Log in

Relevant bibliographies by topics / Literary parody / Journal articles

To see the other types of publications on this topic, follow the link: Literary parody.

Journal articles on the topic 'Literary parody'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Literary parody.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Putro, Abdullah Bimo Prakoso, and Arya Giri Anggara. "Parodi Kritik Politik dalam Cerpen Dilarang Menyanyi di Kamar Mandi Karya Seno Gumira Ajidarma." REFEREN 1, no. 2 (2022): 176–88. http://dx.doi.org/10.22236/referen.v1i2.9182.

Full text

Abstract:

Abstrak Seno Gumira Ajidarma terkenal dengan karya sastranya yang mengangkat tema sosial dan politik. Karya-karyanya banyak terbit pada masa orde baru yang mana sering terjadi penindasan, diskriminasi, dan pembatasan hak politik. Karya sastra sebagai karya fiksi memberikan gambaran permasalahan masyarakat dan realitas di lingkungannya. Pengarang menggunakan perantara karya sastra untuk menyampaikan ide, pemikiran, atau gagasan mengenai hal atau persoalan yang terjadi di masyarakat dan juga untuk menyampaikan pesan kepada pembaca. Seperti dalam Cerita pendek Dilarang Menyanyi Di Kamar Mandi kar

APA, Harvard, Vancouver, ISO, and other styles

2

Gustian, Rizki Puji. "An Autobiography but Not Quite: The Autobiography of Miss Jane Pittman as a Parody." Journal of Language and Literature 25, no. 1 (2025): 169–81. https://doi.org/10.24071/joll.v25i1.10552.

Full text

Abstract:

This article examines Ernest J. Gaines' The Autobiography of Miss Jane Pittman (1972) as a parody and critique of dominant cultural narratives. Combining close reading with biographical criticism, which contextualizes the novel through Gaines’ socio-cultural background as an African American author. Drawing on Bakhtin’s and Hannoosh’s theories of parody and Gates’ concept of chiasmus, the analysis explores how the novel imitates, transforms, and subverts its targets. Bhabha’s notion of mimicry situates parody within postcolonial discourse, while Genette’s theory of frequency analyzes the novel

APA, Harvard, Vancouver, ISO, and other styles

3

Alareer, Refaat, Noritah Omar, and Hardev Kaur. "A Bakhtinian Reading of John Donne’s Parody Poem “The Bait”." Advances in Language and Literary Studies 8, no. 1 (2017): 200. http://dx.doi.org/10.7575/aiac.alls.v.8n.1p.200.

Full text

Abstract:

While conventional critics seek the comic aspect of parody, modernist critics credit parody with questioning mainstream literary trends and subverting literary production. For instance, Mikhail Bakhtin believes in parody’s power to create “a decrowning double” by turning the official worldview up-side-down. For experimental poets like John Donne, parody transcends mere comical imitation into a serious practice. Donne, having lived in the heyday of the Renaissance with its overemphasis on decorum and courtly love, sought refuge in parody to resist and disturb existing norms of versification and

APA, Harvard, Vancouver, ISO, and other styles

4

Xu, Xinhong, and Zhibo Chen. "Breaking the Circle of Parody Art and Exploring its IP Creation." Highlights in Art and Design 1, no. 2 (2022): 14–17. http://dx.doi.org/10.54097/hiaad.v1i2.1892.

Full text

Abstract:

As a form of artistic creation, parody has both the imitation of previous texts and the aesthetic pursuit of cultural conception. From literary text to film and television text, this article mainly takes the parody of classic texts as an example to study the innovative way of parody to uphold the traditional culture and promote local IPs on the basis of classic literary and artistic works under the influence of the pan-entertainment trend, and to study the innovative path of parody IP. This article also analyzes the successful case of parody IP "breaking the circle" and discusses the new ideas

APA, Harvard, Vancouver, ISO, and other styles

5

Ryan-Hayes, Karen. "Vojnovič's Moskva 2042 as Literary Parody." Russian Literature 36, no. 4 (1994): 453–79. http://dx.doi.org/10.1016/0304-3479(94)p3031-f.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Kynes, Will. "Beat Your Parodies into Swords, and Your Parodied Books into Spears: A New Paradigm for Parody in the Hebrew Bible." Biblical Interpretation 19, no. 3 (2011): 276–310. http://dx.doi.org/10.1163/156851511x576900.

