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Journal articles on the topic 'Literary form Literary form'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Compagnon, Antoine. "The Literary Form." La lettre du Collège de France, no. 7 (October 29, 2015): 50. http://dx.doi.org/10.4000/lettre-cdf.2702.

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2

Mehta, Dr Dipti. "Films A Techno Literary Art Form." Indian Journal of Applied Research 1, no. 5 (2011): 124–25. http://dx.doi.org/10.15373/2249555x/feb2012/46.

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3

Agathocleous, Tanya. "Cosmopolitanism and Literary Form." Literature Compass 7, no. 6 (2010): 452–66. http://dx.doi.org/10.1111/j.1741-4113.2010.00671.x.

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4

Furtak, Rick Anthony. "Literary Form, Philosophical Content." Teaching Philosophy 34, no. 2 (2011): 182–84. http://dx.doi.org/10.5840/teachphil201134225.

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5

Josipovici, Gabriel. "Music and literary form." Contemporary Music Review 5, no. 1 (1989): 65–75. http://dx.doi.org/10.1080/07494468900640541.

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6

홍서연. "Jiang Kui Ci's Literary Form." Journal of Chinese Language and Literature ll, no. 47 (2010): 195–215. http://dx.doi.org/10.26586/chls.2010..47.010.

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7

Kiseob Song. "Transplanted Literary Form and Nietzsche." Journal of Korean Nietzsche-Society ll, no. 20 (2011): 39–62. http://dx.doi.org/10.16982/jkns.2011..20.002.

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8

Syahrul, Ninawati. "REKAYASA SASTRA SEBAGAI UPAYA MENINGKATKAN GERAKAN LITERASI DI KALANGAN GENERASI MUDA." Multilingual 18, no. 1 (2019): 48–66. http://dx.doi.org/10.26499/multilingual.v18i1.110.

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Characteristics of quality literary works must carry and convey moral messages. As a civilized citizen, the young generation — of course other citizens — must seize moral values in treading diverse lives. In this regard, literary engineering is an idea that should be taken into account as a form of literary approach in accordance with the mental development of the younger generation. How far is literary engineering capable as a new idea to introduce literature to the younger generation, that is the problem in this paper? This paper aims to describe and "sell" the role of literary literacy engi

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9

Hodson, W. L., and Michael R. Finn. "Proust, the Body and Literary Form." Modern Language Review 96, no. 1 (2001): 200. http://dx.doi.org/10.2307/3735774.

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10

Holden, Philip. "Literary Biography as a Critical Form." Biography 37, no. 4 (2014): 917–34. http://dx.doi.org/10.1353/bio.2014.0052.

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11

Brennan, Stephen C., and June Howard. "Form and History in American Literary Naturalism." Modern Language Studies 17, no. 4 (1987): 88. http://dx.doi.org/10.2307/3194817.

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12

Bertoncini, Elena, Janos Riesz, Richard Taylor, Jack D. Rollins, and Alex D. Johnson. "Towards African Authenticity; Language and Literary Form." International Journal of African Historical Studies 19, no. 4 (1986): 712. http://dx.doi.org/10.2307/219151.

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13

Reyes-Peschl, Romén. "Reviews: Unified Fields: Science and Literary Form." Literature & History 24, no. 2 (2015): 125–26. http://dx.doi.org/10.1177/030619731502400219.

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14

Matthews, S. "KATHERINE BURKITT. Literary Form as Postcolonial Critique." Review of English Studies 65, no. 268 (2013): 187–89. http://dx.doi.org/10.1093/res/hgt084.

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15

Dowd, Michelle M. "Breaking Form in Early Modern Literary Studies." English Literary Renaissance 50, no. 1 (2020): 40–46. http://dx.doi.org/10.1086/706217.

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16

Williams, Alan E. "The literary sources for Kurtág's fragment form." Contemporary Music Review 18, no. 2 (1999): 141–50. http://dx.doi.org/10.1080/07494469900640241.

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17

Kuskin, William. "Introduction: Continuity in Literary Form and History." English Language Notes 46, no. 2 (2008): 5–13. http://dx.doi.org/10.1215/00138282-46.2.5.

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18

Black, Scott. "Social and Literary Form in the Spectator." Eighteenth-Century Studies 33, no. 1 (1999): 21–42. http://dx.doi.org/10.1353/ecs.1999.0042.

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19

Knepper, Steven. "Bridging Literary Studies and Rhetoric with Form." CEA Critic 79, no. 3 (2017): 304–8. http://dx.doi.org/10.1353/cea.2017.0028.

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20

Wassenaar, I. "Review: Proust: The Body and Literary Form." French Studies 56, no. 2 (2002): 261–62. http://dx.doi.org/10.1093/fs/56.2.261.

