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Books on the topic 'Literary parody'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Dentith, Simon. Parody. Taylor & Francis Group Plc, 2004.

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2

Dane, Joseph A. Parody: Critical concepts versus literary practices : Aristophanes to Sterne. University of Oklahoma Press, 1988.

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3

Andreas, Böhn, ed. Formzitate, Gattungsparodien, ironische Formverwendung: Gattungsformen jenseits von Gattungsgrenzen. Röhrig, 1999.

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4

Wallace, Susan Besze. The cat book of virtues: A parody : a collection of stories for the noble cat. Summit Group, 1995.

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5

Frappier-Mazur, Lucienne. Writing the orgy: Power and parody in Sade. University of Pennsylvania Press, 1996.

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6

Rozakis, Laurie. Zombie notes: A study guide to the best in undead literary classics. Lyons Press, 2009.

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7

Rozakis, Laurie. Zombie notes: A study guide to the best in undead literary classics. Lyons Press, 2009.

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8

Society for French Studies (Great Britain) and University of Oxford. European Humanities Research Centre, eds. Between sequence and sirventes: Aspects of parody in the troubadour lyric. Legenda, 2000.

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9

Luigi, Munzi, ed. Forme della parodia, parodia delle forme nel mondo greco e latino: Atti del convegno Napoli, 9 maggio 1995. Cangiano Grafica, 1998.

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10

Melling, John Kennedy. Murder done to death: Parody and pastiche in detective fiction. Scarecrow Press, 1996.

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11

Borello, Rosalma Salina. Parodie, travestimenti, pastiches e altre pratiche di riscrittura: Teorie e percorsi di lettura. UniversItalia, 2014.

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12

Uzoma, Nwokochah, ed. Literary parade: Trends in the African novel. Crystal Publishers, 1998.

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13

Iacob, Livia. Parodia literară: Șapte rescrieri romanești. Institutul European, 2011.

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14

Capata, Alessandro. Semper truffare paratus: Genere e ideologia nel Baldus di Folengo. Bulzoni, 2000.

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15

Little, Jean. The animal parade: A collection of stories and poems. Tambourine Books, 1992.

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16

Jennifer, Murphy, and Murphy P. J. 1946-, eds. Sentences and paroles: A prison reader. New Star Books, 1998.

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17

Wickhamsmith, Simon. Politics and Literature in Mongolia (1921-1948). Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462984752.

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Politics and Literature in Mongolia (1921-1948) investigates the relationship between literature and politics during Mongolia’s early revolutionary period. Between the 1921 socialist revolution and the first Writers’ Congress held in April 1948, the literary community constituted a key resource in the formation and implementation of policy. At the same time, debates within the party, discontent among the population, and questions of religion and tradition led to personal and ideological conflict among the intelligentsia and, in many cases, to trials and executions. Using primary texts, many of

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18

Parody. Routledge, 2000.

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19

Parody. Routledge, 2002.

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20

[Harvard lampoon parody]: H-bomb literary quarterly. Harvard Lampoon, 2004.

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21

Dentith, Simon. Parody (The New Critical Idiom). Routledge, 2000.

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22

Dentith, Simon. Parody (The New Critical Idiom). Routledge, 2000.

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23

Taylor, David Francis. Politics of Parody: A Literary History of Caricature, 1760-1830. Yale University Press, 2018.

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24

Politics of Parody: A Literary History of Caricature, 1760-1830. Yale University Press, 2018.

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25

American Literature in Parody: A Collection of Parody, Satire, and Literary Burlesque of American Writers Past and Present. Forgotten Books, 2017.

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26

Falk, Robert P. 1914. American Literature in Parody; a Collection of Parody, Satire, and Literary Burlesque of American Writers Past and Present. Creative Media Partners, LLC, 2021.

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27

Falk, Robert P. 1914. American Literature in Parody; a Collection of Parody, Satire, and Literary Burlesque of American Writers Past and Present. Creative Media Partners, LLC, 2021.