Full text

Abstract:

AbstractWhile previous works on parody in the Hebrew Bible have addressed the literary technique ad hoc in the service of the interpretation of specific texts, this article approaches the topic more broadly, attempting to understand the nature of the technique itself. Drawing on literary criticism, particularly the work of Linda Hutcheon, the commonly accepted definition of parody as a text which "ridicules" its "target" is questioned, and a broader definition of parody as "antithetical allusion," in which the earlier text may act as a "weapon" instead of a "target," and subversion and humor a

APA, Harvard, Vancouver, ISO, and other styles

7

Wo, Jia. "The Effect of the Use of Parody in the Slaughterhouse-Five on Vonnegut's War Trauma Writing." Communications in Humanities Research 2, no. 1 (2023): 471–78. http://dx.doi.org/10.54254/2753-7064/2/2022572.

Full text

Abstract:

The parody in Slaughterhouse-Five is notas scholar Fredric Jameson defineda postmodern literary strategy. However, there is currently little research on the non-postmodern character of this postmodern text. This study will start with the technique of parody and challenge Jameson's description of the characteristics of postmodern literature to prove that the novel's war trauma writing contains a non-postmodern value judgment. This essay will refer to the interpretation of scholars such as Neil D Isaacs, and find the moral center which contributes to the frequent use of parody through the analys

APA, Harvard, Vancouver, ISO, and other styles

8

Konstantinova, Natalia Vladimirovna. ""Erast Krutolobov's Journey to Moscow and St. Petersburg in the 30s of the XIX century" by V. Novodvorsky as a parody of the sentimental narrative model of travelogue." Филология: научные исследования, no. 10 (October 2023): 50–59. http://dx.doi.org/10.7256/2454-0749.2023.10.68844.

Full text

Abstract:

The subject of the study is a parody text of the famous philologist, author of the fundamental monograph on the "Letters of the Russian traveler" N. M. Karamzin, V. V. Sipovsky (pseudonym – V. Novodvorsky), little known to a wide range of readers, "Erast Krutolobov's Journey to Moscow and St. Petersburg in the 30s of the XIX century" as a parody of the narrative model of travelogue. The purpose of the study is to determine the specifics of the description of the sentimental narrative model of the travelogue in the work of V. Novodvorsky (V. V. Sipovsky), to characterize the author's reflection

APA, Harvard, Vancouver, ISO, and other styles

9

Naumenko, Natalіia. "Parody as a Phenomenon of Literary Criticism." Pitannâ lìteraturoznavstva 95 (November 27, 2017): 146–59. http://dx.doi.org/10.31861/pytlit2017.95.146.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Cherepanova, S. N. "„My money!” Dostoevsky and Chekhov: literary parody." Science and School, no. 2 (April 28, 2024): 30–35. http://dx.doi.org/10.31862/1819-463x-2023-2-30-35.

Full text

Abstract:

The article analyzes the events of burning money in F. M. Dostoevsky’s novel „The Idiot” and A. P. Chekhov’s „Drama on the Hunt”. The comparison of the events makes it possible to identify not only the characteristic features of the writers’ narrative, but also to approach a holistic understanding of the works. Using the event of burning money, Chekhov reinterprets it parodically. Chekhov reduces the drama, emotionality and high internal tension, which are typical of Dostoevsky’s narrative, to an ordinary context. Money also plays a different role. If Dostoevsky’s money is a test of the human

APA, Harvard, Vancouver, ISO, and other styles

11

Bedenko, Vladimir Nikolaevich. "Parody film as a postmodernist deconstruction in cinematography." Человек и культура, no. 2 (February 2021): 82–100. http://dx.doi.org/10.25136/2409-8744.2021.2.34754.

