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Journal articles on the topic 'LITERARY CRITICISM / Modern / 20th Century'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Dr., Sanju P. Jadhav. "Contemporary Critical Theories: An Overview." Criterion: An International Journal in English 15, no. 6 (2024): 676–84. https://doi.org/10.5281/zenodo.14606461.

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This research paper briefly overviews the rise and development of literary theories and criticism, especially in the 19th and 20th centuries. One of the most significant features of literary theory and criticism is meaning in a text. In literary criticism, it was assumed that meaning resides with the author and not in text. However, with time, critics began to focus more on the text itself, hence meaning came to be seen as residing with the readers. Literary criticism and theory are necessary part of studying literature to make it revitalizing, informative and inspiring to achieve a better und

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2

Bano, Dr Fazeelat, and Muhammad Tahir Ali. "Modern Trends in Western Criticism." Noor e Tahqeeq 8, no. 03 (2024): 28–37. http://dx.doi.org/10.54692/nooretahqeeq.2024.08032239.

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Westren New Criticism was a formalist movement in literary theory. New criticism developed as a reaction to the older philological and literary history that dominated literary criticism in the middle decades of the 20th century, which focused on the history and meaning of individual words and their relation to foreign and ancient languages, comparative sources, and the biographical circumstances of the others. The new critics felt that this approach tended to distract from the text and meaning of a poem and entirely neglect its aesthetic qualities in favor of teaching about external factors. N

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Ivanovic, Aleksandra. "Serbian medieval poetry: 20th-century literary-historical and theoretical interpretations." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 88 (2022): 79–92. http://dx.doi.org/10.2298/pkjif2288079i.

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This paper examines how national literary histories written in the twentieth century define medieval Serbian poetry. Grounded in the canon of Byzantine liturgical poetry and dedicated to cult practice, hymnography often did not conform to modern poetic principles, originality, and metrical form. Formalist approaches to poetry shaped the anthologies of Serbian medieval literature published in Yugoslavia in the 1960s. The editors transformed sequences from narrative prose into poetic texts, thus creating medieval poems. These cases draw attention to the importance of textual criticism and the so

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Alexandrov, Alexander. "Medical Text in Feuilleton Criticism of the Late 19th and Early 20th Centuries." Проблемы исторической поэтики 20, no. 3 (2022): 153–58. http://dx.doi.org/10.15393/j9.art.2022.11282.

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The article is devoted to the poetics of the critical literary text. The subject of analysis in the article is feuilleton criticism — one of the leading trends in literary criticism of the early 20th century; the focus of the study is the articles by the leading feuilleton critics of the time. A. A. Izmailov and K. I. Chukovsky. The article analyzes the reasons why medical discourse becomes part of literary criticism. The rapid changes that were taking place in literature at the turn of the 20th century are considered: the emergence of new trends in literature, language experiments, the search

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Liu, Dan. "The Impersonal Theory of Poetry in “Tradition and the Individual Talent” by TS Eliot." Journal of Contemporary Educational Research 8, no. 6 (2024): 104–9. http://dx.doi.org/10.26689/jcer.v8i6.7350.

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Eliot, an important poet, playwright, and literary critic of the nineteenth century in the United States, was the founder of Western modernism. He pioneered the modern poetic criticism. His practice of modernist poetry is the transition from traditionalist poetics to modernist poetics in the 20th century. His famous poetics theory declaration “Tradition and the Individual Talent” is an immortal classic in the field of poetics theory, in which he proposed the concept of “Traditional,” the theory of “Impersonal” poetry, “Objective Correlative,” and so on. All had a profound influence on the 20th

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6

Rozov, Aleksandr Nikolaevich. "THE IMAGE OF THE DEACON IN THE RUSSIAN LITERATURE OF THE SECOND HALF OF THE 19TH CENTURY — EARLY 20TH CENTURY, AS ASSESSED BY THE CLERICAL JOURNALISM." Russkaya literatura 2 (2023): 118–27. http://dx.doi.org/10.31860/0131-6095-2023-2-118-127.

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The article examines the works of the writers of the 19–20th centuries, where various types of deacons are represented, assessed either as positive or as negative types by the clerical criticism. The images of the deacons did not reflect the sophisticated reality of clerical practices. Still, literary works familiarized the wider readership with these practices. Clerical critics analyzed the respective works from the religious and moral point of view, and modern literary scholars do not always fully take this into account.

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7

Rozov, Aleksandr Nikolaevich. "THE IMAGE OF THE DEACON IN THE RUSSIAN LITERATURE OF THE SECOND HALF OF THE 19TH CENTURY — EARLY 20TH CENTURY, AS ASSESSED BY THE CLERICAL JOURNALISM." Russkaya literatura 2 (2023): 118–29. http://dx.doi.org/10.31860/0131-6095-2023-2-118-129.

