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Journal articles on the topic 'Literary genres'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Robertovna, Zaripova Rushana, Boynazarov Bahriddin Bobokhonovich, and Usanova Bahoroy Eshpolatovna. "Literary genres." ACADEMICIA: An International Multidisciplinary Research Journal 10, no. 8 (2020): 524. http://dx.doi.org/10.5958/2249-7137.2020.00945.3.

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2

Omar, Abdulfattah. "Classifying literary genres." Texto Livre: Linguagem e Tecnologia 13, no. 2 (2020): 83–101. http://dx.doi.org/10.35699/1983-3652.2020.24396.

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Classifying literary genres has always been methodologically confined to philological methods and what is commonly known as Vector Space Clustering (VSC). The problem has been exasperated with the widening gap between computational theory and traditional analysis of literary texts. Towards finding a solution to this problem, the current study utilizes a synergetic approach that brings together two established methods. First, a computational model of genre classification is drawn upon for identifying concept-based, rather than word-bound, topics, where the representation of texts is secured via

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3

Hama, Avin A., and Osman H. Khidir. "Style of Interference of Genres in the Poems of Sherko Bekas." Koya University Journal of Humanities and Social Sciences 6, no. 2 (2024): 300–309. http://dx.doi.org/10.14500/kujhss.v6n2y2023.pp300-309.

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In the past, there was a restriction in the literary genres in the theories of literature. After the development of the theories of literature and criticism this was seen less the genres. The genres got benefit from each other from different ways. Especially through interference of literary genres. This led to the development of the genres and interfering each other and a new genre came up that consists of the previous genres. SHERKO BEKAS was an experienced poet that was different and invented a new style of writing literary genres. This made him to have his own style to mix between the genre

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Hassan, Mariwan Omar, and Awara Khadr Mahmoud. "The Basic Forms of Poetry gener in the “Kurdistan” Newspaper of Tehran This paper is a part of master's thesis entitled:." Journal of University of Raparin 10, no. 2 (2023): 617–37. http://dx.doi.org/10.26750/vol(10).no(2).paper26.

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The term genre in the literary literature means (type, style, category, or literary element). genres include all the artistic frameworks and templates that poets and writers use to shape their thoughts, consciousness and emotions. In ancient times (classical age) the boundaries between literary genres are clearly defined on the basis of the purity of genres. In general, genres had enjoyed a kind of independence. However, in the later stages, the boundaries between genres were crossed since they merged, went into each other and lost their sanctity and independence. For example, a genre of epic

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5

Sontag, Gustavo, and Angélica Micoanski Thomazine. "Letramento literário e ensino de língua inglesa através do Idiomas sem Fronteiras." Revista Criação & Crítica, no. 40 (December 20, 2024): 255–77. https://doi.org/10.11606/issn.1984-1124.i40p255-277.

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One of the courses for English for Specific Purposes (ESP) of the Brazilian project Language without Borders includes Literature as a specific area, which aims to teach students how to identify and understand literary genres, terminology of this area and to develop critical reading. However, there are not many studies focused on this field. Therefore, this experience report shows how the development of didact material and lesson planning can promote literary literacy through English Language Teaching. Based on the theory of Genre Pedagogy for language teaching, on reading strategies for unders

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6

Bessière, Jean. "Les genres littéraires participent de domaines: en relisant Croce, Frye et McLuhan." Interlitteraria 29, no. 1 (2024): 15–30. http://dx.doi.org/10.12697/il.2024.29.1.2.

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Literary Genres Are Parts of Fields: Reading Croce, Frye and McLuhan. Literary critics widely apply the notion of genre to literary works; the use of the notion of field is far less frequent. This application of the notion of genre is defined as a tool to code literary works and to subsume the many variants of coding under specific names – the names of genres. The notion of literary genre and its realities are relativistic; they do not succeed in accounting for literary works’ singularities and similarities. Any systematic use of literary genres in criticism ends with inconsistent views of wha

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7

Sangwa, Sixbert, and Placide Mutabazi. "The Biblical Hermeneutics: Literary Genre." Open Journal of Business Theology 01, no. 02 (2021): 7–15. https://doi.org/10.5281/zenodo.7952806.

