Journal articles: 'Literary movements'

1

Hewitt, Leah D. "Between Movements: Leiris in Literary History." Yale French Studies, no. 81 (1992): 77. http://dx.doi.org/10.2307/2930136.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Susanti, R. Hariyani. "Literary Works Empowering Social Movements: A Doll's House & Bumi Manusia Analysis in Norwegian-Indonesian Feminism." Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya 13, no. 1 (June 29, 2023): 119. http://dx.doi.org/10.26714/lensa.13.1.2023.119-134.

Full text

Abstract:

This article explores the role that literature plays in social movements, particularly in the gender equality movement such as women’s autonomy in social settings. By comparing two literary works, A Doll’s House by Henrik Ibsen and Bumi Manusia by Pramoedya Ananta Toer, the article investigates the impact of literature on the first wave of the feminist movement in Norway in 1879 and the portrayal of women's conditions in Indonesia at the time. The research employed qualitative research methods such as content analysis and discourse analysis, as well as comparative analysis of the two literary works. The research found that A Doll’s House played a significant role in the Norwegian feminist movement and gave women confidence and the awareness that they were not merely puppets for men, but human beings whose voices needed to be heard. Similarly, Bumi Manusia showed resistance and awareness of the oppression faced by Indonesian women, highlighting the role of literature in promoting equality movements. These important literary works demonstrate the power of literature in documenting, retelling, and raising awareness of people's stories, ultimately reaching a larger audience.

APA, Harvard, Vancouver, ISO, and other styles

3

Dr Palak Trivedi. "Reading Modernism by Peter Childs: A Book Review." International Peer Reviewed E Journal of English Language & Literature Studies - ISSN: 2583-5963 2, no. 1 (June 10, 2020): 28–33. http://dx.doi.org/10.58213/ell.v2i1.18.

Full text

Abstract:

In the realm of literary theory and criticism, Peter Childs' Modernism is widely regarded as an influential and illuminating work ever to be published. This book makes an effort to investigate a variety of facets of modernism in addition to its adjacent ideas, and it does so in a straightforward, comprehensive, and effective manner. Despite the little area available, it has successfully depicted the enormous task of modernism while also presenting the many facets of this movement. The book is broken up into three main chapters in addition to an introduction. It begins with explaining the many literary movements, including Romanticism, Realism, Modernism, and Postmodernism. Childs makes an effort to address the topic of debate from a comparative perspective, most notably the contrast between modernism and postmodernism presented in the introduction. Instead of getting tangled up in purely abstract notions, the book provides a detailed examination of movements that occur inside settings and literary works. The conversation concerning modernism includes not just modernism itself but also related trends like postmodernism and realism and previously excluded points of view. Instead of attempting to provide definitions that are ironclad, Childs looks for signs of one movement in the other, as well as how the two movements overlap and are interconnected.

APA, Harvard, Vancouver, ISO, and other styles

4

Muhaimin, Agus. "Menelusuri Fundamentalisme Sebagai Identitas Gerakan Keagamaan di Indonesia." Socio Politica : Jurnal Ilmiah Jurusan Sosiologi 8, no. 1 (November 27, 2018): 27–36. http://dx.doi.org/10.15575/socio-politica.v8i1.3487.

Full text

Abstract:

This article examines the emergence of fundamentalism as a political movement in the circle of world religions with their own backgrounds. The writer emphasizes on Islamic fundamentalism upholding the issues regarding Western colonialization so long as the first half of 20th century and economic and cultural neo-colonialism in the last half of the century. By literary study the writer concludes that these religious movements radically take religious doctrines as the fundamentals of the movement ideology. This movement is assigned with the slogan of ‘Islam as the alternative’ aiming at changing socio-political order towards Islamic norms through radical movements.

APA, Harvard, Vancouver, ISO, and other styles

5

Darzikola, Shahla Sorkhabi. "Trace of Literary Movements in Hemingway’s Early Works." Theory and Practice in Language Studies 6, no. 1 (January 19, 2016): 199. http://dx.doi.org/10.17507/tpls.0601.26.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Skrobanović, Zoran. "A SOULLESS CAMERA: THE PERCEPTION OF ITALIAN FUTURISM IN EARLY CHINESE MODERNIST POETRY." Folia linguistica et litteraria XIII, no. 39 (February 2022): 85–103. http://dx.doi.org/10.31902/fll.39.2022.5.

Full text

Abstract:

Considering the fact that there are certain similarities between the cultural endeavours of the early Chinese modernists and Italian futurists, at first glance, it seems strange that futurist ideas mostly failed to take root in Chinese literary modernism. From the outset, Chinese literary modernism was a heterogeneous movement, but the common denominator in these different movements in post-dynastic China was a radical antitraditionalism that bears similarities to the goals of Italian futurism that was often called the down-with-the-past movement (antipassatismo). Contemporary literary studies usually recognize three distinct waves of Chinese modernism: the first wave refers to the new literary scene in China’s Republican era (1911-1949), but due to the eclecticism of early Chinese modernists who were deriving inspiration and ideas from a broad and diverse range of sources, this initial stage of Chinese modernism includes the authors whose work was inspired by the pre-modern Western movements such as romanticism, symbolism etc. The second wave of Chinese modernism emerged on Taiwan in the 1950s, and the final wave brought modernism back to mainland China at the end of the 1970s. This paper attempts to examine the reception of Italian futurism in early Chinese modernist literature, therefore our research is chronologically focused on the first wave of Chinese modernism.

APA, Harvard, Vancouver, ISO, and other styles

7

Colla, Elliott. "Egyptian Movement Poetry." Journal of Arabic Literature 51, no. 1-2 (April 6, 2020): 53–82. http://dx.doi.org/10.1163/1570064x-12341402.

Full text

Abstract:

Abstract Poetry has long had a central place in the repertoires of modern Egyptian protest movements, but just as social science accounts of these movements downplay the role of expressive arts (such as poetry), literary studies of colloquial Egyptian poetry have downplayed the performative dynamic of this poetry, as well as its role within social movements. This essay develops the concept of “movement poetry” within the Egyptian social movements, with a special focus on the protest cycle of 1968-1977. In so doing, it discusses the work of Abdel Rahman el-Abnoudi (ʿAbd al-Raḥmān al-Abnūdī), Ahmed Fouad Negm (Aḥmad Fuʾād Nijm), Samīr ʿAbd al-Bāqī, and others, and considers the conventions and repertoires that extend to Egyptian activists in the present.

