Relevant bibliographies by topics / Literary criticism and cultural theory

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Literary criticism and cultural theory'

Author: Grafiati
Published: 26 July 2024
Last updated: 28 July 2024

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Journal articles on the topic "Literary criticism and cultural theory"

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Richter, Gerhard, and Vincent B. Leitch. "Cultural Criticism, Literary Theory, Poststructuralism." Modern Language Studies 24, no. 2 (1994): 120. http://dx.doi.org/10.2307/3195154.

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Gross, David S., and Vincent B. Leitch. "Cultural Criticism, Literary Theory, Poststructuralism." World Literature Today 68, no. 1 (1994): 227. http://dx.doi.org/10.2307/40150110.

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Cain, William E. "Cultural Criticism, Literary Theory, Poststructuralism (review)." Philosophy and Literature 17, no. 2 (1993): 369–70. http://dx.doi.org/10.1353/phl.1993.0020.

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White, Linda. "Basque literary criticism: Overcoming theory lag." Journal of Spanish Cultural Studies 1, no. 2 (September 2000): 205–14. http://dx.doi.org/10.1080/713683440.

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SIM, STUART. "Recent literary criticism." Critical Quarterly 29, no. 3 (September 1987): 108–14. http://dx.doi.org/10.1111/j.1467-8705.1987.tb00098.x.

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Mummery, Jane. "Re-Orienting Literary Criticism: Philosophy and Literary Theory." Social Semiotics 10, no. 3 (December 2000): 355–58. http://dx.doi.org/10.1080/713697692.

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Maciunas, Billie, and Sally Munt. "New Lesbian Criticism: Literary and Cultural Readings." Tulsa Studies in Women's Literature 13, no. 2 (1994): 398. http://dx.doi.org/10.2307/464123.

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Newfield, Christopher. "Criticism and Cultural Knowledge." Poetics Today 19, no. 3 (1998): 423. http://dx.doi.org/10.2307/1773427.

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Caballero Wangüemert, María. "Al hilo de la literatura latinoamericana: estudios literarios/estudios culturales / To the thread of Latin American literature: literary studies / cultural studies." Kamchatka. Revista de análisis cultural., no. 9 (August 31, 2017): 121. http://dx.doi.org/10.7203/kam.9.9932.

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Resumen: El presente trabajo constituye un recorrido bibliográfico por la crítica y la teoría literaria hispanoamericana de los últimos 50 años, sin afán de exhaustividad, como tarea colectiva (congresos etc) y personal. Sus hitos más significativos son: cómo se formó y fue derivando el canon literario en Hispanoamérica. Las teorías postcoloniales y su aplicación al Nuevo Mundo. Las orientaciones de la crítica y la teoría literaria en / sobre Latinoamérica. La irrupción y pervivencia de los estudios culturales. Nuevas modas críticas: estudios transatlánticos, tecno escritura, ecocrítica, crítica genética... Palabras clave: canon, crítica literaria, teoría literaria, teorías postcoloniales, estudios culturales.Abstract: The present work constitutes a bibliographical route by the criticism and the Hispano-American literary theory of the last 50 years. Its author did not pretendan exhaustiveness, but a collective task of congresses etc. Its most significant milestones are: how the literary canon was formed and was derived in Spanish America. Postcolonial theories and their application to the New World. The orientations of the critic and the literary theory in / on Latin America. The irruption and survival of cultural studies. New critical fads: transatlantic studies, tecno writing, ecocritics, genetic criticism …Keywords: Canon, literary criticism, literary theory, postcolonial theories, cultural studies.
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Winiecka, Elżbieta. "Literary Internet: Online Criticism and Literary Communication." Porównania 27, no. 2 (December 15, 2020): 289–311. http://dx.doi.org/10.14746/por.2020.2.15.

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This article is devoted to the transformations that literary communication has undergone on the Internet. The author describes how literary criticism and its role in the digital medium has changed, indicates the deep cultural changes resulting from the development of forms of communication in social media, and characterizes how the Internet has transformed literature. New media has given rise to new literary genres; it has also altered literature itself, recasting it in a hybrid form on the border between the literature and audiovisual media. The ongoing changes do not pose a threat to printed literature, but are an expression of the strength of the Internet’s impact on literary communication and its participants. It is necessary to refrain from easy evaluations of the ongoing processes and to focus on accurately describing, analyzing and interpreting them as a new and relatively unknown part of the expanding literary field.
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Dissertations / Theses on the topic "Literary criticism and cultural theory"

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Al-Shamaa, Khaldoun. "Modernism and after : modern Arabic literary theory from literary criticism to cultural critique." Thesis, SOAS, University of London, 2007. http://eprints.soas.ac.uk/28817/.

