Dissertations / Theses on the topic 'Literary means'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 28 dissertations / theses for your research on the topic 'Literary means.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
Weis, Theodore K. ""We" means who? An investigation of the literary plural /." Theological Research Exchange Network (TREN), 1995. http://www.tren.com.
Full textBall, Clara. "Occult themes and ideas as a source of literary creativity, and as a means of exploring the margins of human experience in the work of Charles Williams." Thesis, Anglia Ruskin University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274302.
Full textCosta, Andreia Rosmaninho. "Eça de Queirós e Euclides da Cunha: interdiscursividade jornalístico-literária." Universidade Presbiteriana Mackenzie, 2008. http://tede.mackenzie.br/jspui/handle/tede/2764.
Full textFundo Mackenzie de Pesquisa
This investigation presents as its aim proving that there was an aesthetic improvement process in the journalistic productions from which O Egipto, by Eça de Queirós, and Os Sertões, by Euclides da Cunha, have derived. Taking such works as high level journalistic-literary productions in expression, we mean to study the paths taken by the authors searching for an artistic improvement of primary texts, viewing the production of works accepted by the literary canon. Keeping this in mind, taking as a basis the interdiscursive theory and the systematization of certain peculiarities of Literary Journalism, by Norman Sims. Thus, the study examines the literary content in these works, meaning to evaluate the aesthetic and thematic levels in them, with the intention to confirm the thesis that in such examples of journalistic practice happens an important association between thought and expression, as well as it is possible to verify the constitution of broad development both in artistic potentiality and ideological virtualities in the text. Recognizing that the subjects which originated the works passed through transformation and transposition processes in what concerns not only the formal but also the content aspects this study applies to the examination of the referred evolutions which culminate in the production of works recognized as reference productions of historical, scientific, artistic and literary characters. The applied methodology is based on a comparative analysis of the initial versions from O Egipto and Os Sertões, published by daily media press, and a selection of their equivalent passages in their literary versions. We mean to demonstrate that, besides the idea that both versions have a review posture in conceptual terms, there is always an important preoccupation viewing the retaking of a journey towards the literary elevation of the text, once it is possible to recognize, in the last editions, the existence of an aesthetic development of the queirosian and euclidean thoughts. The theme of the present research is, so, the ethic and aesthetic realignment which gave origin to artistic productions in which form and content are priorized in a balanced way.
Esta investigação tem por objetivo provar que houve um processo de aprimoramento estético nas produções jornalísticas das quais derivaram as obras O Egipto, de Eça de Queirós, e Os Sertões, de Euclides da Cunha. Entendendo as referidas obras como produções jornalístico-literárias de elevado grau de expressividade, intenta-se o estudo dos caminhos percorridos pelos autores rumo ao aperfeiçoamento artístico dos textos primários, com vistas à produção de trabalhos aceitos pelo cânone literário. Com esta finalidade, apóia-se na teoria da interdiscursividade e na sistematização das particularidades do Jornalismo Literário, de Norman Sims. Assim, o estudo versa sobre o teor de literariedade presente nestas obras, objetivando uma avaliação dos planos estético e temático das mesmas. Dessa maneira, pretende-se confirmar a tese de que nestes exemplos de prática de Jornalismo Literário acontece um importante consórcio entre pensamento e expressão, bem como se verifica a configuração do desenvolvimento pleno tanto das potencialidades artísticas quanto das virtualidades ideológicas do texto. Reconhecendo que as matérias que originaram as obras passaram por processos de transformação e de transposição no concernente não só ao aspecto formal como também no que diz respeito ao aspecto conteudístico , este trabalho destina-se ao exame das referidas evoluções, que culminaram com a produção de trabalhos tidos como referência de produções de caráter histórico-científico e de cunho artístico-literário. A metodologia utilizada baseia-se em uma análise comparativa entre recortes das versões iniciais de O Egipto e de Os Sertões, publicadas em mídia impressa diária, e uma seleção das passagens equivalentes, localizadas nas respectivas produções literárias. O que se demonstra é que, além de haver em ambas as obras uma revisão de postura em termos conceituais, existe também uma importante preocupação de retomada de um percurso rumo ao engrandecimento literário da obra, uma vez que é possível reconhecer, nas últimas edições, a existência de um aprofundamento da estetização dos pensamentos queirosiano e euclidiano. O tema da presente pesquisa é, pois, o realinhamento ético e estético que deu origem a produções artísticas nas quais forma e conteúdo são equilibradamente priorizados.
