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Journal articles on the topic 'Literary onomastics'
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1
Skuridina, Svetlana A. "At the origins of literary onomastics." Neophilology, no. 17 (2019): 54–61. http://dx.doi.org/10.20310/2587-6953-2019-5-17-54-61.
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We present the history of the emergence and development of literary onomastics, the relevance of which is currently not in doubt due to the involvement of its data for the analysis of the artistic world of different authors as linguists and literary critics. The aim of the study is to acquaint readers with those works in which reflections on the function of the proper noun in fiction can be considered as prerequisites for the emergence of onomastics. An important role in the development of science about the proper noun not only scientists, but also critics, writers and journalists, for example, V.G. Belinsky, N.S. Leskov, O.I. Senkovsky. Despite the initial interest of researchers to the etymological meaning of a literary name, in onomastic works middle of 20th century lighting find such problems, as reflected in the anthroponyms of the essential characteristics of the literary character, stylistic conformity onomastic units, social conditionality of name, etc. We point out the primary importance in the problems development of the new branch of linguistics for the 1950s of the works of such scientists as V.N. Mikhailov, R.P. Shaginyan, E.P. Magazanik, D.S. Likhachev. In conclusion we note the modern Voronezh onomastic school research specificity, founded by G.F. Kovalev, the successor of the already classical traditions of Russian onomastics.
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SARNOWSKA-GIEFING, Irena. "Literary Onomastics in Poland." Onoma 40 (December 31, 2005): 357–72. http://dx.doi.org/10.2143/ono.40.0.2033085.
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Dana, Dan. "Onomasticon Thracicum (Onom Thrac). Répertoire des noms indigènes de Thrace, Macédoine Orientale, Mésies, Dacie et Bithynie." Ancient Civilizations from Scythia to Siberia 17, no. 1 (2011): 25–45. http://dx.doi.org/10.1163/092907711x575313.
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Abstract The purpose of the Onomasticon Thracicum project is to realize a repertory of all the Thracian personal names, supplanting the outdated book of D. Detschew (1957). The gathering and the critical examination of these native names in literary sources, inscriptions (epitaphs, dedications, lists, graffiti, military diplomas), papyri and coins will provide a new research tool, rich of about 1400 different names. A large number of Thracian names is documented elsewhere in the Greek (especial Hellenistic) and Roman world, principally because the utilization of the Thracians as soldiers by the Hellenistic kings, thereafter in all the units of the Roman army. This aspect is extremely important for the constitution of their onomastic repertory, completing the more or less plentiful data from the Thracian space. Recently, more new data about Thracian onomastics are available, improving our knowledge, especially for some regions or, very important, for the feminine names. OnomThrac will pay more attention to the study of this peculiar onomastics in its geographical and chronological context. At least four distinct onomastic territories are now obvious for the Thracian complex: Thracian names; Daco-Moesian names; western Thracian names; Bithynian names. More indexes (as a reverse index; or the Genitive forms), as well as a general bibliography, will accompany the repertory.
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Yusif qızı Salifova, Aytəkin. "Onomastic units in the literary language of Samad Vurgun." SCIENTIFIC WORK 15, no. 2 (March 9, 2021): 88–91. http://dx.doi.org/10.36719/2663-4619/63/88-91.
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Onomastic units mean a special number. This field is one of the focus areas of research in modern Azerbaijani linguistics. Special attention is paid to the development of onomastic units in the literary language of our great poet S.Vurgun, who played an exceptional role in the enrichment of the Azerbaijani language. Each of the onomastic units was skillfully used in the work of S.Vurgun. Research shows that our artists used the appellation of words when naming images. This is clearly reflected in the literary language of S.Vurgun. In S.Vurgun's poem, the names are arranged according to the descriptive situation of the event. Key words: onomastics, anthroponym, toponym, ethnonym, hydronym, ctematonym, cosmonym, zoonym, appellation, semantic
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Grimaud, Michel. "Whither Literary Onomastics? “Prufrock” Revisited." Names 41, no. 1 (March 1993): 5–14. http://dx.doi.org/10.1179/nam.1993.41.1.5.
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Tsepkova, Anna V. "Sacred and Profane in Onomastics. Review of the book: Onomastics between Sacred and Profane / ed. by O. Felecan. Wilmington, Del. : Vernon Press, 2019. 412 + xxvi p." Вопросы Ономастики 18, no. 1 (2021): 272–82. http://dx.doi.org/10.15826/vopr_onom.2021.18.1.015.
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The article reviews the volume Onomastics between Sacred and Profane (ed. by O. Felecan, 2019), highlighting its contribution to the field of onomastic research as well as to multidisciplinary spheres of knowledge dealing with the concepts of the sacred and the profane. The review follows the structural principles of the volume, summarizing the main findings presented in 26 chapters within five thematic sections: onomastic theory and divine names; toponymy; anthroponymy; ergonymy; literary onomastics and wordplay. In relation to sacredness, the essays cover such issues as genuinely sacred names (divine names) and secular names with motivational and functional exponents of sacredness. Most articles dealing with the concept of the profane, either explicitly or implicitly, confirm the modern tendencies of secularization/desacralization of the sacred and (pseudo-)sacralization of the secular, particularly in Western cultures or cultures, affected by westernization. These tendencies become evident in a number of onomastic practices as exponents of socio-cultural interaction (breaking onomastic taboos, renaming due to ideological reasons, naming secular things after sacred objects for manipulating purposes, etc.). The review is concluded with recommendatory remarks to continue this project and extend its representativeness by drawing data from other geographic regions and national cultures.
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Maksymyuk, Marta. "Issue of terminology ukrainian literary onomastics." Current issues of social sciences and history of medicine, no. 1 (April 29, 2015): 65–69. http://dx.doi.org/10.24061/2411-6181.1.2015.74.
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Vasilyeva, N. V. "On the terminological boundaries of Literary Onomastics." Linguistics and Language Teaching 13, no. 2 (September 29, 2020): 44–55. http://dx.doi.org/10.37892/2218-1393-2020-13-2-44-55.
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Kalinkin, V. M. "THE AMOUNT OF POETONIMOLOGY: PHILOLOSOPHEMES OF A DILETANT. 4. IN THE BOWELS OF ONOMASTICS." Onomastics of the Volga Region, no. 1 (2020): 50–57. http://dx.doi.org/10.34216/2020-1.onomast.50-57.
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The article continues a series of methodological and linguohistoriographic essays summarizing the achievements of the philological sciences in the study of onymic means that function in literary and artistic spaces. The period of development of onomastics is considered, during which “literary onomastics” was formed as a direction of research, culminating in the formation of independent scientific discipline “Poetonymology”.