Full text

Abstract:

Lately, the research of Parody film as a part of film discourse have reached its peak in the history and philosophy of science. The polycode essence of the concept of film discourse prompts changes and modifications in the interpretation of Parody film. Therefore, the subject of this analysis is Parody film. The goal of this research consists in examination of the peculiarities, meaning, and role of the concept of &ldquo;parody film&rdquo;, which is a creative work intended to ridicule the plot through satirical or ironic imitation. Research methodology is based on the method of analyt

APA, Harvard, Vancouver, ISO, and other styles

12

Akpah, Bartholomew Chizoba. "Satire, humour and parody in 21st Century Nigerian women’s poetry." European Journal of Humour Research 6, no. 4 (2018): 133. http://dx.doi.org/10.7592/ejhr2018.6.4.akpah.

Full text

Abstract:

21st century Nigerian women poets have continued to utilise the aesthetics of literary devices as linguistic and literary strategies to project feminist privations and values in their creative oeuvres. There has been marginal interest towards 21st century Nigerian women’s poetry and their deployment of artistic devices such as satire, humour and parody. Unequivocally, such linguistic and literary devices in imaginative works are deployed as centripetal force to criticise amidst laughter, the ills of female devaluation in the society. The major thrust of the study, therefore, is to examine how

APA, Harvard, Vancouver, ISO, and other styles

13

Кобринець, Ольга Станіславівна. "САТИРИЧЕСКАЯ МАСКА МИХАИЛА БУРБОНОВА В ТВОРЧЕСТВЕ ДМИТРИЯ МИНАЕВА". Наукові записки Харківського національного педагогічного університету імені Г.С. Сковороди "Літературознавство" 2, № 84 (2017): 32–47. https://doi.org/10.5281/zenodo.268962.

Full text

Abstract:

The article deals with a study of Mikhail Burbonov’s literary mask in parody works of D.D. Minaev, namely in his parodies on falsely accusative and pseudo-patriotic poetry of the second part of the XIX century. The article studies six parodies («Литературные ополченцы», «Демократов с давних пор…», «Ви-льяму Шекспиру от Михайла Бурбонова», «Дуэт», «Жизнь наша вроде плац-парада…», «Литературные попытки Михаила Бурбонова»), means of creation of parody effect, among which a special place was devoted to the literary mask of the retired major Burbonov. The fictional officer-writer is a collective ch

APA, Harvard, Vancouver, ISO, and other styles

14

Nóbrega, Caio Antônio. "Anthropophagic parody and/as decolonial critique: Verissimo, Shakespeare, and literary devouring." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 78, no. 1 (2025): 1–23. https://doi.org/10.5007/2175-8026.2025.e105076.

Full text

Abstract:

This article explores the decolonizing potential of anthropophagic parody in A décima segunda noite (2006), by Luis Fernando Verissimo, a novel that reimagines Shakespeare’s Twelfth Night through Oswald de Andrade’s concept of cultural anthropophagy. By transposing the play into a Brazilian setting, the novel subverts the hierarchical centrality of Shakespeare in the Western canon. The parrot-narrator, Henri, embodies this process by mimicking and distorting Shakespeare’s text in a carnivalesque dialogue that both honors and critiques its source. Engaging with post-colonial and literary theori

APA, Harvard, Vancouver, ISO, and other styles

15

Hazhar Ramadhan Ahmed, Shabanb, and Othman Mohammed. "Literary Parody of Russian Communism Harmonizing to George Orwell's Two Novels "Animal Farm" and "Nineteen Eighty Four"." International Journal of Language and Literary Studies 3, no. 2 (2021): 216–28. http://dx.doi.org/10.36892/ijlls.v3i2.554.