Metz, Diana Kathryn. "Literacy: Adopting motivational literacy practices meant to last a lifetime." CSUSB ScholarWorks, 1998. https://scholarworks.lib.csusb.edu/etd-project/1822.
Full textZelenenkaya, Ekaterina. "Material Objects as Means of Portraying Female Characters' Personality in the 20th century : As Exemplified in the three Short Stories by J. D. Salinger, V. Woolf and F. Weldon." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-102465.
Full textFouche, Ilse. "Improving the academic literacy levels of first-year Natural Sciences students by means of an academic literacy intervention." Diss., University of Pretoria, 2010. http://hdl.handle.net/2263/26500.
Full textDissertation (MA)--University of Pretoria, 2010.
Unit for Academic Literacy
Afrikaans
unrestricted
Westberg, David, and Gytis Mickevičius. "Clearing the fog from the definition of Digital Literacy : A study investigating what it means to be digitally literate and if students at Jönköping University meet these requirements." Thesis, Jönköping University, JTH, Avdelningen för datateknik och informatik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-53252.
Full textHiramine, Ann Junko. "The performance of literacy in Asian America : against the normativizing of identity through invisible discursive means /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/9379.
Full textBartell, Nicole E. "But what do they think it means? : the text/image relationship in informational communication /." Online version of thesis, 2004. http://hdl.handle.net/1850/11799.
Full textNapper, Vicki S. "The Job Task Model as a Means for Understanding Computer Usage in the Work Place." DigitalCommons@USU, 1997. https://digitalcommons.usu.edu/etd/4672.
Full textLesch, Felicia Sharron Margaret. "The Certificate Programme in Music : a means of broadening access to higher music education studies at the University of Stellenbosch." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/4104.
Full textENGLISH ABSTRACT: The Department of Music at Stellenbosch University (SU) established the Certificate Programme in Music (CP) in 1999. The programme was created to fulfil a multi-faceted role that would equip potential students who display a high level of musicality, but do not fulfil admission requirements to music studies at Higher Education level. Initially, the programme was targeted at previously disadvantaged individuals who had had no opportunity to receive formal music tuition. Thereafter, the balance shifted to include all students with diverse cultural backgrounds but with no or insufficient prior musical tuition. Problems experienced by universities globally include growing numbers of students displaying lower levels of academic literacy and the number of potential music students who have not reached the standard required on their instruments or in music theory. Changes to programme content were made as courses were adapted; an example is the Higher Certificate in Music which will soon be a university-accredited qualification. A preparatory course in Music Technology was created for musicians already involved in the music industry, wanting to upgrade their skills or prepare themselves for admission to the BA with Music (Route: Technology) degree. The objective of this research endeavour was to launch an in-depth investigation into all aspects of the CP. The grounded theory approach of Strauss and Corbin (1990) formed the foundation to the study. Data consisted of records from the CP, interviews and questionnaires. The research design was based on the conditional matrix of Strauss and Corbin (1990). CP data was compared to national policies governing Higher Education, to SU policies regarding community interaction, and to SU's strategic framework. Categories for investigation included concepts such as motivation, self-regulation, service learning and the development of emotional intelligence in students. Change theories were explored as a theoretical framework for the CP to cope with the ever-changing landscape of high school education. Establishing partnerships which are mutually beneficial to the community and the university is listed as an important component of the community interaction policy at SU, and was found to be a significant component of the CP.
