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Journal articles on the topic 'Literary references'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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1

Nolen, David S. "Publication and Language Trends of References in Spanish and Latin American Literature." College & Research Libraries 75, no. 1 (January 1, 2014): 34–50. http://dx.doi.org/10.5860/crl12-372.

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This study examined references found in three journals in the field of Spanish and Latin American literary studies. Few previous studies have examined types of publishers producing highly cited/referenced books. The data indicate that the primary publishers of scholarly monographs referenced in the journals are U.S. university presses, foreign academic trade presses, and foreign popular trade presses. U.S. university presses, foreign academic trade presses, and government entities published most of the volumes of collected essays referenced. Scholarly monographs published outside the U.S. represented the largest proportions of references, with large growth in references to volumes of collected essays published in the United States. References to English-language materials increased significantly from 1970 to 2000.

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2

Edwards, Michael J. "Antiphon and the Beginnings of Athenian Literary Oratory." Rhetorica 18, no. 3 (2000): 227–42. http://dx.doi.org/10.1525/rh.2000.18.3.227.

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Abstract: The development of an oratorical literary genre is connected with the work of Antiphon, the first in the canon of ten Attic orators. This paper argues against the modern view that the beginnings of literary oratory date to the 420s B.C. when Antiphon began publishing his speeches. It argues that this view depends on a mistaken conception of literacy in the ancient world and that Antiphon's speech-writing activities began much earlier. The argument is based on references to Antiphon in contemporary and later sources, the dating of his speeches, the authenticity and dating of the Tetralogies, and Antiphon's reputation in antiquity as the first logographer.

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3

GAVIN, Polina I., and Olga B. PONOMAREVA. "THE LINGUO-COGNITIVE ASPECT OF EKPHRASTIC REFERENCES IN A LITERARY TEXT (BASED ON THE WORKS BY D. RUBINA AND M. ATWOOD)." Tyumen State University Herald. Humanities Research. Humanitates 7, no. 1 (2021): 62–79. http://dx.doi.org/10.21684/2411-197x-2021-7-1-62-79.

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The following article explores ekphrasis as a literary device in the context of the Russian and English language literary texts. The phenomenon of ekphrasis is regarded to be a relatively researched area in the literary criticism. However, the majority of the existing research focuses on the visual representations in the verbal medium, thereby neglecting the aspect of the reader’s possible interpretation of an ekphrastic description and its stylistic expression in a literary text. Thus, the aim of this article is to identify the specific language patterns constructing ekphrastic references in the Russian and English language literary texts by conducting a comparative linguo-cognitive analysis of ekphrastic intertextual references in Dina Rubina’s ‘On the Sunny Side of the Street’ (2006) and Margaret Atwood’s ‘Cat’s Eye’ (1988). The research is based on the comparative linguo-cognitive analysis combining the following cognitive poetic techniques: the ‘figure — ground’ dichotomy, the model of literary resonance, and the narrative interrelation theory. The analysis of the figure-ground relations in ekphrastic descriptions has shown that the main character takes the figure position and becomes a pronounced attractor, thereby exerting an affective influence on the reader’s perception. The application of the literary resonance model confirms this claim by identifying typical semantic, syntactic and stylistic features (attractors) of the character in the analysed ekphrastic passages. The comparison of an ekphrastic description to a passage which it is based on has revealed the characteristic parallelism of their syntactic and semantic patterns. In part, parallel constructions contain specific intertextual references that create links to an art object, thus actualising the representation of a picture in the reader’s perception. A comparative linguo-cognitive analysis of ekphrastic references in Russian and English literary texts has shown the possible intratextuality of ekphrastic references, which establish the relationships between plots within the narrative. Additionally, in both literary texts, ekphrastic references imitate the visual construction of an object of art at the semantic, syntactic and textual levels and, as a result, accentuate the metaphorical realisation of the presented artefact.

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4

Swann, M. "Literary and Environmental References in The Compleat Angler." Notes and Queries 61, no. 3 (August 7, 2014): 373–76. http://dx.doi.org/10.1093/notesj/gju110.

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5

Césaire, Aimé, Lee Hildreth, and Aime Cesaire. "References/References." Callaloo, no. 38 (1989): 68. http://dx.doi.org/10.2307/2931137.

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6

Rahman, Syed Mahmudur. "Hyper-Elitism in Writing Literary Criticisms: Theories and References." Advances in Language and Literary Studies 9, no. 6 (December 28, 2018): 153. http://dx.doi.org/10.7575/aiac.alls.v.9n.6p.153.