Full text

Abstract:

This Paper concerns within one of the foremost critical viewpoints in literature, where the metaphorical and mocking centrality of ‘Animal Farm’ and ‘Nineteen Eighty-Four' by George Orwell is highlighted, Through 'Animal Farm' and 'Nineteen Eighty-Four' Orwell by implication assaults Russian communism, Orwell combines political reason with a creative one to voice his critical conviction. Orwell utilized parody to grant more impact and understanding of his two books. Parody in Literature constitutes one of the viable literary strategies writers utilize in their stories to assault an individual,

APA, Harvard, Vancouver, ISO, and other styles

16

Salmi-Niklander, Kirsti. "Bitter Memories and Burst Soap Bubbles: Irony, Parody, and Satire in the Oral-Literary Tradition of Finnish Working-Class Youth at the Beginning of the Twentieth Century." International Review of Social History 52, S15 (2007): 189–207. http://dx.doi.org/10.1017/s0020859007003197.

Full text

Abstract:

This article discusses irony, parody, and satire in the oral-literary tradition of Finnish working-class youth during the first decades of the twentieth century. The most important research material is Valistaja (The Enlightener, 1914–1925), a handwritten newspaper produced by young working-class people in the industrial town of Karkkila in southern Finland. This research material provides examples of different kinds of parody: ideological parody is directed against both political opponents and the texts representing their ideology; generic parody involves playing with linguistic norms and gen

APA, Harvard, Vancouver, ISO, and other styles

17

Melnikova, T. "ANALYSIS OF SEPARATE EXAMPLES OF ENGLISH LITERARY PARODY AS POSSIBLE CASES OF PARODY USE." International Humanitarian University Herald. Philology 2, no. 60 (2023): 112–15. http://dx.doi.org/10.32841/2409-1154.2023.60.2.26.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Stanciu, Daniel. "Parody in the Romanian animation theater." Klironomy 6, no. 3 (2022): 7–14. https://doi.org/10.47451/art2022-09-01.

Full text

Abstract:

The article refers to the presence of parody in the animation theater in Romania. In the introductory part, the author talks about Mihail Bahtin’s concept of carnival culture, a category that also includes parody, a manifestation of the critical spirit, specific to animation theater of all times. The parody is inherent in the animation theater which, through its specific means, through the representation of the characters with puppets or marionets, makes a literary work written with “serious intentions” become ridiculous and funny. The parody ridicules both the “serious

APA, Harvard, Vancouver, ISO, and other styles

19

Cândido de Oliveira Martins, José, and Marcin Kołakowski. "Parody, Irony and Satire: Literary Approaches to Rewriting and Subverting Reality." Acta Philologica, no. 58 (2022) (August 19, 2022): 5–10. http://dx.doi.org/10.7311/acta.58.2022.1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

T., Sugadev. "COVER DESIGN, FILM POSTER, AND SUBTITLES: SEMIOTICS OF PARATEXTS IN SELECTING PARODIES." ShodhKosh: Journal of Visual and Performing Arts 4, no. 1 (2023): 18–28. http://dx.doi.org/10.29121/shodhkosh.v4.i1.2023.269.

Full text

Abstract:

A literary text becomes complete only when all its linguistic components are seen together to form meaning. French literary theorist Gerard Genette introduced a term called ‘Paratext’ to identify the additional parts of a text like subtitle, prefaces, introductory notes that contribute meaning to the text. A parody is generally understood as a work or performance that imitates another work or performance with ridicule or irony. In the field of literature, a parody comes with the effective imitation of the content of the parodied work in a satirical and ironical way. Paratext also attributes a

APA, Harvard, Vancouver, ISO, and other styles

21

Chatman, S. "Parody and Style." Poetics Today 22, no. 1 (2001): 25–39. http://dx.doi.org/10.1215/03335372-22-1-25.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Ipatova, S. A. "Concerning a Parody of Fet by the "New Poet" (I. I. Panaev) (1847)." Russkaya literatura 4 (2020): 21–31. http://dx.doi.org/10.31860/0131-6095-2020-4-21-31.

Full text

Abstract:

The shifts in A. A. Fet’s literary reputation and in his «image» directly depended on the atmosphere in the public life and literary milieu of each particular period. Because of its emotional accessibility, parody was one of the factors that contributed to the emergence and evolution of the hostile attitude towards Fet’s personality and poetry. One of the first to trigger this mechanism was the coeditor of the updated Sovremennik I. I. Panaev, whose parody Leafy maple alley… (184 7), targeting the imitators of Heine and the poetry of the so-called pure art, was in line with the ideological min

APA, Harvard, Vancouver, ISO, and other styles

23

Kharitonov, M. S. "In reading Don Quixote." Voprosy literatury, no. 3 (June 22, 2021): 252–61. http://dx.doi.org/10.31425/0042-8795-2021-3-252-261.