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The article examines the works of the writers of the 19–20th centuries, where various types of deacons are represented, assessed either as positive or as negative types by the clerical criticism. The images of the deacons did not refl ect the sophisticated reality of clerical practices. Still, literary works familiarized the wider readership with these practices. Clerical critics analyzed the respective works from the religious and moral point of view, and modern literary scholars do not always fully take this into account.

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8

Lozinskaya, Evgeniia. "AFTER WEINBERG. BOOK REVIEW: THE RECEPTION OF ARISTOTLE’S POETICS IN THE ITALIAN RENAISSANCE AND BEYOND. NEW DIRECTIONS IN CRITICISM / ED. BY BRAZEAU B." RZ-Literaturovedenie, no. 1 (2021): 23–52. http://dx.doi.org/10.31249/lit/2021.01.02.

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The book written by an international team of scholars and edited by B. Brazeau explores literary criticism and reception of Aristotle's «Poetics» in early modern Italy. Revisiting the «intellectual history» of Renaissance poetic studies written by Bernard Weinberg in 1960-s, the contributors find its own place whithin the 2000-years long tradition of translations, commentaries and polemic treatises. The authors apply new methods from book history, translation studies, history of emotions and classical reception to early modern Italian texts, placing them in dialogue with 20th-century literary

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9

Chizhov, N. S. "Soviet Poetic Underground in Critical and Scientific Coverage (Article Two)." Nauchnyi dialog, no. 10 (October 29, 2021): 298–326. http://dx.doi.org/10.24224/2227-1295-2021-10-298-326.

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An overview of scientific and critical works devoted to the study of Soviet uncensored poetry as a historical and literary phenomenon in general and the work of its key personalities, in particular is presented in the article. The relevance of the work is due to the lack of study of this segment of Russian literary criticism of the 20th century and the need to systematize the accumulated experience of evaluating and interpreting underground poetic culture in order to identify promising directions for its further scientific development. The article focuses, first, on the samizdat criticism of t

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10

Dr., Sabanika Baruah. "জ্যোতিপ্ৰসাদ আগৰৱালাৰ ৰচনাৰ সূচক শব্দঃ এক শৈলীবৈজ্ঞানিক অধ্যয়ন". Majuli: A Multi-Lingual Multi-Disciplinary e-Magazine 02, № 01 (2025): 74–99. https://doi.org/10.5281/zenodo.15288441.

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The 20th century witnessed the emergence of stylistics as a distinct academic discipline, situated at the intersection of linguistics and literary criticism. The primary objective of stylistics is to uncover the intended meaning and aesthetic value embedded in literary texts by analyzing linguistic elements such as sound, word choice, and sentence structure. These elements, and their application and distribution, help determine a writer’s unique style. While discussions on style date back to ancient and medieval European literature—initially as a branch of rhetoric— thinkers

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11

Sipkina, N. Ya. "WAR BALLADS GENRE IN THE POETRY OF R. ROZHDESTVENSKY AND V. VISOTSKY (comparative poetics of the poets’ styles) IN THE CONTEXT OF THE LITERARY PROCESS OF 1970S: BASIC TRENDS OF DEVELOPMENT." Bulletin of Kemerovo State University, no. 2 (July 8, 2016): 210–15. http://dx.doi.org/10.21603/2078-8975-2016-2-210-215.

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The paper considers the poetics of the artistic styles of romantic poets R. Rozhdestvensky and Vladimir Vysotsky in the context of poetic-style trends of the second half of the 20th century, with the example of their ballad works. This aspect of the research is topical in the modern literary criticism. The author concludes that the unity of the poetic trends and feeding their traditions have helped artists to reveal their talents more brightly and make a new word in the evolution of the style of the Russian verse.

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12

Lukaszewicz, Marta. "Reception of Religious Themes in Nikolai Leskov's Works at the Turn of the 20th Century." Vestnik Tomskogo gosudarstvennogo universiteta, no. 468 (2021): 34–43. http://dx.doi.org/10.17223/15617793/468/4.

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The article aims to consider tendencies predominating in literary criticism at the turn of the 20th century in its reception of religious issues in Nikolai Leskov's works, to identify the peculiarities of their understanding by representatives of diverse groups and trends, to examine their influence on changes in Leskov's literary reputation. The role of the spiritual atmosphere of the Silver Age in changing attitudes towards Leskov's legacy is mentioned, as well as the consequences of the duality of his reception formed at that time. The research materials consists of various works of literar

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13

Лисанець, Юлія Валеріївна, Олена Миколаївна Бєляєва та Інеса Віталіївна Роженко. "МОТИВИ ЕПІДЕМІЇ ТА ПАНДЕМІЇ В ЛІТЕРАТУРНО-МЕДИЧНОМУ ДИСКУРСІ ПРОЗИ США". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 1, № 99 (2022): 69–84. http://dx.doi.org/10.34142/2312-1076.2022.1.99.05.

