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1
Furtado, Thais Helena. "A ESCRITA É NUDEZ: as histórias de Isabel Soares." Revista Observatório 4, no. 6 (October 8, 2018): 141–59. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n6p141.
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As línguas germânicas investigadas por Isabel Soares em sua graduação deram lugar, no mestrado e no doutorado, aos estudos anglo-portugueses. Professora do Instituto Superior de Ciências Sociais e Políticas da Universidade de Lisboa, é autora de dois livros que chama de “pseudoficcionais” por terem “um fundo autobiográfico”. Seu interesse por autores do “jornalismo não convencional” fez com que se aproximasse do jornalismo literário, tanto que, em 2016, foi eleita presidente da International Association for Literary Journalism Studies (IALJS). Ela se define como portuguesa com raízes alemãs. Hoje, sua experiência como pesquisadora, amante das línguas, das viagens e da escrita tem contribuído para dar visibilidade aos estudos em jornalismo literário português.
PALAVRAS-CHAVE: Isabel Soares; jornalismo literário; Association for Literary Journalism Studies; crônica; blogs de viagem.
ABSTRACT
The Germanic languages investigated by Isabel Soares as an undergraduate student gave way to the Anglo-Portuguese studies she developed as a Master’s and PhD candidate. Now a Professor at the Institute of Social and Political Sciences at the University of Lisbon, she is also the author of two books which she calls “pseudofictional”, because they have an “autobiographical foundation”. Her interest on authors connected to the “unconventional journalism” has brought her closer to literary journalism, so much so that, in 2016, she was elected president of the International Association for Literary Journalism Studies (IALJS). She defines herself as Portuguese with German roots. Today, her experience as a researcher, lover of languages, travels and writing contributes to making the studies on Portuguese literary journalism more visible.
KEYWORDS: Isabel Soares; literary journalism; Association for Literary Journalism Studies; chronicle; travel blogs.
RESUMEN
Las investigaciones en lenguas germánica del grado de Isabel Soares dieron paso, en su maestría y en su doctorado, a los estudios angloportugueses. Profesora del Instituto Superior de Ciencias Sociales y Políticas de la Universidad de Lisboa, es autora de dos libros que llama “pseudoficcionales” por su “trasfondo autobiográfico”. Su interés por autores del “periodismo no convencional” hizo con que se acercara al periodismo literario y que se eligiera, en el 2016, presidenta de la International Association for Literary Journalism Studies (IALJS). Soares se define como una portuguesa con raíces alemanas. Hoy, su experiencia como investigadora, amante de los idiomas, de los viajes y de la escrita ha contribuido para que se dé visibilidad a los estudios en periodismo literario portugués.
PALABRAS CLAVE: Isabel Soares; periodismo literario; Association for Literary Journalism Studies; cronica; blogs de viaje.
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Hanitzsch, Thomas. "Journalism Research in Germany: Origins, theoretical innovations and future outlook." Brazilian Journalism Research 2, no. 1 (June 30, 2006): 39–53. http://dx.doi.org/10.25200/bjr.v2n1.2006.66.
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In Germany, the study of journalism has a long tradition. Löff elholz (2004b) identifi ed the work of the writer and literary historian Robert Eduard Prutz (1816-1872) as being the ancestor of journalism theory. In 1845, long before the establishment of newspaper studies (“Zeitungskunde”) as a fi eld of research, Prutz published “The History of German Journalism.” In later years the theoretical study of journalism was dominated by normative approaches, which continued for many decades. The belief that journalistic talent, similar to artistic talent, lies in the personality of the journalist (see Dovifat 1962) endured well into the 1970’s. At this time the scholarly discussion was mainly centered on the journalist as an individual who could barley live up to the normative expectations placed on news people. The result was a long-lasting (into the 1990s) array of often romantic demands on journalists which they could hardly fulfi ll.
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Hornmoen, Harald. "Constructing Karl Popper." Nordicom Review 27, no. 2 (November 1, 2006): 169–84. http://dx.doi.org/10.1515/nor-2017-0237.
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AbstractIn the US, a new generation of science journalists are employing narrative techniques in their writing. What are the characteristics of this journalism? Why does it employ narrative techniques?This article attempts to give some answers to these questions by drawing on studies of science and the media. I argue that literary science journalism is predominantly cast in a characteristic semi-narrative, coinciding with what has been regarded as the main aim of this journalism: a skilled translation of abstract knowledge assumed to have been developed by scientist sources.In a comparative analysis of profiles of scientists written by the journalist John Horgan, I contrast his texts as they first appeared in the magazine Scientific American with later versions in his book The End of Science. The analysis sheds some light on how the different media provide different frames for the journalist’s literary portrayals of the scientists as well as different possibilities with regard to expressing a subjective and critical view on their scientific achievements.
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Soares, Isabel. "NORMAN SIMS: O “gentleman” amante da natureza e do jornalismo literário." Revista Observatório 4, no. 6 (October 8, 2018): 43–68. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n6p43.
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Norman Sims foi o primeiro palestrante principal das conferências da International Association for Literary Journalism Studies. Tido como um dos maiores especialistas sobre jornalismo literário, é um nome basilar no que toca esse gênero. Porém, é também um homem multifacetado com uma paixão pela canoagem e pela escrita sobre a história da canoa no continente norte-americano. O seu legado tem influenciado várias gerações de pesquisadores e acadêmicos que se dedicam ao jornalismo literário, também denominado jornalismo narrativo.
PALAVRAS-CHAVE: Norman Sims; jornalismo literário, jornalismo, IALJS, Estados Unidos.
ABSTRACT
Norman Sims was the first keynote speaker of the conferences held by the International Association for Literary Journalism Studies. Renowned as one of the greatest specialists in literary journalism, his is an inescapable name when it comes to that journalistic genre. He is also a man of multiple interests with a passion for canoeing and a writer about the history of North-American canoes. His legacy has influenced many generations of researchers and academics dedicated to the study of literary journalism, also known as narrative journalism.
KEYWORDS: Norman Sims; literary journalism; journalism; IALJS, United States of America.