Full text

Abstract:

The article is devoted to close reading of The Ingenious Gentleman Don Quixote of La Mancha. The author supplies his literary-critical and existential comments to various episodes in the novel. He discusses the novel’s relation to myth and parody as well as the possibility of such an interpretation of ‘quixotism’ and statements that would resonate with the present-day realia. Reading the book again, the critic recognises it as the epitome of parody. Thomas Mann referred to parody as a myth (imitation, following in somebody’s footsteps). Here, parody gave rise to a new myth. The scene of the bo

APA, Harvard, Vancouver, ISO, and other styles

24

Prokopovich, L. V. "Literary parody as a form of creative discussion." Odes’kyi Politechnichnyi Universytet. Pratsi, no. 2 (June 15, 2015): 189–94. http://dx.doi.org/10.15276/opu.2.46.2015.32.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Petrino, Elizabeth A. "Speaking Double: Parody as Resistance in Nineteenth-Century American Women’s Poetry." Studies in American Humor 10, no. 2 (2024): 186–207. http://dx.doi.org/10.5325/studamerhumor.10.2.0186.

Full text

Abstract:

ABSTRACT Nineteenth-century American women poets wrote parodies to challenge the sentimental portrayals of women and resist literary commercialism. Building on Mikhail Bakhtin’s and Linda Hutcheon’s theories of the dialogic and literary parody, this article explores how Lydia Sigourney (1791–1865) and Phoebe Cary (1824–71) parody male authors such as Poe and Longfellow to register their critiques while ostensibly maintaining a demure image for their readers. Their parodies also manifest subversive intent by speaking from and on behalf of marginalized groups, including women, the working class,

APA, Harvard, Vancouver, ISO, and other styles

26

Serenkov, Yuriy S. "Parody in Literature: A Culture-Determined View." SibScript 25, no. 4 (2023): 577–86. http://dx.doi.org/10.21603/sibscript-2023-25-4-577-586.

Full text

Abstract:

The integration of the author into the cultural context is a two-faceted problem. In the post-information age, literary parody is regarded as a way of socio-cultural communication. The article features the congeniality of two chronologically distant works of science fiction against their contemporary context, namely Edgar Allan Poe’s Ligeia and Loss of Breath vs. Ray Bradbury’s Emissary and There Was an Old Woman. This pioneering research is an attempt to trace how the genre of science-fiction short story changed from the age of European Gothic to the era of mass literature, as well as to defi

APA, Harvard, Vancouver, ISO, and other styles

27

Gallagher, Mark. "Sleepy Hollow in Concord: Melville's Gothic Parody of Transcendentalist Spirit in “The Apple-Tree Table”." New England Quarterly 92, no. 1 (2019): 109–42. http://dx.doi.org/10.1162/tneq_a_00722.

Full text

Abstract:

Inspired by Concord's newly consecrated Sleepy Hollow Cemetery, Herman Melville's “The Apple-Tree Table; or, Original Spiritual Manifestations” (1856) undercuts spirituality with materiality in a gothic parody that is both a literal parody of the “Sleepy Hollow” genre and an ironic parody of both Thoreau and Hawthorne.

APA, Harvard, Vancouver, ISO, and other styles

28

Н., Ф. Соценко. "ДВУПЛАНОВОСТЬ ПРОЗЫ А. И. КУПРИНА (НА МАТЕРИАЛЕ МИНИАТЮРЫ «КЛЯЧА»)". Русская филология. Вестник ХНПУ имени Г.С. Сковороды 2, № 64 (2018): 34–43. https://doi.org/10.5281/zenodo.1244637.