AFRIKAANSE OPSOMMING: Die Departement Musiek by die Universiteit van Stellenbosch (US) het die Sertifikaatprogram in Musiek (SP) in 1999 gevestig. Die program is ontwerp om 'n uiteenlopende rol te vervul vir voornemende musiekstudente wie musiektalent toon, maar wie nie aan die nodige toegangsvereistes voldoen om musiekstudie op Hoër Opvoedkundige vlak te neem nie. Aanvanklik was die program gemik op voorheenbenadeelde persone wat nie die geleentheid gehad het om formele opleiding in musiek te ontvang nie. Daarna het die behoefte verskuif deur studente uit verskeie kulturele agtergronde, wie nie vorige musiekopleiding gehad het nie, in te neem. Wêreldwyd ervaar universiteite onder andere probleme met studente wat toenemend laer vlakke van akademiese geletterdheid toon, asook met die groeiende getal studente wat nie die nodige vlak in prakties sowel as musiekteorie bereik nie. Veranderinge is aangebring in die program en kursusinhoude is gewysig om verdere opleidingsmoontlikhede te bewerkstellig; die Hoërsertifikaat in Musiek is een voorbeeld – dit sal binnekort 'n universiteits-geakkrediteerde kwalifikasie wees. 'n Voorbereidende kursus in Musiektegnologie is spesiaal geskep vir kandidate wat reeds in die musiekbedryf is, of wat voorbereiding vir toelating tot die graadkursus BA met Musiek (rigting: Tegnologie) nodig het. Die doelwit van hierdie navorsing is om ʼn deeglike ondersoek in alle aspekte van die SP na te gaan. Strauss en Corbin (1990) se gegronde teorie was die uitgangspunt vir hierdie ondersoek. Die data bestaan uit aantekeninge van die SP, onderhoude en vraelyste. Die navorsingsontwerp is gebaseer op die voorwaardelike matriks van Strauss en Corbin (1990). Die SP se data is vergelykbaar met die regering se nasionale beleid met betrekking tot Hoër Onderwys, sowel as die US beleide sover dit betrekking het op die gemeenskapsinteraksie en die strategiese raamwerk van US. Kategorieë wat ondersoek is, sluit onder andere konsepte soos motivering, selfgereguleerde, diensleer en die ontwikkeling van emosionele intelligensie in. Die vestiging van vennootskappe met wedersydse voordeel vir beide die universiteit en die gemeenskap is aangewys as 'n belangrike komponent van die gemeenskapsinteraksie beleid by US. By hierdie ondersoek is vasgestel dat dit ʼn groot komponent van die SP is.
Lawless, Geraldine. "A literary modernity: Trains, meals, and suicides in stories by Antonio Ros de Olano and Leopoldo Alas." Thesis, University of Manchester, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.488786.
Full textKemp, Marian. "Using the Media as a Means to Develop Students’ Statistical Concepts." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-80341.
Full textPintok, Kimberly Rose. "Internet Technology as a Means of Delivering Reading Instruction in the Content Areas." ScholarWorks, 2016. https://scholarworks.waldenu.edu/dissertations/2456.
Full textJohnston, Nicklett Johnston. "The Effect of Health Literacy in Low Estimated Glomerular Filtration and Diabetes." ScholarWorks, 2017. https://scholarworks.waldenu.edu/dissertations/3895.
Full textHutchings, Catherine Mary. "Narrative means towards literacy understandings: exploring transformations within literacies and migrating identities. An analysis of narrative reflections towards the development of critical reflective thinking by mature students in a classroom of wider access." Doctoral thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/13351.
