Journal articles: 'Literary city'

1

Taranto, Tim. "Iowa City Literary Figures." Iowa Review 45, no. 3 (2015): 98–100. http://dx.doi.org/10.17077/0021-065x.7653.

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N’Zengou–Tayo, Marie–José. "Imaginary City, Literary Spaces." Matatu 27, no. 1 (2003): 375–97. http://dx.doi.org/10.1163/18757421-90000462.

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Ritchie, J. M., Derek Glass, Dietmar Rosler, and John J. White. "Berlin: Literary Images of a City." Modern Language Review 86, no. 1 (1991): 261. http://dx.doi.org/10.2307/3732184.

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CASACUBERTA, MARGARIDA. "“NO M’ESTIMIS MASSA; ESTIMA’M SÀVIAMENT”: LA CONSTRUCCIÓ LITERÀRIA DE LA IDENTITAT MONSTRUOSA DE BARCELONA." Catalan Review 35, no. 1 (2021): 49–68. http://dx.doi.org/10.3828/catr.35.3.

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This article aims to analyze the process of literary construction of the “monstrous” identity of Barcelona. Specifically, it examines and contextualizes the literary images of the city-as-woman from the mid-nineteenth century until Francoism. The metaphor of Barcelona as a woman is articulated around two axes: the idealization of the city as a compliant and submissive woman, and its monsterification as a rebel woman. Both processes are inextricable and serve to justify (symbolically and literally) the political control of the city.

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Hurt, James, and Graham Clarke. "The American City: Literary and Cultural Perspectives." Modern Language Review 85, no. 4 (1990): 937. http://dx.doi.org/10.2307/3732682.

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Johnson, Jeri. "Literary geography: Joyce, Woolf and the city." City 4, no. 2 (2000): 199–214. http://dx.doi.org/10.1080/13604810050147820.

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Saputra, Ardi Wina. "PERKEMBANGAN DAN EKSISTENSI KOMUNITAS SASTRA DI KOTA MADIUN." BEBASAN Jurnal Ilmiah Kebahasaan dan Kesastraan 6, no. 2 (2020): 125. http://dx.doi.org/10.26499/bebasan.v6i2.117.

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Each city has its own literacy and literacy track record, as well as Madiun. Literature is a means to encourage people to think creatively creatively, therefore society needs to be brought closer to literature. This study aims to see the development and existence of the literary community in Madiun. This is also a manifestation of the contribution of researchers to the development of literary learning in Madiun. The method used by the researcher is qualitative descriptive. Data retrieval techniques are carried out by means of literature studies, interviews, and observations. The results of this study are the development of the literary community in Madiun and the existence of the literary community in Madiun.

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Tekeliová, Dominika Hlavinová. "Historical Bratislava in literary fiction and film adaptation." Journal of Language and Cultural Education 8, no. 1 (2020): 149–57. http://dx.doi.org/10.2478/jolace-2020-0009.

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Abstract The aim of the paper is to characterize the city of Bratislava after the First World War as a literary space in the short story The Worst Crime in Wilson City (Najhorší zločin vo Wilsonove) and its film adaptation Wilson City (Wilsonov). For millions of Czechs and Slovaks, the US President W. Wilson was a legendary figure. The multi-ethnic city wanted to gratify him and suggested to name itself after him. This short episode of our history was found interesting for a Slovak writer Michal Hvorecký, who set a mysterious (horror) short story in Wilson City (Bratislava). The topos of the city became the basic organizational, or, structural element on which the story is built. In the film adaptation of the Czech director Tomáš Mašín there was a generic shift and the film became a detective comedy, or parody of historical events that happened (or could have happened). The paper focuses on the motif of the city and compares this urban space in the literary and film form. It tries to answer the question whether the city – space is only a backdrop of the story or it becomes its (role)player.

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Sallih, Azad Ubed, and Hoshang Salih Muhamad Shari-AL-Najar. "Kurdish Literary Movement in Baghdad City"1958 -1975"." International Journal of Kurdish Studies 4, no. 2 (2018): 504–30. http://dx.doi.org/10.21600/ijoks.454473.

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Dudney, Arthur. "Literary Decadence and Imagining the Late Mughal City." Journal for Early Modern Cultural Studies 18, no. 3 (2018): 187–211. http://dx.doi.org/10.1353/jem.2018.0028.

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Rosen, Matthew. "Reading Nearby: Literary Ethnography in a Postsocialist City." Anthropology and Humanism 44, no. 1 (2019): 70–87. http://dx.doi.org/10.1111/anhu.12229.