Full text

Abstract:

The novella by A. I. Kuprin ―The Nag‖, which is the first in the non-author’s cycle about the writers, is investigated as a parody text in the article. An intertextual analysis of Kuprin’s work was carried out for signification of the pretexts, which is considered in the literary as second plan of the parody text. The analysis of the novella made it possible to define the second and third plan as obligatory elements of parody reading. The article is specified the peculiarities of this Kuprin’s poetical work. One feature is that among a wide range of pretexts in romantic liter

APA, Harvard, Vancouver, ISO, and other styles

29

Ramos Ramos, María Rocío. "W.F. Deacon and his Revision of Romanticism in Warreniana through Literary Parody and Advertising Campaigns to Promote Blacking." Miscelánea: A Journal of English and American Studies 65 (June 13, 2022): 105–25. http://dx.doi.org/10.26754/ojs_misc/mj.20226849.

Full text

Abstract:

This study aims to reassess William Frederick Deacon (1799-1845) and his work Warreniana (1824) by demonstrating that although it is a work of textual parody, its apparent triviality conceals a sophisticated exercise in literary criticism, constituting a valuable contemporary commentary on Romanticism. The collection presents a witty and sophisticated exercise in criticism of the literature and style of its period, being composed of texts attributed to a selection of Romantic authors supposedly promoting a very trivial product: Warren’s blacking (shoe polish). Deacon thus acts as another Roman

APA, Harvard, Vancouver, ISO, and other styles

30

О.С., Кобринец. "К ПРОБЛЕМЕ ОПРЕДЕЛЕНИЯ ЖАНРА ПАРОДИИ". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 2, № 88 (2018): 60–71. https://doi.org/10.5281/zenodo.1490170.

Full text

Abstract:

The article is devoted to the definitions of the parody genre in Russian and Ukrainian scientific literature of the XIX–XXI centuries. We trace the evolution of the term parody, analyzing definitions, in encyclopaedic and explanatory dictionaries, (by Brokgauz and Yefron, Kvyatkovskiy, Timofeyev and Turaev, Yevgeniyev and Ivannikov, Kojevnikov and Nikolaev, Volin and Ushakov, Surkov, etc). The article also dwells on the interpretation of parody genre by such scientists as Ostolopov, Ozhegov, Tynyanov, Novikov, Propp, Rassadin, Tyapkov, Grossman, Nudga, Drach, Getmanets, Melnikov, etc. We

APA, Harvard, Vancouver, ISO, and other styles

31

Konstantinova, Natalia V. "Parody of the “Sensitive Traveller” Type in the Russian Travelogues of the First Third of the 19th Century." Izvestia of the Ural federal university. Series 2. Humanities and Arts 26, no. 1 (2024): 213–29. http://dx.doi.org/10.15826/izv2.2024.26.1.014.

Full text

Abstract:

This article analyses Russian travelogues of the first third of the nineteenth century, which are variations of parodies of the “Karamzin canon”. The study focuses on the “sensitive traveller” as a type of the subject of narrative characteristic of the sentimental travel of the early nineteenth century. The author refers to both popular parody texts of travelogues (for example, My Journey, or the Adventures of One Day by N. P. Brusilov and A Sensitive Journey along Nevsky Prospekt by P. L. Yakovlev) and those unknown to the wider audience. The article presents an analysis of the anonymous text

APA, Harvard, Vancouver, ISO, and other styles

32

Norman, Boris Ju. "SYNTAX AS AN OBJECT OF PARODY." Philological Class 26, no. 2 (2021): 40–51. http://dx.doi.org/10.51762/1fk-2021-26-02-03.

Full text

Abstract:

In the mind of the native speaker, there is an idea of the syntactic “optimum”, which allows them to use linguistic units most effectively to achieve a desired communicative effect. It contains a set of pieces of intuitive (“naïve”) knowledge about the parameters of the sentence, the organization of its structure, the rules of correspondence of lexical and grammatical meanings, etc. Deviations from this optimum can become independent objects of not only scholarly research, but also parody in a literary text. The article analyzes the problem lying on the borderline between linguistics, literary

APA, Harvard, Vancouver, ISO, and other styles

33

González Treviño, Eridania. "Parodia e ironía como subversión de la tradición en el “Viaje a la oscura ciudad de Cacodelphia”." Acta Poética 42, no. 2 (2021): 147–67. http://dx.doi.org/10.19130/iifl.ap.2021.2.18127.