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Current day literary criticisms written in world englishes often seem to be a little hard to comprehend for readers because of critics’ tendency to use too much decorative language with too many theoretical views, jargons, and references of different sorts just to stick to an assumed standard of scholarly writing. This paper, based on a generalized study though, considers that assumed standard hyper elitist, which is affecting the easy entrance of a considerable portion of literary audience into the literary realm where the popularity in the form of reader-friendliness and comprehensibility of literary criticisms are compromised, and thoughts of some creditable thinkers remain unnoticed only because those promising thoughts apparently fail to be expressed in that supposed standard of language. Keeping the purpose of literary criticisms in mind, this paper places forth a seemingly valid question whether this sophisticated way of expressing is really mandatory or not, as the word ‘standard’ itself is subjected to be modified when needed, and the postmodern approach to the literary regime really tends to unsettle the frame of any standardization and deny the distinctions between ‘high’ and ‘low’. Thus, speculated implications of the paper included that the accessibility of greater number of audience into the arena of literary criticisms might be more liberally considered by established but elitist critics, while the stress of synthesized elitism in writing criticisms might also be mitigated for neophytes among critics.

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7

Taylor, Claire. "From the Baroque to Twitter: Tracing the Literary Heritage of Digital Genres." Comparative Critical Studies 13, no. 3 (October 2016): 307–29. http://dx.doi.org/10.3366/ccs.2016.0208.

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This article explores contemporary digital literary genres and the complex negotiations they undertake with earlier moments of literary experimentation. Exploring digital literary genres as works on a continuum, the article addresses in particular the ways in which authors of digital works in the Hispanic world speak back to rich Hispanic tradition of literary experimentation. In order to do so, the article takes three case studies from different countries: firstly, the hypermedia novela negra of Colombian author Jaime Alejandro Rodríguez; secondly, the blog aphorisms of US-Salvadoran artist and writer Eduardo Navas; and the electronic poetry of Spanish-Argentine author Belén Gache. The article traces their response to prior literary experimentation, and their engagement – often critical – with the discourses of contemporary digital technologies. In their different ways, these three authors make sustained intertextual references to prior generations of literary experimentation at the same time as making frequent metatextual references to the process of their works’ own (digital) creation. The article argues that, in so doing, their overt references to digital technologies themselves often play with, and yet question or thwart, key notions of interactive literature.

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8

Şerban, Adriana. "Presuppositions in Literary Translation: A Corpus-Based Approach." Meta 49, no. 2 (October 28, 2004): 327–42. http://dx.doi.org/10.7202/009355ar.

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Abstract This paper investigates the use of existential presuppositions in a corpus of literary translations from Romanian into English (novels and short stories). In particular, we are interested in ascertaining whether there are any differences between the ways in which definiteness and indefiniteness are used in translations compared to source texts, and whether any pattern can be found to be in operation; the aim is to explore presuppositions in terms of what they can tell us about translators’ assumptions about their readers. The main finding is the presence of a [- definite] trend in the corpus, whereby definite references tend to be translated by indefinite references. The study suggests that this is linked to distancing; i.e., target readers are presented with texts which position them as distant observers, rather than in-the-know in-group members.

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9

Dai, Can, Quan Chen, Tao Wan, Fan Liu, Yanbing Gong, and Qingfeng Wang. "Literary runaway: Increasingly more references cited per academic research article from 1980 to 2019." PLOS ONE 16, no. 8 (August 6, 2021): e0255849. http://dx.doi.org/10.1371/journal.pone.0255849.

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References are employed in most academic research papers to give credits and to reflect scholarliness. With the upsurge in academic publications in recent decades, we are curious to know how the number of references cited per research article has changed across different disciplines over that time. The results of our study showed significant linear growth in reference density in eight disciplinary categories between 1980 and 2019 indexed in Web of Science. It appears that reference saturation is not yet in sight. Overall, the general increase in the number of publications and the advanced accessibility of the Internet and digitized documents may have promoted the growth in references in certain fields. However, the seemingly runaway tendency should be well appreciated and objectively assessed. We suggest that authors focus on their research itself rather than on political considerations during the process of writing, especially the selection of important references to cite.

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10

Kudyba, Wojciech. "Norwid w poezji współczesnej. Formy obecności." Studia Norwidiana 39 Specjalny (2021): 189–215. http://dx.doi.org/10.18290/sn2139s.7.

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The article attempts to establish the character of references to Norwid in texts by poets representative of Polish modernity, accounting for functions of intertextual allusions, initially in the area of collective consciousness. As it turns out, during the interwar period and the Second World War works by the Romantic master were referenced at all stages of developing a distinct literary identity. Poets would not just read Norwid’s texts, but in fact regard themselves in the mirror of his works. However, after 1956 Norwid’s presence in literary life was rooted in the needs of literary scholars rather than in actual intertextual references. This tendency also manifests in studies of works by individual authors. It does happen – especially when we speak of implicit traces of Norwid in contemporary poetry – that the plane of relations between authors is not addressed by interpreters. Sometimes, dialogue as a research category disappears from their view, while the body of Norwid’s works is treated merely as a context, becoming a kind of mirror meant to display more fully a certain theme or characteristic of somebody’s writing. However, the most important forms of Norwid’s functioning in contemporary times are ones that facilitate meetings(successfulor not), as demonstrated by the fascination with Norwid’s poetry recognizable in texts by authors such as Mieczysław Jastrun, Julian Przyboś and Tadeusz Różewicz.