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This thesis aims to provide the interested reader with a critical account of far-reaching changes in modern Arabic literary theory, approximately since the 1970s, in the light of an ascending paradigm in motion, and of the tendency by subsequent critics and commentators to view literary criticism in terms of a self-elaborating category morphing into cultural critique. The first part focuses on interdisciplinary problems confronting Arab critics in their attempt "to modernize but not to westernize", and also provides a comparative treatment of the terms, concepts and definitions used in the context of an ever-growing Arabic literary canon, along with consideration of how these relate to European modernist thought and of the controversies surrounding them among Arab critics. The second part explores some distinguishable morphological markers whose deployment involves a more or less radical distinction between, on the one hand, renovationist assumptions of cultural change as an uninterrupted process of historical continuity, and, on the other, innovationist assumptions based on discontinuity. The first of these modernizing models, involving revivalist ideas from the age of al-Nahdah, laid the foundation for a double dependency, on the past, serving to compensate, through remembering and reviving, for lack of creativity; and on the European-American West, serving to compensate, through intellectual and technical adaptation and borrowing, for the failure to invent and innovate. However, it is the second, counter-revivalist model that has assumed pride of place through the work of various poets, theorists and critics considered here. By the end of the eighties a self-generating, self-referential modernist theory had become the dominant critique. The third part proffers the case for a new paradigm. Drawing on the arguments and views of numerous scholars, the emphasis here is that "difference" establishes a distinctive mode of autonomy vis-a-vis Western Eurocentric theory.
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de, Toro Alfonso. "Hacia una teoría de la cultura de la "hibridez" como sistema cientifico transrelacional, "transversal" y "transmedial"." Universitätsbibliothek Leipzig, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-159203.

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El problema a tratar o la reflexión sobre una redefinición o reestructuración de la ciencia literaria (crítica académica literaria, estudios literarios, CL) y estudios culturales (EC) es un fenómeno global obvio cuando, por ejemplo, en la propuesta para este volumen de reflexiones conjuntas, se pregunta "¿cómo reaccionar frente a la disminución de estudiantes subgraduados y graduados de literatura y al incremento de los abocados a los estudios culturales?" Esta pregunta revela un fenómeno que se está dando masivamente en todos aquellos países en cuyas universidades se han introducido los estudios culturales, así en Alemania, así en el Instituto de Romanística y en el Centro de Investigación Iberoamericana de la Universidad de Leipzig.
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Brauer, Kristen D. "The religious roots of postmodernism in American culture : an analysis of the postmodern theory of Bernard Iddings Bell and its continued relevance to contemporary postmodern theory and literary criticism." Thesis, University of Glasgow, 2007. http://theses.gla.ac.uk/6264/.

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This thesis is an examination and reassessment of an early work on postmodernism written by the once prominent American critic, Bernard Iddings Bell, in 1926. Bell's work, Postmodernism, and other essays, provides us with one of the earliest documented uses of the term "postmodernism" in the English language. It also anticipates many of the pronouncements of later critics regarding the development of postmodernism in politics, philosophy, and literary criticism. Despite these facts however, or perhaps because of them, contemporary critics have continued to ignore Bell's work, charging that his thesis is "anti-modern" rather than "postmodern", and otherwise irrelevant to current debates on postmodernism. This thesis will challenge that interpretation. Here it will be argued that the decision to exclude Bell's work from current debates on postmodernism is based upon Bell's religious predilections. In addition to constituting a radical break with the knowledge systems of the past, Bell argues that postmodernism will also be accompanied by a large scale religious revival. This argument runs counter to the dominant critical consensus regarding the relationship between postmodernism and religion adopted by critics from Arnold J. Toynbee in the 1950s, to Fredric Jameson in the 1990s. The first part of the thesis is dedicated to analysis of the philosophical influences and historical background to Bell's essay with the aim of comparing and contrasting Bell's ideas with those found in more recent works on postmodernism. The second part examines the possible impact of Bell's thesis on the interpretation of contemporary American literature and literary theory. Rather than focusing on a "poetics of parody", or the theoretical implications of "irony and humour", as previous critics have done, we will focus here on how contemporary writers like John Updike, Don DeLillo, and Toni Morrison, have chosen to incorporate the themes of postmodern criticism with a critique of that criticism, especially where this touches on the subject of religion. We conclude that Bell's insistence that postmodernism will be defined by a renewed interest in religion and mystical theology still has merit in the realm of contemporary cultural debates. Postmodern criticism that attempts to exclude religion from this arena does so on the basis of a modern interpretation of religious evolution and secularization, and therefore runs the risk of reiterating an older modernist critique.
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Hutton-Williams, Francis Brent. "Irish cultural politics, Thomas McGreevy and the Avant-Garde, 1922-1941." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:c6fbe4ba-3908-4e45-a012-00fa766cd1eb.