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A literary genre is a grouping of similar literary works based on their content and structure, such as tone, attitude or subject (McLean, 2012). The Bible is a work of literature, written in a mix of different literary genres, each of which requires special attention. Since the Bible has been written many years ago, these genres would have been more familiar to old readers than they are to the contemporary reader. However, genre differences necessitate specific rules for the interpretation of any literary work, where one of the general principles is that the author's words should be interp

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8

Zajac, Peter. "Problems of Literary Genres." Human Affairs 4, no. 2 (1994): 145–60. http://dx.doi.org/10.1515/humaff-1994-040206.

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Do, Thi Cam Van. "Inter-genres in contemporary Vietnamese historical novels." Ministry of Science and Technology, Vietnam 63, no. 4 (2021): 56–59. http://dx.doi.org/10.31276/vjst.63(4).56-59.

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In the development process and social movements, the literary genres do not exist independently but have interaction with each other. Novels are capable of performing genres interaction because “the novel allows to put into it many different genres, including artistic genres (short stories, lyric poems, epics, speech plays...) and non-artistic genres (literature in daily life, rhetoric, science, religion...)”[1]. Novels with traditional writing style about contemporary Vietnamese history (prominent writers such as Nguyen Xuan Khanh, Vo Thi Hao, Nguyen Mong Giac...), the interaction among liter

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10

Lecarme-Tabone, Éliane. "Genres et genre." Littérature 191, no. 3 (2018): 5. http://dx.doi.org/10.3917/litt.191.0005.

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11

Vanetik, Natalia, Margarita Tiamanova, Genady Kogan, and Marina Litvak. "Genre Classification of Books in Russian with Stylometric Features: A Case Study." Information 15, no. 6 (2024): 340. http://dx.doi.org/10.3390/info15060340.

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Within the literary domain, genres function as fundamental organizing concepts that provide readers, publishers, and academics with a unified framework. Genres are discrete categories that are distinguished by common stylistic, thematic, and structural components. They facilitate the categorization process and improve our understanding of a wide range of literary expressions. In this paper, we introduce a new dataset for genre classification of Russian books, covering 11 literary genres. We also perform dataset evaluation for the tasks of binary and multi-class genre identification. Through ex

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12

Khafaga, Ayman F. "Intertextual Relationships in Literary Genres." International Journal of English Linguistics 10, no. 3 (2020): 177. http://dx.doi.org/10.5539/ijel.v10n3p177.

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Most contemporary playwrights acknowledge that Shakespeare&rsquo;s dramas are for use as raw material to be assimilated into contemporary mould, not to be revered strictly as untouchable museum pieces. Being the model of all dramatists, Shakespeare had a great influence on English theatre, his plays are still performed throughout the world, and all kinds of new, experimental work find inspiration in them. This paper investigates the intertextual relationships between William Shakespeare&rsquo;s King Lear (1606) and Edward Bond&rsquo;s Lear (1978). The main objective of the paper is

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13

Coleman, James Joshua. "Cultivating Genre Awareness of Speculative Genres: A Case Study of One Queer Latinx Educator’s Narrative Inquiry." Research in the Teaching of English 58, no. 3 (2024): 245–70. http://dx.doi.org/10.58680/rte2024583245.

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The recent speculative turn in literacy, English education, and other ELA-related fields has brought renewed energy for redesigning English teaching and learning through genre awareness. However, extant work on speculative genres of reading, writing, and literary study assumes that ELA teachers are prepared or, more fundamentally, aware of these genres and their unique features. Addressing this gap, this article presents a single intrinsic case of Carlos, a queer man of Color and bilingual elementary teacher, as he cultivated genre awareness through an interactive approach to genre pedagogy th

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Flowers, Adam. "Reconsidering Qur'anic Genre." Journal of Qur'anic Studies 20, no. 2 (2018): 19–46. http://dx.doi.org/10.3366/jqs.2018.0336.