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Rajec, Elizabeth M. "A Selected Bibliography of Shakespeare and Literary Onomastics*." Names 35, no. 3-4 (December 1987): 224–31. http://dx.doi.org/10.1179/nam.1987.35.3-4.224.
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WINDT, Benedicta. "An Overview of Literary Onomastics in the Context of Literary Theory." Onoma 40 (December 31, 2005): 43–63. http://dx.doi.org/10.2143/ono.40.0.2033070.
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Kuzmina, Margarita. "Onomasticon of the Story by B. K. Zaitsev ‘Priest Kronid’ in the Context of Constants of Russian Orthodox Christianity." Nizhny Novgorod Linguistics University Bulletin, no. 52 (December 30, 2020): 49–65. http://dx.doi.org/10.47388/2072-3490/lunn2020-52-4-49-65.
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The article examines the problem of studying the semantics of linguistic units in fiction, in particular, the study of how proper names function in a literary text. In this study, proper names are treated as functional and semantic units of language, speech, and culture. The re-search material is the story by B. K. Zaitsev ‘Priest Kronid’ (1905), and its object is onomas-tic vocabulary and specific constants of Russian Orthodox Christianity. The onomasticon of the story consists of anthroponyms (Kronid, etc.), toponyms (Kostenka, Dmitrovo), hagionyms (Christ, God), eortonyms (Easter, Trinity, Egor’s day, etc.), zoonym (Kashtan), etc. The purpose of the article is to examine how proper names function in B. K. Zaitsev’s text. The study makes a new contribution to as of yet insufficient research of the onomastic space of fiction by B. K. Zaitsev, and its relevance is enhanced by the importance of studying proper names as a component of the writer’s linguistic picture of the world and the need for scientific understanding of the functional role of onomastic units in the literary text in terms of national religious ideas about the world. The paper uses a complex method of studying proper names in fiction, combining various methods and techniques, namely: the method of conceptual analysis, the method of component analysis of fictional text, the method of continuous sampling as well as the semantic and stylistic methods. The author investigates the onomastic field of B. K. Zaitsev’s text and determines the functional role of proper names of different categories. The story reveals associative and semantic connections of individual onyms with certain constants of Russian Orthodox Christianity. The author also makes a number of specific conclusions about the features of B. K. Zaitsev’s poetics, including those about conceptualizing meanings of individual linguistic units and strengthening of the value component in their meaning in the literary text. The linguistic material can be used in special courses on the onomastics of a literary text or issues related to the writer’s linguistic picture of the world, or in courses that include philological analysis of texts.
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Ojebode, Ayokunmi O., and Idowu O. Odebode. "Onomastics, Medicine and Politics in Femi Osofisan’s The Engagement." Theory and Practice in Language Studies 9, no. 5 (May 1, 2019): 494. http://dx.doi.org/10.17507/tpls.0905.02.
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Onomastics, medicine and politics in this study are a pragmatic way of depicting the psychosocial condition of Nigeria as an underdeveloped nation. The study explores Femi Osofisan’s The Engagement from a literary onomastic standpoint with the aim of exposing socio-political anomalies in Nigeria. Nigerian leaders commit flaws of egoistical and individualistic interests which often go against the consciences of the led. On this premise, the study explores the characters’ names in The Engagement with a view to gaining insight into Nigeria’s sociocultural and political contexts. Furthermore, Postcolonial Theory and Halliday’s Contextual Theory of Meaning serve as the study’s theoretical constructs. The study is predicated on the underdevelopment of Nigeria which is epitomised as a psychological behaviour of characters in a nation that is under the siege of political anarchy and different social vices.
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Kohlheim, Volker. "Eduard Berend and the beginnings of German literary onomastics." Acta Linguistica Lithuanica, no. 84 (2021): 222–33. http://dx.doi.org/10.35321/all84-10.
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Zinnatullina, Gulshat. "Anthroponyms and Microtextology of Literary Text." SHS Web of Conferences 50 (2018): 01203. http://dx.doi.org/10.1051/shsconf/20185001203.
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This article deals with the basic types and functions of adjective constructions “accompanying” proper names in the literary text. This article continues research in the field of poetic onomastics. Stories and short novels by canonical Tatar writers such as A. Yeniki, M. Amir and F. Khusni served as a material for research. The object of study is anthroponyms and their immediate environment (appellatives and their combination with proper names). The novelty and topicality of the research can be attributed to the fact that it is the first attempt to study anthroponyms in particular in combination with different appellative constructions. This, in its turn, allows us to consider anthroponyms as an important structure-forming element of the literary space. The research of the onomastic layer of the literary texts, which we chose, enabled us to draw conclusions about the wide use of dependent words (they are often participles and participial constructions) amid anthroponyms. We make an attempt to reveal the peculiarities of the use and functions of such constructions within the framework of this article. It has turned out that they may contain the most significant, comprehensive information on any character. In addition, these combinations serve as vivid expressive means, reflect specificity of the writer’s artistic and creative thinking.
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Casimir, Komenan. "“Chike’s School Days”: An Autrebiography Verbalizing Chinua Achebe’s Early Schooling." International Journal of Social Science Studies 8, no. 6 (October 28, 2020): 103. http://dx.doi.org/10.11114/ijsss.v8i6.5061.
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Todorov’s syntactic, verbal and semantic aspects of the literary text, onomastics and Mauron’s psychocriticism, underlie this paper whose goal is to show that Chinua Achebe’s “Chike’s School Days” is an autrebiography verbalizing Achebe’s early schooling. As two major thematic Ariadne’s threads, the religious, familial and onomastic connections between Chike and Achebe, as well as Achebe’s untimely love for Shakespeare’s language, have been used to compose an autrebiograhical short story, a shortened fiction about the self, which is narrated not in the first-person (“I”), but rather in the third-person (“He”). It is with such a detachment device that Achebe writes about Chike, a character who is nobody else but his double.
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Khanlar Yunusova, Gunel. "Personage names in a literary texts." SCIENTIFIC WORK 58, no. 9 (October 10, 2020): 84–86. http://dx.doi.org/10.36719/2663-4619/58/84-86.
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There are different views on the study of functional specifics of the artistic text. An important factor that should be taken into account when studying the functional specificities of the narrative texts is that the texts being analyzed relate to different functional styles of language. It is well known that the name varies depending on the functional styles and types of speech, reflecting the sociolinguistic parameters of the use of the name: birth, area, regulation, social group, situation. Key words: artistic text, literary style, poetic onomastics, proper names, anthroponym
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Hlushchenko, Olena, Yiliia Didur, Ludmyla Okulova, and Kateryna Pylypiuk. "Exploring Functional Nature of English Anthroponyms in Literary Texts for Children." Arab World English Journal 12, no. 3 (September 15, 2021): 400–410. http://dx.doi.org/10.24093/awej/vol12no3.28.
