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Relevant bibliographies by topics / Literary parody / Dissertations / Theses

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Dissertations / Theses on the topic 'Literary parody'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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Consult the top 25 dissertations / theses for your research on the topic 'Literary parody.'

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1

Andersen, David Hess Jonathan M. "Parody as criticism the literary life of Eulalia Meinau /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,1550.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2008.<br>Title from electronic title page (viewed Sep. 16, 2008). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Germanic Languages and Literature." Discipline: Germanic Languages; Department/School: Germanic Languages.

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2

Gribble, Lyubomira Parpulova. "Russian verse parody 1815-1870 : literary and social functions /." The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487678444258622.

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3

Martin, Paul S. "Parody and parôidia : a study in literary genre and mode." Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/29154.

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This thesis explores the relationship between the genre of Greek poetry called parôidia and parody as a literary mode. I argue that the poetics of parôidia as genre are inextricably linked to the poetics of parody as mode. This argument produces a new methodological approach to the concept of parody, which recognizes its idiosyncratic nature. Since everyone has different ideas about what parody is, there is no absolute deﬁnition of parody. Instead, I use approaches drawn from cognitive linguistics and poetics to illuminate the parodic script, a set of terms commonly used to explain parody’s ef

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4

Maddocks, E. G. "The use of parody in German literary polemic c. 1740- c. 1780." Thesis, University of Oxford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.375911.

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5

Campbell, W. G. "Parody in the Apocalypse : a literary-theological study of convergent antithetical themes in John's Revelation." Thesis, Queen's University Belfast, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269024.

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6

Christian, Daniel Chung. "Satire in the Old Testament." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:7fe401ba-0292-4382-a3c4-ae0e133a206f.

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In recent years, through the process of narrative and literary criticism, scholars have begun suggesting that satire is present in specific texts of the Old Testament. Thus the primary function of this thesis is to analyse the validity of these arguments alongside suggesting different places where satire may be found. To achieve this goal, the thesis begins by analysing and defining satire as a concept. A clear definition provides the thesis with the method needed to identify satire in texts which predate any defined understanding of the concept. The thesis also uses satirical works from throu

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7

Silva, Avani Souza. "Guimarães Rosa e Mia Couto: ecos do imaginário infantil." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-02102007-140711/.

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Realiza-se neste trabalho um estudo comparado de dois contos pertencentes ao macrossistema das literaturas de língua portuguesa: \"As margens da Alegria\", do livro de contos Primeiras Estórias, do escritor brasileiro João Guimarães Rosa, e \"O viajante clandestino\", do livro Cronicando, do escritor moçambicano Mia Couto, utilizando como suporte teórico o comparatismo de solidariedade teorizado por Benjamin Abdala Junior, a partir da conceituação de sistema literário formulado por Antonio Candido. A dissertação focaliza os contos buscando articulação entre eles do ponto de vista temático e e

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8

Fernandes, Maria Aparecida. "O professor, de Cristovão Tezza: uma paródia fáustica." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20257.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-07-28T12:37:30Z No. of bitstreams: 1 Maria Aparecida Fernandes.pdf: 1486336 bytes, checksum: 35e7fabad173080510827654a8428204 (MD5)<br>Made available in DSpace on 2017-07-28T12:37:30Z (GMT). No. of bitstreams: 1 Maria Aparecida Fernandes.pdf: 1486336 bytes, checksum: 35e7fabad173080510827654a8428204 (MD5) Previous issue date: 2017-06-22<br>The dissertation proposes a reading of Cristovão Tezza’s novel O professor [The Professor] as a parody based on the Faust theme. According to critics, that romanesque prose is considered one of

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9

Melo, Reinaldo Oliveira de. "Metalinguagem e paródia em contos de Feliz Ano Novo, de Rubem Fonseca." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/14913.

