlights the anthropological value inherent in folk traditions. Moreover, the sto
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Windisch, Rudolf. "The Romanian language in historical, literary and linguistic context in the 20th century, until 1989." In Simpozion Internațional de dialectologie. Presa Universitară Clujeană, 2024. http://dx.doi.org/10.33993/sid.2022.308.329.

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After the peace treaties of Saint-Germain and Trianon (1919, 1920), Romania was able to significantly increase its borders as compared to the pre-war period, becaming „Great Romania”, which inspired writers, such as Liviu Rebreanu, Camil Petrescu or Cezar Petrescu, to an artistic and literary movement, emphasizing national identity. Lucian Blaga triggered a philosophical-poetic current. Mihail Sadoveanu should not be forgotten either. Tristian Tzara proclaimed „Dadaism”, which also influenced the French avant-garde. Iorgu Iordan, the grammarian, attem¬pted to align the innovations of Romanian
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Ehsonullo, Quvonch. "THE HISTORICAL AND CURRENT SITUATION OF BABUR GARDEN IN AFGHANISTAN." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/wgwe1478.

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This article provides a comprehensive examination of the Babur Garden in Kabul, constructed by the illustrious king and poet Zahirad-Din Muhammad Babur. It covers the garden's historical and cultural significance, including its importance in Afghan society and government. The article offers a brief historicalcontext of the Kabul region, Babur's genealogy, and the garden's evolution over time, notably during the reign of Shahjahan. Additionally, it explores the various historical sites within Babur garden, shedding light on its contemporary status. This multifaceted analysis offers a thorough u
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Zammit, Sarah-Jane. "Notre-Dame as the Memory of Paris: Hugo, the Historical Novel and Conservation." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2023. http://dx.doi.org/10.55939/a5050pxtvl.

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Controversies surrounding the restoration and representation of the narrative and memory of Notre-Dame de Paris are not new. The latest debates remind us that the building has been at the centre of conservation controversies since the nineteenth century. But why is Notre-Dame de Paris central to these debates? The answer appears to lie in its function as a mnemonic device for Paris and the French nation. This paper focuses on the four literary pieces published by Victor Hugo in the period between 1823 and 1832 – ‘Le Bande Noir’ (‘The Black Band’), ‘Note sur la Destruction des Monuments en Fran
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BIAN, YI-DUO. "THE ANALYSIS OF NARRATIVE EXPRESSION FORMS IN CONTEMPORARY CHINESE NOVELS." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35677.

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As an important part of literary form, novels have a wide audience. Novels play an important role in recording and reflecting the changes of history, society and people's spiritual consciousness. The novel has various forms of expression, and its narrative methods and techniques have been fully developed. Through the interpretation of the narrative expression of the novel, we can find that: with the development of the times, the change of social background, the change of people's spiritual ideology, the expression forms and methods of the novel also show diversity. Mining and refining the epit
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Nguyen, Phuong Lien. "Conceptualizing Religions (Confucianism and Buddhism): From Poetic-Stories to Reality in Indochina." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.14-1.

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Influenced by being situated between China and India, two historical giants, the people of the three nations of Viet, Lao and Khome exhibit strong histories of imported cultures. The religions of these regions, which closely connect to people’s lives, offer strong symbolisms of lifeworlds and enculturations. People in Indochina assign great significance to living and to interpersonal relationships, more so than toward deities and spiritual agents, as well as to the creation of the cosmos. Here, folk stories frequently include the ‘first man,’ the messages from which serve to educate society. T
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Dodu-Savca, Carolina. "Progressive rediscovery of the collective imaginary: an epistemological synthesis in the context of digital culture." In Universitas Europaea: Towards a Knowledge Based Society Through Europeanisation and Globalisation. Free International University of Moldova, 2025. https://doi.org/10.54481/uekbs2024.v2.09.

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In the present article we explore the conceptualizations of the notion ‘Imaginary’ and its manifestations, involving a progressive rediscovery of both collective and individual imaginaries towards and within the context of digital culture(s). The key terms outlining the analysis include imagination, the imaginary, collective imaginary, social imaginary, identity, culture, and society. These conceptual frameworks shape the investigation across three primary directions: (1) imagination versus imaginary, collective and individual imaginary, (2) the social imaginary, encompassing conceptions, visi
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Reports on the topic "Literary and Historical Society of Quebec"

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Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.

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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary cri
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Mestre Delgado, Giselle. The Artistic Representation of the Witch: From Demonization to Empowerment. Florida International University, 2025. https://doi.org/10.25148/fiuurj.3.1.2.

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This journal article examines the portrayal of the witch archetype in Art History, uncovering not only the aesthetic choices made by artists but also the ways in which prevailing beliefs, moral panics, and societal anxieties have shaped these depictions. I discuss the iconography, visual imagery, literary inspirations, and historical context behind each examined artwork and artist to fully grasp this turbulent history. The term “witch” describes mythological figures with inborn or acquired magical powers. The ways these powers function differ from region and culture. However, one aspect prevai
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