APA, Harvard, Vancouver, ISO, and other styles

8

Garagyezova, Elnara. "Literature Movements in Modern Azerbaijani Literature: After Socialist Realism." Contemporary Issues of Literary Studies - International Symposium Proceedings 16 (December 11, 2023): 287–90. http://dx.doi.org/10.62119/cils.16.2023.7560.

Full text

Abstract:

Social realism entered literary studies as a trend distinguished by its spatial limitation and political-authoritarian origin among the literary trends of the 20th century. The political authoritarian origin has led to the trend becoming one of the main attributes of the ideology of a certain, closed political regime and being associated with that regime. However, since the movement of social realism originated from a political source, not a literary one, it was created on the basis of a plan, in the form of a project, and the end of the regime resulted in the sudden deletion of the movement from the literary agenda before it completely passed the extinction phase.

APA, Harvard, Vancouver, ISO, and other styles

9

Keena, Justin. "Categorising C.S. Lewis's Literary Theory." Journal of Inklings Studies 12, no. 1 (April 2022): 1–18. http://dx.doi.org/10.3366/ink.2022.0132.

Full text

Abstract:

C.S. Lewis's two volumes of literary theory are compared and contrasted with the particular works in mainstream twentieth century literary theory that they most closely resemble. The Personal Heresy is akin to, but ultimately divergent from, the New Critical papers ‘The Intentional Fallacy’ and ‘The Affective Fallacy’. Likewise An Experiment in Criticism is akin to reader-response theories of the phenomenological variety, especially those of Georges Poulet, Wolfgang Iser, and Roman Ingarden, but unlike most other kinds. Lewis's position as a theorist is too reader-focused for New Criticism but also more formalistic than most reader-response theories. Nevertheless, these are the two movements with which his work has most in common, unlike other major twentieth-century movements, such as gender studies, Marxist theory, new historicism, queer theory, postmodernism, post-structuralism, psychoanalysis, and structuralism.

APA, Harvard, Vancouver, ISO, and other styles

10

Wardani, Agista Nidya, and Adityo Adityo. "Investigating Literary Terminologies to Accomplish Literary Research and Enjoyment: A Corpus Study." JETL (Journal of Education, Teaching and Learning) 6, no. 1 (March 31, 2021): 24. http://dx.doi.org/10.26737/jetl.v6i1.2317.

Full text

Abstract:

In relation to producing, enjoying, and especially criticizing literature, some literary terminologies are used frequently. Thus, corpus in the field of Literature is urgently needed to compile. This study aims to compile literary terminologies found in Literature and Language Teaching by Gillian Lazar and Literary Movements for Students by Ira Mark Milne books. In addition, it also tries to find the frequency, meaning (in context), and examples of the use of the terminologies. The method used in this research was document analysis, the data of which was obtained from predetermined documents, such as books of general literature, and books of theory and literary criticism. While the stages carried out were data collection, data selection, and presentation. From the books studied, it is found that the terminologies that appear could be categorized into terminologies related to (1) authors, (2) readers of literary works, (3) literary work itself, and (4) literary theory and criticism. Additionally, there is an interesting fact from the data found that the books have different frequencies of literary terminologies. The terminologies that appeared in Literary Movements for Students are more frequent.

APA, Harvard, Vancouver, ISO, and other styles

11

Seguín, Bécquer. "Introduction: A Decade of Indignation." boundary 2 48, no. 3 (August 1, 2021): 1–6. http://dx.doi.org/10.1215/01903659-9155689.

Full text

Abstract:

This introduction briefly provides the context of the Great Recession in Spain, which spurred one of the largest protests movements in the country's history. Known locally as the 15M and internationally as the indignados movement, the occupation of plazas in the spring and summer of 2011 jump-started a broader cultural, intellectual, and political shift in Spain that is only beginning to be appreciated by scholarship in literary and cultural studies. This introduction then briefly introduces the contributions to this special issue, which are organized into various clusters that cut across literary studies, intellectual history, social theory, political theory, film studies, social movements, and feminism, among other fields. The issue serves simultaneously as a primer on and a contribution to our understanding of how the 2008 global financial crisis has impacted social, intellectual, and political life in Spain.

APA, Harvard, Vancouver, ISO, and other styles

12

McInnes, Andrew. "Romantic Movements." Eighteenth-Century Fiction 36, no. 2 (April 1, 2024): 329–36. http://dx.doi.org/10.3138/ecf.36.2.329.

Full text

Abstract:

This Reflections essay considers antiracist theory and practice and its impact on Romantic Studies today as displayed in a master’s-level module aimed at introducing the use of theory to postgraduate students of nineteenth-century studies. Alongside these concerns, the reflection considers what it means to feel “Romantic” today, as well as the role and usefulness of discomfort in postgraduate pedagogy.

APA, Harvard, Vancouver, ISO, and other styles

13

LEE, RALPH. "‘Modernism’ and the Ethiopian Orthodox Sunday School Movement: Indigenous Movements and their International Connections." Journal of Ecclesiastical History 73, no. 1 (November 18, 2021): 97–113. http://dx.doi.org/10.1017/s0022046921001391.

Full text

Abstract:

This article traces the history of twentieth-century Ethiopian Orthodox student movements formed in response to modernity, especially the influential Maḫbärä Qəddusan, ‘Association of Saints’, established in 1991 when Ethiopia's Communist regime fell. It explores parallels in Egyptian and Indian miaphysite Churches; balances the prevailing narrative of explosive Pentecostal growth which has obscured the influence of such movements; provides insight into networks that have stimulated renewal and responses to contemporary challenges through strong engagement with traditional literary and intellectual heritage; and explores training and publications promoting contemporary reflection on this heritage, the revival of important religious practices and the targeting of influential ecclesiastical and public positions.

APA, Harvard, Vancouver, ISO, and other styles

14

Barreiro León, Bárbara. "Dreams, the Female Gaze, and the City of Paris: Urban Landscapes through the Writings of the Surrealist Movement." Escritura e Imagen 17 (November 24, 2021): 89–101. http://dx.doi.org/10.5209/esim.78935.

