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Relevant bibliographies by topics / Literary naturalism

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Academic literature on the topic 'Literary naturalism'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 January 2023

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Journal articles on the topic "Literary naturalism"

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Pizer, Donald. "The Study of American Literary Naturalism: A Personal Retrospective." Literature of the Americas, no. 11 (2021): 424–36. http://dx.doi.org/10.22455/2541-7894-2021-11-424-436.

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Donald Pizer’s personal retrospective also embraces history of American literary naturalism studies from the early1950s up to nowadays. From his earliest seminar in American literature D. Pizer was deeply drawn to the writers of the 1890s. As a student he was assured by the standard historical and critical studies of the period that naturalists had failed in this effort to apply a scientific accuracy and detachment to fictional representation, their novels were therefore both untrue and inept and naturalism was in effect a regrettable false step in the "development" of American literature. Since the 1960s being engaged in close study of the early naturalists — Norris, Crane, Garland, Dreiser — Pizer had to confront these conventional attitudes. When looked at closely as a fictional representation of beliefs about human nature and experience, the naturalistic novel appeared to be far more complex than it was believed to be. Pizer sought in a series of books and essays to describe and thus to redefine American naturalism as a whole. Rather than a mindless adoption and crude dramatization of deterministic formulas, he found in naturalistic fiction the conflict between old values and new experience, which usually resulted in a vital thematic ambivalence. It was this very ambivalence, rather than the certainties of the convinced determinist, which was the source of the fictional strength of the naturalistic novel of the period. There has been much recent interest in the American naturalist movement and its texts. It seems, as long as American writers respond deeply to the disparity between the ideal and the actual in our national experience, naturalism will remain one of the major means for the registering of this shock of discovery.

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Howard, June, and Lee Clark Mitchell. "Determined Fictions: American Literary Naturalism." American Literature 62, no. 4 (December 1990): 715. http://dx.doi.org/10.2307/2927090.

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Egnal, Marc. "Re-Visioning American Literary Naturalism." Canadian Review of American Studies 48, no. 2 (June 2018): 171–90. http://dx.doi.org/10.3138/cras.2017.026.

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Campbell, Donna. "American Literary Naturalism: Critical Perspectives." Literature Compass 8, no. 8 (August 2011): 499–513. http://dx.doi.org/10.1111/j.1741-4113.2011.00819.x.

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Galgani, Jaime. "Recepción de la narrativa social europea en Chile (1880-1920)." Literatura y Lingüística, no. 22 (May 27, 2015): 15. http://dx.doi.org/10.29344/0717621x.22.120.

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ResumenDurante la década 1880-1890, se dieron fenómenos importantes que impulsaron el cambio de paradigma en el mercado del consumo literario y en la producción narrativa. Uno de ellos fue la llegada, lectura y recepción –en revistas y cenáculos– de la obra de escritores europeos vinculados al realismo y al naturalismo principalmente. Dichas escuelas, creadoras de una estética narrativa propia, son apropiadas en Chile de tal manera que generaron un fenómeno único de producción literaria que tiene su motivación fundamental en la cuestión social como motor del relato.Palabras clave: novela social, cuestión social, naturalismo, realismo, recepción, apropiación AbstractThroughout the 1880-1890 decade, a series of important events occurred that promoted a paradigm shift in the market of literary consumption and narrative production. One of those was the arrival, reading and reception -in magazines and inner circles- of the work of European authors linked mainly to realism and naturalism. These schools, creators of a unique aesthetics narrative, are appropriated here in Chile in such a way that they caused a distinctive phenomenon of literary production that finds a fundamental motivation in social aspects as the driven-force of story.Key words: social novel, social aspects, naturalism, realism, reception, appropriation

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Golod, Roman. "Ukrainian Literary Naturalism in the Ideological and Aesthetic Reception of Lesia Ukrainka." Journal of Vasyl Stefanyk Precarpathian National University 8, no. 2 (June 2, 2022): 56–64. http://dx.doi.org/10.15330/jpnu.8.2.56-64.