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Made available in DSpace on 2016-04-28T19:59:19Z (GMT). No. of bitstreams: 1 Reinaldo Oliveira de Melo.pdf: 305073 bytes, checksum: 10345c1e0fac35ea02d5ca8b336d4832 (MD5) Previous issue date: 2009-09-28<br>Secretaria da Educação do Estado de São Paulo<br>This work aims at discussing conections between some short stories from the work Feliz Ano Novo, by Rubem Fonseca, published in 1975, and the literary tradition. The short stories that were selected are: O Campeonato, Nau Catrineta, Corações Solitários, Agruras de um Jovem Escritor and Intestino Grosso, which reveal themselves as key points

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10

Mountian, Daniela. "Simbologia do caos em O diabo mesquinho de Fiódor Sologub." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-15062012-103007/.

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Este trabalho se propôs a analisar O Diabo Mesquinho (1892-1902), romance-chave de Fiódor Sologub (1863-1927), um dos expoentes do simbolismo russo. Além da importância incontestável da obra para a literatura russa e mundial, foi estímulo para a pesquisa a possibilidade de delinear o primeiro estudo acadêmico sobre o autor no Brasil. A análise seguiu duas direções, que continuamente se encontraram: a evidente tessitura paródica, e a presença de arquétipos míticos universais perpassados por elementos do folclore russo. Quanto ao uso da paródia, tendo como base teórica autores como Iuri Tyniánov

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11

Augier-Grimaud, Johana. "Théâtre et théâtralité dans le Satyricon : la quête d'un nouveau genre." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040132.

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La présente étude revient sur le concept de théâtralité souvent employé à propos du Satyricon pour tenter d’enpréciser les manifestations et les modalités. Car derrière l’apparente simplicité du terme et la banalisation de sonemploi à propos de cette oeuvre, se cache une pluralité de procédés. La théâtralité du Satyricon revêt trois formes.Elle se définit spontanément comme la réutilisation de codes propres aux genres dramatiques comiques auxquelsPétrone emprunte situations, thématiques et procédés linguistiques. Cette théâtralité première est complexifiéepar son ancrage dans un univers narrat

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12

Lee, Yunsoo. "La postérité des Liaisons dangereuses : roman, théâtre, cinéma (1782-2010)." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040056.

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Les études sur la réception des Liaisons dangereuses de Laclos sont abondantes, mais elles portent le plus souvent sur un petit nombre d’œuvres et très peu examinent l’ensemble des diverses écritures créées sous l’influence de Laclos et de son roman. Circonscrite aux imitations romanesques et dramatiques, ainsi qu’aux adaptations théâtrales et cinématographiques, cette thèse analyse une quarantaine de romans, une vingtaine d’œuvres théâtrales et neufs films, tous inspirés à des degrés divers du roman de Laclos. Cette étude a visé moins à démontrer son statut de chef-d’œuvre qu’à analyser sa va

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13

Santos, Anne Marylin da Silva. "O tema da demência em Machado de Assis: uma abordagem sobre as obras Memórias póstumas de Brás Cubas, Quincas Borba e O alienista." Universidade do Estado do Rio de Janeiro, 2013. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=6677.

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Este trabalho tem por finalidade analisar a concepção da loucura nos livros Memórias Póstumas de Brás Cubas, Quincas Borba e O Alienista. A análise destas três obras pretende mostrar o empenho de Machado de Assis em desmascarar as imposturas arquitetadas pela racionalização e que foram sancionadas pelo prestígio social da ciência. O trabalho, em resumo, se dividirá em três partes: na primeira, farei uma reconstrução da fortuna crítica do autor, em seguida, discutirei a abordagem machadiana sobre a ciência e a loucura; e finalmente, focalizarei o uso da linguagem irônica nas obras, como forma d

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14

Reinoso, Canelo Sara Herminia. "Deconstrucción y parodia en las novelas En busca de Klingsor y El fin de la locura de Jorge Volpi." Tesis, Universidad de Chile, 2006. http://www.repositorio.uchile.cl/handle/2250/108913.

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El siguiente estudio persigue dar cuenta sobre dinámicas deconstruccionistas que operan en las novelas En busca de Klingsor (1999) y El fin de la locura (2003) del escritor mexicano Jorge Volpi (1968). Tales dinámicas se manifiestan mediante el diálogo paródico que establecen las novelas con determinados acontecimientos históricos y, principalmente, con los discursos de la ciencia y la filosofía vinculados en relación profunda y problemática con dichos sucesos.

