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Journal articles on the topic 'Literary Resistance'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Wald, Alan. "Marxist Literary Resistance to the Cold War." Prospects 20 (October 1995): 479–92. http://dx.doi.org/10.1017/s0361233300006189.

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On the morning of June 20, 1951, a hundred FBI agents poured out of the Foley Square Federal Building in Manhattan at dawn, buttoned up their gray trenchcoats, and bounded into a fleet of waiting Buicks. Spreading throughout New York City in a well-orchestrated operation, they surrounded twenty private homes, burst into bedrooms, and dragged sixteen Communist Party leaders off to jail under the Smith Act charge of conspiring to teach the overthrow of the U.S. government. This was the second group of top Party functionaries to be arrested under the Act.

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2

HIGGINS, IAN. "“ASSURER LES RELAIS”: LITERARY HERITAGE IN RESISTANCE." Forum for Modern Language Studies XXI, no. 4 (1985): 274–90. http://dx.doi.org/10.1093/fmls/xxi.4.274.

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3

Rahwati, Wawat, Budi Mulyadi, and Feri Purwadi. "The Negotiation of Zainichi Identity and Resistance to Japanese Domination in Kazuki Kaneshiro Literary Text." IZUMI 9, no. 2 (December 1, 2020): 155–65. http://dx.doi.org/10.14710/izumi.9.2.155-165.

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This study discusses the identity negotiation and resistance of the Zainichi minority to Japanese domination as the majority group in the literary text by Kazuki Kaneshiro. Zainichi is Korean people who came and have settled in Japan before and during World War II. As a minority group in Japan, Zainichi often faces discrimination from Japanese people due to his identity. Issues regarding the issue of Zainichi's identity are a dominant theme raised in the literary work of Zainchi (Zainichi bungaku). One of the authors of Zainichi's literary works is Kazuki Kaneshiro who wrote a novel entitled Go in 2007. Go novel as a literary text of Zainichi will be used as research data to reveal how Zainichi's identity negotiations are articulated by Zainichi characters and how their resistance against Japanese domination as the majority community group. By using postcolonial studies and analyses the structure of the narrative text, this research can reveal the forms of identity negotiation and resistances dis-course represented by Zainichi characters. Identity negotiation is seen through using Japanese name by Zainichi characters while interacting with the Japanese and changing the nationality from Korean to Japanese. Meanwhile, physical violence, mimicry (imitation), a mockery of Japanese behaviours, and maintaining their identity and Korean culture as resistances to counter the Japanese domination in the novel Go.

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4

Erkkila, Betsy. "Ethnicity, Literary Theory, and the Grounds of Resistance." American Quarterly 47, no. 4 (December 1995): 563. http://dx.doi.org/10.2307/2713367.

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5

Shen, Dan, and Xiaoyi Zhou. "Western Literary Theories in China: Reception, Influence and Resistance." Comparative Critical Studies 3, no. 1-2 (June 2006): 139–55. http://dx.doi.org/10.3366/ccs.2006.3.1-2.139.

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6

Lahusen, Thomas, and Edith W. Clowes. "Russian Literary Resistance Reconsidered: An Attempt of Friendly Slander." Slavic and East European Journal 38, no. 4 (1994): 677. http://dx.doi.org/10.2307/308421.

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7

Kim, Immanuel. "Art of Resistance: Nostalgia in North Korea's Literary Production." Telos 2018, no. 184 (2018): 79–99. http://dx.doi.org/10.3817/0918184079.

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8

Shen, Dan, and Xiaoyi Zhou. "Western Literary Theories in China: Reception, Influence and Resistance." Comparative Critical Studies 3, no. 1 (2006): 139–55. http://dx.doi.org/10.1353/ccs.2006.0016.

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9

Subbiah, Shanmuga, and R. Parthasarathy. "Resistance." World Literature Today 68, no. 2 (1994): 252. http://dx.doi.org/10.2307/40150134.

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10

Robinson, Jenefer, and Ora Avni. "The Resistance of Reference: Linguistics, Philosophy, and the Literary Text." Journal of Aesthetics and Art Criticism 50, no. 3 (1992): 258. http://dx.doi.org/10.2307/431239.

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11

Pavel, Thomas, and Ora Avni. "The Resistance of Reference: Linguistics, Philosophy, and the Literary Text." MLN 105, no. 5 (December 1990): 1071. http://dx.doi.org/10.2307/2905169.