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11

Verpooten, Jan. "Extending Literary Darwinism." Scientific Study of Literature 3, no. 1 (May 31, 2013): 19–27. http://dx.doi.org/10.1075/ssol.3.1.05ver.

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Literary Darwinism is an emerging interdisciplinary research field that seeks to explain literature and its oral antecedents (“literary behaviors”), from a Darwinian perspective. Considered the fact that an evolutionary approach to human behavior has proven insightful, this is a promising endeavor. However, Literary Darwinism as it is commonly practiced, I argue, suffers from some shortcomings. First, while literary Darwinists only weigh adaptation against by-product as competing explanations of literary behaviors, other alternatives, such as constraint and exaptation, should be considered as well. I attempt to demonstrate their relevance by evaluating the evidentiary criteria commonly employed by Literary Darwinists. Second, Literary Darwinists usually acknowledge the role of culture in human behavior and make references to Dual Inheritance theory (i.e., the body of empirical and theoretical work demonstrating that human behavior is the outcome of both genetic and cultural inheritance). However, they often do not fully appreciate the explanatory implications of dual inheritance. Literary Darwinism should be extended to include these recent refinements in our understanding of the evolution of human behavior.

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12

Pajovic, Stefan. "The (re)shaping of South Park's humor through literary references." Zbornik radova Filozofskog fakulteta u Pristini 44, no. 2 (2014): 427–49. http://dx.doi.org/10.5937/zrffp44-6372.

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13

Skilling, Peter. "Some Literary References in the "Grande Inscription d'Angkor" (IMA 38)." Aséanie 8, no. 1 (2001): 57–66. http://dx.doi.org/10.3406/asean.2001.1731.

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14

Roguska, Agnieszka. "Music in The Architect of Ruins, a postmodern novel by Herbert Rosendorfer." Notes Muzyczny 1, no. 11 (June 28, 2019): 155–64. http://dx.doi.org/10.5604/01.3001.0013.3526.

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Herbert Rosendorfer’s work entitled The Architect of Ruins fits in the postmodern novel trend. Its connections with culture texts include references to literary texts and music pieces. The most important references of the first type seem to be the ones to Jan Potocki’s novel The Saragossa Manuscript. The existence of music compositions in the novel by Rosendorfer, a witter and a musicologist in one person, functions on a number of levels. Here it is worth to mention the concept coined by the Polish scholar Michał Głowiński according to which music may appear in a novel on three levels – when it is an element of the plot, when it constitutes a topic by itself, and when the work of music referred to acquires a symbolic dimension in the context of a music piece. These three literary situations can easily be found in Rosendorfer’s book. What is particularly important and interesting, however, is applying a construction pattern taken from the field of music in a literary work. Such a possibility, i.e., musical elements functioning in in a literary piece, is described in Andrzej Hejmej’s Musicality of a Literary Work. In The Architect of Ruins construction references fit in the specificity of a postmodern novel: as stated by Magdalena Janoszka, Potocki’s The Saragossa Manuscript, which was an important inspiration for Rosendorfer, should be classified as a polyphonic novel. According to Bachtin’s concept, a word does not a exist in an isolated and independent way, but it is an answer to other words written in the past. As a writer and musicologist, Rosendorfer skilfully moves in the field of references to music and literary works – e.g. Mozart’s Don Giovanni and the literary thread of Giacomo Casanova’s Memoirs. In his book, the Austrian writer presents the profiles of musicians – a virtuoso (whom music lovers are desperate to hear live – in vain), an organist performing a truly postmodern Musiquiana, and a vampiric composer stealing every new composition written by his student. This way, in The Architect of Ruins music becomes the material with which the author of the novel co-creates his work as if with literary motifs.

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15

Oljander, Luiza, Robert Szczęsny, and Halyna Dubyk. "Some remarks on the Literary Works of Vasily Słapczuk." Tekstualia 2, no. 33 (September 2, 2013): 163–70. http://dx.doi.org/10.5604/01.3001.0013.6591.

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The article presents the biography and literary achievement of the poet Vasily Słapczuk from Volyn, focusing on the contexts for and intertextual references in his poems. Słapczuk, one of the most interesting contemporary Ukrainian authors, combines the regional concerns, without sentimental undertones, with universal experiences, such as the stigma of the war in Afghanistan.

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16

Nazzaro, Antonio V., and Enrique A. Eguiarte. "Juliano y la hondonada de Ansanto." Augustinus 54, no. 214 (2009): 479–88. http://dx.doi.org/10.5840/augustinus200954214/21524.

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The article deals with the pagan sources where the Valley of Ansanto is mentioned, especially the works of Vergil, and also other cultural and literary references, since this Valley is explicitly mentioned by Julian of Eclanum in his controversy with Augustine (cf. c. lul. imp. 1,48). It presents also the references of Marius Mercator.

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17

Janusz, Joanna. "La stiva e l’abisso di Michele Mari. Romanzo fra favola e metanarrazione." Romanica Silesiana 17 (June 29, 2020): 151–63. http://dx.doi.org/10.31261/rs.2020.17.12.