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Alves, Daniel, and Ana Isabel Queiroz. "Studying Urban Space and Literary Representations Using GIS." Social Science History 37, no. 4 (2013): 457–81. http://dx.doi.org/10.1017/s0145553200011937.

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This article proposes a methodology to address the urban evolutionary process, demonstrating how it is reflected in literature. It focuses on “literary space,” presented as a territory defined by the period setting or as evoked by the characters, which can be georeferenced and drawn on a map. It identifies the different locations of literary space in relation to urban development and the economic, political, and social context of the city. We suggest a new approach for mapping a relatively comprehensive body of literature by combining literary criticism, urban history, and geographic information systems (GIS). The home-range concept, used in animal ecology, has been adapted to reveal the size and location of literary space. This interdisciplinary methodology is applied in a case study to nineteenth- and twentieth-century novels involving the city of Lisbon. The developing concepts of cumulative literary space and common literary space introduce size calculations in addition to location and structure, previously developed by other researchers. Sequential and overlapping analyses of literary space throughout time have the advantage of presenting comparable and repeatable results for other researchers using a different body of literary works or studying another city. Results show how city changes shaped perceptions of the urban space as it was lived and experienced. A small core area, correspondent to a part of the city center, persists as literary space in all the novels analyzed. Furthermore, the literary space does not match the urban evolution. There is a time lag for embedding new urbanized areas in the imagined literary scenario.

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Carrithers, Gale H. "City-Comedy's Sardonic Hierarchy of Literacy." Studies in English Literature, 1500-1900 29, no. 2 (1989): 337. http://dx.doi.org/10.2307/450478.

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14

Klopp, Charles, and Alessandro Baricco. "City." World Literature Today 74, no. 2 (2000): 423. http://dx.doi.org/10.2307/40155744.

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15

Patterson. "City Profile: Glasgow: City of Storytellers." World Literature Today 95, no. 2 (2021): 5. http://dx.doi.org/10.7588/worllitetoda.95.2.0005.

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Bowlby, Rachel. "Readable City." PMLA/Publications of the Modern Language Association of America 122, no. 1 (2007): 306–9. http://dx.doi.org/10.1632/pmla.2007.122.1.306.

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“Reading the city” is so commonplace a metaphor that we tend not to see or hear it as such: It is an indifferent building in the lexicographical landscape, something we see and pass by every day without giving it a second look. Geographers, sociologists, and architects, as well as literary critics, all speak of—and write about, and design courses on—the “legibility” of the city, usually taking the phrase for granted, taking “reading” as read. But why should it seem so obvious to speak of reading in relation to urban experience? (Or, putting this from another direction, why does “reading the village” sound like a contradiction in terms?) And what kind of reading is being evoked when we go about “reading” the city?

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Allison Weintraub. "City Profile: Ancient and Modern Literary Conversations in Safed." World Literature Today 92, no. 2 (2018): 5. http://dx.doi.org/10.7588/worllitetoda.92.2.0005.

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18

Fitch, Alex. "Gotham City and the Gothic literary and architectural traditions." Studies in Comics 8, no. 2 (2017): 205–25. http://dx.doi.org/10.1386/stic.8.2.205_1.

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19

Morgan, Wendy, and Richard Andrews. "City of Text? Metaphors for hypertext in literary education." Changing English 6, no. 1 (1999): 81–92. http://dx.doi.org/10.1080/1358684990060107.

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20

Levy, Lital. "Self and the City: Literary Representations of Jewish Baghdad." Prooftexts 26, no. 1 (2006): 163–211. http://dx.doi.org/10.1353/ptx.2007.0004.

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21

Gil, Noam. "The Holocaust Survivor in the City: A Literary Disorientation." Partial Answers: Journal of Literature and the History of Ideas 14, no. 2 (2016): 361–75. http://dx.doi.org/10.1353/pan.2016.0018.

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22

More, Anna. "The Spectacular City, Mexico, and Colonial Hispanic Literary Culture." Colonial Latin American Review 21, no. 3 (2012): 457–58. http://dx.doi.org/10.1080/10609164.2012.730667.

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23

Restrepo, Luis Fernando. "The Spectacular City, Mexico, and Colonial Hispanic Literary Culture." Hispanic American Historical Review 92, no. 2 (2012): 359–60. http://dx.doi.org/10.1215/00182168-1545845.