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12

Docherty, Thomas, Ora Avni, Samuel Weber, and Michael Levine. "The Resistance of Reference: Linguistics, Philosophy, and the Literary Text." Modern Language Review 88, no. 4 (October 1993): 930. http://dx.doi.org/10.2307/3734429.

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13

Petrey, Sandy, and Ora Avni. "The Resistance of Reference: Linguistics, Philosophy, and the Literary Text." Comparative Literature 46, no. 1 (1994): 96. http://dx.doi.org/10.2307/1771618.

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14

R., R., and Ora Avni. "The Resistance of Reference: Linguistics, Philosophy, and the Literary Text." Poetics Today 12, no. 3 (1991): 610. http://dx.doi.org/10.2307/1772656.

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15

Rábade Villar, María Do Cebreiro. "Spectres of the Nation: Forms of Resistance to Literary Nationalism." Bulletin of Hispanic Studies 86, no. 2 (March 2009): 231–48. http://dx.doi.org/10.1353/bhs.0.0022.

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16

Roach, Colleen. "Cultural imperialism and resistance in media theory and literary theory." Media, Culture & Society 19, no. 1 (January 1997): 47–66. http://dx.doi.org/10.1177/016344397019001004.

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17

Burdette, Hannah. "Literary Contraband: Indigenous Insurgency and the Spatial Politics of Resistance." Revista Canadiense de Estudios Hispánicos 39, no. 1 (September 10, 2014): 273–301. http://dx.doi.org/10.18192/rceh.v39i1.1670.

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El presente artículo sostiene que, más que una instancia de asimilación o adaptación cultural, la (re)emergencia de la literatura indígena en las últimas décadas representa una irrupción o in-surgencia dentro de espacios normalmente, y hasta recientemente, limitados a blancos, mestizos y Occidente. Al conectar estas intervenciones en la ciudad letrada con prácticas de contrabandeo en sociedades fronterizas y rutas pre‐hispánicas de comercio, examino lo que denomino contrabando literario en la poesía de Miguel Ángel López Hernández (Colombia/Venezuela) y en la novela Almanac of the Dead de Leslie Marmon Silko (Estados Unidos). Argumento que conceptualizar la nueva literatura amerindia en estos términos puede contribuir a ilustrar la interacción entre la poética y la política en proyectos contemporáneos de revitalización cultural. Sin embargo, más allá de celebrar la “dichosa llegada” de la literatura amerindia, sugiero que esta incipiente reconfiguración de la ciudad letrada demanda la continua elaboración de acercamientos críticos descolonizantes que atiendan a las dinámicas de poder que marcan la producción y el consumo de la literatura indígena.

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18

Tusler, Megan. "Du Bois’s Telegram: Literary Resistance and State Containment. Juliana Spahr." MELUS 45, no. 3 (2020): 196–98. http://dx.doi.org/10.1093/melus/mlaa022.

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19

Cavalier, C. R. "Jane Johnston Schoolcraft's Sentimental Lessons: Native Literary Collaboration and Resistance." MELUS: Multi-Ethnic Literature of the United States 38, no. 1 (February 27, 2013): 98–118. http://dx.doi.org/10.1093/melus/mls001.

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20

Takayama, K. Peter. "Adaptation and resistance to Chinese literary hegemony: Korea and Japan." International Journal of Politics, Culture and Society 8, no. 3 (March 1995): 467–88. http://dx.doi.org/10.1007/bf02142896.

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21

Jussawalla, Feroza, and Barbara Harlow. "Resistance Literature." World Literature Today 63, no. 1 (1989): 169. http://dx.doi.org/10.2307/40145295.

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22

Dawes, Kwame. "Deaf Resistance." Literary Imagination 20, no. 2 (July 1, 2018): 217. http://dx.doi.org/10.1093/litimag/imy034.

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23

Adhikari, Shreedhar. "Silent Resistance Against Androcentric Violence: An Ecofeminist Reading of Sarah Orne Jewett's "A White Heron"." Literary Studies 33 (March 31, 2020): 109–15. http://dx.doi.org/10.3126/litstud.v33i0.38066.

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This paper tries to unravel the cross-cutting dimensions of ecology and feminism for holistic analysis of "A White Heron." The theoretical insights drawn from both schools combine to form the critical lens of ecofeminism to find out the underpinning operational ideology and interpret literaty texts. Greta Gaard and Lori Gruen state: "Standing at the crossroads of environmentalism and feminism, ecofeminist theory is uniquely positioned to undertake a holistic analysis of these problems in both their human and natural contexts" (277). The evolution of interdisciplinary approach and critical practices has led to re-reading and reinterpreting the literary texts ever exploring and widening their dimensions.