RESUMEN
Norman Sims fue el primer orador principal de las conferencias celebradas por la Asociación Internacional de Estudios de Periodismo Literario. Reconocido como uno de los mejores especialistas en periodismo literario, el suyo es un nombre ineludible en lo que respecta a ese género periodístico. También es un hombre de múltiples intereses con una pasión por el piragüismo y un escritor sobre la historia de las canoas norteamericanas. Su legado ha influido en muchas generaciones de investigadores y académicos dedicados al estudio del periodismo literario, también conocido como periodismo narrativo.
PALABRAS CLAVE: Norman Sims; periodismo literario; periodismo; IALJS, Estados Unidos.
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Osório Vargas, Raúl. "Reportage: Methodology Of Literary Journalism." Brazilian Journalism Research 14, no. 3 (December 28, 2018): 720–39. http://dx.doi.org/10.25200/bjr.v14n3.2018.1124.
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I sustain in my book El reportaje como metodologia del periodismo: una polifonia de saberes (Reportage as the methodology of journalism: polyphony of knowledge), (Osorio, 2017), that journalism leads, guides, interprets, explains, teaches and above all deeply tries to understand the world and its running; thus its essence is freedom of thought, expression and social dialogue or conversation to set in place and to enhance consensus and democratic participation. In this process, journalism shows and enlightens ways (methods) through reportage, which has been very much so studied as a journalist genre around the world; countless books and articles have been published about it and several universities have granted PhD titles for theses written about it. The North American and European bibliography on it is abundant - which has been taken in consideration at this research - and widely known; but little is known of what has been done in our South American continent. Therefore, in this book I put in perspective two major examples: Brazil and Colombia. Nevertheless, I must emphasize that when this subject is addressed, it is done so through the lens of journalistic genres, but not under the dimension of the methodology of journalism, which has been away from the eyes of theoreticians, scholars and researchers. In this sense, my book is an epistemological turn, as it is innovative and pioneer for contributing with another vision, which studies, analyses and proposes reportage as the methodology of journalism, by presenting some findings and by opening new theoretical perspectives in literary journalism.No meu livro A reportagem como como metodologia do jornalismo. Uma polifonia de saberes (Osorio, 2017), sustento que o jornalismo orienta, guia, interpreta, explica, ensina e acima de tudo tenta compreender em profundidade o mundo e suas ações; por isso sua essência é a liberdade de pensamento, de expressão e de diálogo social ou conversação para pôr em comum e fortalecer o consenso e a participação democrática. Nesse processo, o jornalismo mostra e ilumina caminhos (métodos) através da reportagem, que em todo o mundo tem sido amplamente estudada como gênero jornalístico; e em torno dela tem-se publicado numerosos livros e artigos, e em diversas universidades foram concedidos títulos de doutorado por teses feitas sobre o tema. A bibliografia europeia e americana que tratam o assunto é abundante – e que tive em conta para esta pesquisa –, é de conhecimento geral; mas o que é produzido em nosso próprio continente é desconhecido. Por isso, nesse livro, concentrei-me em dois exemplos importantes: o que foi feito no Brasil e na Colômbia. No entanto, devo reiterar que, quando o tema proposto é abordado, se faz desde a ótica dos gêneros jornalísticos, mas não sob a dimensão da metodologia do jornalismo, que tem estado oculta as miradas dos estudiosos, teóricos e acadêmicos. Neste sentido, o meu livro constitui um giro epistemológico, pois é inovador e pioneiro ao contribuir com outra visão, que estuda, analisa e propõe a reportagem como metodologia do jornalismo, ao mostrar algumas descobertas e abrir novas perspectivas sobre as teorias do jornalismo literário.En mi libro El reportaje como metodología del periodismo. Una polifonía de saberes (Osorio, 2017), sostengo que el periodismo orienta, guía, interpreta, explica, enseña y sobre todo intenta comprender en profundidad el mundo y su accionar; por eso su esencia es la libertad de pensamiento, de expresión y de diálogo social o conversación para poner en común y fortalecer el consenso y la participación democrática. En ese proceso, el periodismo muestra e ilumina caminos (métodos) a través del reportaje, que en todo el mundo ha sido muy estudiado como género periodístico; en torno a él se han publicado numerosos libros y artículos, y en diversas universidades se han otorgado títulos de doctorado por tesis realizadas sobre el tema. La bibliografía europea y estadounidense al respecto, que es abundante – y que he tenido en cuenta para esta investigación –, es de conocimiento general; pero se desconoce lo producido en nuestro propio continente. Por eso en ese libro me centré en dos ejemplos importantes: lo hecho en Brasil y en Colombia. Sin embargo, debo reiterar que cuando se aborda el tema propuesto, se hace desde la óptica de los géneros periodísticos, pero no bajo la dimensión de la metodología del periodismo, que ha estado oculta a las miradas de estudiosos, teóricos y académicos. En este sentido, mi libro constituye un giro epistemológico, pues es novedoso y pionero al contribuir con otra visión, que estudia, analiza y propone el reportaje como metodología del periodismo, al mostrar algunos hallazgos y al abrir nuevas perspectivas sobre las teorías del periodismo literario.
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Dauncey, Hugh, and Ruadhán Cooke. "‘Entre journalisme et littérature sur 7 500 signes’: Lance Armstrong and suiveur reporting in Libération, 1999–2013." French Cultural Studies 31, no. 3 (March 20, 2020): 185–98. http://dx.doi.org/10.1177/0957155819877615.
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As national institution and site of memory for France for over a century, the Tour de France is a privileged locus for investigating the interactions between sport and cultural meaning. Literary journalism chronicling the race has a long history of representing the multiple meanings and dimensions of physical performance, particularly of heroic champions, in the Tour. During the late twentieth and early twenty-first centuries the Tour itself and French culture more widely were destabilised by the ambiguous hero Lance Armstrong, and, in a context of guarded reporting on the facts of doping, literary journalism was able to give a creative account of complex sporting performances. This article examines the journalism of Jean-Louis Le Touzet in Libération as an example of suiveur reporting in the tradition of Antoine Blondin, and shows how the freedom of literary journalism allows Le Touzet to accurately reflect academic perspectives on Armstrong, politics, culture and sport.
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Bak, John S. "A Reporter Without Borders: Tennessee Williams’s Literary ‘War’ Journalism, 1928." Cadernos de Literatura Comparada, no. 44 (2021): 51–71. http://dx.doi.org/10.21747/2183-2242/cad44a3.