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The Qur'an's employment of diverse modes of discourse is, perhaps, the text's defining literary feature. These discourses, ranging from apocalyptic, to narrative, to legal, have long been observed by Western scholars. Genre studies of the Qur'an, however, have largely stagnated, and little progress has been made beyond cursory classifications. This stagnation is particularly stunting to the study of the textual history of the Qur'an, as vital questions concerning the development of individual genres and the relationship between Qur'anic genre and the unit of the sura remain unanswered. This ar

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15

Kivistö, Sari, Erika Pihl, Katariina Kärkelä, and Isa Välimäki. "The Death and Afterlife of Literary Genres." Annales Academiae Scientiarum Fennicae, no. 1 (June 14, 2025): 96–113. https://doi.org/10.57048/aasf.156209.

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This paper explores the death and afterlife of literary genres. We ask what steps the final phase of the literary life cycle of genres, after the assumed stages of rise and peak, might include and whether that process is irreversible. The traditional biological and evolutionary models of literary history are challenged by the metaphorical understanding of generic death. We consider the differences between natural and literary forms of death, and then explore the literary transience of one specific genre, Arthurian romance, by bearing in mind that literature is a tradition-sustaining form that

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16

Aeschlimann, Sofie. "Inversionen." POEMA 2, no. 2 (April 30, 2024): 81–100. http://dx.doi.org/10.38072/2751-9821/p14.

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In her literary texts Marie Luise Kaschnitz comments and questions journalistic interviews as a literary genre and as a social practice. The poem Interview is rather a monologue or a soliloquy than a dialogue with the interviewer. This lyrical interview mixes the literary genre of the journalistic interview with others, namely the poem, the confession, and the example. The conventions which constitute the literary genres are performed and inverted at once. By this strategy of inversion, the poem does not only expose how the conventions are constitutive for literary genres, but also challenges

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17

Oripova, Gulnoza Murodilovna. "THEORETICAL FOUNDATIONS OF LYRICAL GENRES." INTERNATIONAL BULLETIN OF APPLIED SCIENCE AND TECHNOLOGY 3, no. 6 (2023): 757–60. https://doi.org/10.5281/zenodo.8049529.

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The nature of the lyric as a kind of literary gender is also reflected in its genre characteristics. The problem of genre and the classification of literary works, the main complexity aspects of determining the signs of their genre are the historical changes in literature and the research of phenomena associated with the development of genres is an important task of literary studies. The point of attempts to classify literature by genus(species)is adjacent to ancient antiquity. helps to manifest qualities. Forobius ' arguments about poetry showed aspects typical of the lyrical type, and la

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18

Nasriddinov, Dilshod. "Fantasy genre and its scientific interpretation in theoretical views." Зарубежная лингвистика и лингводидактика 1, no. 2 (2023): 56–62. http://dx.doi.org/10.47689/2181-3701-vol1-iss2-pp56-62.

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The aim of this study is to provide an academic analysis of the fantasy genre emerging in literature as a new literary term. Each country introduces new terms and literary genres into its own literature, recognizes its essence, and then tries to reconcile it with its own culture. Fantasy as a literary genre cannot be compared with its status in world literature today. This study identifies fantasy as the most important fictional genre in literature and analyzes its importance with several scientific approaches. It also examines the characteristics of the ongoing fiction and fantasy genres. The

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19

Mizzi, María. "De la esencia teatral de Don Quijote." Cervantes 41, no. 2 (2021): 187–212. http://dx.doi.org/10.3138/cervantes.41.2.187.

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This article emphasizes the relevance of drama (as a literary genre) as the driving force in Don Quixote. The characteristics of this genre are obvious, both in Don Quixote's adventures and in the formation of the main character itself. Special attention is devoted to the formation of the protagonist as an actor, and not as a madman. The approach to this analysis will be given by Gustavo Bueno's perspective on the essential, ontological features that singularize the dramatic genre and set it apart from all the other literary genres. Finally, the article points out that the mixture of the essen

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20

Zeynalova, Gulshan. "Commentary and literary treatise genres in Azerbaijani literary criticism." Philology and Art Studies, no. 02 (2023): 180. http://dx.doi.org/10.59849/2663-4368.2023.2.180.

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21

Švajlenin, Lukáš, and Beáta Pošteková. "Literárne žánre ako didaktický problém v procese vyučovania v rámci nižšieho sekundárneho vzdelávania." Studia Scientifica Facultatis Paedagogicae Universitas Catholica Ružomberok 22, no. 5 (2023): 303–9. http://dx.doi.org/10.54937/ssf.2023.22.5.303-309.