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The article deals with the study of the problem of Lesia Ukrainka's reception of the literary phenomenon of naturalism and the philosophy of positivism as its ideological basis. It also studies the way the poetess evaluated and looked at the achievements of European and Ukrainian writers representing this literary movement in the context of world and Ukrainian literary and cultural processes. The research also singles out the significance, national and individual-author features of the naturalism professed by I. Franko, A. Krymsky, E. Zola, Goncourt brothers, and F.Norris. The article focuses on the ideological and aesthetic importance of the postulates of naturalistic art for the development of the Ukrainian literary process. It also analyses different stages of the ideological and aesthetic reception of the naturalism doctrine in the perception of different generations of Ukrainian literary critics; it deals with Lesya Ukrainka's attitude to the naturalistic concept of a man and her reasoning about the compatibility of naturalism with certain genres and movements of literature. The article drives to the conclusion that Lesia Ukrainka recognizes the very fact of the existence of Ukrainian naturalism. It provides Lesia's vision on the usage of naturalistic elements in generally unnaturalist works and their combination with other elememts, sometimes representative of opposite to naturalism in their ideological and aesthetic postulates, such as romanticism, decadence, neo-romanticism, realism, etc. The article also provides an insight of Lesia Ukrainka's attitude to the problems of zoomorphic imagery, social involvement, physiological scientism in the literature of naturalism. It draws attention to the problem of the evolution of aesthetic consciousness of E. Zola, I. Franko, A. Krymsky, and Lesia Ukrainka herself. There is also place for the comparative analysis of the perception of naturalism in the literary-critical reception of different generations of Ukrainian and foreign writers.

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Long, L. A. "Genre Matters: Embodying American Literary Naturalism." American Literary History 19, no. 1 (December 5, 2006): 160–73. http://dx.doi.org/10.1093/alh/ajl030.

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Kim, Yeonman. "Is American Literary Naturalism Nature-Friendly?" Modern Studies in English Language & Literature 61, no. 1 (February 28, 2017): 291–308. http://dx.doi.org/10.17754/mesk.61.1.291.

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Phipps, Gregory. "American Literary Naturalism and Its Descendants." Studies in American Naturalism 15, no. 1 (2020): vii—xiv. http://dx.doi.org/10.1353/san.2020.0013.

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Pedrosa, José Manuel. "Rosso Malpelo (1878), infrahéroe y fantasma: mitologías de la mina y el infierno." Estudios Humanísticos. Filología, no. 36 (December 18, 2014): 19. http://dx.doi.org/10.18002/ehf.v0i36.1351.

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<p>Resumen</p> <p>Análisis del cuento <em>Rosso Malpelo</em> (“<em>Malpelo el Pel</em>irrojo”), publicado por el escritor naturalista y verista italiano Giovanni Verga en 1878. El cuento describe la dura explotación infantil en las minas italianas del siglo XIX. El análisis conecta el perfil literario del protagonista del cuento con el de muchos héroes mitológicos que realizan el viaje al infierno, el <em>descensus ad inferos</em>.</p><p>Palabras clave: Rosso Malpelo, Giovanni Verga, mina, minería, naturalismo, verismo, héroe, épica, tragedia, <em>descensus ad inferos</em>.</p><p>Abstract</p><p>Analysis of the tale <em>Rosso Malpelo</em> (“<em>Malpelo the Redhead</em>”), published in 1878 by Italian writer Giovanni Verga, exponent of the naturalist and verista movements. The story describes the harsh child labor in Italian mines during the nineteenth century. The analysis connects the literary profile of the protagonist of the story with many mythological heroes that go to hell (<em>descensus ad inferos).</em></p> <p>Key words: Rosso Malpelo, Giovanni Verga, mine, mining, naturalism, verismo, hero, epics, tragedy, <em>descensus ad inferos.</em></p>

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Dissertations / Theses on the topic "Literary naturalism"

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梁敏兒 and Man-yee Leung. "Naturalism and Mao Dun's literary theory." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31208733.