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The aim of this research is to examine the narrative representation of epidemics in the 20th century U.S. literature, using the methods of narratological analysis and receptive aesthetics. The study relies on the corpus of the 20th century U.S. novels: Scarlet Plague (1912) by Jack London, Earth Abides (1949) by George R. Stewart, I am Legend (1954) by Richard Matheson, The Stand (1978) by Stephen King, Contagion (1996) by Robin Cook, and Darwin’s Radio (1999) by Greg Bear. The aspects of epidemic representation in fiction have been studied using modern literary criticism research in the areas

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14

Malynovskyi, Artur. "CONTRIBUTIONS TO THE HISTORY OF UKRAINIAN LITERARY CRITIQUE (“RUBBING THE MIRROR” BY MYKHAILO SLABOSHPHYTSKYI)." Слово і Час, no. 3 (June 29, 2025): 3–17. https://doi.org/10.33608/0236-1477.2025.03.3-17.

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The paper examines the work of prominent figures in 20th-century Ukrainian literary reviewing—V. Briukhovetskyi, Yu. Shevelov, and I. Kachurovskyi. Using “Rubbing the Mirror” by Mykhailo Slaboshpytsky, it traces the vicissitudes and controversies of modern literature, the sympathies and antipathies between critics and writers, the dynamics of literary hierarchy, and the role of state policy in enforcing supervision and censorship of artistic activity. Slaboshpytskyi presents the development of literature in a non-canonical way, through the lens of his critical reflections as a witness to the t

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15

Vorozhikhina, Ksenia. "Boris de Schloezer on the Early 20th Century Russian Philosophy." Otechestvennaya Filosofiya 1, no. 2 (2023): 74–92. http://dx.doi.org/10.21146/3034-1825-2024-2-74-92.

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The publication highlights the period of cooperation between the music and literary critic, translator and writer Boris Fedorovich Schloezer with the critical and bibliographic department of the St. Petersburg “political, social and literary” liberal newspaper “Birzhevye Vedomosti”, which from the middle of 1916 was headed by A.L. Volynsky. In 1916 Schloezer published reviews of a collection of articles by V.I. Ivanov “Furrows and Boundaries”, on the books of N.A. Berdyaev “The Meaning of Creativity (The Experience of Justifying Man)” and S.L. Frank “The Subject of Knowledge”. If the works of

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16

Supiastutik, Purwita Wardani Dyah, and Malikha Kayla Gading Andrea. "Feminism Represented in Jeanette Winterson's The Passion." International Journal of Social Science And Human Research 06, no. 04 (2023): 2072–79. https://doi.org/10.5281/zenodo.7805198.

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The Passion is a novel written by a modern British feminist writer of the 20th century, Jeanette Winterson in 1987. She concerns with lesbian themes, gender, and sexuality in her works. This study aims to show the contribution of representation theory promoted by Stuart Hall in literary studies. The study utilized the concept of feminism proposed by Beauvoir as the foundation for data analysis to strengthen the argument. Data analysis shows that this novel expresses the spirit of feminism, namely 1) the resistance to the objectification of women, 2) the rejection of women's subordination,

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17

Grati, Aliona. "The literary work as dialogue and relationship." Akademos, no. 4(67) (March 2023): 104–9. http://dx.doi.org/10.52673/18570461.22.4-67.13.

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The intention of this article is to present the results of a collective scientific research project in the theory of literature that was carried out in a period of more than ten years (2011–2022) on the topic “Dialogism of the literary work”. These results determined another collective contribution in the theory of literary criticism. By the notion of “scientific project” we understand the PhD thesis (Aliona Grati) and other four doctoral theses (Oxana Popa, Elisaveta Iovu-Macari, Diana Dementieva, Rodica Gotca), which were carried out in the same research direction and a collective monograph.

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18

Rita, Annabela, and Zuzana Burianová. "Apresentação - Dossiê Temático." e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes, no. 09 (December 29, 2022): 9–13. http://dx.doi.org/10.53943/elcv.0222_09-13.

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Literature, like other art forms, has always served an instrument for resistance, which through various discursive strategies responds to manifestations of oppression, despotism and dogmatism of various kinds. Above all, 20th century literary production — a century that witnessed a proliferation of dictatorships and authoritarian regimes, armed conflicts, wars and genocides, despite humanity's extraordinary progress in multiple areas — was marked by a strong sense of social, cultural or political engagement, which also extends to literary creation in the 21st century. Also in the Portuguese-sp

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19

Ruge, Jing, та Irina V. Monisova. "The state of researches of modern Russian female prose in Сhina". RUDN Journal of Studies in Literature and Journalism 25, № 2 (2020): 277–86. http://dx.doi.org/10.22363/2312-9220-2020-25-2-277-286.