Full text

Abstract:

From the time of the Renaissance, treaties on architecture, odes to the arts, and the study of their canons through written sources, have served to defend, emphasise, or proclaim the validity of different artistic forms and styles. In this way, programmes and manifestos have reinforced the character of organisations and movements through their fundamental ideas. The artistic Avantgardes have thus used this literary resource to lay the theoretical foundations for their future artistic contributions, being able to justify without any qualifications their most extravagant occurrences. The Avant-garde manifesto shall therefore be considered a literary contribution written in the first place for the subsequent development of the artistic and creative activity of the group or school. The Surrealist Movement generated a lot of written work because the founders, André Breton, Louis Aragon, and Philippe Soupault, were writers. Some of these texts included the Movement’s two manifestos, periodicals such as Le Surréalisme au service de la révolution, Littérature, or Minotaure, and individual writings that were penned by Breton and Aragon. This study will relate the Surrealist written work with the Movement’s idea of the city and its urban imaginary.

APA, Harvard, Vancouver, ISO, and other styles

15

Pokrivčák, Anton. "Teaching with New Critics." CLEaR 4, no. 2 (September 1, 2017): 34–40. http://dx.doi.org/10.1515/clear-2017-0010.

Full text

Abstract:

Abstract Anglo-American New Criticism was one of the most important movements in the twentieth century literary theories. It stressed the objectivity of a literary work of art and claimed that literary critics as well as teachers should concentrate, primarily, on the text, its linguistic structures and the ambiguities of meaning resulting from them, and only secondarily on the text´s extraliterary relationships. After the New Critics´ popularity in the early decades of the last century, in its second part they were refused as pure formalists, supposedly unable to see the real nature of a literary work in its social circumstances. The article attempts to reassess New Criticism as a movement which contributed significantly to the reading and teaching literature and claims that their importance has not diminished even in the twenty-first century.

APA, Harvard, Vancouver, ISO, and other styles

16

Sabr, Rozhgar M., Osman H. Dashty, and Jihad Sh Rashid. "The Romantic Self in The Poetry of Piramerd and Mirzada Ashqe." Koya University Journal of Humanities and Social Sciences 7, no. 1 (April 1, 2024): 1–8. http://dx.doi.org/10.14500/kujhss.v7n1y2024.pp1-8.

Full text

Abstract:

The notion creativity in the Western civilization has a long history. It has influenced various aspects of human life since Greek and Roman times. Western thinkers have significantly contributed to literary growth in art and literature. Western intellectuals have also led literary research and developed theoretical approaches to literature. After their development, the western literary traditions were imported to other countries for various reasons. Thus, the non-Western writers adapted several aspects of Western literary movements including romanticism. Romanticism, a literary and artistic movement that emerged in late 18th-century Europe, opposed the basic tenant of classicism. The movement introduced new literary forms and radical ideas. Influenced by Western romanticism, Kurdish and Persian romantic literature evolved and reached its peak. The term “romantic self” is used to describe how a poet reveals his hidden and spontaneous feelings, desires and anguish using various romantic features. Drawing from American Romanticism, this comparative study explores how both Piramerd and Mirzada Ashqe emphasize the romantic self in their poems. This helps to understand the similarities and differences in the poets’ approaches to the notion of romantic self in their works.

APA, Harvard, Vancouver, ISO, and other styles

17

Dr Muhammad Tahir and Dr Ateeq Anwar. "A Non-Romantic Poet Of Romantic Era." Dareecha-e-Tahqeeq 4, no. 1 (March 22, 2023): 34–40. http://dx.doi.org/10.58760/dareechaetahqeeq.v4i1.101.

Full text

Abstract:

The romantic movement has an important place in literary movements. This movement had its effects on both poetry and prose. The impact of this movement has been evaluated in this research paper. Impact of the Romantic movement is described in the non- romantic style of the great poet Yas Yagana. Apart from this, various points of his poetry have been described which will help in understanding the aspects of his poetry. This research article also proves that it is possible to maintain a separate identity even under the shadow of a particular movement.

APA, Harvard, Vancouver, ISO, and other styles

18

Zhang, Zhongxu, and Ruiyuan Feng. "Research on the Teaching Mechanism of Minority Literature." BCP Social Sciences & Humanities 16 (March 26, 2022): 190–98. http://dx.doi.org/10.54691/bcpssh.v16i.459.

Full text

Abstract:

From the perspective of the "literacy" and "historical writing" movements, the establishment and teaching of Chinese minority literature disciplines, on the one hand, embodies the national policy of national equality in New China to achieve the vision of national unity; At the level of Chinese literature, we try to restore the value and status that national literature should have, and then realize the overall Chinese multi-ethnic literature teaching. However, the research on ethnic literature mostly focuses on the individual discussion of the value or form of some literary works. The overall lack of objective and comprehensive cognition and evaluation of ethnic literature affects the affirmation of the value of ethnic literature in the public domain. Literary education is the main way for the diffusion of literary effects. The goal of literary education is also the value of literary works. Literary education intends to spread culture, enrich emotional experience, and improve personality. Therefore, the recognition of ethnic minority literature in the context of literary education is from the non-informative aspects of culture, emotion, humanities, aesthetics, etc., to promote the promotion and value dissemination of national literature.

APA, Harvard, Vancouver, ISO, and other styles

19

Singh, Ruchi. "Ink and Resilience: Understanding Bangla Dalit Narratives." Indialogs 11 (April 15, 2024): 147–50. http://dx.doi.org/10.5565/rev/indialogs.273.

Full text

Abstract:

Interviews with Bangla Dalit Authors is a collection of interviews of Bangla Dalit writers conducted by Jaydeep Sarangi. This review is an attempt to read the book as a repository of personal information about the writers; their collective narratives of Dalits in Bengal; and how social changes, historical events, and cultural movements have influenced the Dalit literary movement in Bengal.

APA, Harvard, Vancouver, ISO, and other styles

20

Amancio, Diego Raphael, Osvaldo N. Oliveira, and Luciano da Fontoura Costa. "Identification of literary movements using complex networks to represent texts." New Journal of Physics 14, no. 4 (April 23, 2012): 043029. http://dx.doi.org/10.1088/1367-2630/14/4/043029.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Kadhim Shimal, Kamal, and Mohsen Hanif. "FOUCAULDIAN INFLUENCE ON THE LITERARY MOVEMENTS IN THE TWENTIETH CENTURY." Humanities & Social Sciences Reviews 7, no. 6 (December 3, 2019): 509–14. http://dx.doi.org/10.18510/hssr.2019.7680.