Full text

Abstract:

This research presents an analysis of the dialog between parody and irony, as a gender and a literary modality respectively, through its subversion function in the “Seventh book (Journey the dark city of Cacodelphia)” of the novel Adán Buenosayres by the argentinean writer Leopoldo Marechal. This study starts with an introductory approach to the general context of the novel, where narrative structure, the positioning of the modern man as the hero of the 20th century are discussed, along with the implicit parody in the “Journey to the dark city of Cacodelphia” and its predominant irony, both as

APA, Harvard, Vancouver, ISO, and other styles

34

Kaźmierczak, Marta. "Tłumaczenie parodii – przestrzeń eksperymentu? (Tuwim, Leśmian i zaproszenie do gry)." Przekładaniec, no. 43 (December 31, 2021): 93–121. http://dx.doi.org/10.4467/16891864pc.21.031.15145.

Full text

Abstract:

Translating Parody as a Domain of Experiment The author explores the possibilities of parody translation, based on a 1933 Polish literary example. Poet Julian Tuwim imitates with a vengeance the highly idiosyncratic diction of Bolesław Leśmian, including the latter’s signature trait, neologisms, while styling the piece as a supposed rewriting of a familiar children’s rhyme (folk song) about a kitten. This second hypotext is diagnosed as ancillary and it is argued that a translation of the ‘X as would have been written by Y’ parody should harness a replacement of X, functional for the target cu

APA, Harvard, Vancouver, ISO, and other styles

35

Renfrew, A. "The Dialectics of Parody." Poetics Today 33, no. 3-4 (2012): 301–28. http://dx.doi.org/10.1215/03335372-1812144.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Bandy, W. T. "An Unknown Whitman Parody." Walt Whitman Quarterly Review 2, no. 4 (1985): 45–46. http://dx.doi.org/10.13008/2153-3695.1093.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Lushnikova, Galina I. "The ironic picture of the world in literary parody." Sibirskiy filologicheskiy zhurnal, no. 3 (September 1, 2008): 101–7. http://dx.doi.org/10.17223/18137083/24/13.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Gilbas, Sherill. "Parodies: Creative Materials for Post-pandemic Literary History." Journal of General Education and Humanities 3, no. 3 (2024): 307–22. http://dx.doi.org/10.58421/gehu.v3i3.241.

Full text

Abstract:

Parody is a protected free expression. It is a piece of writing or music that closely mimics the style of a particular author or piece for comedic effect. The main objective of this paper is to present parodies made during the pandemic as aesthetic expression and as literary, educational art as sources of contextual literary history. Specifically, it aimed to identify and analyze the parodies to distinguish the theme, message, and the parody songs’ purpose. The researcher believes this paper may also determine the standard terms related to COVID-19 and the effects of the pandemic on society. T

APA, Harvard, Vancouver, ISO, and other styles

39

Hoppenstand, Gary. "Editorial: Comic Parody." Journal of Popular Culture 46, no. 1 (2013): 1–2. http://dx.doi.org/10.1111/jpcu.12012.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Elliott, K. "Gothic--Film--Parody." Adaptation 1, no. 1 (2008): 24–43. http://dx.doi.org/10.1093/adaptation/apm003.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Millionshchikova, Tatiana. "ASPECTS OF THE TYPOLOGY AND POETICS OF PARODY IN THE STUDIES OF AMERICAN SLAVISTS ON RUSSIAN LITERATURE OF THE NINETEENTH CENTURY." RZ-Literaturovedenie, no. 3 (2021): 82–94. http://dx.doi.org/10.31249/lit/2021.03.07.