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The main subject of our paper is the problem of didactic grasping of literary genres in the process of literary education at the lower secondary level. Pupils gradually encounter genological terms within of literary education and acquire basic knowledge about the types of literary genres and their genre codes. Through the designed activities, we pursue the adoption of these hard-to-grasp, abstract, genre codes and their features through experiential learning during the educational process. In the activities, we provide the pupil with concrete tasks, with the help of which they become familiar

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22

Əflatun qızı Pirəliyeva, Elnurə. "History of the development of epistolary style: from the past to the present." SCIENTIFIC WORK 15, no. 2 (2021): 107–9. http://dx.doi.org/10.36719/2663-4619/63/107-109.

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The first example of epistolary style in world literature is Horace`s Letter to the Pisons. It has been used in the history of Azerbaijani literature in three genres of epistolary style: verse letter, literary letter and open letter. The first example of a poetic letter is in the works of G. Tabrizi in the 11th century by M.F.Akhundov. We meet withopen letters in Akhundov`s works. Open letter is a genre of literary criticsm, verse letter and literary letter are genres of literary criticism. Key words: criticism, epistolary style, verse letter, literary letter, open letter

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23

ACAR, Barış Berhem. "Weird and Eerie: Yeşil Elmalar as an Inter-Genre-Al Novel." Akademik Dil ve Edebiyat Dergisi 6, no. 2 (2022): 0. http://dx.doi.org/10.34083/akaded.1145332.

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Genre theories determine that texts no longer belong to a single genre but can be included into various genres. As the borders of genres become more indistinct, interaction between genres are observed to increase. The presence of common discursive codes of genres helps authors be freed of the limits of a single genre, which enables the same texts to be read within the scope of various genres. In addition, genre differentiations with traditional strict rules are replaced with discursive genres that can change with new invented ones according to each text. The determination of usage values of ge

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24

Hayot, Eric. "Literary History after Literary Dominance." Modern Language Quarterly 80, no. 4 (2019): 479–94. http://dx.doi.org/10.1215/00267929-7777832.

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Abstract The various pronouncements of the nation’s dissolution seem to have been premature. Literary history is still very much within the nation, especially if one considers the realm of the middle- and lowbrow, or indeed the vast swaths of genre fiction. What has changed in literary history is the position of literature itself. The discipline of literary study (whether one thinks of it as literary history or literary criticism) institutionalized itself during a period of literary dominance. Now that that dominance is over—now that the field of narrative aesthetic culture includes television

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25

Dementyev, Vadim V. "About “genres of speech and language of speech” again: what has linguistics given to genre studies?" International Journal “Speech Genres” 17, no. 1 (2022): 6–20. http://dx.doi.org/10.18500/2311-0740-2022-17-1-33-6-20.

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This is the second article in a cycle on the connection between genre studies and linguistics. The previous article discussed the question “What have genre studies given to linguistics?” This article focuses on linguistic methods used in speech genres theory: more traditional for linguistics, starting with the descriptive method and its later varieties – structural – and less traditional (component analysis, the method of immediate constituents, the generative method, the method of describing external and deep content structures, the method of semantic fields). Speech genres theory is studied

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26

Handar, Mustapha. "Los Antecedentes literarios y paremiológicos de la minificción hispanoamericana." Microtextualidades. Revista Internacional de microrrelato y minificción, no. 15 (November 29, 2024): 123–54. https://doi.org/10.31921/microtextualidades.n15a8.

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Microfiction stands out as the most hybrid literary genre; a characteristic that is not only due to the author's writing art and aesthetic touch, but also to the diversity of his origins. This research seeks to demonstrate the polygenesis of minifiction, showing that its emergence is not limited to a single literary model, as some critical voices maintained, but that it has been nourished by dissimilar influences. The micro-story is the result of the combination of features belonging to archaic, modernist and extra-literary literary genres, especially paremiological. At a methodological level,

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27

Huber, Loreta, and Evelina Jonaitytė. "Oral Narrative Genres as Communicative Dialogic Resources and their Correlation to African Short Fiction." Respectus Philologicus, no. 37(42) (April 20, 2020): 137–46. http://dx.doi.org/10.15388/respectus.2020.37.42.45.

