Relevant bibliographies by topics / Literary parody

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Literary parody'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Literary parody"

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Putro, Abdullah Bimo Prakoso, and Arya Giri Anggara. "Parodi Kritik Politik dalam Cerpen Dilarang Menyanyi di Kamar Mandi Karya Seno Gumira Ajidarma." REFEREN 1, no. 2 (2022): 176–88. http://dx.doi.org/10.22236/referen.v1i2.9182.

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Abstrak Seno Gumira Ajidarma terkenal dengan karya sastranya yang mengangkat tema sosial dan politik. Karya-karyanya banyak terbit pada masa orde baru yang mana sering terjadi penindasan, diskriminasi, dan pembatasan hak politik. Karya sastra sebagai karya fiksi memberikan gambaran permasalahan masyarakat dan realitas di lingkungannya. Pengarang menggunakan perantara karya sastra untuk menyampaikan ide, pemikiran, atau gagasan mengenai hal atau persoalan yang terjadi di masyarakat dan juga untuk menyampaikan pesan kepada pembaca. Seperti dalam Cerita pendek Dilarang Menyanyi Di Kamar Mandi kar
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Gustian, Rizki Puji. "An Autobiography but Not Quite: The Autobiography of Miss Jane Pittman as a Parody." Journal of Language and Literature 25, no. 1 (2025): 169–81. https://doi.org/10.24071/joll.v25i1.10552.

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This article examines Ernest J. Gaines' The Autobiography of Miss Jane Pittman (1972) as a parody and critique of dominant cultural narratives. Combining close reading with biographical criticism, which contextualizes the novel through Gaines’ socio-cultural background as an African American author. Drawing on Bakhtin’s and Hannoosh’s theories of parody and Gates’ concept of chiasmus, the analysis explores how the novel imitates, transforms, and subverts its targets. Bhabha’s notion of mimicry situates parody within postcolonial discourse, while Genette’s theory of frequency analyzes the novel
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Alareer, Refaat, Noritah Omar, and Hardev Kaur. "A Bakhtinian Reading of John Donne’s Parody Poem “The Bait”." Advances in Language and Literary Studies 8, no. 1 (2017): 200. http://dx.doi.org/10.7575/aiac.alls.v.8n.1p.200.

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While conventional critics seek the comic aspect of parody, modernist critics credit parody with questioning mainstream literary trends and subverting literary production. For instance, Mikhail Bakhtin believes in parody’s power to create “a decrowning double” by turning the official worldview up-side-down. For experimental poets like John Donne, parody transcends mere comical imitation into a serious practice. Donne, having lived in the heyday of the Renaissance with its overemphasis on decorum and courtly love, sought refuge in parody to resist and disturb existing norms of versification and
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Xu, Xinhong, and Zhibo Chen. "Breaking the Circle of Parody Art and Exploring its IP Creation." Highlights in Art and Design 1, no. 2 (2022): 14–17. http://dx.doi.org/10.54097/hiaad.v1i2.1892.

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As a form of artistic creation, parody has both the imitation of previous texts and the aesthetic pursuit of cultural conception. From literary text to film and television text, this article mainly takes the parody of classic texts as an example to study the innovative way of parody to uphold the traditional culture and promote local IPs on the basis of classic literary and artistic works under the influence of the pan-entertainment trend, and to study the innovative path of parody IP. This article also analyzes the successful case of parody IP "breaking the circle" and discusses the new ideas
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Ryan-Hayes, Karen. "Vojnovič's Moskva 2042 as Literary Parody." Russian Literature 36, no. 4 (1994): 453–79. http://dx.doi.org/10.1016/0304-3479(94)p3031-f.

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Kynes, Will. "Beat Your Parodies into Swords, and Your Parodied Books into Spears: A New Paradigm for Parody in the Hebrew Bible." Biblical Interpretation 19, no. 3 (2011): 276–310. http://dx.doi.org/10.1163/156851511x576900.

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AbstractWhile previous works on parody in the Hebrew Bible have addressed the literary technique ad hoc in the service of the interpretation of specific texts, this article approaches the topic more broadly, attempting to understand the nature of the technique itself. Drawing on literary criticism, particularly the work of Linda Hutcheon, the commonly accepted definition of parody as a text which "ridicules" its "target" is questioned, and a broader definition of parody as "antithetical allusion," in which the earlier text may act as a "weapon" instead of a "target," and subversion and humor a
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Wo, Jia. "The Effect of the Use of Parody in the Slaughterhouse-Five on Vonnegut's War Trauma Writing." Communications in Humanities Research 2, no. 1 (2023): 471–78. http://dx.doi.org/10.54254/2753-7064/2/2022572.