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Wilson, Sara Curnow. "Unnaturalism: British Literary Naturalism Between the Wars." Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/448805.

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English
Ph.D.
My dissertation explores a turn in British literature back toward naturalism in the late modernist period, a literary move I call unnaturalism to refer to the way it resembles but deviates from the classic naturalist tradition of the late-nineteenth and early-twentieth centuries. In the 1930s, Virginia Woolf, Samuel Beckett, Jean Rhys, and George Orwell separately play with the form that can best merge literature and politics. The resulting novels—The Years (1937), Murphy (1938), Good Morning, Midnight (1939), and Coming Up for Air (1939)—might not all look like naturalism, but they share a concern with determinism and social conditions, a tendency toward extreme external detail, and an engagement with contemporary scientific and medical discourse. Socially and politically engaged, these writers work to expose the mechanics behind the ‘natural’ order and reveal social determinism misrepresented as biological determinism. Rather than work to disprove or deny this way of understanding the world, the novels of my study complicate all singular understandings of human development. In short, these writers recover naturalist conventions in order to expose a functional determinism that is not rooted in biology—is not, in another word, natural—but rather constructed and reconstructed by contemporary discourses. By focusing on the details of the immediate, individual experience of women and economic or national outsiders, unnaturalists seek a more accurate presentation of the deep inequalities of society and the forces that keep them in place. In The Years, Woolf focuses on the way women continue to be limited by social norms despite the women’s rights developments of the early twentieth century (the professions were unbarred in 1919 and the Representation of the People Act of 1928 provided women with the same suffrage terms as men). In Murphy, Beckett gestures toward the growing field of experimental psychology, revealing the determinist assumptions on which the field relies. Rhys reveals similar assumptions in popular male depictions of women in Good Morning, Midnight as she addresses and revises Sigmund Freud’s “Femininity” and James Joyce’s Ulysses. Orwell looks at politics and language itself in Coming Up for Air, turning to sensory description as a way of working within a language tradition that he sees as keeping in place an anachronistic class system.
Temple University--Theses

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Marriott, Laurence J. "Literary naturalism 1865-1940 : its history, influences and legacy." Thesis, University of Northampton, 2002. http://nectar.northampton.ac.uk/2959/.

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This thesis examines the emergence of literary Naturalism in France from its beginnings in the fiction and letters of the Goncourt brothers, the positivist philosophy of Auguste Cornte, and the literary criticism of Hippolyte Tame. It then tracks the history and reception of naturalistic fiction in England. The second half concentrates on the rise of Naturalism as an American fictional form, from its beginnings in the 1890s through to critical acceptance and success in the first decade of the twentieth century. It then examines the reasons for the comparative success of American Naturalism at a time when naturalistic writing in Europe had become outdated. Literary criticism has been periodised throughout in order to demonstrate its influence on the canon and on the formation of genre. Chapter 1 emphasises that the thesis concentrates on literary history rather than on textual criticism, it also suggests a cultural materialist subtext in that the struggles faced by early naturalistic writers were often the result of opposition from reactionary politicians and Church groups rather than from literary critics. Chapter 2 has two purposes: first, it explicates the genesis of literary Naturalism in nineteenth-century France and puts it into a historical perspective. Second, it explores the way in which genre has influenced the way that critics and readers have perceived Naturalism as a development of the novel. It also examines the way in which Zola perceived genre and how he emphasised the importance of the novel as a social tool. Chapter 3 demonstrates the ways in which English writers developed their own form of naturalistic fiction, but lost momentum towards the end of the nineteenth century. It explores the difference between French and English attitudes towards fiction and suggests that different aesthetic values may be the key to these differences. Chapter 4 introduces early reactions to the fledgling American naturalist writers and the reactions of contemporary critics, such as Howells and James. It also emphasises the importance of Frank Norris’s theoretical views on the future of the American novel and presents an overview of the influence of journalistic writing on fiction and the conflicts that this entailed. Chapter 5 focuses on the literary aesthetics found in the works of Norris and Dreiser and presents case studies of Sister Carrie and The Octopus. This chapter argues that The Octopus, in particular, should be read as a novel of aesthetics, and is Norris’s most cogent statement of his theoretical stance on literature and criticism. Chapter 6 explores the growth of Naturalism as an American form. American writers adopted the broad philosophies of European Naturalism, and this chapter examines how they incorporated those ideas into an American cultural matrix that departed from the European model. The conclusion argues that Progressivism and the general will for reform were catalysts for the success of American literary Naturalism, and that the romantic language of naturalism lent itself to a national literature which dealt with such issues. Naturalistic techniques and perspectives were ideally suited to later novels of protest; therefore, the genre was able to persist in an adapted form well into the 1930s