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24

., Mujiono, and Moh Zalhairi. "WOMEN RESISTANCE TOWARD DISCRIMINATIONS: A MODERN LITERARY WORK ANALYSIS ON FEMINISM REVIEW IN BEKISAR MERAH." Celt: A Journal of Culture, English Language Teaching & Literature 15, no. 2 (February 22, 2016): 222. http://dx.doi.org/10.24167/celt.v15i2.474.

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This study was conducted to discover the discriminations against women in the Bekisar Merah novel and how they formulate resistance to those discriminations. To address the above objective, this study used descriptive qualitative research design with a feminism approach. Source of the data in this study was the second edition of Bekisar Merah novel written by Ahmad Tohari. The data included were words, phrases, sentences, and paragraphs on Bekisar Merah which portray womens discrimination toward Lasi, the women figure in the novel, and power types formulated by her who resisted the discrimination. To analyze the data, content analysis was applied. Triangulation was used to ensure the trustworthiness of the data. The result of the study showed eight forms of discriminations and three resistances. The discriminations were domestic abuse, molestation, gender harassment, seduction behavior, imposition, coercion, bribery, and subordination. The resistances were physically, mentally, and verbally.

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25

Beard, Laura Jean. "Resistance, resilience, and resurgence: tracing the rs in indigenous literary studies." Revista Ártemis 28, no. 1 (December 17, 2019): 8–16. http://dx.doi.org/10.22478/ufpb.1807-8214.2019v28n1.49875.

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This text explores theoretical terms—resistance, resurgence, resilience, respect, reciprocity—in contemporary Indigenous literary studies in North America while pointing out that the many of the powerful stories by Indigenous authors that center on the importance of respect, reciprocal relationships, responsibility, and reverence might serve as maps for us all through some of the thorny issues in today’s world.

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26

Shapiro, Michael J. "Genres of Nationhood: The ''Musico-Literary'' Aesthetics of Attachment and Resistance." Strategies: Journal of Theory, Culture & Politics 13, no. 2 (November 2000): 141–61. http://dx.doi.org/10.1080/104021300750022571.

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27

Pisano, Andrew M. "Reforming the Literary Black Atlantic: Worshipful Resistance in the Transatlantic World." Studies in Eighteenth-Century Culture 44, no. 1 (2015): 81–100. http://dx.doi.org/10.1353/sec.2015.0003.

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28

Tafolla, Carmen. "Agency and voice: A testimony of experience and of literary resistance." Bilingual Research Journal 40, no. 4 (October 2, 2017): 429–32. http://dx.doi.org/10.1080/15235882.2017.1389776.

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29

WEATHERSTON, ROSEMARY. "EMBATTLED GROUNDS: RESISTANCE, REPRESENTATION, AND THE LITERARY LANDSCAPING OF POSTCOLONIAL SPACE." Journal of the Australasian Universities Language and Literature Association 96, no. 1 (November 2001): 135–53. http://dx.doi.org/10.1179/aulla.2001.96.1.009.

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30

Sungkowati, Yulitin. "Memetakan Komunitas Sastra Indonesia di Jawa Timur." ATAVISME 13, no. 1 (June 30, 2010): 100–116. http://dx.doi.org/10.24257/atavisme.v13i1.147.100-116.

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Tulisan ini bertujuan mendeskripsikan peta komunitas sastra Indonesia di Jawa Timur dan melihat jaringan antarkomunitasnya dengan perspektif makro sastra. Berdasarkan latar belakang kelahirannya, komunitas sastra di Jawa Timur dapat dikelompokkan menjadi empat, yaitu komunitas yang lahir sebagai perlawanan terhadap hegemoni pusat, sebagai pernyataan ekspresi dan eksistensi diri, sebagai wadah kreativitas dan komunikasi, dan sebagai gerakan lite- rasi. Berdasarkan basisnya, komunitas sastra Indonesia di Jawa Timur dapat dikelompokkan menjadi tiga, yaitu komunitas berbasis kampus, nonkampus, dan pondok pesantren. Mereka membangun jaringan dengan komunitas di Jawa Timur dan di luar Jawa Timur Abstract: This paper is aimed to describe Indonesia literary community map in East Java and to see intercommunity networking with macroliterary perspective. Based on background of birth, literary community in East Java can be devided in to four grups: community that was born as resistance to hegemony of center, as statement they are expression and self existence; as creativity and communication media; and as literacy movement. Based on its basis, Indonesian literary community in East Java can be devided in to three groups, they are literary community based on campus, literary community based on noncampus, and literary community based on pondok pesantren. They construc intercommunity networking in and out of East Java. Key Words: community, background, base, networking

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31

Caputa, Sonia. "Resistance and Protest in Percival Everett's Erasure." Review of International American Studies 13, no. 1 (August 16, 2020): 145–57. http://dx.doi.org/10.31261/rias.7567.