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From the moment of his literary debut in 1989, Michele Mari is considered to be the representative of classic tendencies in contemporary Italian literature. One of the most noticeable characteristics of his writing is the presence of autobiographic elements which appear in all his works with different intensity, but also the archaization of style and language, literary references and metaliterary reflexions. This article aims at showing how the 1992 novel La stiva e l’abisso connects two of those aspects of Mari’s writing: intertextuality and literary references to adventure novel genre, as well as it reflects on the role and value of the literature for the contemporary people. It analyses basic narrative instances, that is the narrator, narrative structure, place and time of events, in order to show how they result in metaliterary reflexion.

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18

Klein, Anja. "Prophecy Continued: Reflections on Innerbiblical Exegesis in the Book of Ezekiel." Vetus Testamentum 60, no. 4 (2010): 571–82. http://dx.doi.org/10.1163/156853310x530460.

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AbstractThe argument starts from the observation that the Book of Ezekiel is characterised by a remarkable knowledge of prophetic tradition. This phenomenon has long been explained by the prophet’s personal acquaintance with the words of his predecessors. However, the main aim of the following article is to show that the various allusions and thematic linkages have to be understood as examples of innerbiblical exegesis.For the purpose of discussion, three examples from different literary layers of the book are chosen that serve in illustrating the underlying basic principle, namely Ezek 37:1-14, Ezek 34 and Ezek 36:23bβ-38. In the course of the textual observations, it shall further be demonstrated that form and technique of innerbiblical exegesis undergo a development within the literary growth of the book. While the oldest texts draw on existing motifs and metaphors, the literary references increase over the following literary layers. Finally, in the youngest texts, literary references to different texts within and beyond the book are assembled and systematised. This development bears witness to changes in the understanding of scripture that was increasingly perceived as authoritative.

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19

Mazan-Mazurkiewicz, Alicja. "„Szekspir uważał, że należałoby ich wszystkich powiesić…” — czyli o tym, jak wielka sztuka służy morderstwu. Cykl powieściowy Alana Bradleya wobec twórczości Williama Szekspira." Literatura i Kultura Popularna 26 (September 16, 2021): 77–92. http://dx.doi.org/10.19195/0867-7441.26.7.

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The series of crime novels by the Canadian writer Alan Bradley can be perceived as a series about England and Englishness. William Shakespeare and his works constitute an extremely significant part among the cultural markers of Englishness. Thus, it is not surprising that in the world of literature there is a great number of references to the texts of the great playwright; and these references serve various functions and appear on different textual levels. The aim of this article is a thorough and multifaceted presentation of these references, as well as a demonstration of the literary character of the series about Flavia de Luce in the light of these references.

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20

Jeffers, Thomas L. "References Available Upon Request." Yale Review 89, no. 4 (June 28, 2008): 74–95. http://dx.doi.org/10.1111/0044-0124.00546.

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21

Vetus Testamentum, Editors. "REFERENCES." Vetus Testamentum 42, no. 4 (August 25, 1992): 590–602. http://dx.doi.org/10.1163/15685330-042-04-16.

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22

Satkauskaitė, Danguolė, and Jurgita Astrauskienė. "The Translation of Culture-bound References for Dubbing: A Model for the Analysis." Respectus Philologicus, no. 41(46) (April 15, 2022): 193–206. http://dx.doi.org/10.15388/respectus.2022.41.46.119.

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Culture-bound references receive considerable attention from translation scholars, as they are regarded as one of the most difficult challenges that translators face. However, most studies examine the transmission of culture-bound references to the target audience in literary texts, while research that would examine the translation of culture-bound references in audiovisual discourse involving additional constraints is somewhat limited. Dubbing is considered to be one of the most challenging modes of audiovisual translation, mainly due to the synchronization applied to it. This paper presents a model for the analysis of the translation of culture-bound references dedicated specifically to dubbing. The authors of the paper discuss the complexity of the concept of culture-bound references, their categorization and the taxonomies of their translation procedures. The article discusses the specifics of dubbing, the typology of synchronies applied in dubbing and restrictions posed by it on the translation of culture-bound references.

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23

Hubard, Gabriela García. "En traversant l'aphasie." Samuel Beckett Today / Aujourd'hui 20, no. 1 (December 1, 2008): 335–45. http://dx.doi.org/10.1163/18757405-020001027.

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In Beckett's oeuvre, the multiple explicit and implicit references to aphasia provoke a 'contaminated' reading (at the same time literary, linguistic, philosophical, 'tragic' and neuronal) that underlines and destabilizes the concept of intentionality.

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24

Ferreira, J. "Ekstratekstuele relasies van 'spieël' in die poësie van Breyten Breytenbach." Literator 9, no. 3 (May 7, 1988): 1–10. http://dx.doi.org/10.4102/lit.v9i3.850.