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Masterson, Kelly. "Beyond Darwin: Race, Sex, and Science in American Literary Naturalism." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1525606188894478.

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Bembridge, Steven. ""I could almost believe in God" : the evolution of American theology in American literary naturalism." Thesis, University of East Anglia, 2017. https://ueaeprints.uea.ac.uk/63545/.

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This dissertation is about the prevalence of religious themes in American literary naturalism, which emerged in the late nineteenth century. The centrality of themes such as the indifference of nature and the struggle for survival are common to naturalism, owing to its close association with post-Enlightenment and post-Darwinian advances in science and philosophy. From a contemporary perspective, where science and religion often appear as oppositional explanations for life and its development, it becomes all too easy to assume that those authors associated with naturalism represented religion in limited ways, or with a spirit of antagonism. However, I demonstrate that religion occupies a central position in naturalism. I argue that the religious themes of Frank Norris, Stephen Crane, Jack London, Upton Sinclair, and Sinclair Lewis are reflections of nineteenth and early twentieth-century theological and cultural histories that saw American Protestantism adjusting to a post-Darwinian and post-Enlightenment context through a process of liberalisation. Whilst I do not set out to form an overarching theory of religion in naturalism, I do argue that the naturalists consistently explore the veracity of the Bible, the humanity of Christ, the eschatological promise of life after death, the socio-economic and socio-political implications of Christ’s teaching, and the concept of original sin. In conclusion, I note that both the Great Depression and post-9/11 America saw a return to naturalism as a mode of representation. I therefore also explore how twentieth- and twenty-first century naturalists continued to incorporate into their works the religious themes explored in the works of the earlier generation of naturalists. The naturalists were, and perhaps continue to be, scientists, philosophers, and non-conventional theologians. Religion and naturalism coexist in a complex relationship that ebbs and flows between orthodoxy and liberalism, but never do they deny the right for the other to exist.

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Swasey, Christel Lane. "Ethnographic Literary Journalism." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd3087.pdf.

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Arauujo, Susana Isabel Arsenio. "Naturalism, metafiction, romance and gothic : rewriting literary genre in the short fiction of Joyce Carol Oates." Thesis, University of Sussex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555254.

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Wender, Stephan. "Between the self and the public : the co-implication of American literary naturalism and modernism in the modern urban narrative /." [Bloomington, Ind.] : Indiana University, 2004. http://wwwlib.umi.com/dissertations/fullcit/3162270.

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Neta, Benigna Soares Lessa. "The girl and the province: the progress expected in the novel The normalista, Adolfo Caminha." Universidade Federal do CearÃ, 2011. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=6529.