Full text

Abstract:

Purpose: This research paper is an attempt to investigate Foucault's concepts of power relations and knowledge and their impact on modern society. The study will explain Foucault's influence on the Historical movement and Cultural materialism. By Focusing on Foucauldian reading of Power and knowledge, Historical movement and Cultural materialism were able to conceive the historical events and their role to generate a mature society. Methodology: Power relations and knowledge are prevalent concepts of Foucault vastly argued today. These two concepts have been examined by many critics from different views, but this paper tries to study power relations and knowledge from Foucault's view. These two concepts are closely related to Historical and Cultural materialism movements and they have a huge impact on them. In this context, data have been collected by using the library and documentary method. Findings: Foucault's period exposed a lot of events. Foucault in a certain period his writings and researches were responses to Althusser's ideological ideas. Foucault's researches have a vast impact on other thinkers in which many types of theses researches in contemporary age deal with issues that Foucault involves in his works. He has dealt with social, political and economic issues. This study helps us to find solutions for many issues at present. Foucault has focused on the significance of the past and relate to the present. For him, without the past, we cannot understand the present. Therefore, the new historicists were admired and inspired by him because they have been focused on the importance of the past to create the present. Implications: Foucault has criticized the dictatorship governments that tried to separate the past from the present. Individuals were oppressed and subjected to the dominant policies of the tyrant governments but Foucault as critic and theorist through his writings could relate the past to the present and how positively affect the society. He can affect and lead individuals to the safe side by resisting the tyrant apparatuses running by the governments. Novelty/Originality of this study: This study has explored the Foucauldian concepts of power and Knowledge and its influence on society. It will enable the reader to have ample knowledge of how Foucault was able to create an active society that can revolt against oppression and domination. This study will help grant the readers a wide variety of knowledge of such society and how they can demand their rights.

APA, Harvard, Vancouver, ISO, and other styles

22

Vries, Clarissa de, W. Gudrun Reijnierse, and Roel M. Willems. "Eye movements reveal readers’ sensitivity to deliberate metaphors during narrative reading." Empirical Studies of Literariness 8, no. 1 (December 31, 2018): 135–64. http://dx.doi.org/10.1075/ssol.18008.vri.

Full text

Abstract:

Abstract Metaphors occur frequently in literary texts. Deliberate Metaphor Theory (DMT; e.g., Steen, 2017) proposes that metaphors that serve a communicative function as metaphor are radically different from metaphors that do not have this function. We investigated differences in processing between deliberate and non-deliberate metaphors, compared to non-metaphorical words in literary reading. Using the Deliberate Metaphor Identification Procedure (Reijnierse et al., 2018), we identified metaphors in two literary stories. Then, eye-tracking was used to investigate participants’ (N = 72) reading behavior. Deliberate metaphors were read slower than non-deliberate metaphors, and both metaphor types were read slower than non-metaphorical words. Differences were controlled for several psycholinguistic variables. Differences in reading behavior were related to individual differences in reading experience and absorption and appreciation of the story. These results are in line with predictions from DMT and underline the importance of distinguishing between metaphor types in the experimental study of literary reading.

APA, Harvard, Vancouver, ISO, and other styles

23

Kruger, H. "'Confessing out the soul to conform to the rhythm of thought': a reading of Allen Ginsberg’s Beat poetry." Literator 28, no. 1 (July 30, 2007): 23–46. http://dx.doi.org/10.4102/lit.v28i1.149.

Full text

Abstract:

Much critical writing about the Beat Movement has focused on the strong interrelationship between the literary and social discourses within and around the movement. However, the study of Beat literature also necessitates an awareness of its position within the literary discourse of the twentieth century. Beat writing may be seen as standing in the unstable, shifting territory between two equally unstable, shifting literary movements: modernism and postmodernism. Beat poetry pits itself against high modernism and the New Critical tradition, draws upon some aspects of early avant-garde modernism, and simultaneously remoulds these aspects into what may be regarded as the beginnings of postmodernism in the USA. This article presents a reading of Allen Ginsberg’s Beat poetry against this literary-historical background. A brief general overview of some of the key characteristics of Beat poetry is given, followed by a discussion of a number of Beat poems, organised around some salient features of Ginsberg’s Beat poetry that may be linked to Beat poetry’s position in the transition from modernism to postmodernism.

APA, Harvard, Vancouver, ISO, and other styles

24

Kim, Il-Su. "Kim Jin-man's Anti-Japanese Independence Movement." Institute of Korean Cultural Studies Yeungnam University 82 (December 31, 2022): 289–317. http://dx.doi.org/10.15186/ikc.2022.12.31.12.

Full text

Abstract:

Kim Jin-man has been one of the representative literary painters of the 20th century who has established his art world through Sagunja painting and Gimyeongjeolji painting and influenced the flower bed for a long time since he had academic ability. In order to restore the independence of the Japanese colonial eran people and achieve national independence, he started the Reconstruction Achievement Friendship Association and the “Daegu Pistol Incident”. He was a representative anti-Japanese independence activist in Daegu in the 1910s who promoted the anti-Japanese independence movement. His anti-Japanese independence movement was inherited over three generations. Soon, he continued to his grandson Kim Il-sik, following his sons Kim Young-jo and Kim Young-ki. Through this, the Kim Jin-man family established the overall image of the three major independence movements. In addition, the three major independence movements of the Kim Jin-man family were consistent with the chang e in the route of the anti-Japanese independence movement in Japanese colonial era. The three major independence movements of the Kim Jin-man family have great implications for the direction that our society should view and predict even today in the 21st century.

APA, Harvard, Vancouver, ISO, and other styles

25

Jenkins, Geraint H. "‘I Will Tell You a Word or Two About Cardiganshire’: Welsh Clerics and Literature in the Eighteenth Century." Studies in Church History 38 (2004): 303–23. http://dx.doi.org/10.1017/s0424208400015898.