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The parody in Slaughterhouse-Five is notas scholar Fredric Jameson defineda postmodern literary strategy. However, there is currently little research on the non-postmodern character of this postmodern text. This study will start with the technique of parody and challenge Jameson's description of the characteristics of postmodern literature to prove that the novel's war trauma writing contains a non-postmodern value judgment. This essay will refer to the interpretation of scholars such as Neil D Isaacs, and find the moral center which contributes to the frequent use of parody through the analys
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Konstantinova, Natalia Vladimirovna. ""Erast Krutolobov's Journey to Moscow and St. Petersburg in the 30s of the XIX century" by V. Novodvorsky as a parody of the sentimental narrative model of travelogue." Филология: научные исследования, no. 10 (October 2023): 50–59. http://dx.doi.org/10.7256/2454-0749.2023.10.68844.

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The subject of the study is a parody text of the famous philologist, author of the fundamental monograph on the "Letters of the Russian traveler" N. M. Karamzin, V. V. Sipovsky (pseudonym – V. Novodvorsky), little known to a wide range of readers, "Erast Krutolobov's Journey to Moscow and St. Petersburg in the 30s of the XIX century" as a parody of the narrative model of travelogue. The purpose of the study is to determine the specifics of the description of the sentimental narrative model of the travelogue in the work of V. Novodvorsky (V. V. Sipovsky), to characterize the author's reflection
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Naumenko, Natalіia. "Parody as a Phenomenon of Literary Criticism." Pitannâ lìteraturoznavstva 95 (November 27, 2017): 146–59. http://dx.doi.org/10.31861/pytlit2017.95.146.

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Cherepanova, S. N. "„My money!” Dostoevsky and Chekhov: literary parody." Science and School, no. 2 (April 28, 2024): 30–35. http://dx.doi.org/10.31862/1819-463x-2023-2-30-35.

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The article analyzes the events of burning money in F. M. Dostoevsky’s novel „The Idiot” and A. P. Chekhov’s „Drama on the Hunt”. The comparison of the events makes it possible to identify not only the characteristic features of the writers’ narrative, but also to approach a holistic understanding of the works. Using the event of burning money, Chekhov reinterprets it parodically. Chekhov reduces the drama, emotionality and high internal tension, which are typical of Dostoevsky’s narrative, to an ordinary context. Money also plays a different role. If Dostoevsky’s money is a test of the human
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Dissertations / Theses on the topic "Literary parody"

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Andersen, David Hess Jonathan M. "Parody as criticism the literary life of Eulalia Meinau /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,1550.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2008.<br>Title from electronic title page (viewed Sep. 16, 2008). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Germanic Languages and Literature." Discipline: Germanic Languages; Department/School: Germanic Languages.
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Gribble, Lyubomira Parpulova. "Russian verse parody 1815-1870 : literary and social functions /." The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487678444258622.

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Martin, Paul S. "Parody and parôidia : a study in literary genre and mode." Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/29154.

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This thesis explores the relationship between the genre of Greek poetry called parôidia and parody as a literary mode. I argue that the poetics of parôidia as genre are inextricably linked to the poetics of parody as mode. This argument produces a new methodological approach to the concept of parody, which recognizes its idiosyncratic nature. Since everyone has different ideas about what parody is, there is no absolute definition of parody. Instead, I use approaches drawn from cognitive linguistics and poetics to illuminate the parodic script, a set of terms commonly used to explain parody’s ef
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Maddocks, E. G. "The use of parody in German literary polemic c. 1740- c. 1780." Thesis, University of Oxford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.375911.

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Campbell, W. G. "Parody in the Apocalypse : a literary-theological study of convergent antithetical themes in John's Revelation." Thesis, Queen's University Belfast, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269024.

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Christian, Daniel Chung. "Satire in the Old Testament." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:7fe401ba-0292-4382-a3c4-ae0e133a206f.