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Extra-textual relations in the poetry of Breyten Breytenbach are regarded as having the same importance as intra-textual relations. Focusing on extra-textual relations, references to “mirror” show non-literary extra-textual relations to the “mirror mind” of Buddhism. This relation is constituted by literary extra-textual relations between four analysed poems. All other references to “mirror” in the oeuvre are listed for comparison in this framework. The Buddhist principle of unity underlying this poetry becomes a textual strategy. The reader is guided towards a reading process in which no single poem is to be considered as a bearer of the full meaning. Interrelated with all other poems in the oeuvre, each single poem is only an aspect, a flowing image, in the “mirror mind” of this poetry.

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Feldhaus, Stephan. "„Wir Nichtgnostiker“: Die Hitler-Engelhardt-Parallele in Christian Krachts Imperium." arcadia 56, no. 2 (November 1, 2021): 183–203. http://dx.doi.org/10.1515/arcadia-2021-9028.

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Abstract In 2012 Georg Diez provoked a literary scandal with his review of Christian Kracht’s novel Imperium. Since then, almost ninety informed studies which show an ongoing academic interest in the book have been published. Many of these studies attempted to explain the apparently failing analogy between Hitler and Engelhardt that the novel claimed in an irritating manner. Nevertheless, none of them took an esoteric approach which Kracht himself suggested in an interview with Denis Scheck as a starting point for their analyses, although esoteric references seem to be an ignored constant in Kracht’s oeuvre since Tristesse Royale. Hence, by tracing this esoteric intertextuality in the whole of Kracht’s oeuvre and linking it to the references which Kracht makes to right-wing ideologies since Faserland, it will be shown that there actually does exist an analogy between Hitler and Engelhardt in Imperium which aims to deconstruct Hitler mythemes by ridiculizing Engelhardt. Furthermore, it will be demonstrated that the interrelations between Kracht’s texts create a rhizomatic network of intertextuality that dissolves the boarders between external references and self-references.

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Hussain, Amjad, Mohsin Mansoor Pirzada, and Muhammad Arif Saeed. "Literary References in Obiter Dicta: A Study on Intertextuality in Legal Discourse." Global Language Review V, no. II (June 30, 2020): 160–69. http://dx.doi.org/10.31703/glr.2020(v-ii).17.

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The courts around the world have been introducing reforms into judicial systems,and one of these is to improve the language of judgments in which the judges of superior courts add their comments and observations. This attached discourse resembles the obiter dicta, which often contains moral and ethical exhortations. It is to add the literary touch (i.e., from dramas,novels, poetry, etc.) to a legal decision so that the people easily understand the verdict.Obiter dicta of the higher courts is often taken as a reference by the subordinate courts. It is, therefore, very much obvious that every word articulated in a judgment would be weighed with paramount importance. This study explores how judges around the globe have utilized intertextuality in achieving these goals and discusses the advantages and disadvantages of this technique.

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Galuska, John D., and John W. Johnson. "The Vanishing Hitchhiker: Bibliographic References." Research in African Literatures 38, no. 3 (September 2007): 34–40. http://dx.doi.org/10.2979/ral.2007.38.3.34.

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28

Kopley, Richard. "Fugitive Poe References: A Bibliography." Poe Studies 18, no. 1 (June 1985): 9–12. http://dx.doi.org/10.1111/j.1754-6095.1985.tb00094.x.

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29

Dornbach, Mária, and Arturo Pérez-Reverte. "Busca el libro! : la intervención de Sherlock Holmes y D'Artagnan en El Club Dumas de Arturo Pérez-Reverte." Acta Hispanica 13 (January 1, 2008): 41–47. http://dx.doi.org/10.14232/actahisp.2008.13.41-47.

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The essay examines Arturo Pérez-Reverte's novel The Dumas Club. The novel can be categorized as a literary crime story; it maintains the characteristics of traditional detective fiction, but, as the author points out, it also presents the use of refined and complex narrative techniques. Pérez Reverte offers a dizzying array of cultural, literary and historical references, which all carry a metaphoric layer of meaning and expand the narrative space and time of the novel into infinity. Similarly to the Greek tradition and the characteristics of the literature of adventure, defined by Bakhtin, the condensed time and space become the principal motivators for the action. The complex system of symbols, the chronotopical motives and the metatextual references offer different layers of possible interpretations and provide a complex character portrayal. Pérez-Reverte's characters embody Sherlock Holmes and other famous detectives; at the same time, they evoke the classic heroes of The Three Muskateers, and often bear similarities to the author himself, and to important literary predecessors. Each of the 16 chapters of the novel is preceded by a motto taken from a famous literary work of art; these quotations function as an incipit, advancing and, at the same time, reflecting to the most important elements of the chapter.

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30

Maria Osiński, Dawid. "Elusive, labile and constant in Patti Smith’s literary work." Tekstualia 2, no. 53 (July 29, 2018): 115–46. http://dx.doi.org/10.5604/01.3001.0013.3288.