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Drawing on the discipline of border studies, the article examines the epistemological dilemmas with travelogues per literary journalism studies, given that they involve the simultaneous crossing of both physical (geopolitical frontiers) and conceptual (textual/genetic) borders. The article uses as its case study a travelogue written by American playwright Tennessee Williams during his Grand Tour through Europe in 1928 when he was just seventeen. A rare example of the playwright’s flirtation with the genre of literary journalism at a time when objective journalism was establishing itself as the newsprint norm, the travelogue – published in ten installments in his high school newspaper in the months following the trip – offers a first glimpse in Williams scholarship not only into the playwright’s artistic future but also his struggle with distancing factual from fictional representation. Read against his early letters and late memoirs that describe essentially the same content as the travel pieces, the article makes use of border studies methodologies to help negotiate the delicate divide that separates verifiable fact from allowable fiction in literary journalism.
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Orzoff, Andrea. "“The Literary Organ of Politics”: Tomáš Masaryk and Political Journalism, 1925-1929." Slavic Review 63, no. 2 (2004): 275–300. http://dx.doi.org/10.2307/3185729.
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Tomáš Masaryk, the founder and first president (1918-1935) of interwar Czechoslovakia, devoted considerable time to founding, tracking, and attempting to take over newspapers and journals. In this article, Andrea Orzoff argues that journalism possessed central importance in interwar Czechoslovak political culture. Every party had its own press apparatus, making newsrooms into logical extensions of the usual arenas of political contention. But especially for Masaryk and his longtime collaborator Eduard Beneš, newspapers were a means of communicating directly with the electorate, thus subverting or evading the constraints of parliamentary politics. Orzoff offers various examples of Masaryk's successful and unsuccessful attempts to meddle in the affairs of the interwar press. She concludes that print culture helps scholars understand interwar Czechoslovak democracy and its closeness to Austro-Hungarian political culture. Particularly, the history of interwar journalism helps clarify the activities and opinions, long mythologized, of the Czechoslovak “freelancer president.”
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Rodrííguez, Blanca. "Fronteras y literatura: El perióódico La Patria (El Paso, Texas, 1919-1925)." Mexican Studies/Estudios Mexicanos 19, no. 1 (2003): 107–25. http://dx.doi.org/10.1525/msem.2003.19.1.107.
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This essay examines the contributions of the newspaper La Patria, published in El Paso, Texas, from 1919 to 1925, to the formation of a literary culture. Based on research in the archives of the paper's founder, Silvestre Terrazas, the essay discusses the political identity of the newspaper, its production and distribution, as well as various literary and journalistic genres given voice in the paper. The author also assesses the role of the Mexican press in the United States in establishing the foundation for the Spanish literary boom on both sides of the border. The study also attempts to rescue Mexican journalism born beyond our border. Sustentado en el archivo de Silvestre Terrazas y en el perióódico La Patria, este ensayo examina principalmente sus contribuciones a la formacióón de una cultura literaria. Se ofrece una semblanza de su filiacióón políítica y datos sobre su produccióón y distribucióón; informa sobre la difusióón de algunos gééneros literarios y periodíísticos para concluir con una valoracióón de la prensa mexicana en los Estados Unidos, que sentóó algunas bases para el auge literario en españñol en ambas fronteras.
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Nery, Isabel. "ALICE TRINDADE: a pioneira do jornalismo literário lusófono." Revista Observatório 4, no. 6 (October 8, 2018): 117–40. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n6p117.
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Professora de Língua e Cultura inglesa em Portugal, Alice Trindade, mais interessada em estudar a realidade do que a ficção, começa a dedicar-se ao jornalismo literário pelo prazer dos textos. Mas tudo muda depois de um encontro da Associação Internacional de Estudos de Jornalismo Literário (IALJS). Apoiada por John Hartsock, que procurava novas vozes, dá início a um percurso até aí inesperado. Torna-se a primeira mulher presidente da IALJS e dá um impulso inédito ao jornalismo literário lusófono. O seu percurso irá fundir-se com um novo fôlego dado à área, até aqui menosprezada pela academia portuguesa. A investigadora é hoje vice-presidente do Instituto Superior de Ciências Sociais e Políticas (ISCSP), em Lisboa, que aposta no jornalismo literário como caminho para a internacionalização.
PALAVRAS-CHAVE: Jornalismo Literário; Jornalismo literário lusófono; Narrativa de Não Ficção; Lusofonia.
ABSTRACT
Professor of English Language and Culture in Portugal, Alice Trindade, more interested in studying reality than fiction, begins to dedicate herself to literary journalism for the pleasure of the texts. But everything changes after a meeting of the International Association of Literary Journalism Studies (IALJS). Supported by John Hartsock, who was looking for new voices, he began an unexpected journey. She becomes the first woman president of IALJS and gives an unprecedented impulse to the literary journalism lusófono. Your course will merge with a new breath given to the area, hitherto overlooked by the Portuguese academy. The researcher is now vice-president of the Higher Institute of Social and Political Sciences (ISCSP) in Lisbon, which focuses on literary journalism as a path to internationalization.
KEYWORDS: Literary Journalism; Lusophone literary journalism; Nonfiction Narrative; Lusophony.
RESUMEN
Profesor de idiomas Inglés y Cultura en Portugal, Alice Trinidad, más interesados en el estudio de la realidad supera a la ficción, comienza a dedicarse al periodismo literario por el bien de los textos. Pero todo cambia después de un encuentro de la Asociación Internacional de Estudios de Periodismo Literario (IALJS). Apoyado por John Hartsock, que buscaba nuevas voces, da inicio a un recorrido hasta allí inesperado. Se convierte en la primera mujer presidenta de la IALJS y da un impulso inédito al periodismo literario lusófono. La tubería se fusionará con un nuevo impulso dado a la zona hasta ahora pasado por alto por las instalaciones portugués. El investigador es ahora vicepresidente del Instituto de Ciencias Sociales y Políticas (ISCSP) en Lisboa, que se centra en el periodismo literario como camino hacia la internacionalización.
PALABRAS CLAVE: Periodismo Literario; Periodismo literario lusófono; Narrativa de No Ficción; Mundo de habla portuguesa.