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In recent years, through the process of narrative and literary criticism, scholars have begun suggesting that satire is present in specific texts of the Old Testament. Thus the primary function of this thesis is to analyse the validity of these arguments alongside suggesting different places where satire may be found. To achieve this goal, the thesis begins by analysing and defining satire as a concept. A clear definition provides the thesis with the method needed to identify satire in texts which predate any defined understanding of the concept. The thesis also uses satirical works from throu
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Silva, Avani Souza. "Guimarães Rosa e Mia Couto: ecos do imaginário infantil." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-02102007-140711/.

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Realiza-se neste trabalho um estudo comparado de dois contos pertencentes ao macrossistema das literaturas de língua portuguesa: \"As margens da Alegria\", do livro de contos Primeiras Estórias, do escritor brasileiro João Guimarães Rosa, e \"O viajante clandestino\", do livro Cronicando, do escritor moçambicano Mia Couto, utilizando como suporte teórico o comparatismo de solidariedade teorizado por Benjamin Abdala Junior, a partir da conceituação de sistema literário formulado por Antonio Candido. A dissertação focaliza os contos buscando articulação entre eles do ponto de vista temático e e
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Fernandes, Maria Aparecida. "O professor, de Cristovão Tezza: uma paródia fáustica." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20257.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-07-28T12:37:30Z No. of bitstreams: 1 Maria Aparecida Fernandes.pdf: 1486336 bytes, checksum: 35e7fabad173080510827654a8428204 (MD5)<br>Made available in DSpace on 2017-07-28T12:37:30Z (GMT). No. of bitstreams: 1 Maria Aparecida Fernandes.pdf: 1486336 bytes, checksum: 35e7fabad173080510827654a8428204 (MD5) Previous issue date: 2017-06-22<br>The dissertation proposes a reading of Cristovão Tezza’s novel O professor [The Professor] as a parody based on the Faust theme. According to critics, that romanesque prose is considered one of
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Melo, Reinaldo Oliveira de. "Metalinguagem e paródia em contos de Feliz Ano Novo, de Rubem Fonseca." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/14913.

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Made available in DSpace on 2016-04-28T19:59:19Z (GMT). No. of bitstreams: 1 Reinaldo Oliveira de Melo.pdf: 305073 bytes, checksum: 10345c1e0fac35ea02d5ca8b336d4832 (MD5) Previous issue date: 2009-09-28<br>Secretaria da Educação do Estado de São Paulo<br>This work aims at discussing conections between some short stories from the work Feliz Ano Novo, by Rubem Fonseca, published in 1975, and the literary tradition. The short stories that were selected are: O Campeonato, Nau Catrineta, Corações Solitários, Agruras de um Jovem Escritor and Intestino Grosso, which reveal themselves as key points
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Mountian, Daniela. "Simbologia do caos em O diabo mesquinho de Fiódor Sologub." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-15062012-103007/.

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Este trabalho se propôs a analisar O Diabo Mesquinho (1892-1902), romance-chave de Fiódor Sologub (1863-1927), um dos expoentes do simbolismo russo. Além da importância incontestável da obra para a literatura russa e mundial, foi estímulo para a pesquisa a possibilidade de delinear o primeiro estudo acadêmico sobre o autor no Brasil. A análise seguiu duas direções, que continuamente se encontraram: a evidente tessitura paródica, e a presença de arquétipos míticos universais perpassados por elementos do folclore russo. Quanto ao uso da paródia, tendo como base teórica autores como Iuri Tyniánov
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Books on the topic "Literary parody"

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Dentith, Simon. Parody. Taylor & Francis Group Plc, 2004.

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Dane, Joseph A. Parody: Critical concepts versus literary practices : Aristophanes to Sterne. University of Oklahoma Press, 1988.

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Andreas, Böhn, ed. Formzitate, Gattungsparodien, ironische Formverwendung: Gattungsformen jenseits von Gattungsgrenzen. Röhrig, 1999.

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Wallace, Susan Besze. The cat book of virtues: A parody : a collection of stories for the noble cat. Summit Group, 1995.

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Frappier-Mazur, Lucienne. Writing the orgy: Power and parody in Sade. University of Pennsylvania Press, 1996.

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Rozakis, Laurie. Zombie notes: A study guide to the best in undead literary classics. Lyons Press, 2009.

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Rozakis, Laurie. Zombie notes: A study guide to the best in undead literary classics. Lyons Press, 2009.