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Defining the functional nature of English anthroponyms in literary texts for children is complicated philological problems as these language elements perform an essential role in creating the system of images of any literary work. The complex study of anthroponyms functioning in literary texts for children is rather important because it meets the requirements of a new scientific paradigm of literary onomastics. The purpose of the research is to describe a scientific assumption of the phenomenon of literary anthroponymy in general, and that of proper names and literary anthroponyms in particular, and describe their functional peculiarities in literary texts for children. Special attention is paid to anthroponyms and their stylistic expressive abilities, which originate from the time when ancient philosophers regarded proper names in terms of their semantics and purpose of use only. The rapid development of literary onomastics makes it possible to point out different kinds of onyms, anthroponyms, toponyms, and the names of characters in fiction. The key feature of literary anthponyms is their distinguishing stylistic possibilities. It is proved that the functional nature of anthroponyms lies in the fact that they operate in literary texts as vivid markers of the author’s intention, implementing definite ideological, esthetic, and cultural tasks. In a word, they update stylistic features (informative and emotive) at the textual level. Consequently, the wide use of stylistic expressive properties of anthroponyms in literary works led to the need to conceptualize their functional nature in literary texts for children.
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Smith, Grant W. "Martyna Gibka, Literary onomastics: A theory, Łódź: ArchaeGraph, 2019, 170 pp." Onoma 53 (2018): 119–24. http://dx.doi.org/10.34158/onoma.53/2018/10.
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Knudsen, Ebbe Egede. "Amorite names and old testament onomastics." Scandinavian Journal of the Old Testament 13, no. 2 (January 1999): 202–24. http://dx.doi.org/10.1080/09018329908585155.
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Сапожникова, Лариса Михайловна. "SUGGESTIVE PROPER NAMES IN CONTEMPORARY GERMAN LITERARY DISCOURSE." Вестник Тверского государственного университета. Серия: Филология, no. 2(69) (June 1, 2021): 149–56. http://dx.doi.org/10.26456/vtfilol/2021.2.149.
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Целью данной статьи является рассмотрение проблем литературной ономастики и описание прагматического потенциала суггестивных собственных имен в современных немецких литературных текстах. В фокусе внимания оказываются говорящие, аллюзивные (воплощенные) и звукоподражательные собственные имена, используемые автором для характеристики персонажей и формирующие авторский идиостиль. The purpose of this article is to consider the problems of literary onomastics and to describe the pragmatic potential of suggestive proper names in modern German literary texts. The focus of attention is on speaking, allusive (embodied) and onomatopoeic proper names used by the author to characterize the characters and to form the author's idiostyle.
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Borodina, N. A., O. A. Selemeneva, and N. A. Trubitsina. "Mythopoetic Worldview of Bunin: Linguistic and Literary and Cultural Analysis Aspects." Nauchnyi dialog, no. 10 (October 29, 2021): 28–47. http://dx.doi.org/10.24224/2227-1295-2021-10-28-47.
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The results of the analysis of semantic groups of mythonyms of the poetic heritage of I. A. Bunin as means of explication of various historical-informational and cultural-symbolic worldview meanings are presented in the article. The relevance of the work is due to the interest of literary onomastics in identifying units of the onomastic code of artistic and aesthetic systems of various domestic and foreign writers. The novelty of the work is associated with the inclusion of lexical units with different ratios of the nominated image and denotation into the Bunin mythonymicon, with the synthesis of linguistic and literary-cultural approaches in characterizing each of the selected lexical units. The twelve described semantic groups of mythological names are organized in the form of a field with a core and peripheral parts. For each group, the features of contextual use are noted. The authors come to the conclusion that in the Bunin picture of the world, mythonyms of various semantics perform text-forming and meaning-forming functions. They not only represent archetypal images (Fire, Bottom, Feminine, Garden, etc.), axiological oppositions (light — darkness, good — evil, etc.), key ideas, themes and motives (the idea of being still, themes of love, death, motives of temptation, resurrection, dreams, etc.), historiosophical concepts (moral choice and fortitude), but also participate in the creation of an individual author’s myth.
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Loveday, Leo. "An Onomastic Banquet of Intercultural Relations. Review of the book: Felecan, O., & Bugheşiu, A. (Eds.). Names and Naming: Multicultural Aspects. Cham: Palgrave, 2021. xxx + 490 p." Вопросы Ономастики 19, no. 1 (2022): 259–63. http://dx.doi.org/10.15826/vopr_onom.2022.19.1.014.
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This review critically appraises a weighty, international volume of 29 chapters dealing with the multicultural dimensions of naming practices across four continents drawn up with the collaboration of leading experts and researchers in onomastics. This interdisciplinary work opens new vistas on the complex interaction between toponyms, anthroponyms, and names in the religious, literary as well as commercial sphere in relation to ethnicity, language, culture and politics. It offers an appetizing smorgasbord of informative surveys, intriguing data and stimulating, theoretical contributions to the domain of the newly burgeoning field of socio-onomastics. The reviewer also points to some minor shortcomings as well as to further questions and challenges put forward by the volume under review, especially those related to multiculturalism and multilingualism in both theoretical and areal aspects.
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MCINNES, MALCOLM. "Literary Onomastics and Heimito von Doderer, or: `Wie kann man Scheichsbeutel heißen?'." Seminar: A Journal of Germanic Studies 23, no. 2 (May 1987): 156–67. http://dx.doi.org/10.3138/sem.v23.2.167.
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Nguyen, Phong. "Naming the Trees: Literary Onomastics in Susan Warner's The Wide, Wide World." Studies in American Fiction 34, no. 1 (2006): 33–52. http://dx.doi.org/10.1353/saf.2006.0011.
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Gallop, Annabel Teh. "What's In A Name? Malay Seals As Onomastic Sources." Malay Literature 31, no. 1 (June 1, 2018): 1–28. http://dx.doi.org/10.37052/ml.31(1)no1.