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21

Gladstone, Jason. "Network Unavailable: Informal Populations and Literary Form." American Literary History 31, no. 1 (2018): 74–95. http://dx.doi.org/10.1093/alh/ajy046.

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AbstractThis essay argues that Roberto Bolaño’s 2666 (2004) and Tao Lin’s Taipei (2013) are global novels that represent the contemporary as a condition in which reality is not governed by the laws of interconnectedness. In 2666 the contemporary is neither networked nor interconnected; in Taipei it is networked but not interconnected. In both novels, the fact of interconnection is not a fact. Rather, here personhood is inoperative and networks are unavailable. From this perspective, the task of the contemporary global novel is not to produce feelings of connection and expansions of subjectivit

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22

kim, Chang-won. "The Literary form of Dialogic Styles in." Korean Language and Literature in International Context 89 (June 30, 2021): 7–24. http://dx.doi.org/10.31147/iall.89.1.

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23

Lye, Colleen. "Racial Form." Representations 104, no. 1 (2008): 92–101. http://dx.doi.org/10.1525/rep.2008.104.1.92.

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This essay takes account of the formalist desires of recent Asian American literary criticism. It argues that a focus on form may discover firmer ground for the future of Asian American studies, but only if that focus remains cognizant of the interdisciplinary origins of Asian American studies.

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24

Rothstein, Eric, and Douglas Lane Patey. "Probability and Literary Form: Philosophic Theory and Literary Practice in the Augustan Age." Eighteenth-Century Studies 19, no. 3 (1986): 421. http://dx.doi.org/10.2307/2738937.

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25

Nuttall, A. D., and Douglas Lane Patey. "Probability and Literary Form: Philosophic Theory and Literary Practice in the Augustan Age." Yearbook of English Studies 18 (1988): 283. http://dx.doi.org/10.2307/3508230.

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26

He, Hongmei. "The Influence of the Change of Literary Language on the Modern Literary Form." Advances in Higher Education 3, no. 2 (2019): 63. http://dx.doi.org/10.18686/ahe.v3i2.1413.

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<p>As an important communication tool, language carries rich information and is an important medium for people to shorten the distance between each other and express their feelings. Literary language is an important carrier for writers to reflect social reality, express personal views and thoughts. Both the writer's inner world and the real reflection of social life should be conveyed and summarized through literary language. In the process of social development, literary language is not invariable, at the same time, its changes will also have an impact on the form of modern literature,

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27

Yashin, Veli N. "“The true face of the work”: sovereignty and literary form in literary historiography." Middle Eastern Literatures 20, no. 2 (2017): 162–76. http://dx.doi.org/10.1080/1475262x.2017.1342445.

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28

Bell, Desmond. "Probability and literary form: Philosophic theory and literary practice in the Augustan age." History of European Ideas 7, no. 6 (1986): 685–87. http://dx.doi.org/10.1016/0191-6599(86)90027-6.

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29

Perkins, David. "Discursive Form versus the Past in Literary History." New Literary History 22, no. 2 (1991): 359. http://dx.doi.org/10.2307/469043.

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30

Tsilipakos, Leonidas. "Social Criticism, Moral Reasoning and the Literary Form." Nordic Wittgenstein Review 7, no. 2 (2018): 77. http://dx.doi.org/10.15845/nwr.v7i2.3512.

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Widely chosen by students of society as an approach under which to labour, emancipatory, liberatory or, otherwise put, critical social thought occupies a position between knowledge and practical action whose coherence is taken for granted on account of the pressing nature of the issues it attempts to deal with. As such it is rarely subjected to scrutiny and the methodological, conceptual and moral challenges it faces are not properly identified. The contribution of this article is to raise these problems into view clearly and unambiguously. This is undertaken via a careful examination of Alice

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31

Dasenbrock, Reed Way, and Anthony Julius. "T. S. Eliot, Anti-Semitism, and Literary Form." American Literature 69, no. 2 (1997): 424. http://dx.doi.org/10.2307/2928284.

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32

Prokopovich, L. V. "Literary parody as a form of creative discussion." Odes’kyi Politechnichnyi Universytet. Pratsi, no. 2 (June 15, 2015): 189–94. http://dx.doi.org/10.15276/opu.2.46.2015.32.

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33

Casillo, Robert, and Anthony Julius. "T. S. Eliot, Anti-Semitism, and Literary Form." Modern Language Review 93, no. 1 (1998): 206. http://dx.doi.org/10.2307/3733675.

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34

Hall, Jean, and Ronald Tetreault. "The Poetry of Life: Shelley and Literary Form." Studies in Romanticism 31, no. 1 (1992): 113. http://dx.doi.org/10.2307/25600943.