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This thesis analyses the responses of Irish writers and painters to a phase of national self-assertion that had arguably lost its liberating potential. It shows how the exhaustion of revolutionary pressures in Ireland after independence complicates the ties between creative activity and political activism. Drawing on a wide range of scholarship within political theory, literary criticism and art history, I chart an emerging network of literary and artistic techniques that confronts the representational aesthetics of the nation with strategies of paradox, reversal and renewal. My readings of the work of Denis Devlin, Samuel Beckett, James Joyce, Mainie Jellett, Jack Butler Yeats and, in particular, Thomas McGreevy, provide a means by which to distinguish other cultural possibilities that were imagined and pursued from 1922 to 1941, including McGreevy’s own aspiration to remould 'A Cultural Irish Republic'. The thesis argues that Ireland's political and artistic avant-garde were forcibly divided during this period: two factions that had been split apart by the effects of civil war and censorship. As such it will be preoccupied with a central question: how to sustain cultural strategies of revolutionary significance when the frontier between creative activity and political activism can no longer be straightforwardly crossed.
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de, Toro Alfonso. "Hacia una teoría de la cultura de la "hibridez" como sistema cientifico transrelacional, "transversal" y "transmedial"." Vervuert, 2006. https://ul.qucosa.de/id/qucosa%3A13093.

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El problema a tratar o la reflexión sobre una redefinición o reestructuración de la ciencia literaria (crítica académica literaria, estudios literarios, CL) y estudios culturales (EC) es un fenómeno global obvio cuando, por ejemplo, en la propuesta para este volumen de reflexiones conjuntas, se pregunta "¿cómo reaccionar frente a la disminución de estudiantes subgraduados y graduados de literatura y al incremento de los abocados a los estudios culturales?" Esta pregunta revela un fenómeno que se está dando masivamente en todos aquellos países en cuyas universidades se han introducido los estudios culturales, así en Alemania, así en el Instituto de Romanística y en el Centro de Investigación Iberoamericana de la Universidad de Leipzig.:Introducción al problema: estudios culturales (EC) y crítica literaria (CL). - Prolegómenos: algunas reflexiones básicas. - "Hibridez" – "transversalidad" – "transmedialidad" – "cuerpo"/ "sexualidad". -
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Wisch, Stephen H. "Teaching Literary Criticism Through Independent Reading." Ohio Dominican University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=oduhonors1556705309193909.

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Copeland, John. "Richard Rorty and the Cultural Politics of Literary Criticism." The University of Montana, 2009. http://etd.lib.umt.edu/theses/available/etd-12162008-133459/.

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Simon Stow warns that the influence of political readings of literary texts could be harmful to political discourse. In particular, he cautions against the growing popularity of political readings over political arguments. Compared with traditional arguments, readings are, Stow argues, poorly suited for liberal political discourse. To demonstrate this point, Stow challenges the political character of Richard Rortys reading of Pale Fire. In this essay, I dispute Stow's criticism of Rorty. My basic argument is that literary criticism (or "readings") can be politically significant and that Rorty's acknowledgement of this fact ties him to rather than separates him from, both the political and literary arenas. To make my point, I reconsider the reading of Pale Fire Rorty offers relative to the kind of reading of Don Quixote offered by Nabokov. By arguing that even the most "literary" of writers reads for political purposes, I hope to situate Rorty within a cultural space where the literary and political converge.
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Kolbas, E. Dean. "Critical theory and the literary canon." Boulder, CO : Westview Press, 2001. http://hdl.handle.net/2027/heb.07706.