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Most studies of Malay names to date have been based on ethnographic and literary sources. This article presents a new dataset for Malay onomastics, namely Islamic seals from Southeast Asia, inscribed in Arabic script and dating from the late 16th to early 20th century, over half of which bear a personal name. A high proportion of these seals are of sovereigns, and Malay seals are thus an exceptionally valuable primary source for regnal names. Yet while in Malay texts and chronicles the use of personal names is generally avoided in favour of kinship terms, relational names, titles and descriptive epithets, Malay seals are almost invariably inscribed with standard Arabic-Islamic personal names. This feature should be interpreted in the context of the image of self which the sealholder wished to project to the outside world, in which his or her Islamic identity, and membership of the universal ummah, was of prime importance. Keywords: Malay names, onomastic, Malay seals, regnal names, Islamic names Abstrak Kebanyakan kajian tentang nama Melayu setakat ini berdasarkan sumber daripada bidang etnografi atau bidang persuratan. Makalah ini mempersembahkan sumber baharu untuk kajian onomastik Melayu, iaitu cap mohor Islam dari Asia Tenggara yang ditulis dalam tulisan Arab, pada abad ke-16 hingga ke-20. Hampir separuh cap mohor tersebut mencatatkan nama perseorangan. Kebanyakannya milik sultan dan raja, dan cap mohor Melayu menjadi sumber yang amat berharga untuk nama pemerintah. Dalam hikayat dan riwayat Melayu, penggunaan nama perseorangan biasanya dielakkan, sedangkan yang digunakan ialah nama yang menjelaskan hubungan kekeluargaan, nama persaudaraan, pangkat, dan nama timang- timangan, tetapi cap mohor Melayu pula sentiasa ditulis dengan nama perseorangan Arab-Islam. Ciri ini diinterpretasikan dalam konteks imej diri yang ingin ditampilkan oleh pemilik cap mohor kepada dunia, sebagai ahli umat Islam, yang merupakan ciri utama identitinya Kata kunci: nama Melayu, onomastik, cap mohor Melayu, nama pemerintah, nama Islam
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FEWSTER, J. COLIN. "The Onomastics of Order in Hofmannsthal's Reitergeschichte." Seminar: A Journal of Germanic Studies 38, no. 1 (February 2002): 32–45. http://dx.doi.org/10.3138/sem.v38.1.32.
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García Martínez, Sonia María, and Manuel Abilio Rabanal Alonso. "La romanización durante el bajo imperio de los Conventus Lucensis y Asturum: aspectos socioeconómicosLa romanización durante el bajo imperio de los conventus lucensis y asturum: aspectos socioeconómicos." Estudios humanísticos. Geografía, historia y arte, no. 14 (February 15, 2021): 113. http://dx.doi.org/10.18002/ehgha.v0i14.6896.
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<span>Very little scientific research has been done on the Low Imperial period in the Gallaecia province. Our aim is widening our knowledge about this historical time. We will focos on: A revision of classical literary sources. A study of the Economy: monetary treasuries, roadways, ceramic... A study of Society: roman and native onomastics.</span>
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Милуд, М. Р. "LINGUISTIC AND LITERARY ANALYSIS OF BUNIN’S SHORT STORY «DARK ALLEYS»." НАУЧНЫЙ ЖУРНАЛ СОВРЕМЕННЫЕ ЛИНГВИСТИЧЕСКИЕ И МЕТОДИКО-ДИДАКТИЧЕСКИЕ ИССЛЕДОВАНИЯ, no. 1(49) (March 17, 2021): 114–24. http://dx.doi.org/10.36622/vstu.2021.36.27.009.
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Постановка задачи. Статья посвящена лингволитературоведческому анализу рассказа «Тёмные аллеи» И.А. Бунина с целью овладения методами данного вида исследования текста художественного произведения. В статье ставится задача рассмотреть лингвистическую структуру рассказа с точки зрения лексики, перевода, словообразования, морфологии и ономастики. Особое внимание обращается на лингвистическую основу и лексическую базу данного рассказа. Результаты. В данной работе выделены и описаны особенности устаревших, безэквивалентных, заимствованных и калькированных слов, с помощью которых выражается историческое пространство рассказа «Тёмные аллеи» И.А. Бунина. Проанализированы авторские средства кодирования информации, касающейся важных исторических событий. Выяснено, с помощью каких языковых средств автор выражает идейно-эмоциональные стороны своего рассказа, выявлена лингвистически значимая информация о языковых единицах, используемых для отражения реальной характерности в тексте произведения. Выводы. Анализируя рассказ И. А. Бунина, мы пришли к выводу о том, что ономастический материал рассказа играет специфическую роль: имя героя выбрано автором в честь русского офицера - Николая Алексеевича Киреева, а имя Иова - в параллель «несчастности» автора ради своей прихоти. В результате анализа доказывается, что никаким быстрым чтением текст рассказа не охватить. Данный рассказ был написан с помощью средств разных разделов языка: лексики, словообразования, морфологии и ономастики. В текст рассказа нужно вчитываться, т.к. поместив этот рассказ в сборник «Тёмные аллеи», И.А. Бунин тем самым подчёркивает, что он описывает не только любовь, но также и историю, причем не одну, а сразу две. Problem statement. The article is devoted to the linguistic and linguistic-and-literary analysis of the short story «Dark alleys» by I.A. Bunin aiming at mastering the methods of such type of analysis of an art work. The article aims to consider the linguistic structure of the story in terms of vocabulary, translation, word formation, morphology and onomastics. Special attention is paid to the linguistic basis and lexical base of this story. Results. This paper highlights and describes the features of outdated, non-equivalent, borrowed and calque words, which are used to express the historical space of the story «Dark alleys» by I.A. Bunin. The author's means of information coding concerning important historical events are analyzed. It is found out by what language means the author expresses the ideological and emotional sides of his story and linguistically significant information about the language units used to reflect the real character in the story is revealed. Conclusion. Analyzing the short story of I.A. Bunin, we came to the conclusion that the onomastic material of the story plays a specific role: the name of the main character was chosen by the author in honor of the Russian officer - Nikolai Alekseevich Kireev, and the name of Job in parallel to the "unhappiness" of the author for his whim. As a result, we prove that the text of the story cannot be covered with any quick reading. This story was written using the tools of different language sections: vocabulary, word formation, morphology and onomastics. The story should be read carefully, because placing it in the collection «Dark alleys», the author thus emphasizes that he describes not only love, but also history, and not one, but two at once.
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Palaeas, Maria. "The Importance of Being “Ernest“ in Mary Shelley'sFrankenstein: A Study in Literary Onomastics." Names 53, no. 3 (September 2005): 203–34. http://dx.doi.org/10.1179/nam.2005.53.3.203.
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Piwinski, David J. "Names in Bernard MacLaverty'sCal: Etymology, Onomastics, and Irony." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 15, no. 4 (January 2002): 41–45. http://dx.doi.org/10.1080/08957690209600085.
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Тейкин, Михаил Спартакович. "ETHNONYMS AS A CONSTITUENT PART OF THE REGIONAL ONOMASTICON: THE NORTH-EAST OF RUSSIA AND THE ETHNONYMS CHUKCHA AND CHUKCHANKA AS THE EXAMPLES." Tomsk Journal of Linguistics and Anthropology, no. 2(28) (September 18, 2020): 77–89. http://dx.doi.org/10.23951/2307-6119-2020-2-77-89.