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nÃo hÃ
O presente estudo enfoca, no romance A Normalista, de Adolfo Caminha, publicado em 1893, a relaÃÃo entre a ideia dominante de progresso, que se impÃe de diferentes maneiras aos protagonistas, e a vida da cidade apresentada como pacata e provinciana. Esse romance filia-se Ã estÃtica naturalista europeia, que se integrou aqui no Brasil ao processo social mais amplo de modernizaÃÃo em que o paÃs estava envolvido. Objetivamos entender a relaÃÃo desse romance com o processo, em curso, de modernizaÃÃo da capital, buscando explicar o jogo dialÃtico entre forma literÃria e processo social, a partir dos pressupostos das obras crÃticas de Antonio Candido e Roberto Schwarz. Na introduÃÃo, apresentamos os objetivos e mÃtodos do trabalho. No primeiro capÃtulo, abordamos o perÃodo que compreende a segunda metade do sÃculo XIX. Vemos, rapidamente, o que motivou o surgimento do Naturalismo; em seguida, tratamos mais especificamente do Naturalismo no Brasil e no CearÃ; apresentamos a relaÃÃo de Adolfo Caminha com a estÃtica Naturalista; depois abordamos a recepÃÃo crÃtica da obra e terminamos o capÃtulo com o entendimento do Naturalismo como experiÃncia ideolÃgica e estÃtica. No segundo, apresentamos, a partir da personagem principal, Maria do Carmo, o posicionamento do narrador e, tambÃm, a prÃpria construÃÃo da narrativa. No terceiro e Ãltimo capÃtulo, analisamos as trÃs personagens em que as ideias de progresso aparecem mais fortemente: JoÃo da Mata, Zuza e LÃdia. Nesse capÃtulo, detemo-nos sobre os conceitos de Candido e Schwarz, a fim de explicar como o romance se organiza. Ao tÃrmino do trabalho, concluÃmos que todas as personagens do romance anseiam pelo progresso e que esse desejo se combina, das mais variadas formas, nem sempre coerentemente, com a vida que elas objetivamente podem levar e com os objetivos que podem atingir na cidade ainda provinciana.
This study focuses on the novel The normalista, Adolfo Caminha, published in 1893, the relationship between the dominant idea of progress, which applies in different ways to the protagonists, and the city life presented as quiet and provincial. This novel joins the European naturalistic aesthetic, which he joined in Brazil to the broader social modernization process in that country was involved. We aim to understand the relationship with this novel process, ongoing modernization of the capital, seeking to explain the dialectical interplay between literary form and social process, from the assumptions of the critical works of Antonio Candido and Robert Schwarz. In the introduction, we present the goals and methods of work. In the first chapter, we cover the period covered by the second half of the nineteenth century. We see quickly what motivated the emergence of naturalism; then we treat more specifically of naturalism in Brazil and CearÃ; We present the Adolfo Caminha relationship with the Naturalist aesthetic; then we approach the critical reception of the work and finished chapter with the understanding of Naturalism as an ideological and aesthetic experience. In the second, we present, from the main character, Maria do Carmo, the position of the narrator and also the construction of the narrative itself. In the third and final chapter, we analyze the three characters in the progress of ideas appear more strongly: JoÃo da Mata, Zuza and Lydia. In this chapter, we are reflecting on the concepts of Candido and Schwarz in order to explain how the novel is organized. At the end of the work, we conclude that all the novel's characters yearn for progress and that this desire is combined, in many different ways, not always consistently, with the life they objectively can take and the goals you can reach the city still provincial .

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Samaké, Famahan. "Le naturalisme Zolien dans Les Rougon-Macquart : une fatalité de la sexualité." Thesis, University of South Wales, 2003. https://pure.southwales.ac.uk/en/studentthesis/le-naturalisme-zolien-dans-les-rougonmacquart-une-fatalite-de-la-sexualite(3704063f-5f92-47b4-87a5-59598651a50c).html.

