Academic literature on the topic 'Literary trauma theory'

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Journal articles on the topic "Literary trauma theory"

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Berger, James, Cathy Caruth, Dominick LaCapra, and Kali Tal. "Trauma and Literary Theory." Contemporary Literature 38, no. 3 (1997): 569. http://dx.doi.org/10.2307/1208980.

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Shaker, Mary. "Trauma Theory and Literary Criticism." مجلة کلیة الآداب . حلوان 54, no. 1 (January 1, 2022): 1–26. http://dx.doi.org/10.21608/kgef.2022.266846.

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Toremans, Tom. "Trauma: Theory – Reading (and) Literary Theory in the Wake of Trauma." European Journal of English Studies 7, no. 3 (December 2003): 333–51. http://dx.doi.org/10.1076/ejes.7.3.333.27981.

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Visser, Irene. "Trauma theory and postcolonial literary studies." Journal of Postcolonial Writing 47, no. 3 (July 2011): 270–82. http://dx.doi.org/10.1080/17449855.2011.569378.

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Pederson, Joshua. "Speak, Trauma: Toward a Revised Understanding of Literary Trauma Theory." Narrative 22, no. 3 (2014): 333–53. http://dx.doi.org/10.1353/nar.2014.0018.

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Yoo, Hyun-Joo. "Telling Trauma: Studies in Trauma Theories." Institute of British and American Studies 10, no. 1 (June 30, 2022): 59–94. http://dx.doi.org/10.25093/ibas.2022.55.59.

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Most literary trauma scholars have depended exclusively on the psychological theory of trauma, which was developed by Freud, and have interpreted trauma, from a homogenous and one-dimensional perspective, as unrepresentable, inherently pathological, timeless, repetitious, unknowable, and unspeakable. This traditional interpretation has served as a dominant, popular model of trauma. However, expanding beyond traditional, essentialist concepts of identity, experience, and remembering, trauma scholars are producing alternative, pluralistic theories of trauma. Given this, this paper first will introduce the traditional psychological model of trauma. To deepen and enrich the discussion of trauma beyond that of the disease-driven paradigm based on pathological essentialism, it will also introduce more recent, detailed, and sophisticated trauma theories. This study is expected to help us better understand the multifaceted functions and effects of traumatic experiences occurring at both the personal and the societal levels.
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Gu, Qiushi. "Trauma, Haunting, and Representation: Rereading and the Translation Examination of Kokoro." Journal of Language Teaching and Research 15, no. 1 (December 31, 2023): 263–70. http://dx.doi.org/10.17507/jltr.1501.29.

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The Japanese novel, Kokoro (1914), offers a profound insight into early 20th-century Japanese society encompassing history, politics, and literature. Although this novel has been extensively explored in literary and translation studies, the convergence remains underexplored. This study advocates integrating literary criticism with translation practice for a more faithful representation of narratives. Applying trauma/PTSD studies theory, it meticulously analyzes Kokoro, particularly examining the English and Chinese renditions of the pivotal term “談判 (danpan; negotiation)”. The methodology involves constructing a trilingual database, incorporating the Japanese source text and seven translations in English and Chinese. By scrutinizing specific passages, the study delves into trauma-related responses and behaviors, revealing their impact on long-lasting changes in personality and relationships. Emphasis is placed on the translation of key terms, preserving cultural and linguistic nuances. This innovative approach advances both literary criticism and translation theory, emphasizing psychological elements for a nuanced portrayal of characters’ states of mind. The study underscores the significance of trauma narratives in comprehending personal and historical traumas, asserting that translators of trauma literature must blend theoretical knowledge with social responsibility. They serve as “secondary witnesses,” entrusted with accurately transmitting traumatic stories between languages, fostering empathy, and preventing the repetition of tragedies in history. This approach provides an innovative interpretation of Kokoro and its translations, bridging the realms of literary criticism and translation studies.
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Al-Douri, Hamdi Hameed, and Shaymaa Saber Abdul-Aziz. "Reflections of Postcolonial Trauma in Lisa Ko’s The Leavers." Journal of Tikrit University for Humanities 30, no. 8, 2 (August 31, 2023): 27–43. http://dx.doi.org/10.25130/jtuh.30.8.2.2023.22.