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Pinsker. "Coffeehouses, Journalism, and the Rise of Modern Jewish Literary Culture." Prooftexts 38, no. 2 (2020): 369. http://dx.doi.org/10.2979/prooftexts.38.2.08.
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Mitchell, Sally. "VICTORIAN JOURNALISM IN PLENTY." Victorian Literature and Culture 37, no. 1 (March 2009): 311–21. http://dx.doi.org/10.1017/s1060150309090202.
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Although theOED's first citationfor “journalism” is dated 1833 (it comes fromWestminster Review), the current dramatic expansion of digital resources suggests that scholarly use of Victorian journals may be reaching a point of transition. In addition, the number, variety, breadth, and depth of recent studies, most of them finished before the new materials went online, is truly remarkable.
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Salmon, Richard. "Signs of Intimacy: The Literary Celebrity in the “Age of Interviewing”." Victorian Literature and Culture 25, no. 1 (1997): 159–77. http://dx.doi.org/10.1017/s106015030000468x.
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In his project for the tale “The Death of The Lion” (1894), Henry James envisaged the mythical, and distinctively modern, fate of the artist as celebrity. Besieged by journalists, lionizers, and autograph-hunters, the celebrated writer is subjected to a voracious desire for knowledge concerning his life, whilst, conversely, the work, upon which his literary fame supposedly rests, is neglected. The work of the author is displaced from its position as the privileged object of literary interpretation by a proliferation of new cultural practices which construe the “life” as a more vital source of meaning. Through such media as advertising, journalism and photography, authors, like the texts which they produce, are marketed as commodities, as products to be circulated and consumed.
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Martínez, María-Ángeles. "-ING suplementive clauses and discourse prominence in literary journalism." Journal of English Studies 13 (December 15, 2015): 83. http://dx.doi.org/10.18172/jes.2809.
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This study explores the role of –ing supplementive clauses as markers of discourse prominence in literary journalism. These apparently minor linguistic units - “Using them as cups, they sip the filthy water” (Time,14 January 2013: 18) - stubbornly resist sentence-level syntactic and semantic description (Hengenveld 1997; Greenbaum and Quirk 2007; Huddleston and Pullum 2007: 207; Biber et al. 2010: 829). However, suprasentential studies within a cognitive-functional paradigm suggest that phenomena such as profiling (Verhaert 2006) and discourse prominence (Martínez 2012) may be crucial to their understanding. In the analysis, based on a collection of reportages from the American journal Time, these constructions actually seem to be frequently attached to the most prominent discourse entities, and to often combine with one another in the highlighting of sequences of logically connected events and situations. This indicates that they might intervene in referential and focus management in discourse.
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Francescato, Simone. "The International Dimension of “The Death of the Lion”." Humanities 10, no. 2 (March 26, 2021): 60. http://dx.doi.org/10.3390/h10020060.
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This essay reconsiders some critically established ‘germs’ for Henry James’s “The Death of the Lion” (1894), traced back to the 1893 demise of Guy de Maupassant and to the latter’s only visit to England in the summer of 1886. On that occasion, Maupassant was ‘chaperoned’ by his American friend Blanche Roosevelt, a well-known literary journalist in the London and Paris circles. The unexplored connection with Roosevelt invites a new reading which gives prominence to the American woman character in the tale (Fanny Hurter) and unveils an international subtheme within it. In light of such a reading, as well as of authoritative studies which have analyzed “The Death of the Lion” against the rise of modern literary journalism, I will also re-examine the role of the first-person narrator, an unnamed ‘repented’ literary journalist, in thwarting the possible relation between Neil Paraday and his American admirer.
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Jones, Margaret. "Personal Reflections." Media International Australia 99, no. 1 (May 2001): 59–66. http://dx.doi.org/10.1177/1329878x0109900109.
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Margaret Jones, a former foreign editor and literary editor of the Sydney Morning Herald. writes about her early years in journalism and her experiences as a foreign correspondent in Europe, North America and China.
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Dubbelboer, Marieke. "‘Nothing ruins writers like journalism’: Colette, the press and belle époque literary life." French Cultural Studies 26, no. 1 (February 2015): 32–44. http://dx.doi.org/10.1177/0957155814554526.
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Pllana, Mimoza Hasani. "Linguistic Forms and Text Functions." Academic Journal of Interdisciplinary Studies 9, no. 3 (May 10, 2020): 141. http://dx.doi.org/10.36941/ajis-2020-0049.
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Discussions and efforts to separate forms of literary and non-literary texts date from the ancient times, through the works of Plato and Aristotle. In-depth studies are included in Aristotle's Poetics and Rhetoric work. Discussions of this nature continue to exist today, mainly related to language as the most powerful tool for literature, but also for other areas related to literature, such as philosophy, history, journalism and other sciences etc. In this paper we carry out an interdisciplinary research based on theories and practices of literary theory and linguistic, media and cultural research. Our work is based on the comparative methodology through which we research distinctions of a literary text from a non-literary one. Further research queries include defining aesthetic criteria or value, structure, style and other particular elements that distinguish and approximate these types of texts, and also how do we distinguish a literary text from a text that belongs to journalism, history and science spectres.
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Rabinovich, Irene. "Rosa Sonneschein’s Fin-the-Siècle Fiction: The Clashing Worlds of Zionism, Reform Judaism, Feminism and Conformity." American, British and Canadian Studies 34, no. 1 (June 1, 2020): 147–66. http://dx.doi.org/10.2478/abcsj-2020-0009.
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AbstractRosa Sonneschein (1847–1932) was an important figure in late nineteenth-century American journalism, activism, and fiction. While a few brief studies were dedicated to her biography and to her role as a Jewish social activist, editor, and contributor to The American Jewess, no critical work has been devoted as yet to her literary production. The aim of this essay is to rectify this critical neglect by examining Sonneschein’s wide literary opus and by investigating its connection, if any, to the views she expressed as a journalist and a public speaker. This essay will explore Sonneschein’s threefold literary oeuvre, consisting of the following genres: Jewish fiction, non-Jewish fiction, and literary sketches. It will also try to explicate Rosa’s often conflicting stance with regard to Judaism, feminism, and Zionism, a standpoint which should be examined in the context of the fin-the-siècle’s turbulent changes American society had to cope with, especially pertaining to massive immigration, religious and social reforms, suffrage and temperance movements, etc.