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35

Ulmer, William A., and Ronald Tetreault. "The Poetry of Life: Shelley and Literary Form." South Atlantic Review 53, no. 3 (1988): 132. http://dx.doi.org/10.2307/3200651.

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36

Lye, C. "Form and History in Asian American Literary Studies." American Literary History 20, no. 3 (2008): 548–55. http://dx.doi.org/10.1093/alh/ajn024.

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37

Palumbo-Liu, D. "The Occupation of Form: (Re)theorizing Literary History." American Literary History 20, no. 4 (2008): 814–35. http://dx.doi.org/10.1093/alh/ajn038.

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38

O'Toole, Robert F. "The Literary Form of Luke 19:1-10." Journal of Biblical Literature 110, no. 1 (1991): 107. http://dx.doi.org/10.2307/3267153.

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39

Nesbitt, Nick. "Language and Literary Form in French Caribbean Writing." French Studies 70, no. 2 (2016): 292–93. http://dx.doi.org/10.1093/fs/knw023.

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40

Dutt-Ballerstadt, Reshmi. "Literary Form as Postcolonial Critique by Katherine Burkitt." Rocky Mountain Review 68, no. 2 (2014): 209–11. http://dx.doi.org/10.1353/rmr.2014.0032.

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41

Novikova, M. G. "Dynamics of the form for literary discourse and translation." RUDN JOURNAL OF LANGUAGE STUDIES, SEMIOTICS AND SEMANTICS 8, no. 1 (2017): 166–73. http://dx.doi.org/10.22363/2313-2299-2017-8-1-166-173.

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42

Magid. "Lurianic Kabbalah and Its Literary Form: Myth, Fiction, History." Prooftexts 29, no. 3 (2009): 362. http://dx.doi.org/10.2979/pft.2009.29.3.362.

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43

Parkinson, R. B. "Literary Form and the "Tale of the Eloquent Peasant"." Journal of Egyptian Archaeology 78 (1992): 163. http://dx.doi.org/10.2307/3822070.

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44

Rizzuto, Nicole. "Friction and Expansion: Comparative Literary Studies as Chimerical Form." Cambridge Journal of Postcolonial Literary Inquiry 6, no. 1 (2019): 114–21. http://dx.doi.org/10.1017/pli.2018.31.

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By generating friction with the concept of expansion, Aarthi Vadde’sChimeras of Form: Modernist Internationalism Beyond Europe, 1914–2016intervenes in debates shaping comparative literature studies today. Analyzing the work that friction performs in this book sends us beyond the provocative and nuanced readings contained within its pages and sets it in conversation with critical and literary writings it does not address. Miming the ethos and using the practices ofChimeras of Formby expanding its trajectory, I show what frictions and itineraries of inquiry might emerge from its theorization of

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45

Leadbetter, Gregory. "Gothic Romanticism: Architecture, Politics, and Literary Form. Tom Duggett." Wordsworth Circle 41, no. 4 (2010): 215–17. http://dx.doi.org/10.1086/twc24043650.

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46

Parkinson, R. B. "Literary form and the Tale of the Eloquent Peasant." Journal of Egyptian Archaeology 78, no. 1 (1992): 163–78. http://dx.doi.org/10.1177/030751339207800109.

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The Tale of the Eloquent Peasant is a complex work, for the interpretation of which literary form is crucial. The text is a unity, incorporating diverse styles and genres. It combines two modes of narrative and discourse which are indirectly complementary, being antithetical in their articulation of meaning. This antithesis is also presented through stylistic contrasts within the Tale and by a pervasive use of irony. Although the Tale is concerned with its own writing, the subject matter is not restricted to this. The formal tension between narrative and discourse parallels the dichotomy of aw

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47

Black, J. "Review: Style and Form in Old-Babylonian Literary Texts." Journal of Semitic Studies 50, no. 1 (2005): 198–201. http://dx.doi.org/10.1093/jss/fgi010.

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48

Gollard, Gareth. "Proust, the Body, and Literary Form. Michael R. Finn." Isis 92, no. 1 (2001): 193–94. http://dx.doi.org/10.1086/385119.

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49

Dhar, Tej N. "Literary Form, Philosophical Content: Historical Studies of Philosophical Genres." European Legacy 21, no. 2 (2015): 214–16. http://dx.doi.org/10.1080/10848770.2015.1097066.

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50

Boa, Elizabeth. "Özdamar's Autobiographical Fictions: Trans-National Identity and Literary Form." German Life and Letters 59, no. 4 (2006): 526–39. http://dx.doi.org/10.1111/j.1468-0483.2006.00366.x.

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