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Региональная ономастика представляет собою разветвлённую систему, охватывающую имена, имеющие хождение в определённом регионе, – от относительно известных за пределами края до малознакомых. Сегодня ономастика – самостоятельная отрасль науки, предметом изучения которой служат как лексемы, безусловно относящиеся к собственным именам (напр.: топонимы, гидронимы), так и лексемы, стоящие на стыке проприативов и апеллятивов, в число которых входят этнонимы. Изучение онимов края помогает найти лингвистические связи между неродственными соседними языками, выявить диалектные особенности, обнаружить места предыдущего обитания народов, выявить культурное взаимодействие и языковые заимствования, в связи с чем данная тема имеет особую актуальность. Региональные онимы могут являться регионализмами с точки зрения региональной лингвистики – постольку, поскольку они характерны для отдельной местности, но малоизвестны или же почти неизвестны вовне. В настоящей статье вводится понятие ономастический регионализм для более точного описания местных ономастических реалий в контексте региональной лингвистики, указывается на отличие его от термина региональный оним. Этнонимы небольших народов, как правило, не имеют широкого распространения за пределами проживания их носителей, поэтому данные слова можно отнести к ономастическим регионализмам. Именования малых этносов и субэтнических групп России до сих пор мало изучены с точки зрения их регионального компонента, в особенности этнонимы Северо-Востока, в связи с этим данная тема обретает особую актуальность. Этнонимы коренных малочисленных народов Северо-Востока России не рассматривались детально с позиции принадлежности их к дальневосточному региональному ономастикону. В настоящей статье автор останавливается на рассмотрении двух этнонимов одного малочисленного народа Северо-Востока России – чукчей; описываются официальные наименования мужчин и женщин – представителей данного народа с точки зрения принадлежности этнонимов одновременно к литературному языку и региолекту. В основе настоящего исследования лежит теоретическое изучение вопроса отнесения лексических единиц чукча и чукчанка к ономастическим регионализмам. Автор приводит практический пример перехода этнонима чукча из региолекта регионализма в ядро литературного языка и указывает на основные причины того, почему женский дериват данного этнонима, чукчанка, по настоящее время остаётся на периферии и малоизвестен за пределами компактного проживания народа. Regional onomastics is an entangled system that involves names circulating in a specific region, which can be relatively well-known or almost unfamiliar outwards. Today, onomastics is an independent branch of science having as its subject of study both lexemes certainly related to proper names (e. g.: toponyms, hydronyms) and lexemes which lie at the border of propriatives and appellatives, including ethnonyms. Region’s onyms studying helps to find out linguistic links between non-related neighbouring languages, to elicit dialectal features, to discover the places of peoples’ previous habitation, to identify cultural interaction and language borrowings – for that reason this topic is of particular relevance. Regional onyms can be regionalisms from the angle of regional linguistics, insofar as they are representative of a particular locality, but are of little notice or almost unknown beyond of it. This article introduces the concept of onomastic regionalism for clearer description of local onomastic realities in the context of regional linguistics and indicates the difference of onomastic regionalism from the term regional onym. As a rule, ethnonyms of small-numbered peoples do not have wide distribution outside their bearers’ places of residence; for that reason, the author considers them onomastic regionalisms. The study of small ethnic and subethnic groups’ names in Russia it still not sufficient from the point of their regional component, this relates especially to the ethnonyms of the Russian North-East; in that regard, the present topic still abides high relevance of research. The ethnonyms of the Russian North- Eastern indigenous peoples do not have detailed investigation from the position of their involvement in the Far Eastern regional onomasticon. In the present paper the author restrains at investigation of two ethnonyms of one small-numbered people in the Russian North-East – Chukchi; he describes its men and women’s official names, Chukcha and Chukchanka, from the view of the lexical units’ simultaneous attribution to literary language and regiolect. This paper is a theoretical study of the question that the ethnonyms Chukcha and Chukchanka belong to onomastic regionalisms. The author gives a practical example of the Chukcha ethnonym transition from the regiolect to the core of the literary language and gives the reasons why the female derivative of this ethnonym, Chukchanka, remains in the language periphery and of little notice outside Chikchi’s habitat.
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Yastrebov-Pestritskiy, M. S. "NUANCES IN ONOMASTICS OF PRE-REVOLUTIONARY AND MODERN NEWSPAPERS." Bulletin of Udmurt University. Series History and Philology 29, no. 5 (October 25, 2019): 749–59. http://dx.doi.org/10.35634/2412-9534-2019-29-5-749-759.
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The character of a proper name, be it an urbanonym or an anthroponym, may bear some stylistic burden, be an accessory of a style, in our case a newspaper one. The material for studying the newspaper is not only its typographical text, but also the marks made in the margins. Some interesting facts related to anthroponymy were extracted, in the course of our research, from various books of famous scientific and literary figures. Further, here are several cases related to toponyms (in the narrower sense, urban names) and their writing. Obviously, the noun-toponym formed by the suffix-prefix way, Подмосковье - has not yet finally entered the codified Russian language at the time of the publication of the newspaper issue for 1910. For the purpose of linguistic comparativization, the most interesting cases related to the anthroponymy and toponymy of today's press are given. Attention is also drawn to the case of accentology, and zoonyms are also discussed. There are cases when the mass media allow for distortion when quoting classics. The features of writing some toponyms are considered (the refusal to incline toponyms with -o). Partly, the article touches upon the theme of occasionalisms, dialectisms, univerbats (univerbs), colloquialisms, hydronyms, and simply names that are interesting for their exceptional rarity; norms of codified language, accentology. The subject of linguistic evolution that is taking place before our eyes is touched upon.
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Reyes Contreras, Miguel. "Acercamiento onomástico al nombre de las bandas de Heavy Metal." Onomástica desde América Latina 2, no. 3 (December 18, 2020): 59–81. http://dx.doi.org/10.48075/odal.v0i0.26062.