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Cadwallader, Robin L. "Rebecca Harding Davis: Preserving History through the Art of Literary Journalism." Women's Studies 49, no. 7 (October 2, 2020): 719–35. http://dx.doi.org/10.1080/00497878.2020.1804906.
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Paiva, Leila Piovesan Garcia, Lilian Martins, and Monica Martinez. "O FUTURO DO JORNALISMO LITERÁRIO: John S. Bak." Revista Observatório 4, no. 6 (October 8, 2018): 86–116. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n6p86.
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Perfilar um dos estudiosos contemporâneos mais expressivos do Jornalismo Literário mundial é o casamento perfeito entre a responsabilidade e o desafio profissional. John Steven Bak é um homem complexo, como todo ser humano, mas de intrigante e singular personalidade. Estadunidense radicado na França há 20 anos, o professor de Literatura Americana na Universidade de Lorraine (FR) integra o grupo de pesquisadores do Centro de Pesquisas Interdisciplinares de Estudos Ingleses (I.D.E.A), tem pós-doutorado pela Universidade de Sorborne (FR), é doutor e mestre pela Ball State University (EUA) e bacharel em Literatura Americana, Britânica, Retórica e Escrita pela Universidade de Illinois (EUA). Estudioso de literatura, drama e teatro americanos, tem como principal foco de pesquisa a vida e as obras de Tennessee Williams. Há 13 anos retomou sua paixão pelo Jornalismo Literário ao fundar a Associação Internacional de Estudos em Jornalismo Literário (IALJS), por onde vem desenvolvendo inúmeros projetos. Mas Bak também é amigo e pai. E estes últimos talvez sejam os títulos que mais lhe deem orgulho. As três autoras deste texto não pouparam esforços para traduzi-lo em linhas digitais. Uma aventura marcada por encontros, pesquisas e bate-papos, mas que apesar de não dar conta de quem ele é – se é que alguma obra o dará –, promete, ao menos, trazer à luz mundana um pedaço da magia humana, vida e obra deste inspirado cientista social.
PALAVRAS-CHAVE: John S. Bak; Jornalismo Literário; Associação Internacional de Estudos em Jornalismo Literário; IALJS; Tennessee Williams.
ABSTRACT
Outlining one of the most expressive contemporary scholars of Literary Journalism Studies is the perfect match between responsibility and professional challenge. John Steven Bak is a complex man, as every human being, but has an intriguing and unique personality. An American settled in France for the last 20 years, the professor of Literature at the University of Lorraine (FR) is a researcher at the Center for Interdisciplinary Research in English Studies (IDEA), has a postdoctoral degree from the University of Sorborne (FR), holds a PhD and a master degree from Ball State University (USA) and is graduated in American, British, Rhetoric and Written Literature from the University of Illinois (USA). A scholar of American literature, drama, and theater, his main focus is research on the life and works of Tennessee Williams. Thirteen years ago he returned to his passion for Literary Journalism by founding the International Association of Studies in Literary Journalism (IALJS), where he has been developing many projects. But Bak is also a friend and father. And the latter may be the proudest titles he holds. The three authors of this text spared no efforts to translate all his talents into this text. An literary journalism adventure marked by encounters, researches and chats, but despite not fully accomplished detect who he is – if any work will do – this life story promises, at least, to bring to the mundane light a piece of the human magic, life and work of this inspired social scientist.
KEYWORDS: John S. Bak; Literary Journalism; International Association for Literary Journalism Studies; IALJS; Tennessee Williams.
RESUMEN
Perfilar uno de los estudiosos contemporáneos más expresivos del periodismo literario mundial es el matrimonio perfecto entre la responsabilidad y el desafío profesional. John Steven Bak es un hombre complejo, como todo ser humano, pero de intrigante y singular personalidad. El profesor de Literatura en la Universidad de Lorraine (FR), que se encuentra en Francia desde hace 20 años, ha participado en el grupo de investigadores del Centro de Investigaciones Interdisciplinarias de Estudios Británicos (IDEA), posdoctorado por la Universidad de Sorborne (FR) y maestro por la Ball State University (EE.UU.) y bachiller en Literatura Americana, Británica, Retórica y escrita por la Universidad de Illinois (EE.UU.). Estudiante de literatura, drama y teatro estadounidenses, tiene como principal foco de investigación la vida y las obras de Tennessee Williams. Hace 13 años retomó su pasión por el Periodismo Literario al fundar la Asociación Internacional de Estudios en Periodismo Literario (IALJS), por donde viene desarrollando innumerables proyectos. Pero Bak también es amigo y padre. Y estos últimos tal vez sean los títulos que más le den orgullo. Las tres autoras de este texto no ahorraron esfuerzos para traducirlo en líneas digitales. Una aventura marcada por encuentros, investigaciones y charlas, pero que a pesar de no dar cuenta de quién es - si es que alguna obra lo dará -, promete, al menos, traer a la luz mundana un pedazo de la magia humana, vida y obra de este inspirado científico social.
PALABRAS CLAVE: John S. Bak; Periodismo Literario; Asociación Internacional de Estudios en Periodismo Literario; IALJS; Tennessee Williams.
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Frawley, Maria. "Harriet martineau, health, and journalism." Women's Writing 9, no. 3 (October 1, 2002): 433–44. http://dx.doi.org/10.1080/09699080200200246.
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Plass, Ulrich. "Journalism, Television, Poetry: Rainald Goetz's1989." Germanic Review: Literature, Culture, Theory 81, no. 3 (May 2006): 202–20. http://dx.doi.org/10.3200/gerr.81.3.202-220.
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Hartsock, John C. "“Literary Journalism” as an Epistemological Moving Object within a Larger “Quantum” Narrative." Journal of Communication Inquiry 23, no. 4 (October 1999): 432–47. http://dx.doi.org/10.1177/0196859999023004008.
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Lyapina, A. V. "F. M. Dostoevsky in the Feature Story of G. A. Vyatkin." Vestnik NSU. Series: History and Philology 20, no. 6 (August 11, 2021): 35–44. http://dx.doi.org/10.25205/1818-7919-2021-20-6-35-44.