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The article analyzes the literary work of Patti Smith, an American singer-songwriter, poet (but not poetess) and visual artist, with a focus on the issues of historical, sociological, political, cultural and religious dialogue in her poetry. Dialogism, in turn, is a key aspect of intertextual creativity. The article examines the intersections of Smith’s lyrical and autobiographical writing with art, culture, religion and philosophy, for example her references to literary traditions (European modernism), art (impressionism and pop-cultural vanguard), religion (mysticism) and architecture (artefacts). Smith’s poetry raises questions about human identity, the meaning of loneliness, individual human possibilities in the face of history and politics. Diverse literary forms to be found in Smith’s output are referred to so as to account for the psychological and literary relevance of her achievement.

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31

Bellino, Francesca. "Idols and Idolatry in the Legendary Maġāzī Literature." Annali Sezione Orientale 78, no. 1-2 (April 18, 2018): 104–34. http://dx.doi.org/10.1163/24685631-12340046.

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Abstract This article aims at analyzing idolatry inasmuch it appears as a literary motif in legendary maġāzī literature, a large and varied corpus of narratives, spread mostly in the post-Classical period (15th–19th centuries), which recount in fictional way the early Muslim military expeditions that took place during Muḥammad’s lifetime (Ar. ġazawāt, sing. ġazwa). Within this genre, it considers primarily those ġazawāt in which direct references to idolatry appear, either as references to the general concept or as references to individual idols. Regarding the latter, it provides an overview, accompanied by textual examples, of all the idols mentioned by name in the ġazawāt, divided into those that are also attested in the historical sources, and the fictitious ones invented by the narrators for narrative purposes.

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32

Rojas, Carlos. "Of Lice and Men." Prism 16, no. 1 (March 1, 2019): 19–32. http://dx.doi.org/10.1215/25783491-7480317.

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Abstract Taking Jia Pingwa's 2013 novel Daideng 帶燈 (The Lantern Bearer) as its focal point, this article considers a series of allusions to insects in this and other works. The article takes these references to insects in Jia's literary publications as a starting point for reflecting on a set of parasitic or supplementary relationships as they relate to an interrelated set of sociopolitical, ecological, and literary concerns. Through this attention to parasitic relationships, the article uses Jia Pingwa's works to pursue a critical reassessment of the relationship between individual entities and the sociopolitical, ecological, and literary collectives they inhabit.

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Nalewajk, Żaneta. "Literature Philosophied. Witkacy – Gombrowicz – Schulz." Tekstualia 1, no. 2 (January 2, 2014): 167–80. http://dx.doi.org/10.5604/01.3001.0013.6116.

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Readers of Witkacy, Gombrowicz, and Schulz are bound to notice philosophical inspirations present in numerous intertextual references and contextual indicators. Their texts contain almost all possible literary signs suggesting the possibility of at analysing works by Witkacy, Gombrowicz, and Schulz on at least two hermeneutic levels: literary and philosophical. In the case of Witkacy, Schulz, and Gombrowicz, the choice of literary form was essentially philosophical. In works by Stanisław Ignacy Witkiewicz, it seemed to advocate replacing philosophical monographs with individualised language as one of conditions of innovation in the ﬁ eld. Witold Gombrowicz, in turn, manifested his objection towards a speculative, “non-physical” philosophy deprived of experience. Bruno Schulz’s decision to mix philosophy and literature stemmed from a conviction that the arts (and literature as one of them) cannot mindlessly recreate existing philosophical theses. On the contrary, it should be the one to challenge philosophy with complex questions. If we were to look for examples of an illustrative character in the works of the three authors, we might only refer to their individual stands. In this sense, the presence of references to philosophical tradition was naturally signiﬁ cant, but should not overshadow their own points of view.

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Duszenko, Andrzej. "Abnihilization of the Etym: Joyce, Rutherford, and Particle Physics." Irish University Review 46, no. 2 (November 2016): 275–86. http://dx.doi.org/10.3366/iur.2016.0227.

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This essay examines one of Joyce's references to new physics in Finnegans Wake: the allusion to Ernest Rutherford in the opening section of the third chapter of Book II. The composition of Finnegans Wake coincided with the development of the theory of relativity and quantum physics, which resulted in a variety of references to these new scientific developments in the book. The essay argues that among the many Wakean passages referring to new physics, the allusion to Rutherford stands out by virtue of being personal in nature and broad in references. The analysis of the linguistic transformations in the text of the passage suggests that Joyce saw a parallel between the work of the man who ‘split the atom’ and two aspects of his own work: the constant pattern of death and rebirth which is fundamental to the world described in Finnegans Wake, and his own lexical practice in creating a new kind of language to describe that world. References to quantum mechanics in the Rutherford passage are blended with allusions to relativity, the second component of new physics, and the text is placed in a cluster of other references to various elements of the subatomic world.

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Valitov, Aleksandr A. "The Library of Tobolsk Theological Seminary (the second half of XVIII - the first half of XIX century): Description of the Library Holding." Bibliotekovedenie [Library and Information Science (Russia)], no. 6 (December 11, 2013): 102–7. http://dx.doi.org/10.25281/0869-608x-2013-0-6-102-107.