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My proposed PhD, titled Zola's Naturalism in The Rougon-Macquart: The Fatality of Sexuality, aims to study the basics of the naturalistic novel in the second half of the nineteenth-century France. Firstly, I have looked back at previous critical studies that were dedicated to the themes of sexuality and/or fatality in Zola's writing. This introductory chapter helped me understand how far critics have gone and what a long way we still have to go before we can fully appreciate the importance of these themes in the context of naturalism. Throughout the twenty novels that make The Rougon-Macquart series, I studied the fictional characters in their being, their appearance and their evolution in space and time. I therefore investigated whether or not these characters were masters or slaves of their space and time and beyond that, what influences they had on each other. Afterwards, I questioned the fecundity of the theme of sexuality in Zola's work to find out both the aspects of originality in his writing and his contribution to the modern novel. Nevertheless, I have criticized Zola on a wider angle as an emeritus writer with his own "weaknesses". Methodologically, I have largely used the semiotics approach along with psychoanalysis due to the specificity of sexuality. Despite the wide range of critical studies on Zola's novels, in my sense, most of them have so far failed to tackle naturalism at its foundations, i.e. sexuality. In fact, if one attempted to free The Rougon-Macquart from the theme of sexuality, neither the Rougon-Macquart family would exist nor the twenty novels they generated. Studying sexuality therefore appeared to be essential to the understanding of the naturalistic theory. However, and surprisingly so, most of Zola's critics have avoided that inescapable theme, perhaps more likely for reasons of decency rather than for scientific ones. It is in such context that I have decided that it was time to bring it to light for the sake of truth about the knowledge of Zola.

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Books on the topic "Literary naturalism"

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Mitchell, Lee Clark. Determined fictions: American literary naturalism. New York: Columbia University Press, 1989.

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American literary naturalism: Recent and uncollected essays. Bethesda [Md.]: Academica Press, 2002.

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Newlin, Keith. The Oxford handbook of American literary naturalism. Oxford: Oxford University Press, 2011.

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Form and history in American literary naturalism. Chapel Hill: University of North Carolina Press, 1985.

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The Oxford handbook of American literary naturalism. New York: Oxford University Press, 2011.

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The urban sublime in American literary naturalism. Urbana: University of Illinois Press, 1998.

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Strengell, Heidi. Dissecting Stephen King: From the Gothic to literary naturalism. Madison, WI: University of Wisconsin Press, 2006.

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Dissecting Stephen King: From the Gothic to literary naturalism. Madison, WI: University of Wisconsin Press, 2005.

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George Orwell: A study in ideology and literary form. New York: Garland Pub., 1988.

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1980-, Lehu Peter J., ed. Literary research and the American realism and naturalism period: Strategies and sources. Lanham, Md: Scarecrow Press, 2009.

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Book chapters on the topic "Literary naturalism"

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Harland, Richard. "Naturalism, Symbolism and Modernism." In Literary Theory From Plato to Barthes, 96–124. London: Macmillan Education UK, 1999. http://dx.doi.org/10.1007/978-1-349-27673-8_6.

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Salmela, Markku. "Merging Naturalism and the Unreal: An Approach to America’s Literary Cities." In The Palgrave Handbook of Literature and the City, 283–99. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-54911-2_17.

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Matthews, Sam. "John Dos Passos’ Manhattan Transfer (1925): Naturalism, Modernism, and Radical Politics in the Modern American Novel." In The Palgrave Encyclopedia of Urban Literary Studies, 1–7. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-62592-8_32-1.

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Matthews, Sam. "John Dos Passos’ Manhattan Transfer (1925): Naturalism, Modernism, and Radical Politics in the Modern American Novel." In The Palgrave Encyclopedia of Urban Literary Studies, 1064–70. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-62419-8_32.

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Shattock, Joanne, Joanne Wilkes, Katherine Newey, and Valerie Sanders. "Alexander Innes Shand, ‘Life of a Scotch naturalist’." In Literary and Cultural Criticism from the Nineteenth Century, 196–98. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003199861-36.

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"AMERICAN NATURALISM:." In American Literary Naturalism, 3–16. Anthem Press, 2020. http://dx.doi.org/10.2307/j.ctv17ppcbz.5.