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24

Chon, YoungEui. "Marin City Yeosu’s Literary representation and Locality of Space." Journal of Korean Fiction Research 82 (June 30, 2021): 487–518. http://dx.doi.org/10.20483/jkfr.2021.06.82.487.

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25

Blacker, Uilleam. "POST-CATASTROPHIC CITY TEXT: THE CITY READING IN THE CITY IN THE POSTWAR EAST AND CENTRAL EUROPE." City History, Culture, Society, no. 8 (June 17, 2020): 45–53. http://dx.doi.org/10.15407/mics2020.08.045.

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In the material, the author addresses a multidimensional memory problem - not only as a constituent of social life but also as a feature of its functioning in urban space. The author presents the interpretations of memory against the background of urban transformations. The complexity and multidimensionality of this phenomenon are emphasized not only in the usual methodological field but also in literary practice. Literature acts as a means of accumulating memory despite the disappearance or destruction of one or the other in urban space. The traumatic experience is of particular importance. The example of the twentieth century reflects the various cases of the existence of memories of the tragic past. Kyiv, Lviv, Wroclaw, Kaliningrad and several other cities during the Second World War have faced the transformation of the usual landscape. That was both the realities of time and the policies against certain groups who have been harassed and destroyed. The practice of work and interaction with one or another component of the past, measures of governmental bodies are analyzed. After these tragic periods, the memory in a peculiar manner was lost. The cities in the region in one way or another came to return and actualization of this experience in the modern world. Critical in this process is the literary practice that "returns" and "opens" the memory of urban space. Complex topics require the involvement of a large number of disciplines in order to form an objective vision of the urban past.

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26

Roman, Luke. "Martial and the City of Rome." Journal of Roman Studies 100 (July 30, 2010): 88–117. http://dx.doi.org/10.1017/s0075435810000092.

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ABSTRACTThis essay examines the representation of the city of Rome in Martial's Epigrams, and specifically, his references to urban topography. The city is an insistent and vivid presence in Martial's Epigrams to a degree unparalleled in Roman poetry. He fashions a Rome that is more relentlessly sordid, irregular and jagged in texture, and overtly dissonant in its juxtapositions than the literary cities of his poetic predecessors. This new urban emphasis is not only a game of literary one-upmanship. Martial's urban poetics takes shape in the context of renewed attention to the city and monumental building under the Flavians.

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Lappela, Anni Irmeli. "(Literary) Capital of the Russian Arctic: Murmansk in Russian Literature." Poljarnyj vestnik 21 (November 21, 2018): 31–55. http://dx.doi.org/10.7557/6.4446.

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In this article, I examine depictions of the city of Murmansk in Soviet and contemporary Russian literature: how different works describe Murmansk’s liminal location and role as a frontier city in the Russian Arctic. I approach this question by analyzing three themes central in the texts about Murmansk: 1) future visions of the city, 2) the role of the sea/ocean and the port in the city life, and 3) depictions of the geographical location and natural surroundings of the city. I ask how the image of the city may have changed during the last century and how different actors and places in the city space influence the urban experiences of the protagonists. The Arctic became “a key component of the modern mythology” in the Soviet Union in the 1930s (McCannon 1998: 81). This “Arctic myth”, examined extensively by John McCannon (1998, 2003), is an important context for my study. I am interested in the role of urbanization, focusing on the city of Murmansk, in the Arctic myth and in conquering the North in the 1930s. I also cover questions about the relationship between gender and urban space in this Arctic city text.My theoretical frameworks come from literary urban studies, geocriticism, ecocriticism and semiotics. I analyze Soviet texts in parallel with the contemporary material. The geocritic Bertrand Westphal proposes the geocentered approach to texts: “the geocritical study of literature is not organized around texts or authors but around geographic sites” (Prieto 2011: 20, italics mine). According to Westphal, analyzing a single text or a single author makes the study of a place lopsided, and geocritical study should emphasize the space more than an observer (Westphal 2011: 126, 131, italics mine). Applying Westphal’s geocentered approach to texts, I analyze depictions of Murmansk in multiple texts from different authors and decades. I prefer this kind of approach because exploring different eras’ texts about Murmansk, I want to give a comparative perspective to the history of Murmansk as a literary city.

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Maj, Joanna. "Literary Tourist Guides as a Form of New Literary History. A Popular Genre in the Field of Professional Literary Knowledge." Open Cultural Studies 2, no. 1 (2018): 500–509. http://dx.doi.org/10.1515/culture-2018-0045.