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The article is devoted to the history of creation and development of the Tobolsk Theological Seminary and Seminary Library in XVIII-XIX centuries. There were used various archival and literary references, allowing to define the place of seminary library in the history of the region.

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Boswell. "New References to Chaucer, 1641–1660." Chaucer Review 45, no. 4 (2011): 435. http://dx.doi.org/10.5325/chaucerrev.45.4.0435.

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Carlson, David R. (David Richard). "The Chronology of Lydgate's Chaucer References." Chaucer Review 38, no. 3 (2004): 246–54. http://dx.doi.org/10.1353/cr.2004.0003.

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Monteiro, George. "Herman Melville: Fugitive References (1845–1922)." Resources for American Literary Study 33, no. 1 (June 1, 2010): 19–93. http://dx.doi.org/10.7756/rals.033.002.19-93.

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Borriello, Antonio. "Numerical References in Krapp's Last Tape." Samuel Beckett Today / Aujourd'hui 11, no. 1 (October 16, 2018): 389–98. http://dx.doi.org/10.1163/18757405-01101045.

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Golahny. "Poe’s References to the Visual Arts." Edgar Allan Poe Review 22, no. 1 (2021): 6. http://dx.doi.org/10.5325/edgallpoerev.22.1.0006.

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MONTEIRO, GEORGE. "Herman Melville: Fugitive References (1845–1922)." Resources for American Literary Study 33, no. 1 (January 1, 2008): 19–93. http://dx.doi.org/10.2307/resoamerlitestud.33.2008.0019.

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Golahny, Amy. "Poe’s References to the Visual Arts." Edgar Allan Poe Review 22, no. 1 (June 1, 2021): 6–29. http://dx.doi.org/10.5325/edgallpoerev.22.1.6.

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Abstract Poe’s references to the visual arts have long been noted, but rarely examined for personal and original content. Barbara Cantalupo’s recent monograph is an exception in this regard and proposes that Poe’s interest in the arts was deep and generally concerned beauty and aesthetic issues. Facile with aspects of antiquity, the Renaissance, and the Baroque, Poe had an enthusiasm for artists working in the United States that was more personal than his interest in those from the European past. He knew firsthand works by Joshua Shaw, Clark Mills, and Hiram Powers. Without traveling to continental Europe, Poe became familiar with Renaissance and Baroque art through his reading and by viewing works in New York and Philadelphia. He was sufficiently familiar with foremost artists and antiquities to make references that strengthened his characters and settings. In commenting on exhibits in New York, Poe revealed his opinions, both positive and negative. Conversant with the typical qualities of major categories of art, Poe did not stray from the generally received information about past art but evidently relied on his own observations for current art. Ultimately, Poe’s interest in the visual arts depended on how he could use painting and sculpture in his writings.

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Heinzkill, Richard. "References in Scholarly English and American Literary Journals Thirty Years Later: A Citation Study." College & Research Libraries 68, no. 2 (March 1, 2007): 141–54. http://dx.doi.org/10.5860/crl.68.2.141.

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This study examines 20,802 citations in 555 journal articles devoted to criticism of English and American literature published in 2003. Books are cited far more often (75.8%) than journal articles (19.8%). Over half of the monographs cited (55.4%) are less than twenty years old. In general, journal articles published within the past twenty years are the most frequently cited. Literary scholars use a diversity of monographs which fall outside of the core classifications for literature; over 40% are outside. This study is compared to other citation studies of English and American literature. It concludes with observations on the use of the Web, browsing by literary researchers, and English as an interdisciplinary field.

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Janssen, T., and I. Pieper. "Empirical studies on verbal interaction and literary understanding. An annotated list of references." L1 Educational Studies in Language and Literature 09, Running Issue, no. 1, Special Issue (March 2009): 117–37. http://dx.doi.org/10.17239/l1esll-2009.09.01.06.

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Lavik, Marta Hoyland. "The Literary Motif of Cush in the Old Testament." Old Testament Essays 34, no. 2 (November 18, 2021): 1–14. http://dx.doi.org/10.17159/2312-3621/2021/v34n2a9.

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There are 56 references to Cush in the Old Testament and these occur in all the three main corpuses of the Hebrew Bible namely the Law, the Prophets and the Writings. Traditional historical-critical scholarship has not showed great interest in the Old Testament texts about Cush. However, the Nigerian biblical scholar David Tuesday Adamo has through his many contributions about the Cush texts made the guild observant of what can be labelled an African presence in the Old Testament given that Cush is applied as a literary motif in the Old Testament. Following a presentation of the Cush texts in the Old Testament, this paper examines how the literary motif of Cush functions in the text, taking Isaiah 18 as a representative example.

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Király, Hajnal. "Arrested and Arresting: Intermedial Images and the Self-Reflexive Spectator of Contemporary Cinema." Acta Universitatis Sapientiae, Film and Media Studies 18, no. 1 (October 1, 2020): 57–71. http://dx.doi.org/10.2478/ausfm-2020-0003.