Full textAn analysis of narrative reflections towards the development of critical reflective thinking by mature students in a classroom of wider access: This thesis reports on the narratives of transitions undergone by adult students, mostly speakers of English as an additional language at an English language dominated institution, in returning to studies at postgraduate level, often after breaks in which they had established themselves in their professional and social worlds. The transitions relate to their senses of self, their understandings of (socially constructed) allowances within the higher educational institution, their understandings of what constitutes learning, knowledge and meaning making, and their own roles in these processes, including the agency they take on in the process. In examining how agency is adopted, I look at the development of reflective functioning as reported by these students. I consider the development of, and changes in the ‘voice’ of the adult student learner/writer, as reported by them and evident in their own writing, both formal and informal. I investigate this within the framework of New Literacy Studies, in which reading and writing are regarded as aspects of literacy (and learning) practices, along with other aspects of discourses, including attitudes, understandings, values, beliefs and general practices of learning, knowledge, meaning making and conceptions of understanding. In addition, in reflecting on what students have said, or the stories they have given about their experiences, I have drawn on aspects of narrative theory in psychology and education, whereby, learners (and others) determine their experiences and outcomes by what they tell themselves of these stories. The stories students tell themselves affect the responsibility or agency they take on in their learning and writing, and this affects the sort of voice that is evident in their writing. My data comprise of compilations of dialogical journals written by students between each other and myself in a course I taught, aiming to help them towards an awareness of themselves as learners and writers within their learning. The original purpose of these dialogical journals was one of pedagogic intent. The exercise was intended as an endeavour to provide a n access route into the academy for the students: to practice writing English in a non - threatening ‘environment’, to promote the development of reflective and critical thinking and self - awareness as academic writers, and in the dialogical nature, to encourage a community of practice. My role in this exercise was to steer them towards reflective construction through my responses and general journal prompts, and to promote engagement with each other in their learning community. The journals became data for research as a secondary intention when, upon reflecting on the journals myself, I became aware that they provided useful illustrations of students’ transitions in ‘interpretive frameworks’; their means of making sense, their engagements within new knowledge communities and of their migrations of identities. For many adult learners, becoming ensconced within understood, or socially or institutionally constructed practices, and being able to replicate the practices or discourses of the institution as viable or acceptable and institutionally recognizable selves and voices within it, requires a major transition. This involves long migratory journeys across differing attitudes, beliefs, values, and ways of thinking and behaving. In this, the development of reflective functioning, the taking on of agency, and the sounding out of voice, all require attention and often, new learning.
Backer, Charlotte De, Lauranna Teunissen, Isabelle Cuykx, Paulien Decorte, Sara Pabian, Sarah Gerritsen, Christophe Matthys, et al. "An Evaluation of the COVID-19 Pandemic and Perceived Social Distancing Policies in Relation to Planning, Selecting, and Preparing Healthy Meals: An Observational Study in 38 Countries Worldwide." Frontiers Media S.A, 2021. http://hdl.handle.net/10757/657330.
Full textObjectives: To examine changes in planning, selecting, and preparing healthy foods in relation to personal factors (time, money, stress) and social distancing policies during the COVID-19 crisis. Methods: Using cross-sectional online surveys collected in 38 countries worldwide in April-June 2020 (N = 37,207, Mage 36.7 SD 14.8, 77% women), we compared changes in food literacy behaviors to changes in personal factors and social distancing policies, using hierarchical multiple regression analyses controlling for sociodemographic variables. Results: Increases in planning (4.7 SD 1.3, 4.9 SD 1.3), selecting (3.6 SD 1.7, 3.7 SD 1.7), and preparing (4.6 SD 1.2, 4.7 SD 1.3) healthy foods were found for women and men, and positively related to perceived time availability and stay-at-home policies. Psychological distress was a barrier for women, and an enabler for men. Financial stress was a barrier and enabler depending on various sociodemographic variables (all p < 0.01). Conclusion: Stay-at-home policies and feelings of having more time during COVID-19 seem to have improved food literacy. Stress and other social distancing policies relate to food literacy in more complex ways, highlighting the necessity of a health equity lens.
Agentschap Innoveren en Ondernemen
Revisión por pares
West, Amie October. "Something is Askew in Florida's Water: Arguing for a Better Descriptive Statistic for Positively Skewed Water-Quality Data." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4254.
Full textHooker, Rebecca. "The value and benefits of learning a foreign language in community settings in the UK : older adults' perceptions of what this does and means for them." Thesis, University of Exeter, 2011. http://hdl.handle.net/10871/21398.
Full textRocha, Simone Sobral. "Interfaces entre meios: o processo de criação de Joseph Beuys." Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/5147.