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Society for French Studies (Great Britain) and University of Oxford. European Humanities Research Centre, eds. Between sequence and sirventes: Aspects of parody in the troubadour lyric. Legenda, 2000.

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Luigi, Munzi, ed. Forme della parodia, parodia delle forme nel mondo greco e latino: Atti del convegno Napoli, 9 maggio 1995. Cangiano Grafica, 1998.

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Melling, John Kennedy. Murder done to death: Parody and pastiche in detective fiction. Scarecrow Press, 1996.

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Book chapters on the topic "Literary parody"

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Hubbard, Tom, Joseph Conrad, H. Rider Haggard, and Rudyard Kipling. "A Parody." In Lives of Victorian Literary Figures, Part VII, Volume 3. Routledge, 2024. http://dx.doi.org/10.4324/9781003513148-6.

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Mildorf, Jarmila. "Poeticity and Parody." In The Routledge Companion to Literary Media. Routledge, 2023. http://dx.doi.org/10.4324/9781003119739-14.

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Haviland, Beverly. "Parody, Perversion, and Pedophilia." In The Literary Legacy of Child Sexual Abuse. Routledge, 2023. http://dx.doi.org/10.4324/9781003404378-4.

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Moebius, William. "Spectacle and Parody: Burlesque Subjectivity in the American Picturebook." In Literary Cultures and Twentieth-Century Childhoods. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-35392-6_2.

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Stetz, Margaret D. "“To Amuse Intelligently and Cleverly”: Carolyn Wells and Literary Parody." In Transgressive Humor of American Women Writers. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56729-7_2.

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Mack, Robert L. "‘We Cannot Think of What Hath Not Been Thought’: Or, How Critics Learned to Stop Worrying and Love Literary Parody." In The Genius of Parody. Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230286511_2.

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Knight, Stephen. "Alterity, Parody, Habitus: the Formation of the Early Literary Tradition of Robin Hood." In Robin Hood in Greenwood Stood. Brepols Publishers, 2012. http://dx.doi.org/10.1484/m.miscs-eb.1.100449.

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Piper, Frances. "Spatial Parody, Theatricalization and Constructions of ‘Self’ in Patricia Highsmith’s The Price of Salt and Carson McCullers’s The Ballad of the Sad Café." In Women in Transit through Literary Liminal Spaces. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137330475_11.

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Ghidini, Chiara. "Kannon alla julienne e Fudō Myōō in salamoia. Parodie buddhiste commestibili nella Edo del tardo XVIII secolo." In Connessioni. Studies in Transcultural History. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0422-4.28.

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The paper focuses on two kibyōshi (yellow covers) published in late 18th-century Japan: [Ote ryōri o shiru nomi] Daihi no senrokuhon and [Kannon kaichō] Mitsutakara rishō no wakatake. Both works incorporate elements of reference to Buddhism. The first revolves around the bodhisattva Senju Kannon (Thousand-armed Kannon), while the second is centred on the Kannon Fair that took place in Edo in 1777, which showcased the exhibition of the so-called Tonda reihō (Flying incredible sacred treasures). The primary aim of the paper is to analyse the diverse parodic elements present within the two kibyōs
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Dean, Dominic. "Thatcher’s Young Men and the End of the Party: Parody, Predictions and Problems in Literary Representations of Thatcherism." In Thatcherism in the 21st Century. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41792-5_12.

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Conference papers on the topic "Literary parody"

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Metenko, Jozef, and Miriam Metenkova. "MANIFESTATIONS OF DIGITAL TRACES AS A PERSONAL AND CRIMINALISTICS OBJECT." In 11th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscss.2024/s02/12.

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This study analysis object digital traces and their influence on the content of modern Criminalistics and the Privacy of individuals. The broad in context and highlight the purpose both of the objects can by useful for better understanding those partly new phenomena in modern live. Basis of the study is to analyze different aspects of the digital traces, including its creation, collection and use. Very complicated is in actual law regulation to correctly capture the balance between the freedom to use information, especially the Internet, and the necessity of control, which is mainly mediated b
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Ivanova, Lyubov A. "Benjamin Disraeli’S Literary Heritage In Bret Harte’S Parody "Lothaw"." In International Scientific Conference «PERISHABLE AND ETERNAL: Mythologies and Social Technologies of Digital Civilization-2021». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.12.03.64.