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Barga, Rachel M. "Sex Theory: Theology of the Body as Literary Criticism." Miami University Honors Theses / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1304527876.

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Filsinger, Judy Ann. "Literary criticism, composition, and "passing theory": Conflicts and connections." CSUSB ScholarWorks, 1994. https://scholarworks.lib.csusb.edu/etd-project/963.

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Books on the topic "Literary criticism and cultural theory"

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1948-, Davis Robert Con, and Schleifer Ronald, eds. Contemporary literary criticism: Literary and cultural studies. 4th ed. New York: Longman, 1998.

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1944-, Sheridan Susan, ed. Grafts: Feminist cultural criticism. London: Verso, 1988.

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Barry, Peter. Beginning theory: An introduction to literary and cultural theory. Manchester [England]: Manchester University Press, 1995.

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Bérubé, Michael. Public access: Literary theory and American cultural politics. London: Verso, 1994.

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Edelman, Lee. Homographesis: Essays in gay literary and cultural theory. New York: Routledge, 1993.

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Marxist literary and cultural theories. Houndmills, Basingstoke, Hampshire: MacMillan, 2000.

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El-Meligi, Eman. Edward Said's literary criticism and cultural theory: Deconstructive readings of canonical literature. Lewiston, NY: Edwin Mellen Press, 2014.

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Antony, Easthope, and McGowan Kate, eds. A Critical and cultural theory reader. Toronto: University of Toronto Press, 1992.

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Antony, Easthope, and McGowan Kate, eds. A critical and cultural theory reader. 2nd ed. Toronto: University of Toronto Press, 2004.

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Zavarzadeh, Masʼud. Theory, (post)modernity, opposition: An "other" introduction to literary and cultural theory. Washington, DC: Maisonneuve Press, 1991.

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Book chapters on the topic "Literary criticism and cultural theory"

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de Zengotita, Thomas. "The Anglophone Reception of French Theory: Literary Criticism, Cultural Studies, American Pragmatism, Identity Politics." In Political Philosophy and Public Purpose, 313–43. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-90689-8_10.

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Hu, Yamin. "A Study of Value Judgment." In The Contemporary Construction of the Chinese Form of Marxist Literary Criticism, 263–92. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-2947-4_8.

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AbstractThe insistence to the value judgment is both an innate mission of Marxist literary criticism and a necessity for the social and cultural construction of contemporary China and the world. The reconstruction of value judgment is theoretically based on the social ideals of Marx and Engels on full emancipation of human beings, and the value judgment in the Chinese form is designed from three basic dimensions, namely the human, social, and aesthetic dimensions. The human dimension emphasizes that the critics should regard the respect for human life, the maintenance of human dignity, and the pursuit of justice as their bottom line. The relativity and the paradox of literary values are explored respectively from historical and practical perspectives. The construction of a dominant as well as compatible system of value judgment provides a new value judgment reference for contemporary Chinese literary criticism and the global literary world.
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Saber, Fathieh Hussam. "Shellyseer: A Literary Evolution." In Gulf Studies, 365–80. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-7796-1_22.

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AbstractThe dramatic elements that are in Shellyseer have traveled for a long period of time and have been affected by dramatic elements from different cultures, which means that Shellyseer is a result of the evolution of drama. This chapter draws attention to the effect that the East and the West have on each other, by pointing out the effect that Aristotle’s Poetics—Western Theory—had on Ghanem Al-Suliti’s Shellyseer—Eastern Literature. This chapter combines comparative literature with literary theory and criticism in order to give an example of a globalized view of how drama evolves where there are no borders that limit influence. This chapter traces back drama back to its oldest documented sources to show how it evolved throughout history and offers deeper knowledge of Middle Eastern drama, the importance, and strength of political satire, and how strong of a mutual influence Eastern and Western literature have on each other.
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Ciotti, Fabio. "Una nuova svolta negli studi letterari: la convergenza tra computazione, cognizione ed evoluzione." In La narrazione come incontro, 19–36. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/979-12-215-0045-5.04.