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Purpose. The purpose of the article is to find a suitable approach for the reconstruction of the creative biography of F. M. Dostoevsky presented in the opinion journalism of the Siberian poet, journalist, and publicist G. A. Vyatkin.Results. This article is the first noticeable contribution proposed in studying opinion journalism of the Siberian poet and journalist G. A. Vyatkin about F. M. Dostoevsky. It considers Vyatkin’s works in the context of tragic events in Russian history of the 1910–1920 years. This perspective is especially meaningful and beneficial in the light of the fact that Dostoevsky was almost unknown to the soviet society until the 1970s. His works were not a part of a school or university educational program.Conclusion. The article concludes by arguing that Vyatkin was one of the first to tell about Dostoevsky’s exile and hard life in the prison camp, about his compassion and worry for people. He recalled many forgotten facts of Dostoevsky’s biography, found and published quotes from official documents and literary critics.
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Demeneck, Ben-Hur. "GUSTAVO DE CASTRO: em busca do poema-reportagem." Revista Observatório 4, no. 6 (October 8, 2018): 216–36. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n6p216.
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Gustavo de Castro dedica sua trajetória acadêmica a incorporar a poesia na Comunicação e no Jornalismo. Professor de Estética na UnB (Universidade de Brasília), é autor de mais de uma dezena de livros; parte deles como poeta, parte como acadêmico, trabalhos que aproximam o Jornalismo da literatura. Em 2002, organizou com Alex Galeno Jornalismo e Literatura: a sedução da palavra, mas foi com Jornalismo Literário: uma introdução (2010) e O enigma Orides (2015) que pensou e praticou o Jornalismo Literário propriamente dito. A contribuição de Gustavo de Castro ao Jornalismo Literário pode ser reconhecida por seu projeto de considerar a poesia como possibilidade de apuro (e mesmo extrapolação) da técnica narrativa aplicada ao Jornalismo e, em segundo lugar, como ética comunicacional, a partir de sua vocação em educar o olhar e os afetos.
PALAVRAS-CHAVE: Gustavo de Castro; Jornalismo Literário; Poesia.
ABSTRACT
Gustavo de Castro dedicates his academic trajectory to incorporate poetry in Communication and Journalism studies. Professor of Aesthetics at UnB (University of Brasília), author of more than a dozen books; part of them as a poet, part as an academic that brings journalism closer to literature. In 2002, he organized with Jornalismo e Literatura: a sedução da palavra with Alex Galeno, but it was with Jornalismo Literário: uma introdução (2010) and O enigma Orides (2015) that thought and practiced Literary Journalism itself. The contribution of Gustavo de Castro to Literary Journalism can be recognized by his project of considering poetry as a possibility of apprehending (and even extrapolating) the narrative technique applied to journalism and, secondly, as a communicational ethic, based on his vocation in educating the look and the affections.
KEYWORDS: Gustavo de Castro; Literary Journalism; Poetry.
RESUMEN
Gustavo de Castro dedica su trayectoria académica a incorporar la poesía en la Comunicación y el Periodismo. Profesor de Estetica en la UnB (Universidad de Brasilia), es autor de más de una docena de libros; parte de ellos como poeta, parte como académico que acerca al periodismo de la literatura. En 2002, organizó con Alex Galeno Jornalismo e Literatura: a sedução da palavra, pero fue con Jornalismo Literário: uma introdução (2010) y O enigma Orides (2015) que pensó y practicó el periodismo literario propiamente dicho. La contribución de Gustavo de Castro al Periodismo Literario puede ser reconocida por su proyecto de considerar la poesía como posibilidad de apuro (e incluso extrapolación) de la técnica narrativa aplicada al periodismo y, en segundo lugar, como ética comunicacional, a partir de su vocación en educar la mirada y los afectos.
PALABRAS CLAVE: Gustavo de Castro; Periodismo Literario; Poesía.
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Macleod, Jock. "Reviewing Value: Literary Journalism and Advanced Liberalism at the Turn of the Century." Nineteenth-Century Contexts 31, no. 4 (December 2009): 353–71. http://dx.doi.org/10.1080/08905490903445528.
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ROBIN L. CADWALLADER. "Ida M. Tarbell’s “Women in Journalism”." Legacy 27, no. 2 (2010): 412. http://dx.doi.org/10.5250/legacy.27.2.0412.
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King, Andrew. "THE SYMPATHETIC INDIVIDUALIST: OUIDA'S LATE WORK AND POLITICS." Victorian Literature and Culture 39, no. 2 (May 18, 2011): 563–79. http://dx.doi.org/10.1017/s1060150311000143.
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For many years, the novels of Ouida (Maria Louise Ramé, 1839–1908), were rejected as offering nothing but commercially valuable “voluptuous daydreams” (Leavis 164) that catered to “the degenerate taste of the new reading public of the commercial middle class” (Elwin 282). Since the late 1980s, however, they have been read with renewed interest. Ouida has come to be recognised as a “forgotten mother” of the 1890s aesthetic movement (Schaffer, Female Aesthetes and “Origins”); as a significant player on the anti–feminist side in the New Woman debates of the 1890s (Gilbert); and, with seeming paradox, as a writer keen to explore sexual transgression (Jordan “Writings” and “Enigma”; Schroeder “Feminine”). While there has been a recent monograph on Ouida's fiction (Schroeder and Holt), her journalism remains largely ignored. In 1882, Ouida began to write literary criticism together with analyses and commentaries on the politics of the state and the organisation of society for several journals, including the Gentleman's Magazine, the Fortnightly Review, the Westminster Review, the North American Review and the Italian Nuova Antologia. This article examines Ouida's late journalism, with some adversion to her late fiction, in an attempt to establish her core set of political values at this time.
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Thatcher, Ian D. "Leon Trotsky in New York City." Historical Research 69, no. 169 (June 1, 1996): 166–80. http://dx.doi.org/10.1111/j.1468-2281.1996.tb01849.x.
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Abstract The last three months of Leon Trotsky's emigration from tsarist Russia were spent in New York. However, apart from reference to the views he held on events in his homeland, biographers have thus far ignored other aspects of his literary activities of that time. Basing itself upon the Russian émigré journals produced in New York, this article reports the full range of Trotsky's journalism of January to March 1917. It shows, for example, how Trotsky entered the fray of American socialist politics with categories he had developed during the previous three years in Europe, and how he attempted to encourage others to keep America out of the war.