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Farkas, Tamás. "Names and naming and their cultural context in Terry Pratchett’s Discworld." In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/75.

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The Discworld is a comic fantasy universe created by British author Terry Pratchett, where over 40 of his novels are set. This diverse world is home to a lot of different cultures and (human and non-human) characters, living cheek by jowl, regardless of species, gender or life status. However, with many allusions, the Discworld is in several ways a parody of our own world, culture and society. All of this make it a very fruitful subject of literary onomastics. The paper analyses, using many examples, the complex multicultural and linguistic context and embeddedness of literary names and naming
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Panagl, Oswald, and Christina Katsikadeli. "Nestroy meets Wagner. Parody as an alternative literary concept and a test bench for stylistics." In 43rd Austrian Linguistics Conference. Austrian Academy of Sciences Press, 2018. http://dx.doi.org/10.1553/nestroy.

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Brudasca, Ioana. "Intertextual Projections in the Theater of Matei Vișniec. Case Study." In Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.06.

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Matei Visniec’s theater is a process of dialogue with other writers and other literary works. Intertextual projections are also present in the play „Attic in Paris overlooking death” through quotes, allusions and a subtle parody. Beyond Visniec’s admiration for the Cioranian opera, the play reveals an identity problem present both in Cioran and Visniec, namely the profile of the Romanian writer exiled in France. We witness a metamorphosis of the philosopher Cioran into the character through memory loss. The presence of quotations from the philosopher’s work denotes in the dramatic work a genui
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Davidsone, Agnese, and Vineta Silkane. "Exploratory Study on Latvian Secondary School Teachers’ Understanding of the Concept of Scientific Literacy." In ATEE 2022 Annual Conference. University of Latvia Press, 2023. http://dx.doi.org/10.22364/atee.2022.12.

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Teachers’ scientific knowledge and understanding of science are prominent in determining how teaching scientific literacy will be integrated in the curriculum. However, in previous literature in-service teachers’ understanding of scientific literacy has not been studied sufficiently. This qualitative study aims to close this gap and explore how Latvian secondary school teachers (N = 23) understand the concept of scientific literacy. In our study, we distinguished three dimensions of scientific literacy: procedural, affective, and conceptual. Our results indicate that teachers associate scienti
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Izotov, Andrey. "TRAVELOGUE BY LADISLAV VETVICHKA «S JARKEM PO STO ROKACH OKOLO RAKUSKA-UHERSKA» AND THE OSTRAVA LANGUAGE." In Actual issues of Slavic grammar and lexis. LCC MAKS Press, 2024. http://dx.doi.org/10.29003/m4104.978-5-317-07174-5/78-84.

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Professor A.G. Shirokova insisted on the need for Bohemian students to get acquainted not only with the literary Czech language, but also with non-literary idioms represented in the Czech discourse. The article is devoted to the travelogue S Jarkem po sto rokach okolo Rakuska-Uherska (2019), written, according to the definition of the author of the travelogue Ladislav Větvička, in the "Ostrava language" (ostravština). The travelogue is a successful symbiosis of the southern dialects of Czech Silesia, literary Czech and partly everyday-spoken Czech. The appearance of such texts strengthens the
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Prelovšek, Anita. "Music in the life and works of Ivan Sergeyevich Turgenev." In Socratic Lectures 7. University of Lubljana Press, 2022. http://dx.doi.org/10.55295/psl.2022.d22.

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The article deals with the role of music in the life and literary works of Ivan Sergeyevich Turgenev. Music played an important part in his life, partly owing to his friendship with the mezzo-soprano Pauline García Viardot, who remained his muse for forty years, until his death. Turgenev was familiar with several musical genres, especially classical music, and knew personally many lead-ing musicians and composers of the time, such as Liszt, Berlioz, Gounod and Saint-Saëns. Different musical impressions found an important place in the works of the writer, and some of the musical fragments of Tu
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Aprcović, Boriša. "INTRA-PARTY DIALOGUE." In Proceeding of the Thirteenth International Conference at the Faculty of Foreign Languages. Alfa BK University Belgrade, 2024. https://doi.org/10.46793/lld24.281a.