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El acto de nombrar es considerado en cierto modo un ritual. Parte de una lista de opciones y termina en una etapa en la que se narra el proceso. Cualquier ente que tiene un nombre, lo recibe para ser individualizado y ser considerado único por lo menos en el espacio circundante y no es la excepción en el proceso de nombrar una banda musical, concepto conocido como crematónimo. El propósito de este texto es presentar un análisis Onomástico, sobre un corpus de nombres de bandas de varios subgéneros de heavy metal y conocer la estructura lingüística de los nombres, las lenguas de nominación y aspectos onomásticos asociados con influencias sociales, religiosas, culturales, literarias, etc. y la clasificación y discusión en la nomenclatura onomástica. Bajo un enfoque cuantitativo y desde los puntos de vista lingüístico y onomástico se analiza un corpus de nombres de 844 bandas de Heavy Metal (de todo el mundo), un género que ha sabido construir su propia subcultura con reglas, modas, discurso propio y sus rituales de nominación. El análisis revela influencias culturales, literarias, históricas, religiosas y lingüísticas en la nominación de las bandas y una amplia variedad de construcciones morfológicas y sintácticas en los nombres. Encontramos que esta variedad de referencias vertidas en un nombre de una agrupación es un entramado de conexiones sociales, lingüísticas y culturales y no deben ser estudiados solo desde la perspectiva musicológica o antropológica, sino también desde los ámbitos lingüísticos, sociales y culturales.Palabras clave: Crematónimo, Heavy metal, Onomástica, intercategorías.Abstract:The act of naming is considered a certain ritual. It is rooted in a list of options and ends in a stage where the process is narrated. Any object which bears a name, bears it to be seen as individual and unique, at least in the surroundings, and the process of naming a music band is no exception. The concept used for this process is Chrematonymy. The main aim of this text is to present an onomastic overview, out of a several subgenres of heavy metal band name corpus in order to explore the linguistic structure of such names, languages chosen for naming and onomastic aspects associated to social, religious, cultural, literary influences and also to classify and discuss based onomastic nomenclature. Based on a quantitative approach and from the linguistic and onomastics point of view, a corpus 844 Heavy Metal bands’ names from all over the world, a genre which constructed its own subculture with their own rules, fashion, discourse and naming rituals. Our analysis reveals cultural, literary, historical, religious and linguistic in band naming as well as an ample variety of morphological and syntactic constructions in the catalog of names. We can find that the variety of references in the name of a band is a network of social, linguistic and cultural connections and should not be only studied from the musicology or anthropology’ perspective, but also as a linguistic, social and cultural phenomenon.Key words: Chrematonym, Heavy metal, Onomastics, intercategories.
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Gałkowski, Artur. "Świat onimiczny sagi o wiedźminie Andrzeja Sapkowskiego w przekładzie na język włoski." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 17 (October 12, 2018): 210–19. http://dx.doi.org/10.24917/20811853.17.18.
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The onymic world in the Andrzej Sapkowski’s saga of the Witcher, translated into ItalianAbstractThe paper presents the results of the analysis of the names in Italian translation of AndrzejSapkowski’s fantasy saga series about The Witcher, and the video game inspired by it. The author of the article distinguishes tendencies in the applied translation mechanismsappropriate for the literary and video game space. He discusses the representative rangesof names associated with characters, places, and other objects individually identified in TheWitcher’s story. He also details the motivation for the translation and unsuccessful choicesthat affect some of the translations of The Witcher’s onymy into Italian.Keywords: Andrzej Sapkowski, fantasy, The Witcher, onymy, literary onomastics, translation
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Selemeneva, O. A. "System of Mythonyms in Poetry of Ivan Bunin." Nauchnyi dialog, no. 6 (June 24, 2021): 136–50. http://dx.doi.org/10.24224/2227-1295-2021-6-136-150.
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The article is devoted to one of the problems of literary onomastics — an inventory of onomastic units of literary texts as an integral part of the vocabulary of the language of a particular writer. The relevance of the chosen topic is due to the poorly studied issue of the mythonymicon of poetry and prose by I. A. Bunin. The novelty of the work is associated with the description of the mythological names of Bunin the poet as an integral system. The classification of mythonyms is based on five principles: the source from which the name was used (there were three such sources: etiological, anthropogonic, heroic, cult and other types of myths; religious and philosophical literature; multi-genre works of Slavic folklore); the nominated image of a fantastic object (eleven semantic groups are recorded: mythoanthroponyms, theonyms, demononyms, mythotonyms, mythohydronyms, mythoornithonyms, etc.); etymology (otonymic, otapellative and special contextual mythological names are marked); structural type (simple or oneword mythonyms, complex, represented by a bilexeme, and compound mythonyms, two-word and three-word ones are fixed); the presence of connotations in semantics (names with negative and positive connotative backgrounds were found). The author comes to the conclusion that mythonyms in I.A.Bunin's poetry become those stable linguistic signs that carry a huge amount of historical and cultural information and have a rich associative potential, accumulating the specifics of the writer's worldview, they contribute to the modeling of the text space.
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Grant. "Nomen est Omen: Onomastics and Russian Revolutionaries." Slavonic and East European Review 98, no. 2 (2020): 298. http://dx.doi.org/10.5699/slaveasteurorev2.98.2.0298.
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Fomin, Anatoly A. "Onomastics in Pushkin Studies: The Names Larin, Larina, Lariny in Eugene Onegin." Вопросы Ономастики 18, no. 2 (2021): 156–76. http://dx.doi.org/10.15826/vopr_onom.2021.18.2.024.
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The paper discusses the literary proper names Larin, Larina, Lariny (the Larins) from Pushkin’s novel Eugene Onegin, aiming to identify the most important factors behind the choice of this surname. To this end, the researcher establishes a reference for each of the poetonyms, considers their distribution in the text, examines the contexts of the primary and repeated character naming, and explores the semantic potential of these names for characterization and revealing the author’s attitude to his characters. The study has identified six factors that determined the relevance of poetonyms in the given work and, respectively, explain their choice by the writer. The first factor is the commonality of usage which adds to the realism and credibility of the literary image. Another significant factor is the word-formation pattern the name follows. The surname Larin comes from the folk anthroponymic forms Larya, Lara, which, in turn, are derived from the personal name Larion that goes back to the anthroponym Ilarion (from ancient Greek ἱλαρός, ‘cheerful, joyful’). The third factor is related to using the etymological meaning of the personal name Ilarion for characterization purposes. The fourth factor is its associative flow, that is, the ability to trigger associations that describe the surname bearers in the general context of the work. This associative background of the poetonyms evolves in two possible directions: Larin (-a, -y) — lar’ and lary. Both of these perform characterization functions, affecting the reader’s understanding of the poetonym. The fifth factor is the syllabic structure of the surname. The male form Larin is a choreic foot, the female and collective forms of Larina / Lariny form a dactylic foot. Both easily fit into the iambic tetrameter used in Pushkin’s novel. The sixth factor is the phonetic aspect of the surname. The phonosemantic analysis of the poetonyms provides convincing evidence that their exponents have positive ratings across a number of scales. The positive axiological coloring of these poetic names contrasts with the negative coloring of the names of other landowners, which is consistent with the author’s assessment of the characters.
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Петрачкова, И. М. "ONOMASTIC UNIVERSALS IN CREATION OF POETONIMESIN THE PLAYS BY LYUDMILA NIKOLAYEVNA RAZUMOVSKAYA." Актуальные вопросы современной филологии и журналистики, no. 1(40) (March 19, 2021): 54–62. http://dx.doi.org/10.36622/aqmpj.2021.94.67.008.