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As argued by the literary critic Margaret Russett, Percival Everett “unhinges ‘black’ subject matter from a lingering stereotype of ‘black’ style [and] challenges the assumption that a single or consensual African-American experience exists to be represented.” The author presents such a radical individualism in his most admired literary work published in 2001. In Erasure, Thelonious ‘Monk’ Ellison, the main character and narrator of the book, pens a stereotypically oriented African American novel that becomes an expression of “him being sick of it;” “an awful little book, demeaning and soul-destroying drivel” that caters for the tastes and expectations of the American readership but, at the same time, oscillates around pre-conceived beliefs, prejudices, and racial clichés supposedly emphasizing the ‘authentic’ black experience in the United States. Not only is Erasure about race, misconceptions of blackness and racial identification but also about academia, external constraints, and one’s fight against them. The present article, therefore, endeavors to analyze different forms of resistance and protest in Percival Everett’s well-acclaimed novel, demonstrating the intricate connections between the publishing industry, the impact of media, the literary canon formation and the treatment of black culture.

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32

Fischione, Fernanda. "Untranslatability as Resistance." Middle East Journal of Culture and Communication 12, no. 3 (December 5, 2019): 282–302. http://dx.doi.org/10.1163/18739865-01203004.

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Abstract In this paper I show the close correlation between cultural resistance and the comeback of the Arabic literary heritage in Levantine rap music in the aftermath of the 2011 Arab uprisings. In order to achieve this goal, I provide a number of textual examples that focus on both the content and the rhetorical tools used to convey it, being constantly aware that in the field of rap, perhaps more than elsewhere, ‘the medium is the message’ (Marshall McLuhan). In present-day Levantine rap lyrics, we can acknowledge a wide area of untranslatability, and it is specifically in this transcultural opacity that rap displays its resistant nature. In this paper I attempt to show how the conscious use of several varieties of the Arabic language, motifs belonging to the Arabic poetic tradition and references to local history and culture contribute to create small ‘cultural fortresses’ in individual lyrics, and these stimulate the listener to identify with it.

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33

Jurt, Joseph. "The Resistance Writer." Renascence 41, no. 1 (1988): 43–54. http://dx.doi.org/10.5840/renascence1988/1989411/26.

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34

Pezzolano, Hebert Benitez, Tatjana Gajic, and Roberto Appratto. "Resistance to Literature." SubStance 29, no. 2 (2000): 94. http://dx.doi.org/10.2307/3685776.

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35

Greene, Roland. "Resistance in process." Prose Studies 32, no. 2 (August 2010): 101–9. http://dx.doi.org/10.1080/01440357.2010.497286.

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36

Bauerlein, Mark. "The Resistance to Theory and the Resistance to Evidence." Philosophy and Literature 31, no. 1 (2007): 179–88. http://dx.doi.org/10.1353/phl.2007.0000.

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37

Aghoro, Nathalie. "Voice, Silence, and Quiet Resistance in Percival Everett's Glyph." JAAAS: Journal of the Austrian Association for American Studies 1, no. 2 (December 30, 2020): 201–15. http://dx.doi.org/10.47060/jaaas.v1i2.35.

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This article investigates how the refusal to speak becomes a resonant expression of protest in Percival Everett's novel Glyph (1999). It offers a reading of Everett's experimental work as generating a literary soundscape of the quiet voice to reflect on the functions of sonic absence in the politics and aesthetics of resistance. With Kevin Quashie's work The Sovereignty of Quiet (2012) and Fred Moten's writings on the significance of sound in black radical aesthetics as conceptual bridges, it seeks to establish that Glyph explores the boundaries and possibilities of black self-determination in the American socio-political context as it pitches the acoustics of silence and voice against the mute textuality of the book. Along these lines, the explicit refusal of a voice to speak in Glyph simultaneously reveals and complicates the dynamics of racialization in literary imaginations and reading practices.

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38

Choe, Hyegyeong. "Literary Variations of Space - Focusing on Moon Byung-Ran’s Theory of Resistance -." Ctizen&the World 34 (June 30, 2019): 261–90. http://dx.doi.org/10.35548/cw.2019.06.34.261.