Full textThis research consists of reflecting on the production methods of Contemporary Art, specifically, on the study of the creation process used by the artist Joseph Beuys. We will discourse on some specific features of the Visual Arts in this context, attempting to understand how much the interfaces among means shape the communication in certain contemporary art works and make that communication possible. The constructive procedure that is seen in Beuys works, in the adherence of means and in the continuity of his actions, leads to the adoption of a critical perspective that focuses on the creation process, in other words, the criticism of the process as it has been developed by Cecília Almeida Salles. We will use the general theory of creation based on semiotics as an analytical tool, reflecting on the creation as a network that is being built and emphasizing the question about the mobility of the creative process, in which the art work is the process and the process is the art work. Based on Charles S. Peirce s semiotics theory, it is intended to enlarge the study by focusing on the meaning of communication in aesthetic contemporary movements. The dynamism in the sign process allows the interrelation between several artistic demonstrations and the interface among means of action. Through discrimination, analysis and comparison of genetic elements that are established in videos, interviews and photographic registers of Beuys production, we will reflect on the interfaces between means or supports and the interaction of the public as basic elements of his process of production. One of the most relevant elements was to observe the presence of several demonstrations, to what extent they are inseparable and merge in Contemporary Art. Even though a clipping in the Visual Arts may exist, the interface between means is evidenced in a intersemiotic process. Being so, we will think the artist s actions throughout his journey as a continuous process of communication. As we deal with contemporary artistic events, we realize his expressive and communicative qualities that generate questions and invite the public to be and take part of the art work. In the artists actions, the body is a means and a support for the artistic and communicative process. Considering the perceptive experience in this process, we will resort to Norval Baitello s theory and Dietmar Kamper s philosophy, allowing further study on the body and its image. In this non-linear process, Beuys' own actions and the public s actions are elements that lead to other actions, producing new possibilities about the production process in his movement and allowing new networks to be built, shaping the tendency of the artist s poetic project in a dynamic action and not in a static product
Esta pesquisa consiste em refletir sobre os modos de produção na Arte Contemporânea, especificamente, no estudo do processo de criação do artista Joseph Beuys. Discorreremos sobre algumas especificidades das Artes Visuais nesse contexto, objetivando compreender em que medida as interfaces entre meios configuram e possibilitam a comunicação em certas obras contemporâneas. O procedimento construtivo presente na obra do artista, na aderência entre meios e na continuidade de suas ações, levam à adoção de uma perspectiva crítica que enfoca os processos de criação, ou seja, a crítica de processo, assim como vem sendo desenvolvida por Cecília Almeida Salles. Utilizaremos a teoria geral da criação de base semiótica como instrumento de análise, refletindo a criação como rede em construção e enfatizando a questão da mobilidade do processo criativo, no qual a obra é o processo e o processo é a obra. Com base na teoria semiótica de Charles S. Peirce, pretende-se ampliar o estudo focando o sentido da comunicação nos movimentos estéticos contemporâneos. A dinamicidade no processo sígnico permite a inter-relação das diversas manifestações artísticas e a interface entre os meios de ação. Por meio da discriminação, análise e comparação dos elementos genéticos que se estabelecem entre vídeos, entrevistas e registros fotográficos da produção do artista, refletiremos sobre as interfaces entre meios ou suportes e a interação do público como elementos fundamentais do seu processo de produção. Um dos elementos de maior relevância foi observar a presença das diversas manifestações , o quanto são inseparáveis e se fundem na Arte Contemporânea. Por mais que exista um recorte para as Artes Visuais, constata-se a interface dos meios em um processo intersemiótico. Sendo assim, pensaremos as ações do artista em todo seu percurso como um contínuo processo sígnico de comunicação. Ao tratarmos das manifestações artísticas contemporâneas, percebemos suas qualidades expressivas e comunicativas que geram questionamentos convidando o público a ser e fazer parte da obra. Nas ações do artista, o corpo é meio e suporte do processo artístico e comunicativo. Considerando a experiência perceptiva nesse percurso, recorreremos a teoria de Norval Baitello e a filosofia de Diétmar Kamper, possibilitando um estudo mais aprofundado sobre o corpo e sua imagem. Nesse processo sígnico não linear, as próprias ações do artista e do público são elementos que levam à outras ações, gerando novas possibilidades nos processos produtivos em seu movimento e permitindo que novas redes se construam, configurando a tendencialidade do projeto poético do artista em uma ação dinâmica e não em um produto estático
Pijet, Andrzej. "Can Satire be a Means to Visual Literacy? A Studio Thesis with Group Discussion." Thesis, 2013. http://spectrum.library.concordia.ca/977767/1/Pijet_MA_F2013.pdf.
Full textYun, Eunja. "Postmodern interrogation of children's literature and possibilities in literacy education by means of postmodern picture books." 2007. http://www.etda.libraries.psu.edu/theses/approved/WorldWideIndex/ETD-2366/index.html.