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28

Taylor, David Francis. The Politics of Parody. Yale University Press, 2018. http://dx.doi.org/10.12987/yale/9780300223750.001.0001.

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This book explores how the works of William Shakespeare, John Milton, Jonathan Swift, and others were taken up by caricaturists as a means of helping the eighteenth-century British public make sense of political issues, outrages, and personalities. The first in-depth exploration of the relationship between literature and visual satire in this period, the book explores how great texts, seen through the lens of visual parody, shape how we understand the political world. It offers a fascinating, novel approach to literary history.

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29

Lannister, Jammy. Game of scones: All men must dine (a parody). 2015.

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30

Münderlein, Kerstin-Anja. Genre and Reception in the Gothic Parody. Taylor & Francis Group, 2021.

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31

Maddocks, Edward Geoffrey. The use of parody in German literary polemic c. 1740-c. 1780. 1986.

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32

Shallcross, Michael. Rethinking G. K. Chesterton and Literary Modernism: Parody, Performance, and Popular Culture. Taylor & Francis Group, 2017.

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33

Shallcross, Michael. Rethinking G. K. Chesterton and Literary Modernism: Parody, Performance, and Popular Culture. Taylor & Francis Group, 2017.

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34

Shallcross, Michael. Rethinking G. K. Chesterton and Literary Modernism: Parody, Performance, and Popular Culture. Taylor & Francis Group, 2017.

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35

Shallcross, Michael. Rethinking G. K. Chesterton and Literary Modernism: Parody, Performance, and Popular Culture. Taylor & Francis Group, 2017.

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36

Rethinking G. K. Chesterton and Literary Modernism: Parody, Performance, and Popular Culture. Taylor & Francis Group, 2017.

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37

Zimic, Stanislav. Los Cuentos y Las Novelas Del Quijote. Iberoamericana Editorial Vervuert, 2003.

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38

Zimic, Stanislav. Los Cuentos Y Las Novelas Del Quijote. Iberoamericana, 2003.

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39

Los cuentos y las novelas del "Quijote". Universidad de Navarra, 2003.

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40

Los cuentos y las novelas del Quijote. Universidad de Navarra, 1998.

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41

Genre and Reception in the Gothic Parody: Framing the Subversive Heroine. Routledge, 2021.

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42

Genre and Reception in the Gothic Parody: Framing the Subversive Heroine. Taylor & Francis Group, 2021.

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43

Münderlein, Kerstin-Anja. Genre and Reception in the Gothic Parody: Framing the Subversive Heroine. Taylor & Francis Group, 2021.

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44

Münderlein, Kerstin-Anja. Genre and Reception in the Gothic Parody: Framing the Subversive Heroine. Taylor & Francis Group, 2021.

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45

Dyer, Gary. Parody and Satire in the Novel, 1770–1832. Edited by Alan Downie. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199566747.013.030.

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The satirical fiction of the period 1770–1832 continues earlier trends, though the development of other modes of fiction and the fiction-marketing apparatus meant that satirical narratives were less central than they had been earlier in the eighteenth century. Satirical novels ran contrary to the tendency towards more plausible, more ‘novelistic’ fiction. Many novels used parody as a technique, often to attack literary trends, often to attack contemporary doctrines. Much satire was inspired, directly or indirectly, by the debates in Britain that followed the French Revolution. The most signifi

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46

Watson, Robert N. Ben Jonson's Parodic Strategy: Literary Imperialism in the Comedies. Harvard University Press, 2013.

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47

Melling, John Kennedy. Murder Done to Death: Parody and Pastiche in Detective Fiction. Rowman & Littlefield Publishers, Incorporated, 2000.

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48

Gudding, Gabriel. Defense of Poetry. University of Pittsburgh Press, 2002.

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49

Sens, Alexander, and S. Douglas Olson. Matro Of Pitane and the Tradition Of Epic Parody in the Fourth Century BCE: Text, Translation, and Commentary (American Classical Studies). An American Philological Association Book, 2000.

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50

Littératures francophones: Parodies, pastiches, réécritures. ENS éditions, 2013.

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