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In the 80s and 90s of the 20th century, womens literature in Russia began to rapidly develop and become recognized as a special phenomenon - for the first time after the last turn of the epoch: Soviet literature was rarely considered in Russian literary criticism from a gender point of view. The creativity of modern women writers became a vivid phenomenon in the context of the Russian literary process, revealed a unique female view of many socio-psychological problems, and in its own way reflected the historical turning point experienced by Russian society. In China, traditionally sensitive to

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20

Heneraliuk, Lesia. "Ways of cross-media research formation." Слово і Час, no. 3 (May 26, 2020): 3–27. http://dx.doi.org/10.33608/0236-1477.2020.03.3-27.

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The paper offers to extend the historical time frame of modern cross-media studies formation. The start of this research direction dates not from the 1950-60s, as it is usually considered to be, but from the early 20th century, the ‘synthesis epoch’. Development of neosyncretism was accompanied by creating bright theories in aesthetics and art criticism and promoting the concept of arts’ interaction by the humanities. Three scholars — H. Wolfin, M. Dessoir, and A. Warburg were the pioneers of the modern interdisciplinary research field. The author considers that the range of influences on the

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21

Колошук, Надія. "Неореалізм у літературі ХХ століття: проблеми термінологічного визначення та рецепції в Україні". Волинь філологічна: текст і контекст, № 37 (3 грудня 2024): 159–75. https://doi.org/10.29038/2304-9383.2024-37.kol.

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The stylistic trend of neorealism developed in many countries throughout the 20th century – from the era of decadence to the postmodern period. This development is related to new modernist trends and ideas, not just classical realism. The purpose of the study: to introduce the concept of "neorealism" into a wider context. The theoretical basis is the historical-literary analysis and comparative comparison (comparative-typological and receptological methods). The influence of realist traditions is undeniable in the early works of the avant-garde James Joyce and even in the search for a new mann

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22

Pidlypska, Alina. "USSR Ballet on the Way to the Choreodrama in the Optics of Art Criticism." Dance Studies 3, no. 1 (2020): 24–35. https://doi.org/10.31866/2616-7646.3.1.2020.203920.

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The purpose of the article is to analyze the critical discourse of the avant-garde searches of the choreographers of academic theatres of the 20s years of 20th century in the USSR through the prism of the formation of choreodrama. Methodology. The article analyzes critical approaches to assessing choreographer’s searches, compares them; chronological and typological methods are also applied. Scientific novelty. For the first time, the approaches of critics to the examination of experiments on the academic ballet scene of the 20s years of 20th century in the USSR in the asp

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23

Ноrichko, Daryna. "TARAS SHEVCHENKO IN FRANCISZEK RAWITA- GAWROŃSKIʼS JOURNALISM". Polish Studies of Kyiv, № 40 (2024): 630–41. https://doi.org/10.17721/psk.2024.40.630-641.

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This article explores Polish literary criticism of the early 20th century, namely the criticism of the Taras Shevchenko`s creative output conducted by Franciszek Rawita-Gawroński. Franciszek Rawita-Gawroński was a Polish publicist and a public figure who in his works often discussed Ukrainian history, culture and literature. Throughout his life, Franciszek Rawita-Gawroński often touched on 19th century Ukrainian literary environment as well as the undeniably prominent place of Taras Shevchenko in it. “Taras Szewczenko i Polacy” is his most prominent article solely devoted to Taras Shevchenko,

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24

KUZMENKO, Yu. "Yasutaka Tsutsui's writings in the context of formation of the science fiction in the Japanese literature of the 20th century." Bulletin of Taras Shevchenko National University of Kyiv. Oriental Languages and Literatures, no. 27 (2021): 39–44. http://dx.doi.org/10.17721/1728-242x.2021.27.39-44.

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The article is of an overview nature and is devoted to the writings by Yasutaka Tsutsui in the context of formation and development of the science fiction genre in the Japanese literature of the second half of the 20th century. It traces the origins of this genre in Japanese folklore and traditional literature, briefly examines the generally accepted classification of four generations of Japanese science fiction writers and analyzes stages of the writer's creative development as one of the three SF masters in modern Japan. The article suggests identifying four periods in Tsutsui Yasutaki's cre

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25

Lamm, Mariya A. "The development of Belarusian literature in a multicultural context." Slavic Almanac, no. 1-2 (2020): 501–7. http://dx.doi.org/10.31168/2073-5731.2020.1-2.6.04.