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Oral and written storytelling traditions in Africa developed at the same time and influenced each other in many ways. In the twentieth century, the relation between the deeply rooted oral tradition and literary traditions intensified.We aim to reveal literary analysis tools that help to trace ways how oral narrative genres found reflection in African short fiction under analysis. A case study is based on two short stories by women writers, The Rain Came by Grace Ogot and The Lovers by Bessie Head. Images and symbols both, in oral and written traditions in Africa, as well as the way they evolve

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Sulaimanov, Mukhamed-Ali Usmanovich. "Genre analysis of the text in the context of structure and composition of Shakir Selim’s literary work “About Shamil Alyadin, Charyks and the Pocket Knife”." Филология: научные исследования, no. 6 (June 2021): 23–33. http://dx.doi.org/10.7256/2454-0749.2021.6.35863.

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The relevance of this article is substantiated by scantiness of research dedicated to genre analysis of the text in the context of structure and composition in Crimean Tatar literature as a whole and on the example of Shakir Selim&rsquo;s work &ldquo;About Shamil Alyadin, Charyks and the Pocket Knife&rdquo; in particular. The subject of this study is the genre analysis of the text in the context of structure and composition on the example of the indicated literary work. The goal consists in the analysis of relations between various literary-publicistic genres in the context of stru

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29

Biševac, Nemanja. "Literary genres in daily newspaper Politika." Зборник радова Филозофског факултета у Приштини 49, no. 4 (2019): 285–305. http://dx.doi.org/10.5937/zrffp49-23715.

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Gerasimova, Svetlana Anatolievna. "Genres of Denis Diderot’s Literary Works." Filologičeskie nauki. Voprosy teorii i praktiki, no. 1 (January 2023): 82–91. http://dx.doi.org/10.30853/phil20230027.

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31

Novakova, Iva, and Marion Gymnich. "Extended phraseological units and literary genres." Varia, no. 28 (July 1, 2021): 87–112. http://dx.doi.org/10.54563/lexique.624.

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The present paper is based on the assumption that the language of the novel as well as that of its various subgenres is characterized by a statistically relevant overrepresentation of certain linguistic phenomena (e.g., lexemes, key words, collocations and colligations, Siepmann, 2015, 2016). Applying state-of-the-art lexicometric methods to extract recurring polylexical units in two large corpora of contemporary French and English novels, we explore the role of phraseological motifs in distinguishing literary subgenres. Unlike traditional corpus-stylistic analyses, which frequently focus on t

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Bhagwati, Prasad. "UNDERSTANDING TZVETAN TODOROV'S CONCEPTS ABOUT POETICS AND GENRE." International Journal of Education &Applied Sciences Research 3, no. 1 (2016): 01–09. https://doi.org/10.5281/zenodo.10691659.

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<strong>Abstract</strong> <em>Tzvetan Todorov has emerged as a major thinker in humanities and social sciences over forty years. Todorov coined the term ‘narratology’ in 1969 for the scientific study of narrative. His early studies were exclusively about the theoretical dimensions of literature and narrative. In his book Genres in Discourse (1990), Todorov included an essay “The Origin of Genres” that aimed to point out different aspects of genres. Todorov begins this essay with a notion prevalent among most of the modern literary theorists. &nb

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Enríquez Aranda, María Mercedes, and Enma Mendoza García. "Los géneros literarios y la traducción. Aproximación a nuevas formas de creación literaria y traducción en tiempos de crisis." Futhark. Revista de Investigación y Cultura, no. 9 (2014): 85–120. http://dx.doi.org/10.12795/futhark.2014.i9.04.

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Toe study of literary genres plays an essential role in both the translator training and profession, as long as in his daily task the translator deals with texts exhibiting special genre conventions that are derived from specific cultural circumstances. The literary translator has to adapt himself/herself to the changes undergone by genres and it is by means of his/her ability far recreation that s/he will participate in this changing process. The result will be a translation placed within an ideal communication framework based on socially agreed rules and conventions, the translator playing a

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Bernardo Pereira, Ismael. "A CONVERGENCE OF GENRES: GOTHIC AND SCIENCE FICTION IN FRANKENSTEIN." REVISTA DE LETRAS - JUÇARA 2, no. 1 (2018): 153–67. http://dx.doi.org/10.18817/rlj.v2i1.1531.