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The term "trauma" is used to describe ambiguous and long-term harms. The study of psychological trauma has led to the creative representation of literary trauma. Even though the cultural trauma theory is increasingly criticized as being unsuitable for the research agenda of postcolonial studies, the diversity and expanding number of responses to it in postcolonial criticism show the theory's continued appeal. The key question in the discussion of trauma theory and postcolonial literary studies is still whether trauma theory can be successfully "postcolonized" in the sense of being usefully combined with postcolonial theory. Maybe this is one of the unique abilities of literary criticism: to develop the capacity to recognize connections that we were previously unaware of. The search shows the significance of finding closure to transcend past ordeals. The search is an analytical study of Lisa Ko’s novel Leavers. It gives a brief background to the novel and the novelist which displays in what way the novel tackles postcolonial trauma. The main two characters who suffer trauma show the possibility of trauma recovery by achieving their closures. The novel succeeds in depicting trauma and achieving recovery through the main character’s pursuit to find his closure. The study also demonstrates that despite the multiplicity of traumatic causatives, victims have significant symptoms, and their lives and destiny are contingent on their abilities to achieve closure.
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Becker, Mona, and C. Christina Sjöström. "Parallel Narratives: Trauma, Relationality, and Dissociation in Psychoanalysis and Realist Fiction." Humanities 13, no. 3 (May 1, 2024): 69. http://dx.doi.org/10.3390/h13030069.

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The reciprocal relationship between cultural trauma studies and psychoanalytic discourse on the one hand, and trauma studies and fictional representations of trauma on the other, has been commented on by scholars within the field of literary studies. What connects the representation of trauma in cultural trauma theory, trauma fiction, and psychoanalysis is that it is regarded as something that overwhelms an individual’s capacities for processing and functioning. However, while cultural trauma theory has come under scrutiny for prioritizing too narrow a view of trauma and its representations, the considerable critiques of and revisions to Freud’s theories, developed in the 1980/90s, have been mostly ignored by cultural trauma theorists. In this interdisciplinary article, we draw on relational psychoanalytic perspectives to demonstrate how relational revisions to psychoanalytic theory and techniques, as well as views on dissociation, can offer new perspectives for approaching literary works of fiction, such as the realist novel, which engage with the subject of trauma outside of established trauma conventions. We demonstrate that trauma novels by Lisa Appignanesi and Aminatta Forna parallel these revisions to psychoanalytic theory and techniques, allowing for a more pluralistic and nuanced representation of responses to trauma and suffering.
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Toroš, Ana. "Minority Literature and Collective Trauma: The Case of Slovene Triestine Literature." Treatises and Documents, Journal of Ethnic Studies / Razprave in Gradivo, Revija za narodnostna vprašanja 86, no. 86 (June 1, 2021): 65–81. http://dx.doi.org/10.36144/rig86.jun21.65-81.

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Abstract The study focuses on the relationship between minority literature and collective trauma. Drawing on the theory of trauma, psychoanalysis, memory studies, and literary representations of memory, we argue that the trauma resulting from the suppression of Slovene identity in Trieste during fascism is transmitted into literary discourse through two channels. Firstly, through the normative model of remembering the trauma in question – namely through literary works that can be described as fictions of memory. Secondly, we paid attention to the manifestations of trauma that (unconsciously) enter the narrative structure, regardless of the time and events, which are not necessarily tied to the period of fascism and to concrete events and places of memory. In this context, we illuminated the literary characters from the perspective of literary imagology (the I and the Other).
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Dissertations / Theses on the topic "Literary trauma theory"

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Kenny, Laura Jean. ""Something's happening here! Something's awry!": A creative and critical exploration of 'awryness' in contemporary Australian attachment trauma fiction." Thesis, Queensland University of Technology, 2021. https://eprints.qut.edu.au/210856/1/Laura_Kenny_Thesis.pdf.

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This practice-led thesis explores how an examination of ‘awryness’—conceptualised as an emotional response to environmental stimuli which is characterised by feelings of disorientation and uncertainty—might generate new ways of thinking about the writing, reading, and interpretation of contemporary Australian attachment trauma fiction. In fiction, awryness occurs when the reader encounters something that is unexpected or difficult to categorise. Writing the novel, On Either Side, alongside textual analysis of three novels, reveals just some of the ways that awryness might be induced or evoked in order to represent the effects of attachment trauma on a character.
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Heady, Chene R. "Outlines and apologias literary authority, intertextual trauma, and the structure of Victorian and Edwardian sage /." Columbus, Ohio : Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1083779224.