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Noe, Jennifer. "Case studies and pervasive instruction." Reference Services Review 43, no. 4 (November 9, 2015): 706–21. http://dx.doi.org/10.1108/rsr-04-2015-0023.
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Purpose – The purpose of this paper is to explore whether journalism education techniques can be adapted for use in the information literacy classroom as a means of teaching the ethical use of information. Design – The author uses personal experience as a journalist and graduate of journalism education programs to examine the similarities between journalism pedagogy and information literacy and whether any aspect of journalism pedagogy is transferrable to the information literacy classroom. Findings – Journalism educators deliver a potent anti-plagiarism message using case studies and “war stories” from the newsroom delivered through the pervasive instruction method or stand-alone ethics class. Using case studies from a variety of different disciplines in information literacy classes could help students make a stronger connection between honest writing in all subjects. However, until information literacy is taught more widely in libraries as semester-long classes, it would be difficult to use journalism’s pervasive method of instruction. The same holds true with the stand-alone class, which does not appear to be used as a part of information literacy education. Originality/value – Given the many commonalities between journalism pedagogy and information literacy, there have been very few attempts to see whether it would be efficacious to adapt journalism education’s methodology to the information literacy classroom.
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Reid, Ian. "Fathering the Man: Journalism, Masculinity, and the Wordsworthian Formation of Academic Literary Studies in Victorian England." Journal of Victorian Culture 6, no. 2 (January 2001): 201–30. http://dx.doi.org/10.3366/jvc.2001.6.2.201.
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Moss, Eloise. "“How I Had Liked This Villain! How I Had Admired Him!”: A. J. Raffles and the Burglar as British Icon, 1898–1939." Journal of British Studies 53, no. 1 (January 2014): 136–61. http://dx.doi.org/10.1017/jbr.2013.209.
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AbstractThis article analyzes the literary, theatrical, and film versions of E. W. Hornung's fictional “gentleman” burglar Raffles produced between 1898 and 1939. It argues that the character functioned as a nexus for the articulation of a pleasure culture surrounding burglary, highlighting how approbatory and sexualized versions of burglars pervaded popular and official discourse in Britain and, through the character's commercial success, throughout Europe and America. Depictions of Raffles's triumphs over law and order invited successive audiences to vicariously test, and transgress, the legal, social, cultural, political, gendered, and economic constraints of everyday life. As newspapers labelled real-life burglars “Raffles,” both criminologists and criminals around the globe appropriated this title to refashion burglars as glamorous celebrity personae through academic texts and autobiographies. This article thus demonstrates how notions of respectable masculinity were challenged by sympathetic portrayals of burglars fostered under the “new” journalism, human interest journalism, and the true-crime genre of entertainment.
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Nabavi, Negin. "Journalism in Iran: From Mission to Profession." Iranian Studies 47, no. 2 (December 16, 2013): 353–55. http://dx.doi.org/10.1080/00210862.2013.860330.
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Díaz, Jesús. "Journalism and the Development of Spanish American Narrative." Revista de Crítica Literaria Latinoamericana 22, no. 43/44 (1996): 349. http://dx.doi.org/10.2307/4530874.
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Rzepczyński, Sławomir. "My “Littlefight” with Mierosławski." Studia Norwidiana 38, English Version (2020): 21–34. http://dx.doi.org/10.18290/sn.2020.38-2en.
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This article discusses the relations between Cyprian Norwid and General Ludwik Mierosławski, participant in national uprisings, leader of the January Uprising, and an activist in exile, presenting their personal contacts and Norwid’s opinions voiced in literary works, letters and journalism. These opinions encompass his support for democratic ideas proclaimed by the general and critical statements. While appreciating Mierosławski as a militarist and a man of action capable of implementing policies intended to transform the mindset of the Polish public to facilitate building a modern state, the poet expected that his activity would be subordinated to a superior idea, which, owing to its Christian foundations, would indicate the path to independence. He demanded that Mierosławski recognize the primacy of thought over action, that journalism be used to influence the public opinion, both in Poland and around Europe, and that measures be developed to dismantle political barriers existing within the émigré community.
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Sokolova, Olga. "On specificity of the literary-jargonizing type of speech culture in newspaper texts." Филология: научные исследования, no. 9 (September 2021): 1–11. http://dx.doi.org/10.7256/2454-0749.2021.9.36362.
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This article analyzes the newspaper texts from the perspective of specificity of manifestation of the literary jargonizing type of speech culture – one of the relevant tasks of modern speech studies, substantiated by the state of modern journalism and linguistic problems of mass media. This paper complements a range of linguistic research that determine the attributes of the types of speech culture. The object of this article is the journalistic speech of the popular weekly newspaper “Komsomolskaya Pravda”, the linguistic peculiarities of which (intentional inclusion in the texts of colloquialisms and jargon elements) are substantiated by the thematic orientation of publications. The subject of this article is the texts of articles written by the correspondent A. Meshkov in their ration with the specificity of manifestation of the markers of literary-jargonizing type of speech culture. Special attention is given to the peculiarities of creative style of the journalist, which allow tracing the goals of jargonization of the own speech. The analysis of speech culture of A. Meshkov is based on the anthropocentric approach, as well as linguostylistic, communicative and discursive methods of modern Russian studies. The conclusion is made that the literary-jargonizing type cannot have an unambiguous assessment, since it characterizes different types of the users of jargon speech. The novelty of the study consists in the attempt to extend the boundaries of literary-jargonizing type by determining two variations with the common and distinguishing features. Analysis of the articles authored by A. Meshkov allows attributing his speech culture to the second type of literary jargonization, which is characterized by appropriateness and expediency of using extraliterary linguistic units for delivering the author’s message, professional degree, experience, creative individuality, and unique style.
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Ohar, E. "КНИЖКОВІ ІНТЕРНЕТ-МЕДІА В КОНТЕКСТІ КУЛЬТУРНОЇ ЖУРНАЛІСТИКИ." State and Regions. Series: Social Communications, no. 2(42) (March 18, 2020): 56. http://dx.doi.org/10.32840/cpu2219-8741/2020.2(42).8.