Full text

Abstract:

In the process often characterized by Welsh historians as ‘the remaking of Wales in the eighteenth century’, the clergy played a central role in the literary and national revival. While the national and international contexts of these cultural movements are of paramount importance, particularities also count, and need to be integrated into the larger picture. An examination of the special flavour of the careers of several literary-minded clerics and other writers in the deeply rural county of Cardiganshire offers a means of throwing light on some of these broader themes, and of illustrating the importance of literacy, culture, and learning to relatively humble middling sorts within a particular community notorious for its isolation, poor communications, monoglottism, and slow-moving economy.

APA, Harvard, Vancouver, ISO, and other styles

26

Selimov, M. "Natsume Sōseki’s address to the new generation of literary figures: The writer’s thoughts on literary movements." Japanese Studies in Russia, no. 1 (April 18, 2024): 6–15. http://dx.doi.org/10.55105/2500-2872-2024-1-6-15.

Full text

Abstract:

This article analyzes two theoretical works by the writer Natsume Sōseki ( 夏目漱石, 1867–1916): the essay "Merits and Flaws of -isms" ( イズムの功過, Izumu-no Kōka , 1910), in which Natsume Sōseki called on adherents of naturalism, prevalent in Japan in the early 20th century, not to view Japanese literature through the prisms of “isms” and to go beyond the boundaries set by them; and the writer’s lecture on literary theory titled “My Individualism” ( 私の個人主義, Watakushi-no Kojinshugi, 1914). This lecture marked the culmination of the writer’s years-long theoretical inquiries, the most significant of which was his unsuccessful, as he later acknowledged, monograph “Theory of Literature” ( 文学論, Bungakuron , 1907). However, Russian literary studies did not show any serious interest in Natsume Sōseki’s theoretical works, despite the fact that Natsume Sōseki’s thoughts on the appropriateness of using Western terminology to describe the works of Japanese artists are extremely intriguing. The writer insisted that literary theory should take into account the context of a particular culture rather than seek universal paths of development, resorting to typologies of literary development, etc. Natsume Sōseki became the first Japanese literary theorist to argue that ideological and artistic trends that emerged in European and American cultures, bearing their imprint and conditioned by specific historical processes, cannot be transposed as a template onto Japanese soil simply because certain elements of Western artistic currents are evident in the works of Japanese writers. The present study raises the question of the value of studying Natsume Sōseki’s theoretical writings because they shed light on how he conceptualized, scientifically grasped the regularities, essence, and course of development of Japanese literature, being one of the most influential literary figures of the Meiji era (明治時代, 1868–1912).

APA, Harvard, Vancouver, ISO, and other styles

27

Vasile, Iolanda. "“Essa Dama Bate Bué” e o cânone literário angolano." Studia Universitatis Babeș-Bolyai Philologia 66, no. 4 (December 17, 2021): 239–50. http://dx.doi.org/10.24193/subbphilo.2021.4.16.

Full text

Abstract:

Essa Dama Bate Bué and the Angolan Literary Canon. A relevant topic for the history of literature, the literary canon has been widely questioned and the Angolan literary canon is no exception, being constantly susceptible to changes. The current paper aims at challenging the Angolan literary canon and defending the necessity of including the novel Essa Dama Bate Bué by Yara Monteiro. Published in 2018, it represents an example of silenced literature about women and guerrilla movements during the war for national independence, the subsequent civil war, and the post-conflict period. The book problematizes the presence of women in national wars, the countless roles they played, but also their integration in the post-colonial society, giving insights into a topic largely ignored in Angolan literature. Keywords: Angola, Angolan women, canon, Yara Monteiro, guerrilla movements

APA, Harvard, Vancouver, ISO, and other styles

28

Deivasigamani, T., P. Dinakaran, C. Shanmugasundaram, P. Premchandar, and A. Glory. "FOUCAULDIAN INFLUENCE ON THE HISTORICAL AND CULTURAL MATERIALISM MOVEMENTS IN THE TWENTIETH CENTURY." Humanities & Social Sciences Reviews 8, no. 1 (January 16, 2020): 85–90. http://dx.doi.org/10.18510/hssr.2020.8114.

Full text

Abstract:

Purpose of the study: This paper analyses the prominent movements that have been significantly influenced by Foucauldian conceptions particularly power relations and knowledge. This paper focuses on two critical movements namely Historical movement and Cultural materialism movement. Methodology: This is a review paper and largely based on secondary data analysis. Foucault's ideas influenced some movements such as New Historicism and Cultural Materialism. I will discuss how Foucault was inspired and influenced by some thinkers like Nietzsche. So, the present appears to be the issue to be studied historically. This point of view led to the rise of some movements, which are focusing on present issues and problems. Main Findings: The current study shows firstly that the German philosopher Michel Foucault has a great influence on many literary movements particular the new one such as Cultural materialism and new Historicism and so on. Secondly, it appears Foucault's inspiration by some thinkers and philosophers like Louis Althusser, Nietzsche, and Machiavelli. Applications of this study: Foucault has an impact on the other movements and thinkers in which many types of research in contemporary age deal with issues that Foucault involves in his works, such as social, political and economic issues. One of the materials that Foucault focusing it, the significance of past and relate to the present. Novelty/Originality of this study: The reader can feel the obvious influence of Michel's writings through a variety of features of Althusser and Nietzsche particularly Foucault regarded Nietzsche's idea as the departure point for his power theory.

APA, Harvard, Vancouver, ISO, and other styles

29

Garcia Yeste, Carme, Maria Padrós Cuxart, Eduard Mondéjar Torra, and Beatriz Villarejo Carballido. "The Other Women in Dialogic Literary Gatherings." Research on Ageing and Social Policy 5, no. 2 (July 30, 2017): 181. http://dx.doi.org/10.17583/rasp.2017.2660.

Full text

Abstract:

This paper is based on Freire’s conception of dialogic action, which highlights the role of dialogue in raising awareness and critical consciousness (Freire, 1970). Drawing on this conception, Dialogic Literary Gatherings (DLG) were created in 1978 in a working-class neighbourhood in Barcelona. The purpose was not only to contribute to adults’ literacy learning but also to support their empowerment towards personal and social transformations. Specifically, we examine four non-academic women who have participated in DLG for more than 20 years and who have been traditionally excluded from decision-making processes in various personal and social spaces. We demonstrate how these women transform their self-concept as readers and learners by engaging in reading and enjoying classic literature, thus becoming empowered as social agents. This empowerment has occurred through several pathways for engagement. DLG allow participants to become confident readers who perceive themselves as culturally competent such that they are capable of actively participating in scholarly forums. Participants become more socially engaged and become involved in social movements to support marginalised communities. The transformative dialogues prompted by individually reading aloud and collectively discussing the morals and social values of the classics (i.e., gender issues) mobilise participants to engage in women’s movements, opening the feminist arena to include so-called ‘other women’.