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This article aims to analyze the novel Frankenstein, by Mary W. Shelley, from a perspective of literary genres. The work is believed to manifest both traits of the Gothic genre––due to its structure and common themes to the period it was published––and of what would in future be called the Science fiction genre. Those elements are here observed, in the novel as well as in the context of its creation. In this sense, there is a convergence of genres taking place, albeit one of them is in its nascent form: Shelley's novel antecipate a scientific interest that would be specified in later fiction,

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Alibava, U. "Women in Islamic Tamil Sathagam Literature." Shanlax International Journal of Tamil Research 6, no. 3 (2022): 11–16. http://dx.doi.org/10.34293/tamil.v6i3.4620.

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Minor Literary Genres add great value to Tamil Literature. More than 96 minor literary genres appeared and developed in Tamil. Islam also has got minor literary genres like other religions have in Tamil. There are more than 1800 Minor Islamic literary genres in Tamil strengthen Tamil Literature. ‘Sathaga illakiyam’ is one among them. A Literary work which has a poems of 100 Stanzas is called ‘Sathagam’. This article brings out rare and valuable contents related to women which are registered in more than 30 Islamic sathagam Literature in Tamil.

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Khavzhokova, Lyudmila Borisovna. "Versification as a genre-forming factor in the sonnet sequence “Faithful to Love” by M. Bemurzov." Philology. Issues of Theory and Practice 17, no. 4 (2024): 1217–22. http://dx.doi.org/10.30853/phil20240176.

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The paper addresses the problem of identifying the role of versification factors in shaping certain genres and genre forms of Adyghe poetry. The study is based on the sonnet sequence “Faithful to Love” by the Circassian poet Mukhadin Hamidovich Bemurzov (1948-2007). The study aims to determine the genre-forming functions of meter, rhyme, and stanzaic structure in a specific literary context. The study is original in that it represents the first attempt to consider the listed components of versification as dominant genre features of sonnets comprising the sonnet sequence “Faithful to Love”. As

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Aulia, Dhini, Fazri Nur Yusuf, Didi Sukyadi, and Azhar Aziz Lubis. "Literary genres in English textbooks for Senior High School." JEES (Journal of English Educators Society) 9, no. 2 (2024): 124–33. https://doi.org/10.21070/jees.v9i2.1876.

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While the potential of literary works in English as a Foreign Language (EFL) education is often discussed, limited research exist on their integration into Indonesian senior high schools English textbooks. The present study investigates how literary genres are incorporated into English textbooks in Indonesian senior high schools by investigating (1) the literary genre described in the textbooks and (2) the tasks that describe the language skills and the literary - specific knowledge to recognize the critical role of such content in fostering students' language development, cultural and intercu

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Remele, Florian. "Theorie und Methode der Gattungsgeschichtsschreibung. Mediävistische Perspektiven." Journal of Literary Theory 15, no. 1-2 (2021): 53–80. http://dx.doi.org/10.1515/jlt-2021-2010.

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Abstract The present article proposes a methodology for writing genre history that does not proceed from »always already« existing generic norms, but rather describes the processes through which genres and their conventions emerge in the first place. Scholars in the field have long been calling for a mediation between (systematic) genre theory and the (historical) exploration of genres – i. e., generic historiography (see Lamping 2007; Neumann/Nünning 2007). So far, however, the solutions proposed have been classificatory in nature, and have mainly been concerned with taking into account the h

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Ebrahim, Ebrahim Mohammed, and Sirwan Jabar Amin. "Ahmadi Khani's epic "Mam u Zin" based on Epic Characteristics." Twejer 4, no. 1 (2021): 193–244. http://dx.doi.org/10.31918/twejer.2141.5.