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Sinkova L. D. Between text and discourse: Russian literature of the XX-XXI century: history, comparative studies and criticism (lit. - crit. articles, conversations). - Minsk: Parkus plus, 2013. - 296 P. The main characteristics of the Belarusian literature development in the contest of 20th-21th century are demonstrated throughout the review. The key patterns of the poetics progression in Belarusian literature are revealed, alongside with the most noticeable algorithms of the national aesthetics establishment and the specifics of mythopoetic perception. Meaningful characteristics of Belarusia

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26

Becker-Lindenthal, Hjördis. "Fast vergessen: Die Nachwirkungen von Kierkegaards Kulturkritik im Krisendiskurs der dänischen Nachkriegszeit." Kierkegaard Studies Yearbook 28, no. 1 (2023): 305–27. http://dx.doi.org/10.1515/kierke-2023-0014.

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Abstract The article examines the explicit and implicit role that Kierkegaard played in the cultural criticism developed in the literary circle of the Danish journal Heretica (1948 – 1954). The cultural criticism of Kierkegaard and eminent Danish post-war authors (Martin A. Hansen, Vilhem Grønbech, Bjørn Poulsen, Tage Skou-Hansen and Ole Wivel) is contextualized in the tradition of Western cultural criticism. An analysis of central concepts such as crisis, rationality, spirit and reflection as well as alienation, individuality and community, demonstrates the original contributions these author

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27

Serdechnaia, Vera V. "Blake Studies in the 21st Century." Studia Litterarum 6, no. 2 (2021): 456–77. http://dx.doi.org/10.22455/10.22455/2500-4247-2021-6-2-456-477.

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The author summarizes Blake studies of the 21st century. The beginning of the modern era of Blake studies can be considered with the paradigm of deconstruction. At the end of the 20th century, synthetic analysis took a special place in Blake studies, when Blake’s illuminated books were studied as an inseparable unity of verbal and visual. Blake’s legacy has undergone a significant evolution related to deconstruction and postmodern approaches, and linguistic research. The development of traditional areas of research, such as psychoanalysis, textual criticism of manuscripts, religious and mystic

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Serdechnaia, Vera V. "Blake Studies in the 21st Century." Studia Litterarum 6, no. 2 (2021): 456–77. http://dx.doi.org/10.22455/2500-4247-2021-6-2-456-477.

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The author summarizes Blake studies of the 21st century. The beginning of the modern era of Blake studies can be considered with the paradigm of deconstruction. At the end of the 20th century, synthetic analysis took a special place in Blake studies, when Blake’s illuminated books were studied as an inseparable unity of verbal and visual. Blake’s legacy has undergone a significant evolution related to deconstruction and postmodern approaches, and linguistic research. The development of traditional areas of research, such as psychoanalysis, textual criticism of manuscripts, religious and mystic

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29

Kozlyk, Ihor. "Being a Literary Critic: The Methodology of Specialist’s Life in the Profession (based on B. F. Egorov’s epistolary oeuvre)." Pitannâ lìteraturoznavstva, no. 104 (December 27, 2021): 197–238. http://dx.doi.org/10.31861/pytlit2021.104.197.

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The article, which is historical and scientific by character, presents the current humanitarian issues of professional epistolary communication of an outstanding Russian literary critic, Doctor of Philology, Professor B. F. Egorov (1926–2020) with fellow literary critics. The main directions of scientist’s active and versatile practices are considered on the grounds of his published letters and some letters to him in 1998–2020. The article focuses on professional communication and interaction between Ukrainian and Russian literary critics in the complex modern socio-historical and political co

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30

Lyu, Xiaoqin, and Xiaoxi Li. "The Construction of Wu Mi’s Literary Philosophy: The Integration of Humanism into Chinese Confucianism." English Language and Literature Studies 13, no. 3 (2023): 23. http://dx.doi.org/10.5539/ells.v13n3p23.

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Wu Mi, a believer in humanism, and student of Irving Babbitt, loved traditional Eastern and Western cultures and advocated the &ldquo;continuity and convergence&rdquo; of literature. This is an ideology of fair and just treatment of the different cultures of the East and the West, externally opposing drastic cultural changes but internally pursuing the continuity of ancient and modern culture and the integration of Eastern and Western cultures. Due to its fierce criticism of &ldquo;old literature&rdquo; in the New Culture Movement, Wu Mi&rsquo;s literary philosophy was cons

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31

Brannigan, John, Marcela Santos Brigida, Thayane Verçosa, and Gabriela Ribeiro Nunes. "Thinking in Archipelagic Terms: An Interview with John Brannigan." Palimpsesto - Revista do Programa de Pós-Graduação em Letras da UERJ 20, no. 35 (2021): 3–28. http://dx.doi.org/10.12957/palimpsesto.2021.59645.