Full textNzekwu, Delia. "Corporate social responsibility in literacy: empowering change in South Africa." Thesis, 2009. http://hdl.handle.net/10539/6143.
Full textMoyer, Alexia. "Literary meals in Canada : the Food/books of Austin Clarke, Hiromi Goto, Tessa McWatt and Fred Wah." Thèse, 2012. http://hdl.handle.net/1866/8804.
Full textLiterary Meals in Canada examines Austin Clarke’s Pig Tails ’n Breadfruit, Hiromi Goto’s Chorus of Mushrooms and The Kappa Child, Tessa McWatt’s This Body, and Fred Wah’s Diamond Grill. It asks, what does food mean to these stories, what does it allow the writers in question to say—about social structures, culture, language, and subjectivity—and how do they go about making these connections or drawing these conclusions? In other words, what are their food-writing strategies? I also read these texts as part of a larger conversation about food, a conversation taking place in academic circles as well as at the supermarket, on food labels, on television, and other media outlets. I look for moments in which my literary corpus responds to and challenges food-centred discourse. Comprised of four chapters—Production, Procurement, Preparation, and Consumption—this dissertation explicates Rachel Bowlby’s term, “literary supermarket,” through Michael Pollan and Hiromi Goto; it compares Escoffier’s haute cuisine with Austin Clarke’s “hot-cuisine”; it tracks the kinship between “doing-cooking” and writing cooking, as articulated by Luce Giard, Austin Clarke, and Fred Wah; it reads Emily Post’s advice on table manners against Hiromi Goto’s cacophony of gnashing and nibbling; and it pairs Tessa McWatt with Elspeth Probyn, both of whom share a similar approach to, and interest in, bodies that eat. The texts that make up this corpus are foodbooks. Food and the activities and processes associated with it are therefore mediated by language. For this reason the dissertation attends to the particularities and the potential effects of writing food.
Sithole, Khulekani Elliot Stephen. "An Integrated approach to technology education as a means of enhancing achievement in mathematics and science." 1997. http://hdl.handle.net/10500/16049.
Full textCurriculum and Institutional Studies
D. Ed. (Didactics)
Alegria, Ana Sofia Pinto. "Relação entre a utilização de redes sociais e a literacia em saúde mental positiva de jovens : um estudo exploratório sobre o Instagram." Master's thesis, 2019. http://hdl.handle.net/10400.14/29943.
Full textIn the last few years, there has been a breakthrough in information and communication technologies (ICT), and its use has been even more premature and frequent. Currently, as social networks are one of the main means of communication of young people and Instagram is considered the most used social network, despite being evaluated as one of the social networks with the greatest negative impact on well-being in this target audience. Therefore, the purpose of this investigation is to explore the relationship between the use of Instagram by young people and positive mental health literacy levels, as a possible protective factor of their use. The sample is constituted by 148 young Portuguese, between the ages of 15 and 18, users of Instagram. Following a quantitative methodology, there were differences between in the use of Instagram and positive mental health literacy levels (PMHL), according to gender. Furthermore, it was found that PMHL was negatively correlated with the use of electronic means of communication. However, it was observed that there is no relationship between the use of Instagram and the PMHL levels of young people, therefore, it is still necessary more studies that test this association and explore the protective factors of the use of social network and others.
Santos, Guilherme Duarte Simões Tito. "Alimentação sustentável nas escolas públicas portuguesas: educação e compras públicas." Master's thesis, 2020. http://hdl.handle.net/10071/21541.
Full textThis dissertation seeks to understand the role of food in Portuguese public schools and the potential of school food education and consumption in fostering better food consumption patterns. Portuguese food consumption patterns are unsustainable and are one of the leading causes of health problems. Considering the privileged capacity yet limited role of Portuguese public schools as arenas for public intervention, this thesis seeks to expand the scope of the discussion regarding food’s place in public education. Through an extended literature review, as well as a review of promising examples, a tentative roadmap for a new strategy is proposed. A combination of investments in education and public procurement seem to be the more promising way forward for a Portuguese Public School system that is aligned with and comitted to Sustainable Development.
Perlman, Leon Joseph. "Legal and regulatory aspects of mobile financial services." Thesis, 2012. http://hdl.handle.net/10500/13362.
Full textPublic, Constitutional and International Law
LLD