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Distant reading, an empirical and quantitative approach in literary studies proposed by Franco Moretti, has raised a lively debate and attracted criticisms from "traditional literary scholars." An important reason behind these criticisms is the need for solid theoretical foundations: distant reading is perhaps the first methodology in literary studies that do not include a specific theory of literature, an ontology of the literary. Much of the work in the field derives its theoretical frameworks from the literary theories of the twentieth-century tradition, based on the assumption that literary texts can be understood through reading and interpretation. A large-scale quantitative approach to literary and cultural phenomena is mainly incompatible with "the hermeneutic attitude" and traditional theories. Therefore, I propose a convergence with cognitive and bio-evolutionary approaches to literature and studies of cultural evolution and a shift from "interpretation" to "explanation" as the goal of computational literary studies.
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Ryan, Michael. "Political Criticism." In Contemporary Literary Theory, 200–213. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-19873-3_11.

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Bialostosky, Don. "Dialogic Criticism." In Contemporary Literary Theory, 214–28. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-19873-3_12.

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Hardin, Richard F. "Archetypal Criticism." In Contemporary Literary Theory, 42–59. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-19873-3_3.

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Newton, K. M. "Linguistic Criticism." In Twentieth-Century Literary Theory, 118–30. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19486-5_10.

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Newton, K. M. "Psychoanalytic Criticism." In Twentieth-Century Literary Theory, 203–18. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19486-5_15.

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Newton, K. M. "Feminist Criticism." In Twentieth-Century Literary Theory, 263–77. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19486-5_18.

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Conference papers on the topic "Literary criticism and cultural theory"

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Avramović, Zoran. "KNjIŽEVNE SLOBODE I DRUŠTVENE GRANICE U SRBIJI." In IDENTITETSKE promene: srpski jezik i književnost u doba tranzicije. University of Kragujevac, Faculty of Edaucatin in Jagodina, 2022. http://dx.doi.org/10.46793/zip21.135a.

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The paper discusses the absolute freedom of literary (artistic) creation. The difference between general and literary freedom is emphasized. In the second part, different boundaries of literary creation in anti-democratic and democratic systems are pointed out. In anti-democratic systems, it is public authority that sets boundaries of artistic freedom, and in democratic systems it is the readers, critics, market, cultural institutions. It is concluded that criticism, condemnation (rejection by individuals and some institutions) of a literary content in democracy does not mean endangering the freedom of literary creation due to the fact that there are many publishers and cultural institutions. The claim of absolute freedom of creativity is also disputed.
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Dong, Xiao. "UNDERSTANDING OF RUSSIAN AND SOVIET LITERATURE DURING THE “CULTURAL REVOLUTION” IN CHINA." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.26.

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Russian and Soviet literature had a special experience in China during the “Cultural Revolution”. It was fiercely criticized by the Chinese critical circle at that time, and this criticism embodies the unique characteristics of “skewness and rightness”. At the same time, although there is a sharp contrast between the fierce criticism of Russian and Soviet literature during the “Cultural Revolution” period and the worship of it during the “seventeen years”, the criticism still reveals a similar literary concept with the “seventeen years” behind it, and also has some secret connection with the mainstream literature of the Soviet Union. This criticism of Russian Soviet literature during the “Cultural Revolution” was inevitably related to the cold reception of Russian Soviet literature in contemporary China.
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Basid, Abdul, M. Faisol, Zahrah Nida' Rosyida Assulthoni, and Muassomah. "Portrait of Pegaten Society in the Novel “Kubah” Based on Marxist Literary Criticism Theory." In Proceedings of the 2nd Internasional Conference on Culture and Language in Southeast Asia (ICCLAS 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icclas-18.2019.57.

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Li, Wei. "On Influence of Cultural Difference of British and American Literary Criticism." In 2016 4th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference (IEESASM 2016). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/ieesasm-16.2016.103.

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Belous, Lyudmila. "Discussions About Modern Battle Prose In Literary Criticism." In International Scientific Conference «Social and Cultural Transformations in the Context of Modern Globalism» dedicated to the 80th anniversary of Turkayev Hassan Vakhitovich. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.05.192.