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Abstract Literary historiography is not indifferent to phenomena that are of key importance to contemporary culture and the humanities, including tourism and travel writing/travel studies. By trying to incorporate the ways a contemporary person experiences the world, literary history uses narrative strategies that are typical of current travel discourse-e. g. of a tourist guide. A tourist guide is an applied genre and also a cultural representation of the literary past of a city or region. The central category for literary tourist guides is space and mobility (rather than timelines and other figures important in a grand literary history). Space functions here as the subject of narration and as the basic principle that orders the material. In that context, the form of a tourist guide is a way of presenting the literary past, remembering the history of the city and its literary works, the lives of writers. Adapting a tourist guidebook for the needs of literary history results from the fact that everyday practices, such as travel and walking, influence professional forms of knowledge. This article shows how academic knowledge (here: literary history) can be learned and popularised by means of a non-academic genre (here: literary tourist guides).

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29

DRYBURGH, MARJORIE. "National city, human city: the reimagining and revitalization of Beiping, 1928–37." Urban History 32, no. 3 (2005): 500–524. http://dx.doi.org/10.1017/s0963926805003263.

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The reimagining of Beiping – now ‘Beijing’ – reveals the limits of community in early twentieth-century China. Despite the centrality of the crowd to the imagining, construction and management of other Chinese cities, and despite an emerging local advocacy of ‘revitalization’ for Beiping and the Beiping crowd, literary and official understandings of the city that marginalized the mass of Beiping residents remained dominant, highlighting the tension between symbol and community in the construction of place and nation.

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30

Duke, Michael S., Li Rui, and Howard Goldblatt. "Silver City." World Literature Today 73, no. 1 (1999): 209. http://dx.doi.org/10.2307/40154655.

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31

Jean Rolin and Translated by Louise Rogers Lalaurie. "Mexico City." World Literature Today 87, no. 4 (2013): 50. http://dx.doi.org/10.7588/worllitetoda.87.4.0050.

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32

Weinstein, A. "City Stories." Literary Imagination 8, no. 1 (2006): 159–66. http://dx.doi.org/10.1093/litimag/8.1.159.

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Vardi, Dov, and Orly Castel-Bloom. "Dolly City." World Literature Today 67, no. 2 (1993): 438. http://dx.doi.org/10.2307/40149295.

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Lloyd, David, and John Barnie. "The City." World Literature Today 68, no. 4 (1994): 809. http://dx.doi.org/10.2307/40150685.

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35

PETERS, CATHERINE. "CITY TRAGEDIES." Essays in Criticism XXXVII, no. 1 (1987): 72–79. http://dx.doi.org/10.1093/eic/xxxvii.1.72.

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36

Seshadri, Vijay. "Immediate City." Yale Review 88, no. 2 (2000): 92. http://dx.doi.org/10.1111/0044-0124.00395.

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37

Clarke, Kevin J. "Atlantic City." Yale Review 90, no. 4 (2008): 80–81. http://dx.doi.org/10.1111/0044-0124.00659.

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38

Rossi, Andreola. "The Tears of Marcellus: History of a Literary Motif in Livy." Greece and Rome 47, no. 1 (2000): 56–66. http://dx.doi.org/10.1093/gr/47.1.56.

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In a recent article Christina Kraus shows how Livy, in the first decade, creates an overlap between the text that he is writing and the subject he is writing about: the city of Rome.1 ‘Like the city it describes and constitutes, then, the Ab urbe condita is a growing physical object through which the writer and the reader move together’ she observes. As a result the foundation and fall of the city, the two most dynamic moments of this space-entity, create parallel junctures both in the development of the city and in the development of the text. Kraus offers an apposite example. In book 5 of Ab urbecondita, Rome comes close to disaster not once but twice. The exordium of book 6, the beginning of the new pentad, refounds both the city and its history, creating a perfect analogy between the text and the city. Most importantly, by means of assimilation to other cities that have endured a similar fate, Livy is able to shape further the significance of the event. By construing the near fall of Rome in book 5 through the filter of the fall of Troy, Rome at the end of the first pentad symbolically moves beyond its Trojan past and refounds itself for good.

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39

Mickey Lyons. "City Profile: Literary Detroit: A Marriage of Poetry and Pragmatism." World Literature Today 90, no. 5 (2016): 5. http://dx.doi.org/10.7588/worllitetoda.90.5.0005.