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Epic is one of the oldest genres in many nations' literature and has occupied an excellent area of world literature. From birth to the middle ages, one of the first genres of literature of many nations It was epic that became the primary genre of the era from Sumerians to Greeks and Romans, and later in the middle centuries. This genre has its specific characteristics and principles that have become the genre's identity for all of the texts under this genre. These characteristics have created the basis for similarities and differences for the literary texts placed under this literary genre. Ep

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Nichols, Ryan, Justin Lynn, and Benjamin Grant Purzycki. "Toward a science of science fiction." Scientific Study of Literature 4, no. 1 (2014): 25–45. http://dx.doi.org/10.1075/ssol.4.1.02nic.

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What is a genre? What distinguishes a genre like science fiction from other genres? We convert texts to data and answer these questions by demonstrating a new method of quantitative literary analysis. We state and test directional hypotheses about contents of texts across the science fiction, mystery, and fantasy genres using psychometrically validated word categories from the Linguistic Inquiry and Word Count. We also recruit the work of traditional genre theorists in order to test humanists’ interpretations of genre. Since Darko Suvin’s theory is among the few testable definitions of science

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Kholmakhmatovich Khujaqulov, Sirojiddin. "MUKHAMMAS GENRE IN THE SECOND HALF OF THE XIX CENTURY AND THE BEGINNING OF THE XX CENTURY AND THE PRINCIPLES OF ITS EVOLUTION." Scientific Reports of Bukhara State University 5, no. 3 (2021): 41–49. http://dx.doi.org/10.52297/2181-1466/2021/5/3/4.

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Introduction. The article discusses the evolution of the mukhammas genre in the national enlightenment and jadid literature, the principles of evolution of this genre, the place of the general literary process in the system of literary genres, its new principles, theme and ideological content, examples of works of jadid and enlightened poets. Traditional and innovative features in comparative typological monograph, analytical-comparative, descriptive and critical aspects are analyzed. Methods. During this period, it is possible to observe literary processes and trends in the form of paradoxica

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Elina, Elena G. "Genre variety of literary materials on the pages of the newspaper “Saratovsky Vestnik” of the 1910s." International Journal “Speech Genres” 18, no. 2 (38) (2023): 166–74. http://dx.doi.org/10.18500/2311-0740-2023-18-2-38-166-174.

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The article deals with the newspaper genres, used for literary materials in the newspaper “Saratovsky Vestnik” (Saratov Herald) in 1910–1913. This is the time when Saratov’s newspaper culture is taking shape: the structure of the newspaper page, its layout and arrangement of materials, the link between the visual range and the genre palette. The Vestnik features the genres of newspaper advertisement, as well as chronicledocumentary articles. The preference of fact over commentary testifies to the high journalistic culture in the “Saratovsky Vestnik”. The newspaper publishes notes, feuilletons,

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Tarasova, Irina A. "“Genre”: A nomadic concept or an aesthetic universal?" International Journal “Speech Genres” 32, no. 4 (2021): 252–58. http://dx.doi.org/10.18500/2311-0740-2021-4-32-252-258.

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The article raises the problem of the metadisciplinary interpretation of the term “genre”, which can be equally well defined as a nomadic concept or as an artistic universal. The author focuses on the question of the configuration of features defining the concept of genre in philology, art history, and musicology. Taking as a basis the general aesthetic principles of genre specification – functional, thematic, and structural – the author analyzes their genre-forming potential in various artistic forms and comes to the conclusion that understanding genre as a communicative and formally meaningf

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Robinson, Douglas. "What kind of literature is a literary translation?" Target. International Journal of Translation Studies 29, no. 3 (2017): 440–63. http://dx.doi.org/10.1075/target.16064.rob.

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Abstract This paper is a kind of manifesto for a new conception of literary translation as a unique literary genre that is imitative but qualitatively different from, and not necessarily worse than, the model it imitates. It explores this possibility by first interrogating Gérard Genette’s model of literariness in Fiction and Diction – considering how literary translation as a unique genre might fit that model – and then considering what the literary translator imitates, and the relationship between translation and the novel as similar imitative genres. Key to this comparison is the novel’s ea

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Pueo, Juan Carlos. "¿Es la ópera un género literario?" Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 15-17 (February 26, 2011): 609. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.200415-1729.