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39

Larson, Doran. "Writing Resistance, Writing the Self: Literary Reconstruction in United States Prison Witness." Revista Crítica de Ciências Sociais, no. 120 (December 1, 2019): 161182. http://dx.doi.org/10.4000/rccs.9840.

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40

Kaminsky, Alice R. "Ora Avni., The Resistance of Reference: Linguistics, Philosophy, and the Literary Text." International Studies in Philosophy 26, no. 2 (1994): 101–2. http://dx.doi.org/10.5840/intstudphil1994262129.

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41

Cooper, Thomas. "Anxiety of Ideology: Resistance to Allegory in the Literary Narration of History." Hungarian Studies 20, no. 1 (June 2006): 83–91. http://dx.doi.org/10.1556/hstud.20.2006.1.8.

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42

ROBINSON, JENEFER. "Ayni, Ora. The Resistance of Reference: Linguistics, Philosophy, and The Literary Text." Journal of Aesthetics and Art Criticism 50, no. 3 (June 1, 1992): 258–59. http://dx.doi.org/10.1111/1540_6245.jaac50.3.0258.

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43

Mitchell, Jennifer. "Futurist Resistance: Gendered Critical Literacy in the Dystopian Age." College Literature 48, no. 3 (2021): 466–95. http://dx.doi.org/10.1353/lit.2021.0017.

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44

Jüttner, Christina, and Mirja Lecke. "Narrating Resistance: Ludmilla Alexeyeva and Paul Goldberg’s „The Thaw Generation” 1990." Miscellanea Posttotalitariana Wratislaviensia 5 (June 12, 2017): 55–66. http://dx.doi.org/10.19195/2353-8546.1(5).5.

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The production and circulation of literary, documentary, and political texts were among the main activities of dissenters in the Soviet Union. Many of them also kept diaries or notebooks, wrote memoirs or engaged in other forms of life writing. While these texts more or less explicitly claim to authentically represent reality, they nonetheless arise as a construction based on literary strategies. The analysis of the latter in Ludmilla Alexeyeva and Paul Goldberg’s The Thaw Generation is the subject of this article. We discuss the rhetoric of these memoirs focusing particularly on stylistic features and argumentative structures that are meant to grant the text credibility among American and Russian readers.

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45

Fadini, Gabriele. "Ontological Resistance." Angelaki 12, no. 1 (April 2007): 61–71. http://dx.doi.org/10.1080/09697250701309593.

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46

Smuts, Eckard. "J. M. Coetzee’s Age of Iron and the poetics of resistance." Journal of Commonwealth Literature 52, no. 1 (July 27, 2016): 70–83. http://dx.doi.org/10.1177/0021989415589832.

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Since the beginning of his career, J. M. Coetzee’s writing has occupied an uneasy threshold between the literary ideals of European modernism, with its emphasis on aesthetic autonomy, and the demands of socio-historical accountability that derives from his background as a South African novelist. This article revisits one of Coetzee’s novels in which these tensions come to the fore most explicitly, namely Age of Iron, to argue that it is precisely from the generative friction that arises between these two opposing fields that his writing draws its singularly affective force. I begin by considering the agonistic relationship between transcendent ideals and socio-material demands that marks Coetzee’s account of the classic (“What is a Classic?: A Lecture”), describing it as a defining feature of his literary sensibility. The article then moves on to a reading of Age of Iron that focuses on the protagonist Mrs Curren’s efforts, in the midst of the violent political struggle in apartheid South Africa, to speak in her own voice. My thoughts conclude with the suggestion that Coetzee’s perennial staging of the conflict between a desire for autonomous expression and a socio-historical milieu that is indifferent to that desire can be read as an imaginative form of resistance, in the field of literary expression, to both the pressures of historical determinism and the dangers of postmodern insularity.

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47

Wilkinson, John W., László Krasznahorkai, and George Szirtes. "The Melancholy of Resistance." World Literature Today 76, no. 1 (2002): 168. http://dx.doi.org/10.2307/40157119.

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48

Carlson, Marvin. "The Resistance to Theatricality." SubStance 31, no. 2/3 (2002): 238. http://dx.doi.org/10.2307/3685489.

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49

Durrant, Sam. "Resistance, Reason, and Justice." Research in African Literatures 36, no. 1 (March 2005): 114–19. http://dx.doi.org/10.2979/ral.2005.36.1.114.

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50

Melaver, Martin, Paul de Man, and Wlad Godzich. "The Resistance to Theory." Poetics Today 8, no. 3/4 (1987): 748. http://dx.doi.org/10.2307/1772602.

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