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John Brannigan is Professor at the School of English, Drama and Film at University College Dublin. He has research interests in the twentieth-century literatures of Ireland, England, Scotland, and Wales, with a particular focus on the relationships between literature and social and cultural identities. His first book, New Historicism and Cultural Materialism (1998), was a study of the leading historicist methodologies in late twentieth-century literary criticism. He has since published two books on the postwar history of English literature (2002, 2003), leading book-length studies of working-c

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32

Kirillova, A. S. "Literary and Theatrical Parody in the Context of the Discussion on the Development of the National Theater of the Early 20th Century." Russian Studies in Philology, no. 1 (March 13, 2025): 79–90. https://doi.org/10.18384/2949-5008-2025-1-79-90.

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Aim. To prove the participation of literary and theatrical parodies of the “Crooked Mirror” cabaret theater in the controversy about the development of Russian drama and theater at the beginning of the 20th century through opposition to the collection of articles “Theater. The book about the new theater”.Methodology. The article analyzes the socio-cultural context of the discussion on the problems of Russian theatrical art and the participation in it of the resonant collection-manifesto “Theater. The book about the new theater”, as well as literary and theatrical parodies staged by the “Crooke

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33

ZHANG, Han. "A Newer “Laocoon”:The Becoming and Inspiration of Greenberg’s Artistic Medium View." Advances in Art Science 2, no. 1 (2025): 61–70. https://doi.org/10.48014/aas.20250130001.

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The 20th century American art critic Greenberg' s “Towards a Newer Laocoon” mainly showed his reflection and innovation on the literary theory of German aesthetician Lessing. The term “Laocoon”, in the title of the text of came from Lessing’s aesthetic criticism work Laocoon. Lessing’s exploration of the “boundaries between poetry and painting”, especially in terms of the difference between poetry and painting in media, coincides with Greenberg’s artistic ideas when elaborating on the concept of the “boundaries between poetry and painting”. However, Greenberg did not directly quote Lessing’s t

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Simsone, Bārbala. "Zinātniskā fantastika kā ideoloģiskais ierocis." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 25 (March 4, 2020): 165–75. http://dx.doi.org/10.37384/aplkp.2020.25.165.

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Since one of the main characteristics of the science fiction genre is the modelling of future societies, often from the safe distance perspective drawing quite visible parallels with those of the present world, the discussion about political and social topics has been an integral part of the genre since the beginnings. Moreover, since science fiction, especially regarding the subgenre of utopia, allegorically projects a particular ideology in an imaginary world, certain propaganda was also frequent compound in the genre works. These factors were largely responsible for the fact that some polit

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Kibenko, Elina. "Actualization of the Problem of Solitude in 19th and 20th-century Philosophy." NaUKMA Research Papers in Philosophy and Religious Studies, no. 9-10 (January 20, 2023): 49–59. http://dx.doi.org/10.18523/2617-1678.2022.9-10.49-59.

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The vast majority of current scientific research devoted to the phenomenon of solitude is performed within the framework of psychology, sociology, and literary criticism. However, these inquiries deal with specific manifestations of the multidimensional phenomenon of solitude, eliminating its nature and fundamental philosophical and anthropological essence, which is hidden behind secondary layers of empirics. The task of this investigation is to consider the phenomenon of solitude among representatives of the world’s philosophical thought of modern times, in whose teachings it has received the

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Т.В., Петренко. "ПРОГРАММА «ЧИСТОГО ИСКУССТВА» В ИСТОРИИ РУССКОЙ ЛИТЕРАТУРНОЙ КРИТИКИ 40-Х ГОДОВ ХІХ СТ. – РУБЕЖА ХІХ–ХХ СТ. В ИНТЕРПРЕТАЦИЯХ И ОЦЕНКАХ". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 1, № 87 (2018): 121–38. https://doi.org/10.5281/zenodo.1322534.

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The article deals with the issue of the interpretation chronology by Russian literary criticism of the «pure art» theory as an aesthetic code. In the center of attention are the names of the prominent figures of the Russian criticism who were involved in the interpretation of the concept in the period from the 40s of the 19th century up to the turn of the 19th and 20th century, the time marked by the entry of the decadence in the literature, which took on arms much of what was at the heart of the program of the «pure art». An analysis of the reasons for their positive o

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Yin, Haodan. "“Constructed Women”." International Journal of Education and Humanities 13, no. 3 (2024): 154–58. http://dx.doi.org/10.54097/55yxkz87.

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Simone de Beauvoir (1908 - 1986), as the pioneer and founder of feminist literary criticism, her feminist thoughts and Literary theory have had a profound impact on the development of women's movement and feminist literary theory around the world. Beauvoir is “one of the most important women of the 20th century.” His book The Second Sex covers the cultural content of philosophy, history, literature, biology, ancient myths and customs, and discusses the actual women’s situation, status and rights in the historical evolution from Primitive society to modern society. In the book, linguistic theor

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Zhurcheva, Olga V. "“New drama”: Pro et contra." Izvestiya of Saratov University. Philology. Journalism 22, no. 4 (2022): 484–87. http://dx.doi.org/10.18500/1817-7115-2022-22-4-484-487.