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40

Swetnam, Susan Hendricks, and Susan Merrill Squier. "Women Writers and the City: Essays in Feminist Literary Criticism." Rocky Mountain Review of Language and Literature 39, no. 4 (1985): 298. http://dx.doi.org/10.2307/1347485.

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41

Tarte, Kendall B. "Early Modern Literary Communities: Madeleine Des Roches's City of Women." Sixteenth Century Journal 35, no. 3 (2004): 751. http://dx.doi.org/10.2307/20477044.

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42

Walker, Richard. "Blooming Corpses: Burying the Literary Corpus in the Modern City." Gothic Studies 4, no. 1 (2002): 1–13. http://dx.doi.org/10.7227/gs.4.1.1.

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43

Gallagher, S. F., and Maurice Harmon. "The Irish Writer and the City. Irish Literary Studies 18." Canadian Journal of Irish Studies 13, no. 1 (1987): 169. http://dx.doi.org/10.2307/25512695.

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44

Choi Nack-Min. "Sea Port City Qingdao Viewed from Literary Works in 1930s." Journal of North-east Asian Cultures 1, no. 35 (2013): 163–82. http://dx.doi.org/10.17949/jneac.1.35.201306.009.

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45

Mann, Barbara. "Literary Mappings of the Jewish City: Other Languages, Other Terrains." Prooftexts 26, no. 1 (2006): 1–5. http://dx.doi.org/10.1353/ptx.2007.0005.

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46

Scott, David, Jane Hurry, Valerie Hey, and Marjorie Smith. "Developing Literacy in Inner-city Schools." English in Education 32, no. 3 (1998): 27–33. http://dx.doi.org/10.1111/j.1754-8845.1998.tb00155.x.

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47

Simon, Sherry. "The city in translation." Target. International Journal of Translation Studies 24, no. 1 (2012): 126–40. http://dx.doi.org/10.1075/target.24.1.08sim.

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In the spirit of the ‘enlargement’ of the field proposed by Tymoczko (2007), this article argues for the city as an object of translation studies. All cities are multilingual, but for some language relations have particularly intense historical and cultural significance. Translation studies can illuminate the nature and effects of these interactions. The cities of Central Europe and in particular Czernowitz offer rich case studies. A thorough investigation of translational culture between 1880 and 1939 can help to provide a nuanced understanding of the nature of literary relations which prevailed before the violence of World War II.

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Syromyatnikova, Sof’ja S. "Samara Literary Festival." Bibliotekovedenie [Library and Information Science (Russia)], no. 4 (August 28, 2015): 124–26. http://dx.doi.org/10.25281/0869-608x-2015-0-4-124-126.

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Let’s start with the following statement: there is literature, writers and active readers in Samara. And it’s not only and not so much about libraries, bookstores, and professional literary critics, not about the sensational arrival of Frederic Beigbeder or relatively regular visits of metropolitan poets. It’s about the fact that in Samara, as in any other place in Russia, there is a lot of writing and reading people. Among them, there are a number of people creating interesting literary projects, because people, having serious and great interest in literature, sooner or later, reach the others, the same, and as a result, many people know many, and if you take the chain, our city is a big literary environment. Thanks to it, there appeared Samara Literary Festival, a new project that generates interest to the books and reading.

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Fox, W. F. "city." Interdisciplinary Studies in Literature and Environment 6, no. 2 (1999): 209–10. http://dx.doi.org/10.1093/isle/6.2.209.

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Eqeiq, Amal. "From Haifa to Ramallah (and Back): New/Old Palestinian Literary Topography." Journal of Palestine Studies 48, no. 3 (2019): 26–42. http://dx.doi.org/10.1525/jps.2019.48.3.26.

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This article explores border crossing and the Palestinian city as a literary metropolis—two major themes in the works of emerging Palestinian novelists in Israel. It looks at the “re-Palestinization” of urban space by writers who belong to a post-Oslo generation of Palestinian intellectuals that left villages and small towns in Israel to go and study, work, and live in the city. What distinguishes the literature of this generation is its negotiation of border crossing in a fragmented geography and its engagement with the city as a space of paradoxical encounter between a national imaginary and a settler-colonial reality. Based on a critical reading of their works, the article argues that Adania Shibli and Ibtisam Azem challenge colonial border discourse, exposing the ongoing Zionist erasure of the Palestinian city and creating a new topography for Palestinian literature. The article also traces the role of these writers in the “twinning” of Haifa and Ramallah starting in the late 1990s, and it examines how this literary and cultural “sisterhood” informs spatial resistance.

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Journal articles on the topic 'Literary city'

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