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Slamova, Karolina. "CZECH LITERARY CRITICISM FROM THE EXILE PERSPECTIVE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.05.

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The paper deals with the exile view of Czech literary criticism in the past decades, reflected in two essays: one by Igor Hajek, and the other one by Kvetoslav Chvatik. Igor Hajek (1931�1995), a Czech literary critic, who went to exile in 1969, played a significant role in presenting Czech literature abroad. Kvetoslav Chvatik (1930�2012) was a Czech philosopher, aesthetician, art historian, and literary theorist. Hajek taught at universities in the English-speaking world, while Chvatik worked in a German-speaking environment. Two periods are covered and compared in the paper: the first period, the period of pluralistic democracy and the resulting cultural structure when the literary criticism contributed to the fact that Czech literature reached the European level, and the period after February 1948 when the ruling ideology started to interfere in the development of literature. Two completely contradictory conceptions are described showing the radical changes that took place in literary criticism after 1948. The text looks at the role of literary criticism in an era when plurality of opinion is possible, and at the impact of the suppression of freedom of speech on the work of literary critics. It also shows how the process of the shift of literary criticism towards its true function in the spirit of democratising tendencies had gradually won its way.
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Slamova, Karolina. "CZECH LITERARY CRITICISM FROM THE EXILE PERSPECTIVE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s10.05.

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The paper deals with the exile view of Czech literary criticism in the past decades, reflected in two essays: one by Igor Hajek, and the other one by Kvetoslav Chvatik. Igor Hajek (1931�1995), a Czech literary critic, who went to exile in 1969, played a significant role in presenting Czech literature abroad. Kvetoslav Chvatik (1930�2012) was a Czech philosopher, aesthetician, art historian, and literary theorist. Hajek taught at universities in the English-speaking world, while Chvatik worked in a German-speaking environment. Two periods are covered and compared in the paper: the first period, the period of pluralistic democracy and the resulting cultural structure when the literary criticism contributed to the fact that Czech literature reached the European level, and the period after February 1948 when the ruling ideology started to interfere in the development of literature. Two completely contradictory conceptions are described showing the radical changes that took place in literary criticism after 1948. The text looks at the role of literary criticism in an era when plurality of opinion is possible, and at the impact of the suppression of freedom of speech on the work of literary critics. It also shows how the process of the shift of literary criticism towards its true function in the spirit of democratising tendencies had gradually won its way.
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Trykov, Valeriy. "Studying The Image Of The "Other" In Russian And Western Literary Criticism." In International Scientific Conference «Social and Cultural Transformations in the Context of Modern Globalism» dedicated to the 80th anniversary of Turkayev Hassan Vakhitovich. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.05.519.

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Liu, Chongxi. "“POETRY CARVED IN STONE”: DOCUMENTARY, LITERARY AND CULTURAL CONNOTATION IN BAI JUYI’S POETRY INSCRIPTION." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.04.

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The poetry inscription, with Bai Juyi in the Middle Tang Era as its representative, began to express purely personal emotions in terms of content, which reflects the poet’s creative individuality. Bai takes stone as his friend, loves it, chants it, and inscribes poems on it, endowing it natural and personal qualities. Bai was the first poet to consciously combine “poetry” and “stone” with nearly 20 kinds of poetry inscriptions. Compared with book documents, Bai’s poetry inscriptions not only have the philological value of text criticism, but also have multiple functions, i. e., reproducing the historical context of poetry creation and transmitting as a “linguistic landscape”. Such humanistic connotation determines the significance of Bai’s poetry inscription in the history of Chinese literature and culture.
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Bushueva, Tatyana. "C. Jung Theory Of Unconscious And Literary Text." In SCTCMG 2019 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.12.04.74.

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Reports on the topic "Literary criticism and cultural theory"

1

Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.