Full text

Abstract:

The review concentrates on several functions of parody in the Russian writer’s texts of the Golden Age as they are reflected in the Slavic literary studies of the USA. This review focuses on comparative analysis of the texts by N.M. Karamzin, A.S. Pushkin, N.V. Gogol, N.G. Chernyshevsky and F.M. Dostoevsky. The American Slavic researches - R.L. Belknap, M. Greenleaf, M.G. Altshuller, O.A. Meerson, N. Firtich, E. Slivkin and K. Rutsala - reveal and examine various typological and poetical aspects of parody and metaparody in some classical works by Russian writers of the nineteenth century.

APA, Harvard, Vancouver, ISO, and other styles

42

Imo, Edward Egbo, and Gift Benue Zibima. "Parody and humour in Nigerian stand-up comedy: a critical analysis of Kenny Blaq's comic style." International Journal of Current Research in the Humanities 28, no. 1 (2025): 461–72. https://doi.org/10.4314/ijcrh.v28i1.34.

Full text

Abstract:

This paper examines Kenny Blaq’s use of parody in songs to create comedic effect. His creative approach combining musicality, sarcasm and parody, distinguishes him from his peers in the comedy industry. This qualitative study adopts a literary methodology, analysing the lyrics of six parodied songs created and performed by Kenny Blaq. The analysis reveals that Kenny Blaq’s comedy draws largely from his ability to inject parody into his song-based jokes. The study’s findings highlight parody as a major driver of humour, rooted in the comic theory of degradation. Kenny Blaq is one of the few Nig

APA, Harvard, Vancouver, ISO, and other styles

43

Erwin, Timothy. "Parody and Prostitution." Huntington Library Quarterly 68, no. 4 (2005): 677–84. http://dx.doi.org/10.1525/hlq.2005.68.4.677.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Berg, Mari-Ann. "Book Review: Parody." Language and Literature: International Journal of Stylistics 12, no. 2 (2003): 183–85. http://dx.doi.org/10.1177/096394700301200208.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Cicora, Mary A. "Wagner Parody inDoktor Faustus." Germanic Review: Literature, Culture, Theory 63, no. 3 (1988): 133–39. http://dx.doi.org/10.1080/00168890.1988.9935440.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Sinclair, Christine. "Laugh with us, not at us." Proceedings of the International Conference on Networked Learning 11 (May 14, 2018): 56–63. http://dx.doi.org/10.54337/nlc.v11.8738.

Full text

Abstract:

In keeping with its theme, this paper has a light touch and a serious point. It arose from a concern that networked learning may not be recognisable enough to be parodied. Parody is a pervasive and ubiquitous cultural practice that entails imitation and laughter – features which could perhaps contribute to making networked learning knowable to a wider community. Despite parody’s potential for serious damage, its broadest use supports the recognition, consolidation, development and renewal of a genre or movement. Drawing on Bakhtinian notions of the dialogic and carnival, as well as the light t

APA, Harvard, Vancouver, ISO, and other styles

47

Kruger, E. "Onderwysstudente se parodieë as hibridiese tekste: ’n navorsingsverslag." Literator 27, no. 2 (2006): 83–108. http://dx.doi.org/10.4102/lit.v27i2.194.

Full text

Abstract:

Parody as hybridic text: research report Parody can be seen as one of the techniques of selfreferentiality through which a consciousness of the context dependency of meaning is revealed in an aesthetic way. This article explores the theoretical background of parody as literary style against which the researcher challenged a group of teacher education students in a research programme to generate their own parodies. The task required that they choose a well-known fairy tale and use its structure to mock their own society. Students of another group were asked as the writers’ peers to read the sto

APA, Harvard, Vancouver, ISO, and other styles

48

Harrison, Antony H. "Dante Rossetti: Parody and Ideology." Studies in English Literature, 1500-1900 29, no. 4 (1989): 745. http://dx.doi.org/10.2307/450610.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Hannoosh, Michele. "The Reflexive Function of Parody." Comparative Literature 41, no. 2 (1989): 113. http://dx.doi.org/10.2307/1770971.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Jones, Dorothy F. "Religious Parody in Molière'sGeorge Dandin." Symposium: A Quarterly Journal in Modern Literatures 41, no. 2 (1987): 100–109. http://dx.doi.org/10.1080/00397709.1987.10733617.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!