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"American Literary Naturalism." In Reader's Guide to Literature in English, 104–43. Routledge, 2012. http://dx.doi.org/10.4324/9780203303290-7.

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"Naturalism." In The Palgrave Encyclopedia of Urban Literary Studies, 1386. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-62419-8_300492.

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"Front Matter." In American Literary Naturalism, i—iv. Anthem Press, 2020. http://dx.doi.org/10.2307/j.ctv17ppcbz.1.

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"JOHN DOS PASSOS AND HARLAN:." In American Literary Naturalism, 81–100. Anthem Press, 2020. http://dx.doi.org/10.2307/j.ctv17ppcbz.10.

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Conference papers on the topic "Literary naturalism"

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Suryawan, Ari, Suyanta Suyanta, and Insih Wilujeng. "Problem-Based Learning Model Based on Naturalist Intelligence to Realize Student's Science Literacy: Needs Assessment Survey." In Proceedings of the 2nd Borobudur International Symposium on Humanities and Social Sciences, BIS-HSS 2020, 18 November 2020, Magelang, Central Java, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.18-11-2020.2311716.

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Makarskaitė-Petkevičienė, Rita. "STUDENTS’ NATURAL SCIENCE CONTEST: TASK ANALYSIS IN THE ASPECT OF KNOWLEDGE AND UNDERSTANDING." In 3rd International Baltic Symposium on Science and Technology Education (BalticSTE2019). Scientia Socialis Ltd., 2019. http://dx.doi.org/10.33225/balticste/2019.119.

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National contest “Lithuanian naturalist” 1st -2nd form students’ team (15) performed task (from animate nature and people’s living environment sphere) analysis was carried out. The attention was paid to students’ natural science knowledge and understanding. The research was grounded on the attitude that this contest as a non-formal education form is an effective device because it contributes to natural science education quality in primary school: 1) develops primary school students’ natural science literacy; 2) makes possibilities for teachers to reflect on their experience and proposes ideas for the education process improvement; 3) for students – future primary school teachers – provides a possibility to acquire new experience (task creation, conducting theoretical and practical parts of the contest, preparation of evaluation instructions, students’ work evaluation). Keywords: natural science knowledge, natural science contest, primary school students, pre-service teachers.

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Picca, Laura. "Diseño mediterrâneo. Análisis preliminar de epígrafes." In Systems & Design 2017. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/sd2017.2017.7262.

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Este artículo trata sobre el Diseño Mediterráneo como elemento de identidad cultural y tiene como objetivo fundamental identificar a través de la revisión literaria aquellos epígrafes que definen a la “identidad mediterránea” en el área del diseño industrial.Grandes diseñadores y profesionales emergentes se cuestionan y preguntan sobre la continuidad de la profesión en estos tiempos de crisis, por lo que se hace necesario comprender que el diseño no es ajeno a los cambios sociales, económicos y políticos, que la cultura del proyecto ha de ampliarse para generar alternativas más sensibles con la realidad.Frente a lo ampliamente hablado del “estilo mediterráneo” desde diferentes disciplinas como la arquitectura, la moda, incluso la cocina con la denominada “dieta mediterránea”, es que este análisis preliminar tiene como objetivo centrarse en la naturaleza que define la “mediterraneidad”Todo ello atendiendo a las variables socio-culturales, económicas y políticas en proyectos y acciones como el Corredor Mediterráneo, el cual define el marco geográfico de actuación (el Arco Mediterráneo Latino).Se detecta en primer término; la existencia de empresas que actualmente y a modo intuitivo utilizan la “identidad mediterránea” en el diseño y desarrollo de sus productos; y en segundo lugar un importante incremento de los valores de autenticidad, respeto por el medio y los productos naturales, junto al valor cultural asociado al producto. Conviviendo los binomios artesanía-producción industrial y los regionalismos en un mercado globalizado.

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