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AbstractThe paper departs from the assumption that while the analysis of the systematic effect that popular cinema (genres like melodrama, horror or action movies) has on its spectators has been largely discussed by film theorists, little has been written on the affective dimensions of arthouse cinema. The lasting effect of visually compelling films on the individual spectator’s emotions has been addressed only sporadically by cognitive film theory, film phenomenology and aesthetics. Therefore, the author proposes to bring together terms and concepts from different discourses (film and literary theory, intermediality studies and empirical psychological research of the literary effect) in order to elucidate how intermedial, painterly references in midcult and arthouse films mobilize the associative dimensions of film viewing and may have an impact on spectatorial self-reflexion and emotional growth. Moreover, films that rely on the associative power of still(ed) images, painterly references bring into play the personal and cultural experiences of the viewer. As such, they can be effectively used in professional and cultural sensitivization.

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Clarke, Patricia. "Literary Sidelights on Wartime Brisbane." Queensland Review 11, no. 2 (December 2004): 41–57. http://dx.doi.org/10.1017/s1321816600003706.

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There have been several anecdotal accounts of the literary scene in Brisbane during World War II and numerous references in more general works. In 2000,Queensland Reviewpublished some reminiscences of writers Estelle Runcie Pinney, Don Munro, Val Vallis and David Rowbotham, under the title ‘Writing in Brisbane during the Second World War’. Some of the more important general works include Judith Wright's ‘Brisbane in Wartime’, Lynne Strahan's history ofMeanjinand Judith Armstrong's biographical work on the Christesens,The Christesen Romance. My interest in this subject arose from editing Judith Wright's autobiography,Half a Lifetime, published in 1999, and recently in editing, with her daughter, letters between Judith Wright and Jack McKinney which were mainly written in Brisbane in the later years of the war and the immediate postwar period. Initially my purpose was to gather information to elucidate people or events mentioned in these writings, but my interest widened to embrace more general information about the period. My research led me to the conclusion thatMeanjinand its editor Clem Christesen were catalysts for many of the literary activities in Brisbane during World War II, not just among resident Australians, but among troops temporarily stationed in Brisbane — particularly Americans, whom Christesen cultivated and published. This article records a few glimpses of literary life in Brisbane, and incidentally in the rest of the country, during a period described by Patrick Buckridge as never having been researched ‘in enough detail’.

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Kamionowski, Jerzy. "(Re-)kreacyjny rejs arką na koniec świata, czyli jak autor stworzył się Bogiem, czyli diablada z Darwinem. O Galapagos Kurta Vonneguta." Białostockie Studia Literaturoznawcze, no. 19 (2021): 243–64. http://dx.doi.org/10.15290/bsl.2021.19.13.

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This paper analyzes the novel Galapagos by Kurt Vonnegut, Jr. in its thematic and formal dimensions. The author aims, first, to identify the work’s references to scientific issues concerning Darwin’s theory of evolution and so-called “social Darwinism.” Secondly, he identifies the novel’s strictly literary references, the citation of which allows him to draw conclusions about the nature of its intertextuality. Of particular relevance here is the relationship of the Galapagos with the biblical myth of the Flood. As a result, the author of the article substantiates the hypothesis that Vonnegut consistently cultivates, for deeply didactic purposes, postmodern metafiction with a moralistic message.

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Perkowska, Eliza. "Anna Iwaszkiewicz’s Internalized Translation." Tekstualia 2, no. 65 (September 13, 2021): 127–40. http://dx.doi.org/10.5604/01.3001.0015.2785.

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The article analyzes Anna Iwaszkiewicz’s essay ‘My Fontainebleau’. It fi rst defi nes the ‘cultural turn’ in contemporary humanities and relates it to the theory of literary translation, which is supralinguistic and enables the translation of parts of cultural codes or literary values. The article shows how Iwaszkiewiczowa was inspired by such authors as Marcel Proust, Joseph Conrad, Thomas Mann, and uses her work to reconstruct the translation process as internalization. Through references to Iwaszkiewiczowa’s biography, especially her feeling of unproductivity and creative powerlessness, it shows how some private reasons infl uenced her literary choices and led her to write the essay under discussion

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Alexandrova, Tatyana. "Online Resources for Language References and Consultations." Cultural and Historical Heritage: Preservation, Representation, Digitalization 5, no. 2 (2019): 130–41. http://dx.doi.org/10.26615/issn.2367-8038.2019_2_014.

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The article presents the Guide "Internet language References" – a modern form for professional language counselling, through which the widest range of users can get a competent answer to their language questions. Guide has been developed by The Language consultation service in Institute for Bulgarian Language – BAS, and includes real user questions and answers related to the spelling, grammar and punctuation rules, with the meaning, use, origin and stylistic characteristics of the words, as well as the proper drafting of different types of texts. The usefulness of this electronic resource is highlighted. This resource provides researchers with reliable feedback on problematic points in the application of the rules of the literary language, which supports research and applied activity in the field of language culture. Questions and answers relating to spelling and speech norms are presented in more detail. Keywords: language culture, language counselling, online guide, spelling, speech

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