APA, Harvard, Vancouver, ISO, and other styles

30

Fiaz, Hafiz Muhammad, Dr Ayaz Ahmad Rind, and Shams Zoha Ali. "The Shakir's Ghazal and Modernity, Post-Modernity." Al-Aijaz Research Journal of Islamic Studies & Humanities 6, no. 1 (March 31, 2022): 99–109. http://dx.doi.org/10.53575/u11.v6.01.(22)99-109.

Full text

Abstract:

Everything changes with time. Literary trends also were changing with time. As progressive movement has destroyed traditional literary trends. Similarly, the theories of modernism, post modernism, colonialism and structuralism have influenced the literature around the globe. Saraiki literature has also been influenced by these theories and movements. We have tried to analyze this fact there. Shakir Shuja Abadi is the renowned nation poet of Saraiki language. The odd of Shakir is analyzed in the light of theories of modernism and post modernism to see to extent. Shakir's odd meet the criteria of the mentioned theories. How well this odd reflects the Facts and problems of society and how much improvement he wants in society.

APA, Harvard, Vancouver, ISO, and other styles

31

Krtli, Graziano. "Five Movements in Praise." World Literature Today 87, no. 5 (2013): 61–62. http://dx.doi.org/10.1353/wlt.2013.0056.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Bossaert, Benjamin. "“Was de tael gansch het volk?” Comparatief onderzoek naar de Vlaamse en Slowaakse nationale beweging in de 19e eeuw: Een pleidooi om cultuurhistorisch te vergelijken in de neerlandistiek/ “Was the Language Representing the Whole Nation?” A Comparative Approach of the Flemish and Slovak National Movements in the 19th Century: A Plea for Comparative Research in Dutch Studies." Werkwinkel 10, no. 1 (June 1, 2015): 115–30. http://dx.doi.org/10.1515/werk-2015-0007.

Full text

Abstract:

Abstract In this ongoing research we are going to have a look at the starting point for the burgeoning national feelings with two smaller nations: the Slovak and the Flemish national movement. Building on the methodological framework of nationalism researcher Miroslav Hroch, one can discern a threefold stage - model in the national movements of the smaller nations in Europe, which is a thesis still needing more empirical evidence. This article attempts to compare at least one aspect of early nineteenth-century nation - building: How were the literary societies functioning in both national movements? We are working in a time scope of the first half of the 19th century and ask ourselves the questions: until which extend reached literary societies? What was their impact? Which people were their readers, their public? Was their language, and their language-spreading aim representative for the whole nation? What similarities and differences can be found in Flanders and Slovakia in this field? Important support can be obtained from the NISE - network, which attempts to create a database on a European scale in order to stimulate and optimize comparative and transnational research on nation building.

APA, Harvard, Vancouver, ISO, and other styles

33

Yudkin, Jeremy. "Beethoven's Mozart Quartet." Journal of the American Musicological Society 45, no. 1 (1992): 30–74. http://dx.doi.org/10.2307/831489.

Full text

Abstract:

The literary critic Harold Bloom coined the term "anxiety of influence" to cover stages in the emancipation of poets from their powerful forebears. Much has been written on the shadow cast by Beethoven over later nineteenth-century composers, but Beethoven too had to come to terms with powerful influences. It has long been recognized that the slow movement of Beethoven's String Quartet, op. 18, no. 5, is modeled on that of Mozart's String Quartet in A major, K. 464. Here it is shown that in fact, the imitation involves not only the slow movement but all four of the movements. This provides an opportunity to examine in detail Beethoven's technique of reinterpreting his model. Indeed an examination of Beethoven's "anxiety" at different stages of his career may lead us to a closer understanding of his creative development. Toward the end of his life Beethoven imitated one of the movements from K. 464 again. Here may be seen the final stage in the confrontation of his anxiety.

APA, Harvard, Vancouver, ISO, and other styles

34

Quan, Wuhe. "Representation and Evolution of Western Philosophy in English Literature." Communications in Humanities Research 34, no. 1 (May 21, 2024): 153–57. http://dx.doi.org/10.54254/2753-7064/34/20240129.

Full text

Abstract:

The manifestation and evolution of Western philosophy in English literature represent a rich and diverse historical process. This article systematically examines the influence of philosophical movements from the classical period to the modern era on English literature. Ancient Greek and Roman philosophies inspired the themes and materials of literary works, while medieval Christian philosophy profoundly influenced the rise and development of religious themes. The humanist movement of the Renaissance integrated philosophy with literature, reflecting humanity's pursuit of the human spirit. The specific manifestations of philosophy in literature include themes such as self-consciousness, rationality, and nature, with different philosophical schools and literary styles also forming close associations. Interdisciplinary research will provide us with a deeper understanding, promoting interaction and exchange between philosophy and literature.

APA, Harvard, Vancouver, ISO, and other styles

35

Arifin, Achmad Zainal, Adib Sofia, and Irfatul Hidayah. "Revisiting Literacy Jihad Programs of ‘Aisyiyah in Countering the Challenges of Salafism." Religions 13, no. 12 (December 1, 2022): 1174. http://dx.doi.org/10.3390/rel13121174.

Full text

Abstract:

The rise of the Salafi movements in Indonesia during the last two decades has created an increasingly pessimistic view of the status of women in Islam. This paper aims to lessen this negative view by showing the tremendous contribution of ‘Aisyiyah, the oldest modern Muslim women’s organization in Indonesia, to transforming Indonesian society through literacy jihad for women and families. Using in-depth interviews with board members of ‘Aisyiyah, combined with library research to collect primary data on the past activities of ‘Aisyiyah, this qualitative research portrays how ‘Aisyiyah has preserved and maintained its consistency in conducting literacy jihad since the 1920s. Through the establishment of ‘Aisyiyah Bustanul Athfal Kindergarten, usually shortened to TK ABA, and the publication of Suara ‘Aisyiyah magazine, the literacy jihad of ‘Aisyiyah constantly empowers many Muslim women and families, especially those who live in urban areas across the country. Currently, the number of TK ABA has reached nearly 22,000 units, and the Suara ‘Aisyiyah has also entered a digital platform to continue raising the voice of women’s rights in Indonesia. Furthermore, we posit that the literary jihad programs of ‘Aisyiyah provide a new perspective on the relationship between modernist Muslim organizations and the Salafi movements, which have been seen as similar because they both subscribe to the same purification ideology.