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Статья посвящена исследованию имен собственных в контексте таких драматургических произведений Л.Н. Разумовской, как пьесах «Под одной крышей», «Дорогая Елена Сергеевна», «Сад без земли», «Майя», «Домой!..», «Медея», «Моя сестра Русалочка». Новизна работы состоит в том, что ранее ономастикон русской драматургии второй половины ΧΧ века, в том числе и пьес Л.Н. Разумовской, не изучался, а между тем он занимает особое место и играет важную роль как в осмыслении теоретических основ литературной ономастики, так и в их дальнейшем развитии. В работе перечисляются особенности создания и использования имен собственных в пьесах художника слова. Здесь рассматриваются типы и значимость заголовков, сюжетные и внесюжетные поэтонимы, их статус, семантика и функции, особенности употребления модификатов в изучаемых произведениях. Исследование отражает результаты применения системного подхода к классификации имен собственных, функционирующих в драматургическом тексте, раскрывает когнитивный, лингвокультурологический, парадигматический, синтагматический аспекты их анализа, направлено на выявление общих и индивидуально-авторских закономерностей онимического пространства (ономастических универсалий) драматургии «новой волны» на примере творчества Л.Н. Разумовской. Материалы статьи могут использоваться в учебных и просветительских целях в высших и средних учебных заведениях - в преподавании университетских курсов лексикологии, лингвистического анализа художественного текста, стилистики, современной русской литературы, а также спецкурсов и спецсеминаров по вопросам ономастики. Результаты исследования будут интересны широкому кругу преподавателей и учителей русской словесности, внедряющих в учебный процесс современные достижения филологических наук, с целью формирования у обучаемых устойчивого интереса к русскому языку и культуре, развития у них творческих способностей. The article is devoted to the study of proper names in the context of such dramatic works by L. N. Razumovskaya, such as the plays “Under One Roof”, “Dear Elena Sergeevna”, “Garden Without Land”, “Maya”, “Home! ..”, “Medea” , "My sister The Little Mermaid." The novelty of the work is that earlier the onomasticon of Russian dramaturgy of the second half of the ΧΧ century, including the plays of L. N. Razumovskaya, was not studied, but meanwhile it occupies a special place and plays an important role both in understanding of theoretical foundations of literary onomastics, and their further development. The paper lists the features of creating and using proper names in the artist’s plays of the word. Here we consider the types and significance of headings, plot and non-plot poem, their status, semantics and functions, especially the use of modifiers in the studied works. The study reflects the results of applying a systematic approach to the classification of proper names functioning in a dramatic text, reveals the cognitive, linguoculturological, paradigmatic, syntagmatic aspects of their analysis, is aimed at identifying the general and individual author's laws of the onymic space (onomastic universals) of the “new wave” dramaturgy using an example of creativity L. N. Razumovskaya. The materials of the article can be used for educational and enlightening purposes in higher and secondary educational institutions - in teaching university courses in lexicology, linguistic analysis of literary text, stylistics, modern Russian literature, as well as special courses and special seminars on onomastics. The results of the study will be of interest to a wide range of teachers and teachers of Russian literature, introducing the modern achievements of philological sciences into the educational process, with the aim of forming students' sustained interest in the Russian language and culture, developing their creative abilities.
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Tudor, Adrian P. "Arthurian Onomastics in Old French Pious and Comic ‘récits brefs’." Studi Francesi, no. 166 (I | LVI) (April 1, 2012): 5–20. http://dx.doi.org/10.4000/studifrancesi.4531.
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Alia, Valerie. "Naming in Nunavut: A Case Study in Political Onomastics." British Journal of Canadian Studies 19, no. 2 (September 2006): 247–56. http://dx.doi.org/10.3828/bjcs.19.2.9.
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Nichols, Stephen G. "Writing the New Middle Ages." PMLA/Publications of the Modern Language Association of America 120, no. 2 (March 2005): 422–41. http://dx.doi.org/10.1632/003081205x52392.
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Medieval studies are big—in fact, have rarely been livelier … or more controversial. This energy has succeeded in breaching the ramparts that traditionally divided the field into a series of vigorously defended fiefs. In a word, the discipline has gone interdisciplinary. Visual literacy, patristics, modal logic, grammar, rhetoric, onomastics, philosophical anthropology, sociology, historiography, linguistics, codicology, vernacular literature, classical and medieval Latin thought and letters, philology, and myriad other subsets conjugate in dizzying and unexpected configurations to produce exciting views of the period.
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Gorczowska, Natalia. "Bitwa pod Brenną czy pod Starymi Pupami? O nazwach bitew i wojen w polskich powieściach fantasy." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 15 (December 13, 2017): 203–12. http://dx.doi.org/10.24917/3936.
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Battle of Brenna or battle of old Bottocks? War and battle names in Polish fantasy novels Proper names are a very important element of language in every literary work, especially in fantasy novels. They compose a map of reality unknown to the reader but they also tell the story of imagined world. Chrononyms are an example of proper names which appear in fantasy novels. They are names of historical events. Names of wars and battles are often used in books written by Andrzej Sapkowski, Ewa Białołęcka, Anna Brzezińska, Feliks W. Kres and Krzysztof Piskorski. This publication analyses how writers create chrononyms, how similar to real chrononyms names of wars and battles in fantasy books are, and what functions they perform in novels.Key words: literary onomastics; proper name; chrononyms; names of wars; names of battles;
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Holikova, Nataliia. "The language experivents of Pavlo Zahrebelnyi." Culture of the Word, no. 90 (2019): 18–29. http://dx.doi.org/10.37919/0201-419x-2019.90.2.
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The article researches semantic structure of the “pillar” tokens in the vertical context of fictionof P. Zahrebelnyi. The structure of symbolic meanings of polysemant, its linguostylistic functions in historical novels and works about the writer’s present time are analyzed. It is characterized by rhetorical figures that in the novel “Stovpo-tvorinnia” by P. Zahrebelnyi is the result of language experiments with the word “pillar”. Identified lexical-thematic lines with the dominant “pillar” in the text-field structure of the work, clarified their semantic-derivative specificity. Individual-author figures of language are comprehensively analyzed within the framework of linguistics, neology, and literary onomastics.
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Sultanova, Alfina Shamilyevna. "WORD STRUCTURE OF POETONYMS IN MUSTAI KARIM’S LITERARY WORK "LONG-LONG CHILDHOOD"." Theoretical and Applied Linguistics, no. 1 (2019): 123–44. http://dx.doi.org/10.22250/24107190_2019_5_1_123_144.