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15

Tebaldi, Raquel. "Reconhecimento e redistribuição : estratégias de empoderamento na relação entre mulheres e mídia." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/129005.

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Há quase 20 anos, a IV Conferência Mundial sobre a Mulher, realizada de 4 a 15 de setembro de 1995, em Pequim, reconheceu oficialmente como uma das principais áreas de preocupação para se atingir maior igualdade entre homens e mulheres a relação entre mulheres e os meios de comunicação. Dentro desse contexto, trilhando aproximadamente o espaço temporal da Conferência de Pequim até seu aniversário de 20 anos e partindo de um nível global de análise, o presente trabalho visa explorar as seguintes questões: por que a relação entre mulheres e mídia é considerada problemática? Como diferentes teori

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16

Messias, Carlos Alberto Rodrigues. "Guerra e relação conjugal: a construção da alegoria em três contos de Dalton Trevisan." Pontifícia Universidade Católica de São Paulo, 2011. https://tede2.pucsp.br/handle/handle/14686.

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Made available in DSpace on 2016-04-28T19:58:43Z (GMT). No. of bitstreams: 1 Carlos Alberto Rodrigues Messias.pdf: 290391 bytes, checksum: 2234a20f8a7899e4d307dde9ca1fc334 (MD5) Previous issue date: 2011-10-31<br>Discusses the concepts of allegory, satire, parody, orality and mimesis in Literature, focusing on three short-stories of the compilation Guerra Conjugal ( Conjugal Warfare , 1969), by Dalton Trevisan. The corpus is: O Senhor Meu Marido, Trinta e Sete Noites de Paixão and Este Leito que É o Meu que É o Teu. The object is the representation of the conjugal conflict, ignited by sex, a

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17

Dreyer, Nicolas D. "'Post-Soviet neo-modernism' : an approach to 'postmodernism' and humour in the post-Soviet Russian fiction of Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurgin." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1917.

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The present work analyses the fiction of the post-Soviet Russian writers, Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurgin against the background of the notion of post-Soviet Russian postmodernism. In doing so, it investigates the usefulness and accuracy of this very notion, proposing that of ‘post-Soviet neo-modernism’ instead. Common critical approaches to post-Soviet Russian literature as being postmodern are questioned through an examination of the concept of postmodernism in its interrelated historical, social, and philosophical dimensions, and of its utility and adequacy in the R

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18

Salles, Lilian Silva. "Laços míticos de família: paródia, rito e lirismo em Lavoura arcaica." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/14897.

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Made available in DSpace on 2016-04-28T19:59:16Z (GMT). No. of bitstreams: 1 Lilian Silva Salles.pdf: 493708 bytes, checksum: 2b749fcdf6f14148af1f472b90764d53 (MD5) Previous issue date: 2009-04-30<br>This study aims to elucidate the parody rewriting of the Parable of the Prodigal Son and its mythic allusions in Raduan Nassar s novel Lavoura Arcaica. Our aim is to point out, in Nassar s narrative discourse, the peculiarity of its structure in which we have identified poetic procedures as lyricism, silence, the sacred and the profane. These strategies recur in the novel, alternating t

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19

Tay, Geniesa. "Embracing LOLitics: Popular Culture, Online Political Humor, and Play." Thesis, University of Canterbury. Media and Communication, 2012. http://hdl.handle.net/10092/7091.

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The Internet, and Web 2.0 tools can empower audiences to actively participate in media creation. This allows the production of large quantities of content, both amateur and professional. Online memes, which are extensions of usually citizen-created viral content, are a recent and popular example of this. This thesis examines the participation of ordinary individuals in political culture online through humor creation. It focuses on citizen-made political humor memes as an example of engaged citizen discourse. The memes comprise of photographs of political figures altered either by captions or i

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20

Leisner, Keith David. ""Mutual relations of dialogue, parody, contestation" : writing Nabokov's life in the age of the author's death." Thesis, 2014. http://hdl.handle.net/2152/26372.