APA, Harvard, Vancouver, ISO, and other styles

36

Gándara, Lelia Mabel. "Rhetorical Procedures in Chinese Literature." Chinese Semiotic Studies 15, no. 3 (August 27, 2019): 289–301. http://dx.doi.org/10.1515/css-2019-0018.

Full text

Abstract:

Abstract “Scar Literature,” a literary movement in twentieth-century Chinese literature, encompasses a series of works written after the Cultural Revolution. The scar metaphor was taken from the title of a short story, “The Scar,” and characterized a series of works with common features. The outlines of “Scar Literature” are blurred, mixed and intertwined with other literary trends and movements. But while Chinese and foreign literary criticism claim that it was short-lived, its influences are visible in several works by contemporary authors. Based on the idea that literary works are prone to being analyzed as a form of persuasive discourse, this paper identifies typical rhetorical procedures of this literary trend and its influences in certain emblematic works: the recurrence of topoi (figures such as “rehabilitation,” peculiar to the Cultural Revolution); inductive reasoning (the construction of a historiographic reasoning via the exemplum); recourse to pathos; and the metaphorical figure of the scar bearing the value of the plotline. This analysis applies concepts of New Rhetoric and discourse linguistics, in particular, concepts developed by Olbrecht-Tyteca and Perelman, Amossy’s approach about pathos and the role of emotions and “figurality” in argumentation, and Plantin’s linguistic theory of the emotions.

APA, Harvard, Vancouver, ISO, and other styles

37

Boratti, Vijayakumar M. "Linguistic Movements and Political Heterogeneity: Rethinking Unification Movement across British and ‘Princely’ Karnataka." Society and Culture in South Asia 8, no. 1 (December 1, 2021): 118–41. http://dx.doi.org/10.1177/23938617211054167.

Full text

Abstract:

Subsequent to the Partition of Bengal in 1905, the consolidation of linguistic identities and movements emerged as an important assertion of core democratic values, positing that governance must be in a language intelligible to the majority. Like other linguistic movements in late-colonial India, the Karnataka Ekikarana (Karnataka unification) movement did not proceed with a spatially uniform logic nor followed a uniform temporality in realising its objectives of uniting Kannada speakers from disparate sub-regions. Attempting to reconcile elite literary ambitions, popular aspirations and political differences, the movement shifted gears through several phases as it worked across multiple territorial jurisdictions and political systems, including the demarcations of British India and princely India. Focussing on the period between 1860 and 1938, the present article examines the heterogeneous nature of the unification movement across British-Karnataka and two Kannada-speaking princely states, namely, Mysore in the south and Jamakhandi in the north. It explores the ways in which the ruling family of ‘model’ Mysore sought legitimacy in embracing their Kannada heritage; in contrast, the Jamakhandi rulers resisted any concession to Kannada linguistic sentiments. The article shows how, in arriving at monolingually indexed territorial entities, the bridging of ‘internal’ frontiers across these divergent political and linguistic contours proved just as crucial as the claiming of dominance over other language groups within an intensely polyglot world.

APA, Harvard, Vancouver, ISO, and other styles

38

Sonboldel, Farshad. "Another Avant-Garde: Rethinking Tondar Kia’s Approach to Poetic Expression in a Transnational Context." International Journal of Persian Literature 8 (September 1, 2023): 61–85. http://dx.doi.org/10.5325/intejperslite.8.0061.

Full text

Abstract:

Abstract This article explores the concept of avant-garde artistic expression and argues that it should be regarded as a transcultural phenomenon that surpasses geographical boundaries. It emphasizes the importance of adopting a transnational perspective to fully grasp the intricate interactions between diverse avant-garde movements across cultures and regions. To illustrate this point, the article focuses on the Iranian avant-garde poet Tondar Kia, challenging the perception that his work is merely a replication of Western movements. Instead, it proposes that a transnational lens enables a more comprehensive understanding of the distinctive contributions made by Iranian avant-garde poets to the global avant-garde movement. The article extensively examines Kia’s work within the local context of Persian literary evolution while also shedding light on the transnational aspects present in his compositions. It highlights Kia’s critique of established aesthetic norms, particularly the notion of organic unity, and explores his innovative approaches to rhythm, tone, and polyphony in Persian poetry.

APA, Harvard, Vancouver, ISO, and other styles

39

Gouws, Amanda, and Azille Coetzee. "Women's movements and feminist activism." Agenda 33, no. 2 (April 3, 2019): 1–8. http://dx.doi.org/10.1080/10130950.2019.1619263.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Bourlet, Mélanie. "Cosmopolitanism, Literary Nationalisms and Linguistic Activism." Journal of World Literature 4, no. 1 (March 6, 2019): 35–55. http://dx.doi.org/10.1163/24056480-00401004.

Full text

Abstract:

Abstract This article explores the relationship between cosmopolitanism and nationalism through the example of a transnational literature written in an African language, Pulaar, considered from a multi-located perspective. It seeks to understand to what extent a linguistically based transnational literary nationalism may be considered a form of “bottom-up cosmopolitanism” (Appadurai) that carries social aspirations. In the context of globalization, movements of linguistic revitalisation continue to grow and language has become a veritable tool for social action. This essay argues that, from a methodological standpoint, a more focused attention to the local and to translocal ties allows us to bring to light the connectivity of literature and its tendency to challenge institutionalized global literary geographies.