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La ópera se considera comúnmente un género musical, pero su estatuto literario parece ser más bien dudoso. La intención de este artículo es poner en claro esta cuestión, tomando como referencia la teoría de los géneros literarios, la teoría teatral y la semiótica musical. La teoría literaria debe tener en cuenta la especificidad de ciertos géneros literarios cuya recepción ha sido destinada a ser acompañada por la música. Los géneros teatrales se definen por la presencia física de uno o más actores que representan sus personajes ante un público, de forma que dichos géneros pueden clasificarse

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Rustia, Charess D., Claress R. Dalleda, and Jonathan A. Sumalinog. "Effectiveness of Digital Storytelling in Teaching Literature." Cognizance Journal of Multidisciplinary Studies 3, no. 2 (2023): 83–90. http://dx.doi.org/10.47760/cognizance.2023.v03i02.005.

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This study determined the effectiveness of the Digital Storytelling (DST) in teaching literature to grade 11 students of Cantapoy National High School, Malimono, Surigao del Norte. Specifically, the level of literary competence of students during the pre-test and posttest in terms of literary comprehension and literary appreciation of three (3) different genres was assessed to determine the educational value of DST. Furthermore, it also determined the significant difference of students’ literary competence between the pretest and posttest and the significant difference in the mean gains of stu

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Gubaeva, Alina Alisherovna, and Olga Valerievna Guseva. "Traditions of Polish literary cabaret as reflected in literature and folk culture." Philology. Theory & Practice 17, no. 12 (2024): 4473–79. https://doi.org/10.30853/phil20240634.

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This study aims to ascertain the national identity of Polish literary cabaret texts and their connection to traditional Polish culture. The article examines traditional genres of Polish literature and folk culture, which have been reflected in Polish literary cabaret from the early 20th century to the present day. The novelty of the work lies in its being the first in Polish studies to provide a scientific description of Polish literary cabaret, to trace the literary origins of cabaret genres, and to demonstrate a correlation with Polish folk culture. Analysis of cabaret texts has revealed tha

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Nikitina, Natalia, and Natalia Tuliakova. "Genre Studies in Russian Literary Research: Achievements and Challenges." Interlitteraria 25, no. 2 (2020): 319–31. http://dx.doi.org/10.12697/il.2020.25.2.5.

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Genre has been one of the key categories for Russian literary studies ever since the late nineteenth century, creating a long tradition of artistic, critical and scientific interpretation. The present paper aims to outline major findings of Russian scholars in the field of genre studies and to account for current pitfalls, suggesting a solution. Russian scholars have contributed noticeably to both constructing the theory of genre in general and establishing the laws and genesis of many separate genres. Historical poetics, the Russian Formalists, Bakhtin’s school and structuralism worked out th

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Nikitina, Natalia, and Natalia Tuliakova. "Genre Studies in Russian Literary Research: Achievements and Challenges." Interlitteraria 25, no. 2 (2020): 319–31. http://dx.doi.org/10.12697/il.2020.25.2.5.

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Genre has been one of the key categories for Russian literary studies ever since the late nineteenth century, creating a long tradition of artistic, critical and scientific interpretation. The present paper aims to outline major findings of Russian scholars in the field of genre studies and to account for current pitfalls, suggesting a solution. Russian scholars have contributed noticeably to both constructing the theory of genre in general and establishing the laws and genesis of many separate genres. Historical poetics, the Russian Formalists, Bakhtin’s school and structuralism worked out th

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Shahla, HUSEYNLI. "THE PROBLEM OF FUNCTIONAL GENRE IN AZERBAIJANI FOLKLORE STUDIES." Epic studies 1, no. 33 (2024): 36–44. http://dx.doi.org/10.25587/2782-4861-2024-1-36-44.

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In this article the problem of functional genre, which is an important issue in folklore studies, is studied scientifically and theoretically. The formation of a new genre as a result of the process of deriving a genre from a genre has been brought to attention on the basis of specific texts. These genres are called functional genres and it has been considered on the basis of which specifics functionalize the genres such as “bayati”, “gerayli”, “goshma”, “temsil” and fairy tales. Thus, it was initially noted that the genre of “bayati” (quatrain) is not a specific genre, like many other genres,

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