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Books on the topic 'Literary criticism - William Golding'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

William Golding. Plymouth, U.K: Northcote House in association with the British Council, 1994.

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2

Council, British, ed. William Golding. 2nd ed. Tavistock, U.K: Northcote House/British Council, 2006.

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3

William Golding. Boston: Twayne, 1987.

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4

Hoover, David L. Language and style in The inheritors. Lanham, Md: University Press of America, 1999.

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5

Gindin, James Jack. William Golding. New York: St. Martin's Press, 1988.

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6

Subbarao, V. V. William Golding: A study. London: Oriental University Press, 1987.

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7

William Golding: A study. New York: Envoy press, 1987.

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8

William Golding: A study. London: Oriental University Press, 1987.

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9

Subbarao, V. V. William Golding: A study. New Delhi: Sterling Publishers, 1987.

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10

Boyd, S. J. The novels of William Golding. Brighton, Sussex: Harvester Press, 1988.

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11

Boyd, S. J. The novels of William Golding. 2nd ed. New York: Harvester Wheatsheaf, 1990.

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12

Boyd, Stephen. The novels of William Golding. 2nd ed. London: Harvester Wheatsheaf, 1990.

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13

Boyd, Stephen. The novels of William Golding. Brighton: Harvester, 1988.

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14

William Golding: The unmoved target. New York: Marion Boyars, 2003.

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15

Tiger, Virginia. William Golding: The unmoved target. New York, NY: Marion Boyars, 2004.

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16

Mark, Kinkead-Weekes, and Kinkead-Weekes Mark, eds. William Golding: A critical study of the novels. 3rd ed. London: Faber and Faber, 2002.

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17

Dérives de la parole: Les récits de William Golding. Paris: Harmattan, 2003.

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18

Redpath, Philip. William Golding: A structural reading of his fiction. London: Vision, 1986.

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19

Redpath, Philip. William Golding: A structural reading of his fiction. Totowa, N.J: Barnes & Noble, 1987.

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20

Zama, Margaret. The dark beastie: A study of the protagonists of William Golding. Calcutta: Writers Workshop, 1996.

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21

International William Golding Conference (1st 1993 Université Jean-Monnet-Saint-Etienne). Fingering Netsukes: Selected papers from the First International William Golding Conference. Saint-Etienne, France: Publications de l'Université de Saint-Etienne, in association with Faber and Faber, 1995.

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22

Regard, Frédéric. Ethique et esthétique des ténèbres: Naissance de l'oeuvre romanesque de William Golding. [Saint-Etienne]: Université Jean Monnet-Saint-Etienne, Centre interdisciplinaire d'études et de recherche sur l'expression contemporaine, 1990.

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23

Siegl, Karin. The Robinsonade traditionin Robert Michael Ballantyne's The coral island and William Golding's The lord of the flies. Lewiston, N.Y: Edwin Mellen Press, 1996.

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24

Siegl, Karin. The Robinsonade tradition in Robert Michael Ballantyne's The coral island and William Golding's The lord of the flies. Lewiston, N.Y: E. Mellen Press, 1996.

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25

Politics and history in William Golding: The world turned upside down. Columbia: University of Missouri Press, 2002.

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26

Eagleton, Terry. William Shakespeare. Oxford, UK: B. Blackwell, 1987.

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27

Understanding Lord of the flies: A student casebook to issues, sources, and historical documents. Westport, Conn: Greenwood Press, 2000.

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28

William Gibson: A literary companion. Jefferson, N.C: McFarland, 2011.

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29

Das Kind in der anglo-amerikanischen Literatur: Von Bret Harte zu William Golding. Duisburg: Gilles & Francke, 1985.

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30

William Wordsworth: A literary life. Basingstoke: Macmillan, 1996.

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31

John, Williams. William Wordsworth: A literary life. New York: St. Martin's Press, 1996.

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32

William Wordsworth: A literary life. Basingstoke: Macmillan, 1996.

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33

Blake, N. F. William Caxton and English literary culture. London: Hambledon Press, 1991.

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34

Understanding William Gibson. Columbia, SC: The University of South Carolina Press, 2016.

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35

Shakespeare's literary authorship. Cambridge: Cambridge University Press, 2008.

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36

William Makepeace Thackeray: A literary life. Basingstoke, Hampshire, England: Palgrave, 2001.

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37

Museum, British, ed. William Blake. London: British Museum Press, 2005.

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38

Nichols, Ian. William Shakespeare: The pocket essential [guide]. Harpenden, Herts [U.K.]: Pocket Essentials, 2002.

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39

Hallett, Charles A., and Charles A. Hallett. The Artistic Links Between William Shakespeare and Sir Thomas More: Radically Different Richards. New York, USA: Palgrave Macmillan, 2011.

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40

Shakespeare as literary dramatist. Cambridge, UK: Cambridge University Press, 2003.

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41

Schmidt, Peter. William Carlos Williams, the arts, and literary tradition. Baton Rouge: Louisiana State University Press, 1988.

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42

Kuiper, Kathleen. The tragedies of William Shakespeare. New York: Rosen Pub., 2013.

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43

editor, Meriwether Nicholas G., and Newton, David W., 1961- editor, eds. Pirates and Devils: William Gilmore Simms's unfinished postbellum novels. Columbia: University of South Carolina Press, 2015.

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44

Harold, Bloom. William Shakespeare's The merchant of Venice. New York: Bloom's Literary Criticism, 2010.

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45

Roberts, James Lamar. The bear: Notes ... Lincoln, Neb: Cliffs Notes, 1986.

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46

Roberts, James Lamar. CliffsNotes on Faulkner's The Bear. New York: John Wiley & Sons, Ltd., 2002.

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47

The major fiction of William Gilmore Simms: Cultural traditions and literary form. Baton Rouge: Louisiana State University Press, 1989.

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48

The master and the dean: The literary criticism of Henry James and William Dean Howells. Columbia: University of Missouri Press, 2005.

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49

"Imitation is criticism": Dante Gabriel Rossetti und William Blake. Frankfurt am Main: P. Lang, 1997.

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50

The green ghost: William Burroughs and the ecological mind. Carbondale: Southern Illinois University Press, 2016.

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