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In public opinion, there is a persistent „aspiration“ for a social order that would be based on socijal justice, in which political parties would play the role of guardian angels of citizens and liberal values. Neverthless, the balance on the scales of history has generally tilted towards political realism, which has always been more interested in the issue of conquering and maintaining power, as faithfully testified by Thucydides, Machiavelli, and Hobbes. The emergence of modern political parties after 1789 did not significantly change this pragmatic course of development of politics and poli
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Markov, A. "SYNTHETIC TEXT: TO THE PROBLEM OF DIFFERENTIATION OF THE PHENOMENON OF SONG POETRY." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3763.rus_lit_20-21/371-381.

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The article treats the song text as a kind of synthetic text. The intermediate nature of the object of study gives rise to difficulties associated with the need for an interdisciplinary approach to its study. Author's and bard's song, rock poetry and rap poetry - these and adjacent types of combining music and text cannot be described and classified using the available tools. The interaction of music and text, the peculiarities of performance, the variability of song texts - all these complicates the research task. An attempt to resolve the terminological confusion that aroses almost simultane
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Reports on the topic "Literary parody"

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Jeziorek, Marika. Martynka’s Refugee Support on Third-party Platforms Risks Data Security. Balsillie School of International Affairs, 2025. https://doi.org/10.51644/bcs006.

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Martynka is a digital platform created in March 2022 by Nastya Podorozhnya, a Ukrainian living in Poland at the time, to provide legal aid, geolocation tracking and psychosocial support to Ukrainian refugee women. Built as a chatbot on Telegram, the platform offers services in Ukrainian, Russian, Polish and English and is accessible to women both in Ukraine and in Poland. However, Martynka faces several governance challenges, including significant concerns about data privacy and security due to its reliance on Telegram, a third-party application with a controversial reputation for data handlin
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Tymoshyk, Mykola. Кадри тоталітарної журналістики для преси західноукраїнських областей. 40-50-ті роки хх ст. (На архівних матеріалах крайової газети «Радянська Буковина»). Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11721.

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For the first time in Ukrainian journalism, the issue of totalitarian journalism has been outlined. The basis of the analysis is the archival materials of the Chernivtsi regional newspaper «Soviet Bukovyna» founded in 1940, which was re-registered in 1991 with the name «Bukovyna». The specifics of the formation of the assets of «pen workers» during the Soviet era are clarified; the qualitative composition of the staff, the reasons for their turnover and the typical types of journalists of that time were analyzed; information about the trials and investigations of journalists who were widely us
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Tymoshyk, Mykola. LONDON MAGAZINE «LIBERATION WAY» AND ITS PLACE IN THE HISTORY OF UKRAINIAN JOURNALISM ABROAD. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11057.

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One of the leading Western Ukrainian diaspora journals – London «Liberation Way», founded in January 1949, has become the subject of the study for the first time in journalism. Archival documents and materials of the Ukrainian Publishing Union in London and the British National Library (British Library) were also observed. The peculiarities of the magazine’s formation and the specifics of the editorial policy, founders and publishers are clarified. A group of OUN members who survived Hitler’s concentration camps and ended up in Great Britain after the end of World War II initiated the foundati
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Quak, Evert-jan. Lessons Learned from Community-based Management of Acute Malnutrition (CMAM) Programmes that Operate in Fragile or Conflict Affected Settings. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/k4d.2021.133.

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This rapid review synthesises the literature on how community-based management of acute malnutrition (CMAM) programmes could be adapted in settings of conflict and fragility. It identifies multiple factors affecting the quality and effectiveness of CMAM services including the health system, community engagement and linkages with other programmes, including education, sanitation, and early childhood development. Family MUAC (Mid-Upper Arm Circumference) is a useful tool to increase community participation and detect early cases of moderate acute malnutrition (MAM) and severe acute malnutrition
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Moreno-Castro, C., and M. Crespo. IBERIFIER Reports: The Impact of Disinformation on the Media Industry in Spain and Portugal. Servicio de Publicaciones de la Universidad de Navarra, 2023. http://dx.doi.org/10.15581/026.001.

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Disinformation, the deliberate spread of false or misleading information, has become an increasingly pressing issue in today’s society. The media industry, which plays a critical role in providing reliable and accurate information to the public, has been significantly impacted by the rise of disinformation. This IBERIFIER Report provides an analysis of the effects of disinformation on the media industry and the challenges it poses for journalists, media organizations, and the public. It highlights the erosion of public trust in the media, the need for journalists to verify information more rig
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