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At the end of the 20th – the beginning of the 21st century there were serious changes in the poetics of drama, defining the strategy of artistic forms and features of artistic consciousness. This gives the right to single out the history of the “new drama” in a separate period of the literary and theatrical process. A new book by the Belarusian researcher S.Ya. Goncharova-Grabovskaya “Modern Russian Dramaturgy (late 20th – early 21st century)” is devoted to generalization and comprehension of this period, which is considered and announced in the presented review. The book examines the main tre

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Jurgutienė, Aušra. "Some Comments on the Changes, Contradictions and Connections of Literary Theories in Lithuania." Interlitteraria 25, no. 1 (2020): 41–51. http://dx.doi.org/10.12697/il.2020.25.1.5.

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The paper presents a brief history of literary theories that have been used in Lithuania for the last century (1918–2018). Certain general patterns of development are visible in Lithuanian literary studies: movements from positivist (M. Biržiška) to anti-positivist (V. Mykolaitis-Putinas) history and from Marxist history (K. Korsakas) to postmodern New Historicism. The mid-20th century marked the first applications of modern literary theories (first in exile, later among those who stayed in occupied Lithuania). A. J. Greimas became an eminent theoretician in exile, having established a world-f

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López Soto, Luis Alberto. "La llama fría by Gilberto Owen: A forgettable story or a lyrical novel?" Signos Literarios 19, no. 38 (2023): 58–87. http://dx.doi.org/10.24275/slit.v19n38.03.

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"Gilberto Owen (1904-1952) was a Mexican poet, member of the Contemporary generation. Such a generation of writers was characterized by opposing realism and nationalist aesthetics to exercise a type of modern poetry and narrative under the influence of the European avant-gardes. Among those influences is that of the lyrical novel. Based on this, this article analyzes a narrative text by Owen little studied by literary critics: La llama fría (1925), based on the theoretical notions of a lyrical novel coined by Ralph Freedman, Darío Villanueva and Ricardo Gullón. Against the grain of a certain s

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Aspisova, O. S. "ALL THIS GOETHE: CULT AND ANTICULT." Human Being: Image and Essence. Humanitarian Aspects, no. 3 (2020): 144–69. http://dx.doi.org/10.31249/chel/2020.03.09.

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The article examines the almost religious worship of Goethe as an unattainable universal genius and classical author, analyzing both the «Goethe cult» and the «anti-cult» in the German culture before the first half of the 20th century. The Goethe cult, that had started shortly after his death, largely contributed to the development of modern literary studies as a new science in Europe. The anniversary years invariably intensified the cult. Resistance to this cult became especially noticeable after WWI when, for the first time, a real «anti-cult» unfolded. It is documented, for example, in a se

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Đuričić, Mladen Z. "KRITIČKA RECEPCIJA PESME „SANTA MARIA DELLA SALUTE”." Serbian Studies Research XIII, no. 1 (2022): 77–93. http://dx.doi.org/10.46793/ssrxiii1.077dj.

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The paper examines the critical reception of the poem „Santa Maria della Salute” (1909) by Laza Kostić, with the aim of reconstruct its path from the silent to the celebrated poem about which, perhaps, has been most written about in our periodical. The destiny of the poem ”Santa Maria della Salute” follows the fate of its author, so thus the paper indirectly follows the unjust marginalization of Laza Kostić in Serbian literature of the 20th century. Looking at the reviews, analytical texts and monographic publications dedicated to the poem, it is shown that many decades had to pass until liter

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Kirillova, Natalia B. "Metamorphoses of Russian Mass Culture." Observatory of Culture 16, no. 5 (2019): 536–41. http://dx.doi.org/10.25281/2072-3156-2019-16-5-536-541.

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The article is a review of the monograph “Russian Mass Culture: From Baroque to Post-Modernism” by Doctor of Philosophy, Professor of the Russian State University for the Humanities, Academician of the Russian Academy of Natural Sciences I.V. Kondakov. The book, which consists of seven chapters, is devoted to the history of the emergence and development of mass culture in Russia from ancient times to the beginning of the 20th century. Studying its origins dating back to antiquity, the author proves that Russian mass culture received an “impulse of independence” in the 17th century, as the cu

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Оvdiichuk, Lilia. "Anthology of Ukrainian Poetry “Strings” by Bohdan Lepky as a Text in Contextual Reading." Journal of V. N. Karazin Kharkiv National University, Series "Philology", no. 95 (December 30, 2024): 39–44. https://doi.org/10.26565/2227-1864-2024-95-06.