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<div><p><em>The object of the study in this article is internet media, which have fulfilled a professional and at the same time an important socio-cultural functions over the last decade: to reflect on the phenomena, events, facts of the modern literary and publishing process. In the Ukrainian scientific discourse, these media are mostly seen as tools for promoting book or as a platform for literary criticism. The article suggests comprehending the phenomenon in terms of journalism studies, which allows further analysis of the content generated by them in the aspect of cultural journalism.</em></p></div><p><em>The subject of the study is the typological characteristics of the analysed media – «LitAzkent», «Bukvoyid», «Chytomo», «BaraBuka, Space of Ukrainian Children’s Literature», «Buckmol» which hold a strong position in the relevant segment of media market. They have been selected for consideration as the ones 1</em><em>) </em><em>specializing in literary and book issues, 2)</em><em> </em><em>not having a «printed history» and created as online electronic media only, 3)</em><em> </em><em>targeted at a wide audience, presented by both professionals and readers.</em></p><p><em>Based on the analysis of the elements of self-identification and auto-promotion, the content of the media resources directly, different reviews in specialized mass media, as well as taking into account broad understanding of the concept «book» as a semantic equivalent of the concept «book culture», the reasons have been presented to identify these media as «book ones».</em></p><p><em>The problem of identification of the internet discourse on literary and book artifacts as a kind of cultural journalism has been considered, the reasons that slow down its full development have been identified, the necessity of its further study has been emphasized.</em></p><strong><em>Key words</em></strong><em>: іnternet media, book journalism, cultural journalism, criticism.</em>
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Ajao, Toyin, and Cori Wielenga. "Citizen Journalism and Conflict Transformation." Matatu 49, no. 2 (December 20, 2017): 467–86. http://dx.doi.org/10.1163/18757421-04902012.
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Abstract The ubiquitous Internet platform in Africa has given rise to a new set of non-state actors responding to protracted conflicts through the use of new media technology. As a departure from a state-centric approach to addressing conflict in Africa, this interdisciplinary study explores the contribution of the public in responding to armed conflicts through citizen journalism. To unearth non-violent African digital innovations, this research explored the Ushahidi platform, which emerged as a response to Kenya’s 2008 post-election violence. Using a qualitative method, data was gathered through unstructured in-depth interviews. The data was analysed using thematic analysis. The data showed the transformative role the Ushahidi platform played during Kenya’s electoral violence through crisis-mapping, the early warning multi-agent consortium, a constitutional referendum, and election monitoring. Evidence also emerged regarding the pioneer work of Ushahidi in other non-violent technological involvements in addressing crisis in Kenya.
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Tolin Schultz, Alexandra. "The Créole Patriote: the journalism of Claude Milscent." Atlantic Studies 11, no. 2 (April 3, 2014): 175–94. http://dx.doi.org/10.1080/14788810.2014.902531.
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Colleen C. O'Brien. ""Blacks in all Quarters of the Globe": Anti-Imperialism, Insurgent Cosmopolitanism, and International Labor in Pauline Hopkins's Literary Journalism." American Quarterly 61, no. 2 (2009): 245–70. http://dx.doi.org/10.1353/aq.0.0080.
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Macleod, Jock. "Between Politics and Culture: Liberal Journalism and Literary Cultural Discourse at the Fin de Siècle." English Literature in Transition, 1880-1920 51, no. 1 (2008): 5–22. http://dx.doi.org/10.2487/elt.51.1(2008)0012.
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Rodgers, Susan. "Narrating ‘the modern’: Colonial-era southern Batak journalism and novelistic fiction as overlapping literary forms." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 163, no. 4 (2008): 476–506. http://dx.doi.org/10.1163/22134379-90003692.
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As Lennard J. Davis (1997) points out in Factual fictions; The origins of the English novel, newspaper prose and novel writing had remarkably blurred boundaries throughout the late 1700s, the time when the early English novel was first gaining public currency on the popular print scene. Davis presents a complex argument. He first criticizes Ian Watt’s approach (1957) as set out in the latter’s classic The rise of the novel. Davis asserts that Watt relies on simplistic ‘evolutionary’ models about the ‘rise’ of genres. Davis goes on to observe that there was a generalized convergence of discursive forms in the English popular press and in storytelling in commercial print in the late eighteenth century.
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Shahidi, Hossein. "From mission to profession: Journalism in Iran, 1979–2004." Iranian Studies 39, no. 1 (March 2006): 1–28. http://dx.doi.org/10.1080/00210860500470177.
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Shahidi, Hossein. "Iranian Journalism and the Law in the Twentieth Century." Iranian Studies 41, no. 5 (December 2008): 739–54. http://dx.doi.org/10.1080/00210860802518376.
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Jacquemond, Richard. "Literature, Journalism and the Avant-Garde. Intersection in Egypt." Arabica 55, no. 5 (2008): 618–20. http://dx.doi.org/10.1163/157005808x364652.
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Carlin, Deborah, and Moses Rischin. "Grandma Never Lived in America: The New Journalism of Abraham Cahan." MELUS 16, no. 4 (1989): 122. http://dx.doi.org/10.2307/467107.
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Craik, Roger. "Poetry Meets Journalism: Maxine Kumin's "Noted inThe New York Times"." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 17, no. 1 (January 2004): 52–54. http://dx.doi.org/10.3200/anqq.17.1.52-54.
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Trindade. "The Future of the Word: Banal Futurism and Portuguese Journalism." Portuguese Studies 36, no. 1 (2020): 1. http://dx.doi.org/10.5699/portstudies.36.1.0001.
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Nogueira, Carlos. "Montedor, de J. Rentes de Carvalho." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 51, no. 1 (July 18, 2016): 147–62. http://dx.doi.org/10.1075/rro.51.1.06nog.
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After four decades of literary recognition in Holland, where he lived and was a professor of Portuguese Literature, the Portuguese author J. Rentes de Carvalho (born in Vila Nova de Gaia, 1930) was almost completely ignored in Portugal until about five years ago. Today he is read and valued in Portuguese literary journalism, but academic studies of his work are rare. This article analyzes the author’s first novel, Montedor (1968), which combines traditional and modern elements, and is regarded as one of the great works of Portuguese literature. In particular, we will see how the novel presents a special type of pícaro (rogue), to whose distinctive and hyperactive consciousness the reader gains access through the narrative technique of stream of consciousness.