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The present paper aims to study word structure and meaning of the proper names that appear in Mustai Karim’s literary works. In this article, the methods of system, theoretical and practical analysis are used. Based on the analysis of poetonyms, the word-building patterns of proper names in M. Karim’s autobiography novel «Long-long childhood» are considered. As far as this issue has never been the focus of linguists’ attention, this research is the first attempt of a comprehensive study of proper names used in M. Karim’s novel from structural and word-building angles; the specificity of the functioning of onims and their role in the creation of artistic images, as well as in the reflection of the main stages in the development of the Bashkir language, is revealed. The work makes a definite contribution to the study of trends in the development of the Bashkir language system, as well as structural and word-formation features of poetic onomastics.
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Roff, W. R. "Onomastics, and Taxonomies of Belonging in the Malay Muslim World." Journal of Islamic Studies 18, no. 3 (September 1, 2007): 386–405. http://dx.doi.org/10.1093/jis/etm031.
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Dracheva, Iuliya N. "The secret “Country of Bondaletiya” (Review on the collection dedicated to V.D. Bondaletov)." Philological Sciences. Scientific Essays of Higher Education, no. 3 (May 2021): 125–28. http://dx.doi.org/10.20339/phs.3-21.125.
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In the paper, the collection of scientific works and memoirs of colleagues and students of Professor Vasily Danilovich Bondaletov is described. The analysis of the articles presented in the memorial collection shows that the directions of the studies of V.D. Bondaletov reflect promising trends of modern linguistics: the study of social dialects, argotic vocabulary, folk speech, onomastics, stylistics of the Russian literary language. Considering the two-part composition of the collection, which combines biographical notices and scientific studies, the author denotes the importance of memorial publications for the academic sphere and comments on the possible readers of the collection, such as linguists, historians, culturologists, and other specialists.
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Бугакова, Н. Б. "The aspects of study of the onomastics in A. Platonov’s works." Актуальные вопросы современной филологии и журналистики, no. 1(40) (March 19, 2021): 62–65. http://dx.doi.org/10.36622/aqmpj.2021.56.73.009.
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А. Платонов - известный русский писатель XX века, родившийся в Воронеже и проживший достаточно сложную жизнь, что не могло не отразиться на произведениях, создаваемых им. Особое внимание среди всего литературного наследия, оставленного А. Платоновым и изучаемого в разных аспектах (сюда входит проза, драматургия, публицистика и т.д.), привлекает специфика введения автором ономастических единиц разных разрядов. Имя собственное - это та лексическая единица, с употреблением которой мы сталкиваемся ежедневно в процессе использования языка для номинации людей, животных, стран, рек, поселений и т.д. Присущее именам собственным разнообразие как функциональное, так и языковое, привело к возникновению ономастики - науки, которая занимается рассмотрением имен собственных, названий и т.п. Полагаем, что имя собственное - это особый художественный элемент, не существующий в тексте самостоятельно и всегда взаимосвязанный с другими элементами текста, поскольку это необходимо автору для создания художественного образа. Анализ взаимодействия всех этих систем позволяет точнее понять замысел автора и цель введения в текст той или иной ономастической единицы. Очевидно, что введение автором в произведение конкретных ономастических единиц всегда не случайно, подобный выбор всегда обусловлен ассоциациями автора, связанными с тем или иным именем. В данном исследовании предпринята попытка провести анализ существующих в современной науке работ по исследованию особенностей функционирования ономастических единиц в творчестве А. Платонова. Рассмотренные нами работы масштабны, но исследование ономастических единиц в произведениях А. Платонова не теряет своей актуальности в связи с тем, что системные труды в данной области отсутствуют. A. Platonov is a famous Russian writer of the 20 century who was born in Voronezh and had a long and complicated biography reflected in his works. Platonov’s literary heritage which includes prose, plays, features etc. is studied in various aspects but special attention must be paid to the specificity of the author’s usage of proper names from different groups. A proper name is a lexical unit which is regularly used in the process of language nomination of people, animals, countries, rivers, settlements etc. The variety of proper names, both functional and lingual, lead to the foundation of onomastics as a science to study such lexical units. We think that proper names are special artistic elements which do not exist in the text by themselves as they are always connected with other text elements being necessary for the image creation. The analysis of the interaction of all these systems leads to the better understanding of the author’s ideas and the purpose of usage of a certain onym which never happens by chance but is always based on the author’s associations with the name. In the present article we try to analyze a set of contemporary scientific works devoted to the functioning of onomastic units in A. Platonov’s prose. The analyzed works are quite serious but the research of onomastic units in A. Platonov’s creativity is still relevant because of the absence of systematic studies in this sphere.
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Dorogaikina, Ekaterina M., and Tamara G. Ignatieva. "ZOOLOGICAL NAMES AS OBJECT OF LINGUISTIC RESEARCH." Theoretical and Applied Linguistics, no. 3 (2019): 53–66. http://dx.doi.org/10.22250/2410-7190_2019_5_3_53_66.
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The history of animal names begins with the early epochs of human evolution, when animalism was one of the basic components of the worldview. Despite a considerable number of works that study zoological vocabulary, the uncertainty of a number of terms and a certain arbitrariness of the use of terms and concepts associated with animal names is still present in onomastics, e.g. "zoonym" and "zoomorphism" refer to such concepts. The purpose of the article is to clarify the terminological meaning of these concepts, to generalize and systematize the basic research on the theory of zoonymic nominations. The research methodology was formed on the basis of theoretical positions in the field of onomastics and the theory of nominations in modern linguistics. As a result of the theoretical analysis the following findings were made. First, the terms "zoonym" and "zoomorphism" are not synonymous. "Zoonym" is a more general term than "zoomorphism". Zoomorphism represents zoological names of anthropological nature, attributing the traits associated with the image of an animal to a human. Zoonyms do not have such attributes. "Zoonim" is proposed to be the general term. Another finding was that the functioning of zoonyms and zoomorphisms in the literary text is influenced by the genre of the text, which is expressed in the genre determinism of the lexical composition of zoonyms nominating animals.
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Benyovszky, Krisztián. "A név mint paratextus a műfordítás gyakorlatában." Névtani Értesítő 43 (December 30, 2021): 45–67. http://dx.doi.org/10.29178/nevtert.2021.3.
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The study examines issues related to translating an author’s name and character names when these are considered paratexts. The introduction briefly describes the interdisciplinary context of study into paratextuality, pointing to the research areas emerging at the intersection of literary theory, translation studies, and onomastics. The paper then analyzes the translation methods used in the case of authors’ names, pseudonyms, title characters, and intertextual names in separate sections, focusing on publications of popular literature and 20th-century Hungarian prose, especially Zsigmond Móricz, Dezső Kosztolányi and Jenő Rejtő in foreign languages. Following the criteria described in the literature review, the study examines verbal paratexts and the visual paratexts of the covers (typography, cover image).