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The anthology of Ukrainian poetry «Strings», compiled by Bohdan Lepky, not only became an important literary phenomenon, a text for reading, but also reflected the aesthetic and cultural aspirations of the era. The relevance of the study is determined by the attention of modern literary studies to the formation of the canon of Ukrainian literature. The anthology as a text is a representative of the "golden fund" of national red literature. It is also timely to identify and analyze the contexts of the creation of this meta-genre. The purpose of the article is to analyze the biographical, histor

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Radmilo Derado, Sanja. "MERGING SOCIAL CRITICISM WITH IRISH CULTURAL HERITAGE IN THE SHORT STORY COLLECTION THE UNTILLED FIELD BY GEORGE MOORE." Folia linguistica et litteraria X, no. 32 (2020): 43–63. http://dx.doi.org/10.31902/fll.32.2020.3.

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The paper analyses the short story collection The Untilled Field by the Irish writer George Moore (1852-1933) with the aim of establishing the subversive potential of these stories in the context of the criticism of the overpowering dogmas within the Irish society at the beginning of the 20th century. With this long neglected short story collection, George Moore reveals a darker, silenced side of Ireland, hidden from the public discourse of the socio-political mainstream of the period. His social criticism is primarily focused on some neuralgic aspects of the Irish society of the time, namely

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Kisiel, Marian. "Notes about Czerniawski." Tematy i Konteksty specjalny 1(2020) (2020): 542–54. http://dx.doi.org/10.15584/tik.spec.eng.2020.30.

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The article constitutes a collection of notes related to the lesser known and rarely commented works by an émigré writer – Adam Czerniawski: his poems translated into English, short texts of literary criticism, short novels and his memoirs. Modern Polish prose is still frequently treated as a ciphertext, of interest only to a limited number of readers who revel in this labyrinth of thoughts. It may seem that at the end of the 20th century – a period so involved in the debate about the traditional understanding of literature – avant-garde variants of prose should be understandable for everyone

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Morozova, K. I. "JOLLY FELLOWS: A.K. GOLDEBAEV AND A.S. NEVEROV." Bulletin of Udmurt University. Series History and Philology 32, no. 3 (2022): 594–600. http://dx.doi.org/10.35634/2412-9534-2022-32-3-594-600.

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The article examines the poetics of A.S. Neverov's “Jolly Fellows” story (1922), which shows the life of Neverov (Begunka) himself, a friend-writer A.K. Goldebaev (real name is Semenov) and his daughter Alenushka in the hungry years of the beginning of the 20th century. The choice of this particular work is due to several reasons. Firstly, the central character is Goldebaev, about whom practically nothing is known in the history of Russian literature, and the story is dedicated to one of the last years of his life. Secondly, this work is repeatedly mentioned in the correspondence of writers. T

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Perry, Robert L., and Melvin T. Peters. "The African-American Intellectual of the 1920s: Some Sociological Implications of the Harlem Renaissance." Ethnic Studies Review 19, no. 2-3 (1996): 155–72. http://dx.doi.org/10.1525/esr.1996.19.2-3.155.

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This paper deals with some of the sociological implications of a major cultural high-water point in the African American experience, the New Negro/Harlem Renaissance. The paper concentrates on the cultural transformations brought about through the intellectual activity of political activists, a multi-genre group of artists, cultural brokers, and businesspersons. The driving-wheel thrust of this era was the reclamation and the invigoration of the traditions of the culture with an emphasis on both the, African and the American aspects, which significantly impacted American and international cult

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Geng, Zixin. "Elaborate yet Enchanting: Exploring Lacans Register Theory." Communications in Humanities Research 20, no. 1 (2023): 142–46. http://dx.doi.org/10.54254/2753-7064/20/20231313.

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The most fascinating psychoanalytic theorist of the 20th century, Lacan, built on Freuds psychoanalytic theory to create a conceptual and all-encompassing framework for psychoanalysis. His theory, which is distinguished by a striking lack of a priori assumptions, has had a significant impact. Lacans views have influenced generations of philosophers and cultural theorists, resonating in fields as diverse as philosophy, film theory, feminism, literary criticism, and even modern ideological critiques. The core of Lacanian theory, the Register Theorythe Imaginary, the Symbolic, and the Realremains

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Kholikov, A. A., and A. V. Filatov. "Contextual analysis of precedent texts for scholarly discourse in theoretical and practical literary studies." Current Issues in Philology and Pedagogical Linguistics, no. 4 (September 25, 2024): 162–77. http://dx.doi.org/10.29025/2079-6021-2024-3-162-177.

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The article continues the conceptual description of theoretical and applied literary criticism as an academic discipline and focuses on its historical and methodological aspects. The purpose of the work is to present a strategy for selecting precedent texts of Russian literary criticism and their contextual analysis. The authors consider modern approaches to the definition of scholarly discourse and characterize the special status of the literary studies, on the one hand, striving for a discursive synthesis with linguistics and logic, and on the other – giving greater importance to the subject

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