APA, Harvard, Vancouver, ISO, and other styles

41

Ramakrishna, V. "Literary and Theatre Movements in Colonial Andhra: Struggle for Left Ideological Legitimacy." Social Scientist 21, no. 1/2 (January 1993): 69. http://dx.doi.org/10.2307/3517839.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

이수경. "Kim Heemyong`s Anti-Imperialism and his role in some literary movements." Journal of the society of Japanese Language and Literature, Japanology ll, no. 36 (February 2007): 255–88. http://dx.doi.org/10.21792/trijpn.2007..36.012.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

KARATAŞ, Evren. "The Woman’s Movements In Turkey And The Woman’s Voices In Our Literary." Journal of Turkish Studies Volume 4 Issue 8, no. 4 (2009): 1652–73. http://dx.doi.org/10.7827/turkishstudies.1014.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Swartz, Wendy. "Gesture and the Movements of Literary Creativity: Lu Ji’s “Rhapsody on Literature”." Early Medieval China 2021, no. 27 (January 1, 2021): 90–100. http://dx.doi.org/10.1080/15299104.2021.1974738.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Sulton, Agus. "MEDIA OF LITERARY WORKS AND SYMBOLIC SOCIAL MOVEMENTS OF MAS MARCO KARTODIKROMO." Philosophica: Jurnal Bahasa, Sastra, dan Budaya 5, no. 1 (July 11, 2022): 37. http://dx.doi.org/10.35473/po.v5i1.1231.

Full text

Abstract:

This study aims to identify and discover the ideas of social change offered by Mas Marco Kartodikromo through his work. Mas Marco Kartodikromo is an active person who writes literary works and articles in the early 20th century. The results of his writings present ideas for social change and the theme of the injustice of the system applied by the Dutch colonial government. The results of this study indicate that the idea of social change offered by Mas Marco Kartodikromo concerns the issue of nationalism for the Indies homeland, the idea of independence for the Indies homeland, defending the rights of indigenous women in the Indies, and improving the policy system in the Indies. Broadly speaking, the narratives written by Mas Marco Kartodikromo provide awareness to the readers so that the Indies quickly get out of the Dutch colonial shackles to become an independent state.

APA, Harvard, Vancouver, ISO, and other styles

46

Wood, Alice. "Magazines, Movements, Modernism." Women: A Cultural Review 31, no. 1 (January 2, 2020): 112–14. http://dx.doi.org/10.1080/09574042.2020.1723340.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Izgarjan, Aleksandra, and Slobodanka Markov. "Alice Walker’s Womanism: Perspectives Past and Present." Gender Studies 11, no. 1 (December 1, 2012): 304–15. http://dx.doi.org/10.2478/v10320-012-0047-0.

Full text

Abstract:

Abstract The article charts the development of womanism as a movement which has presented an alternative to feminism. It advocates inclusiveness instead of exclusiveness, whether it is related to race, class or gender. Womanism provided political framework for colored women and gave them tools in their struggle with patriarchy which imposed restrictive norms and negative stereotypes on them. It also tackled the restrictiveness of feminism which was especially evident in the field of literary scholarship. Womanism is also related to new movements within feminism such as womanist theology and eco-feminism

APA, Harvard, Vancouver, ISO, and other styles

48

Quigley, Gabriel. "“A Worthless Reptile”." Samuel Beckett Today / Aujourd’hui 31, no. 2 (October 24, 2019): 250–62. http://dx.doi.org/10.1163/18757405-03102005.

Full text

Abstract:

Abstract During the 1960s and 70s, direct invocations of Beckett’s texts began to appear in works by writers belonging to a Turkish literary movement called bunalim edebiyati, or Literature of Despair. These writers were critical of the Turkish republic; their productions also coincided with the formation of social movements that sought to address the sociocultural effects of the Turkish language reforms. This paper argues that Beckett’s method and thematic engagement with self-translation informed how Turkish writers negotiated language reforms in their own writing. Writers examined include Adalet Ağaoğlu and Ferhan Şensoy as well as Beckett productions by Barbara Hutt.

APA, Harvard, Vancouver, ISO, and other styles

49

Kind-Kovács, Friederike. "Crossing Germany’s Iron Curtain." East Central Europe 41, no. 2-3 (December 3, 2014): 180–203. http://dx.doi.org/10.1163/18763308-04103002.

Full text

Abstract:

In recent years, historians have slowly lost interest in depicting the Cold War as a unique ideological contest between the “real existing” socialist East and the capitalist West. In this spirit, this text examines the social practice of literary transfers, i.e., the exchange of literary works across borders. These transfers sought to physically restore an unraveled Europe that had come about as a result of the ideological and often personal division of Europe’s (and Germany’s) populations. Focusing on the practice of literary transfers across the Iron Curtain permits us to understand borders as symbolic spaces of the Cold War, although they had supposedly been hermetically sealed. Current research on opposition movements in Cold War Europe is still dominated by the widespread notion that oppositional phenomena in thegdrrepresent a research area distinct from other oppositional movements in the Eastern bloc. Possibly due to Germany’s singular dividedness, this perception has often led to individual studies of oppositional phenomena, especially in the literary field, in the formergdr, thereby obscuring parallels in Central and Eastern Europe. As a critical response, this text distances itself from the division of the Soviet bloc’s cultural history into irreconcilable geographical subareas. In doing so, it exemplifies literary transfers both across the German-German border as well as across the East-West Iron Curtain.

APA, Harvard, Vancouver, ISO, and other styles

50

Caracchini, Cristina. "Laughter and the Manifesto: Aldo Palazzeschi’s Counter-Futurist Futurist Il controdolore." Quaderni d'italianistica 36, no. 2 (July 27, 2016): 103–26. http://dx.doi.org/10.33137/q.i..v36i2.26901.

Full text

Abstract:

Literary history made a Futurist out of Palazzeschi, and he himself said about his manifesto, Il controdolore (published in Lacerba in 1914) that it represented his “modest and direct” contribution to Marinetti’s movement. This article situates Il controdolore among other mainly contemporary texts devoted to laughter. Referring to theories of manifestos, it looks at Palazzeschi’s text as a theatrical space, underlining its literary and non-pragmatic nature. I intend to show that, in this iconic work, we start to recognize certain recurring features and ideas that position Palazzeschi’s very anomalous avant-garde experience among the ranks of the Futurists, in a space of autonomous opposition to both poles of the binary Futurism/non-Futurism. As a matter of fact, his position, liminal, and somewhat anarchic, makes his work a convincing antecedent of avant-garde movements to come, especially Dadaism.

APA, Harvard, Vancouver, ISO, and other styles

Journal articles on the topic 'Literary movements'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles