Relevant bibliographies by topics / Literary psychoanalytic criticism

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  2. Dissertations / Theses
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Academic literature on the topic 'Literary psychoanalytic criticism'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Literary psychoanalytic criticism"

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Freer, Alexander. "Poetics contra Psychoanalysis." Poetics Today 40, no. 4 (2019): 619–43. http://dx.doi.org/10.1215/03335372-7739057.

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This essay argues that psychoanalytic literary criticism has largely failed because it has assumed that literature and psychoanalysis share common analytical ground. It contends that psychoanalytic approaches necessarily deform literature, that literary readings deform psychoanalytic theory, and that the assumption of commonality between poetics and psychoanalysis causes psychoanalytic literary criticism to go astray. Advocating the opposite approach, the essay sets poetics against psychoanalysis, contending that where their mutual tension and disfigurement is recognized and investigated, psyc
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Natiazhko, Svitlana. "Psychoanalytic Research in Modern Ukrainian Literary Criticism." Pitannâ lìteraturoznavstva 91 (November 28, 2015): 220–33. http://dx.doi.org/10.31861/pytlit2015.91.220.

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Brooks, Peter. "The Idea of a Psychoanalytic Literary Criticism." Critical Inquiry 13, no. 2 (1987): 334–48. http://dx.doi.org/10.1086/448394.

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Kotze, H. "Desire, gender, power, language: a psychoanalytic reading of Mary Shelley’s Frankenstein." Literator 21, no. 1 (2000): 53–68. http://dx.doi.org/10.4102/lit.v21i1.440.

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Psychoanalytic literary criticism has always had a particular fascination with texts dealing with the supernatural, the mysterious and the monstrous. Unfortunately such criticism, valuable and provocative though the insights it has provided have been, has all too often treated the text as a “symptom” by which to explain or analyse an essentially extratextual factor, such as the author's psychological disposition. Many interpretations of Mary Shelley’s novel Frankenstein provide typical examples of this approach. Much psychoanalytic (and also feminist) criticism and interpretation of the novel
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Mimran, Masha. "Beyond psychoanalytic literary criticism: Between literature and mind." International Journal of Psychoanalysis 100, no. 4 (2019): 817–21. http://dx.doi.org/10.1080/00207578.2019.1636256.

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Lavers, Annette, and Elizabeth Wright. "Psychoanalytic Criticism: Theory in Practice." Poetics Today 7, no. 1 (1986): 170. http://dx.doi.org/10.2307/1772100.

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Wright, Elizabeth. "Psychoanalytic Criticism: Theory in Practice." Poetics Today 6, no. 1/2 (1985): 328. http://dx.doi.org/10.2307/1772144.

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Zwinger, Lynda. "Blood Relations: Feminist Theory Meets the Uncanny Alien Bug Mother." Hypatia 7, no. 2 (1992): 74–90. http://dx.doi.org/10.1111/j.1527-2001.1992.tb00886.x.

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This essay addresses the troubling and uncanny figure of Mother in feminist theory, psychoanalytic theory, literary criticism, and real life. Readings of feminist literary criticism and the films Alien and Aliens explore the liminality of Mother and the consequences for feminist thought and practice of the persistent narrative modes (the sentimental and the gothic) locatable in all of these discourses on/of Motherhood.
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Shcherbina, Yu I. "Appeal to the Work of F. M. Dostoevsky by Russian Emigration in Chekhia: A. L. Bem and the Psychoanalytic Method of Interpreting a Work of Art." Philosophical Letters. Russian and European Dialogue 3, no. 4 (2020): 146–57. http://dx.doi.org/10.17323/2658-5413-2020-3-4-146-157.

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The article is devoted to the conversion around works of F. M. Dostoevsky which took place among Czech intellectuals, among whom there were a lot of immigrants from Russia. In this context, the example of Alfred Ludwigovich Bem is indicative. The article reveals main reasons for the interest in Dostoevsky in Czechoslovakia. An important role in the study of Dostoevsky was played by the so-called ‘Russian action of aid’ and ‘Russian trace’ left by the exiles in Prague. In this regard, A. L. Bem is interesting not only as a researcher who devoted many works to Dostoevsky’s work but also as one o
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Glogowski, James, Shirley Panken, Robert E. Seaman, and Thomas C. Caramagno. "Virginia Woolf and Psychoanalytic Criticism." PMLA 103, no. 5 (1988): 808. http://dx.doi.org/10.2307/462519.

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Dissertations / Theses on the topic "Literary psychoanalytic criticism"

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Edmonds, Markus. "A Defence of Literary Theory : A psychoanalytical study of selected works by Percy Bysshe Shelley with a view to didactic usage." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-61065.

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This essay argued the importance of literary theory in the classroom. As a teacher, it is possible to achieve the empathetic goals of the English curriculum and Judith A. Langer’s ambition of literate thinking by using poetry and literary theory in school. The essay demonstrated this with a Lacanian reading of Percy Bysshe Shelley’s poems “To a Skylark” and “Ode to the West Wind.” The analysis focused on readable and unreadable aspects of the poems. The readable aspects centred on the role of the Imaginary in “To a Skylark” and the representation of the fragmented body in “Ode to the West Wind
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Andersson, Malin. ""If I Could Think of Somewhere to Go" : Alienation in S.E. Hinton's Rumble Fish." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-41141.

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This essay focuses on the alienation experienced by Rusty-James in S.E. Hinton’s Rumble Fish (1975). It more specifically centers on the causes of his alienation and how the alienation is illustrated in the novel. The analysis shows that the alienation Rusty-James experiences is caused partly by socioeconomic factors; for example his lack of hope for the future is closely connected to the fact that he belongs to a low socioeconomic class. In addition, there are also psychological factors, for example a childhood trauma. The alienation and its causes are mainly illustrated through the symbolism
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Mir, Ashkan. "The Different Faces of Narcissism : A Psychoanalytic Reading of The Great Gatsby and The Picture of Dorian Gray." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-39762.

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The purpose of this essay is to perform a comparative psychoanalytic reading of The Great Gatsby (1925) and The Picture of Dorian Gray (1891) in terms of the titular characters’ narcissistic behavior. My claim is that Jay Gatsby and Dorian Gray can be seen as different depictions of narcissism. Literary critics in previous research characterized Gatsby and Gray as narcissists, but, there has not been a comparison between the two with focus on their narcissism. Gatsby and Gray display crucial differences which suggests that they portray narcissism in different ways. Theodore Millon identified f
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Palmore, Aaron G. "Desire Interrupted: Erotics, Politics, and Poetics in Horace, Odes 4." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1460715373.

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Pettersson, Timothy. "Interpreting The Denizens of The Hundred Acre Wood : Freudian & Lacanian psychoanalytical concepts in Winnie-The-Pooh." Thesis, Växjö University, School of Humanities, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-5593.

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<p>In this paper I have strived to provide a new view on a timeless classic of children’s literature, Winnie-The-Pooh. In psychoanalytic literary criticism concepts and theories of psychoanalysis is implemented while interpreting literature; in this paper, I have interpreted the novel incorporating concepts of the psychoanalytic schools of Sigmund Freud and Jacques Lacan while arguing that the denizens of the Hundred Acre Wood are manifestations of parts of the narrator’s unconscious. The first two sections of the paper present the theories and concepts of the two major schools of psychoanalys
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Cabral, Rayssa Duarte Marques. "Enganando a audiência e a consciência em um jogo de espelhos : a fragmentação da estética contemporaníssima de Santiago Nazarian em Feriado de Mim Mesmo." Universidade Federal de Mato Grosso, 2015. http://ri.ufmt.br/handle/1/200.

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Submitted by Igor Matos (igoryure.rm@gmail.com) on 2017-02-09T15:08:15Z No. of bitstreams: 1 DISS_2015_Rayssa Duarte Marques Cabral.pdf: 2097959 bytes, checksum: 861794f749d9db4f65edef9bf13f2b8a (MD5)<br>Approved for entry into archive by Jordan (jordanbiblio@gmail.com) on 2017-02-10T10:36:00Z (GMT) No. of bitstreams: 1 DISS_2015_Rayssa Duarte Marques Cabral.pdf: 2097959 bytes, checksum: 861794f749d9db4f65edef9bf13f2b8a (MD5)<br>Made available in DSpace on 2017-02-10T10:36:00Z (GMT). No. of bitstreams: 1 DISS_2015_Rayssa Duarte Marques Cabral.pdf: 2097959 bytes, checksum: 861794f749d9db4f65ed
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Adair, Vance. "The Shakespearean object : psychoanalysis, subjectivity and the gaze." Thesis, University of Stirling, 2000. http://hdl.handle.net/1893/1857.

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Through a close analysis of four plays by Shakespeare, this thesis argues that the question of subjectivity ultimately comes to be negotiated around a structural impasse or certain points of opacity in each of the text's signifying practices. Challenging assumptions about the utatively &quot;theatrical&quot; contexts of Richard III, Richard II, Hamlet and Antony and Cleopatra, I argue that, to varying degrees, the specular economy of each play is in fact traversed by a radical alterity that constitutively gives rise to a notion of subjectivity commonly referred to as &quot;Shakespearean&quot;.
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Salem, Bilel. "Sartre, critique des poètes." Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20078/document.

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Ma thèse traite d’un aspect de la critique sartrienne : la critique poétique. Elle se présente sous forme de triptyque. En effet, chaque partie traite de la figure d’un poète. Dans les deux premières parties de ma thèse, j’aborde deux poètes du XIXème siècle : Baudelaire et Mallarmé. Les deux livres qui m’ont servi de support pour étudier cette critique poétique sont le Baudelaire de Sartre et Mallarmé, La lucidité et sa face d’ombre. Ces deux essais ont radicalement bouleversé la manière avec laquelle on appréhendait jusqu’à là la figure de ces deux poètes. Si le XIXème siècle en a fait des m
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Ciofu, Natalia. "Internal punishment : a psychoanalytical reading of F.M. Dostoevsky's 'Crime and Punishment' (1866), L. Rebreanu's 'Ciuleandra' (1927) and P. Ackroyd's 'Hawksmoor' (1985)." Thesis, University of Essex, 2018. http://repository.essex.ac.uk/22365/.

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This doctoral thesis examines the representations and dynamics of crime and inner punishment in a range of European literary works of the nineteenth and twentieth centuries: F.M. Dostoevsky’s Crime and Punishment (Преступлeние и наказaние, 1866), L. Rebreanu’s Ciuleandra (1927) and P. Ackroyd’s Hawksmoor (1985), while tracing the developments of crime fiction and the changes in criminal legal system over the span of one hundred and nineteen years. Utilising the methodology of comparative literature, I argue that the interiorized punishment - which I identify, after Foucault, as a new episteme
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Hayward, Sara. "Holden Caulfield´s Narcissism Revisited : A Psychoanalytical Study of the Protagonist in J.D. Salinger´s The Catcher in the Rye." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-27000.

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Jerome David Salinger´s Holden Caulfield, the protagonist in The Catcher in the Rye, is seen through the lens of psychoanalytical literary criticism. He is a complex character, who is torn between his dreams and emotions. He is often depicted as a liar, a rebel who drops out of school or as a depressed young man who is admitted into care for his mental problems. Some of these issues are hidden in the vernacular teenage language. The image of Holden as having a personality that is in line with narcissism is therefore discussed. The intention is to question whether or not Holden shows symptoms o
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Books on the topic "Literary psychoanalytic criticism"

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Ogden, Benjamin H. Beyond Psychoanalytic Literary Criticism. Routledge, 2018. http://dx.doi.org/10.4324/9781351234382.

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Gunn, Daniel. Psychoanalysis and fiction: An exploration of literary and psychoanalytic borders. Cambridge University Press, 1988.

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Roland, Alan. Dreams and drama: Psychoanalytic criticism, creativity and the artist. Continuum, 2002.

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Women, love, and power: Literary and psychoanalytic perspectives. New York University Press, 1991.

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Williams, Meg Harris. The chamber of maiden thought: Literary origins ofthe psychoanalytic model of the mind. Routledge, 1991.

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1946-, Waddell Margot, ed. The chamber of maiden thought: Literary origins of the psychoanalytic model of the mind. Tavistock/Routledge, 1991.

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The phallacy of Genesis: A feminist-psychoanalytic approach. Westminster/J. Knox, 1993.

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Confronting patriarchy: Psychoanalytic theory in the prose of Cristina Peri Rossi. P. Lang, 2008.

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French feminist theory exemplified through the novels of Julia Kristeva: The bridge from psychoanalytic theory to literary production. E. Mellen Press, 2008.

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Melville, shame, and the evil eye: A psychoanalytic reading. State University of New York Press, 1997.

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Book chapters on the topic "Literary psychoanalytic criticism"

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Newton, K. M. "Psychoanalytic Criticism." In Twentieth-Century Literary Theory. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19486-5_15.

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O'Hara, Daniel T. "Freudian Psychoanalytic Criticism." In A Companion to Literary Theory. John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118958933.ch30.

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Coats, Karen. "Lacanian Psychoanalytic Criticism." In A Companion to Literary Theory. John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118958933.ch31.

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Ogden, Benjamin H. "The risk of true confession." In Beyond Psychoanalytic Literary Criticism. Routledge, 2018. http://dx.doi.org/10.4324/9781351234382-1.

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Ogden, Benjamin H. "From literature to psychoanalysis." In Beyond Psychoanalytic Literary Criticism. Routledge, 2018. http://dx.doi.org/10.4324/9781351234382-2.

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Ogden, Benjamin H. "From psychoanalysis to literature." In Beyond Psychoanalytic Literary Criticism. Routledge, 2018. http://dx.doi.org/10.4324/9781351234382-3.

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Ogden, Benjamin H. "How language holds loss." In Beyond Psychoanalytic Literary Criticism. Routledge, 2018. http://dx.doi.org/10.4324/9781351234382-4.

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Ogden, Benjamin H. "Thinking in Tarjei Vesaas’ The Birds." In Beyond Psychoanalytic Literary Criticism. Routledge, 2018. http://dx.doi.org/10.4324/9781351234382-5.

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Ogden, Benjamin H. "Reflections on the previous chapter." In Beyond Psychoanalytic Literary Criticism. Routledge, 2018. http://dx.doi.org/10.4324/9781351234382-6.

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Ogden, Benjamin H. "What is a dream and how do you write one?" In Beyond Psychoanalytic Literary Criticism. Routledge, 2018. http://dx.doi.org/10.4324/9781351234382-7.

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