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In her introduction to a special issue of the South Central Review on literary biography published in 2006, Linda Leavell writes, "Many would trace the disdain for literary biography—in both senses of the word “literary”—back through Roland Barthes’s “death of the author” to the New Critics’ division of text from context all the way to T. S. Eliot’s theory of impersonality. Critical theory of the past century has generally deemed an author’s life, personality, and intentions irrelevant to the text" (1). Leavell’s explanation of how critical theory of the twentieth century came to shape the cur

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21

Bukowiecka, Marta. "Literackość form nieliterackich w literaturze polskiej po 1956 roku." Doctoral thesis, 2019. https://depotuw.ceon.pl/handle/item/3337.

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Rozprawa doktorska Literackość form nieliterackich w literaturze polskiej po 1956 roku dotyczy narastającej od „odwilży” tendencji do asymilowania nieartystycznych form wypowiedzi w polskiej twórczości literackiej. Szczegółowym celem rozprawy jest opis strategii eksperymentalnego, nowatorskiego i oryginalnego przetwarzania tych form w utworach pięciu pisarzy: Edwarda Redlińskiego, Leopolda Buczkowskiego, Doroty Masłowskiej, Tadeusza Różewicza i Mirona Białoszewskiego. W pracy wskazuję na trzy dominujące w ich twórczości strategie artystycznej transformacji wypowiedzi nieliterackich: kompozycję

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22

Mikeš, Marek. "Populární parafráze klasické japonské literatury v období Edo: Tvůrčí strategie v Nise Murasaki inaka Gendži." Doctoral thesis, 2019. http://www.nusl.cz/ntk/nusl-408179.

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This thesis deals with popular paraphrases of classical Japanese literature in the Edo period (1600- 1868). It analyses creative rewritings of a famous Heian tale Genji monogatari by popular authors of the Edo period, primarily Nise Murasaki inaka Genji by Ryūtei Tanehiko (1783-1842), which is one of the most successful works of Japanese early modern literature. The aim of this thesis is, utilizing elements of narrative analysis, to identify and interpret creative strategies applied by Tanehiko and his predecessors (Kogame Masuhide, Miyako no Nishiki and Okumura Masanobu) in works based on Gen

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23

FONTANIN, MATILDE. "Informazione, disinformazione e altre parole: uno strumento bibliografico per un dibattito internazionale." Doctoral thesis, 2022. http://hdl.handle.net/11573/1617501.

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A partire dall'indagine del fenomeno delle fake news e della disinformazione rispetto all’ambito biblioteconomico si è sviluppato un glossario sulla disinformazione dal punto di vista delle discipline del libro e del documento, che propone una sintesi del dibattito corrente, muovendosi tra lingua italiana e inglese, tra prestiti e falsi amici. Contiene circa 90 voci. Pensato per la comunità degli studiosi e dei professionisti nel campo delle culture documentarie, il glossario può servire a promuovere il contributo che la comunità LIS può offrire ad altre discipline. Si ritrovano i punti di vi

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24

Dion-Picard, Rosalie. "Les revues culturelles, lieux de la parole littéraire : regards métacritiques dans Liberté, L’Inconvénient, Contre-jour et Spirale." Thèse, 2014. http://hdl.handle.net/1866/12425.

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Alors que les études littéraires tendent à se professionnaliser et la culture à occuper de moins en moins d’espace dans les grands médias traditionnels, les revues culturelles proposent une critique qui se distingue de ces deux pratiques. Liberté, L’Inconvénient, Contre-jour et Spirale offrent aux intellectuels, critiques et universitaires l’espace d’une pratique mitoyenne, entre celles des publications savantes et des médias grand public. Qu’ils se définissent au premier chef comme herméneutes, médiateurs ou érudits, les critiques de ces revues revendiquent tous une parole littéraire. Chacun

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25

Burwell, Catherine. "The Politics and Pedagogy of Young People's Digital Media Participation." Thesis, 2011. http://hdl.handle.net/1807/31702.

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In this thesis I survey the terrain of digital interactions between youth, corporations and pop culture texts in order to complicate current visions of participatory culture. I argue that popular images of the empowered young users of a new digital democracy need to be complicated by asking questions about the politics of digital participation: about whose voices are heard, about where attention is centred, about how interactivity is defined, about who is rewarded for creative labour. The opening chapter introduces key issues within a critical examination of digital participation, including co

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