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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary critic is multifaceted; taking into account the specifics of the memoir genre and with the involvement of the historical context, the turning points in the destiny of the author of memoirs are interpreted, revealing cooperation with Western Ukrainian magazines and newspapers. The publications ‘Zoria’, ‘Narod’, ‘Pravda’, ‘Bukovyna’, ‘Dzvinok’, are secretly got into sub-Russian Ukraine, became for S. Efremov a spiritual basis in understanding the specifics of the national (Ukrainian) mass media, ideas of education in culture of Ukraine at the end of XIX century, its territorial integrity, and state independence. Memoirs of S. Efremov on cooperation with the iconic Galician journals ‘Notes of the Scientific Society after the name Shevchenko’ and ‘Literary-Scientific Bulletin’, testify to an important stage in the formation of the author’s worldview, the expansion of the genre boundaries of his journalism, active development as a literary critic. S. Yefremov collaborated most fruitfully and for a long time with the Literary-Scientific Bulletin, and he was impressed by the democratic position of this publication. The author’s comments reveal a long-running controversy over the publication of a review of the new edition of Kobzar and thematically related discussions around his other literary criticism, in which the talent of the demanding critic was forged. S. Efremov steadfastly defended the main principles of literary criticism: objectivity and freedom of author’s thought. The names of the allies of the Ukrainian idea L. Skochkovskyi, O. Lototskyi, O. Konyskyi, P. Zhytskyi, M. Hrushevskyi in S. Efremov’s memoirs unfold in multifaceted portrait descriptions and function as historical and cultural facts that document the pages of the author’s biography, record his activities in space and time. The results of the study give grounds to characterize S. Efremov as the first professional Ukrainian-speaking journalist.
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Yatsymirska, Mariya. MODERN MEDIA TEXT: POLITICAL NARRATIVES, MEANINGS AND SENSES, EMOTIONAL MARKERS. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11411.

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The article examines modern media texts in the field of political journalism; the role of information narratives and emotional markers in media doctrine is clarified; verbal expression of rational meanings in the articles of famous Ukrainian analysts is shown. Popular theories of emotions in the process of cognition are considered, their relationship with the author’s personality, reader psychology and gonzo journalism is shown. Since the media text, in contrast to the text, is a product of social communication, the main narrative is information with the intention of influencing public opinion. Media text implies the presence of the author as a creator of meanings. In addition, media texts have universal features: word, sound, visuality (stills, photos, videos). They are traditionally divided into radio, TV, newspaper and Internet texts. The concepts of multimedia and hypertext are related to online texts. Web combinations, especially in political journalism, have intensified the interactive branching of nonlinear texts that cannot be published in traditional media. The Internet as a medium has created the conditions for the exchange of ideas in the most emotional way. Hence Gonzo’s interest in journalism, which expresses impressions of certain events in words and epithets, regardless of their stylistic affiliation. There are many such examples on social media in connection with the events surrounding the Wagnerians, the Poroshenko case, Russia’s new aggression against Ukraine, and others. Thus, the study of new features of media text in the context of modern political narratives and emotional markers is important in media research. The article focuses review of etymology, origin and features of using lexemes “cмисл (meaning)” and “сенс (sense)” in linguistic practice of Ukrainians results in the development of meanings and functional stylistic coloring in the usage of these units. Lexemes “cмисл (meaning)” and “сенс (sense)” are used as synonyms, but there are specific fields of meanings where they cannot be interchanged: lexeme “сенс (sense)” should be used when it comes to reasonable grounds for something, lexeme “cмисл (meaning)” should be used when it comes to notion, concept, understanding. Modern political texts are most prominent in genres such as interviews with politicians, political commentaries, analytical articles by media experts and journalists, political reviews, political portraits, political talk shows, and conversations about recent events, accompanied by effective emotional narratives. Etymologically, the concept of “narrative” is associated with the Latin adjective “gnarus” – expert. Speakers, philosophers, and literary critics considered narrative an “example of the human mind.” In modern media texts it is not only “story”, “explanation”, “message techniques”, “chronological reproduction of events”, but first of all the semantic load and what subjective meanings the author voices; it is a process of logical presentation of arguments (narration). The highly professional narrator uses narration as a “method of organizing discourse” around facts and impressions, impresses with his political erudition, extraordinary intelligence and creativity. Some of the above theses are reflected in the following illustrations from the Ukrainian media: “Culture outside politics” – a pro-Russian narrative…” (MP Gabibullayeva); “The next will be Russia – in the post-Soviet space is the Arab Spring…” (journalist Vitaly Portnikov); “In Russia, only the collapse of Ukraine will be perceived as success” (Pavel Klimkin); “Our army is fighting, hiding from the leadership” (Yuri Butusov).
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