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Thesis (Ph. D.)--Ohio State University, 2004.
Title from first page of PDF file. Document formatted into pages; contains vi, 454 p. Includes abstract and vita. Advisor: David Riede, Dept. of English. Includes bibliographical references (p. 420-454).
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Jeo, Noella. "Perry Smith and Josef Kavalier : historical and literary victimized victimizers /." Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd938.D4.

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Murphy, Robin Marie Merrick. "Post-9/11 Rhetorical Theory and Composition Pedagogy: Fostering Trauma Rhetorics as Civic Space." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1180024360.

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Briney, Carol E. "My Journey with Prisoners: Perceptions, Observations and Opinions." Kent State University Liberal Studies Essays / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1373151648.

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Lyne, Sandra Anne. "Madame Butterfly and men of empire: stereotyping and trauma in 20th century novels." Thesis, 2017. http://hdl.handle.net/2440/111433.

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While most research has rightfully focused on sexism and racism in 'Madame Butterfly' texts (Marchetti 1993; van Rij 2001; Morris 2002; Koshy 2004; Prasso 2005; Park 2010), this thesis argues that stereotypical protagonists and narrative themes from Puccini's fin de siècle opera, Madama Butterfly, reappeared after wars in Korea and Vietnam and in the first years of the new millennium as prototypes for two traumatic, sub-textual 'ghosts' suppressed in public discourses: an 'unmanly', psychologically-wounded Western subject-as-perpetrator, and a scarred Asian woman, the civilian victim of Western atomic and incendiary weapons, an almost un-representable figure. This thesis draws on a variety of fields, including literary trauma theory (Mandel 2006; Weaver 2010; Visser 2011; Balaev 2015), military masculinity studies and social psychology. It examines, in close readings within cultural, historical contexts, the synergies between trauma and moral (thèmis) conflict represented in a selection of twentieth century 'Madame Butterfly' narratives, primarily by ex-military writers, at three significant moments in history: firstly, 1880-1912; secondly, post-WWII from 1950-1980, including the Korean War (1950-1953) and the Vietnam Conflict; and, thirdly, from the 1990s to the early 2000s, the turn of the new millennium. 'Moral conflict' in this thesis refers to Shay's definition of thèmis as 'just order' or 'what is right' (Achilles in Vietnam 5) and to the idea that a disjuncture between thémis and experience can cause psychological damage (Shay Odysseus in America 33). Examples of novels representing this disjuncture include Fifth Daughter by Hal Gurney (1957), Jere Peacock's Valhalla (1961), James Webb's The Emperor's General (1999), and Anthony Swofford's Exit A (2007). The examination of twentieth-century reconstructions of Madama Butterfly's gendered and racist stereotypes in these novels has found evidence supporting Gilman's notion (in Difference and Pathology: Stereotypes of Sexuality, Race and Madness) that stereotyping reveals much about the fears and anxieties of those producing the stereotypes, that 'pathology' in human cognition stems from 'disorder and loss of control, the giving over of the self to the forces that lie beyond the self' (Gilman 24), to trauma. This thesis examines the notion that Madame Butterfly stereotypes and themes allowed veterans 'to write about the war' for an uncomprehending public, as did Salinger in Catcher in the Rye. Along the way, the thesis also attempts to understand why Western men should have maintained such an emotional attachment to a quaint fin de siècle literary figure for an entire century.
Thesis (Ph.D.) -- University of Adelaide, School of Humanities, 2017.
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Books on the topic "Literary trauma theory"

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Balaev, Michelle, ed. Contemporary Approaches in Literary Trauma Theory. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137365941.

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Aberbach, David. Surviving trauma: Loss, literature and psychoanalysis. New Haven: Yale University Press, 1989.

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Gil, Milagros Mata. Los signos de la trama: Ensayos sobre la escritura. Caracas: Ediciones La Casa de Bello, 1995.

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Contemporary approaches in literary trauma theory. New York: Palgrave Macmillan, 2014.

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Balaev, M. Contemporary Approaches in Literary Trauma Theory. Palgrave Macmillan, 2014.

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Balaev, M. Contemporary Approaches in Literary Trauma Theory. Palgrave Macmillan, 2014.

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Future of Trauma Theory: Contemporary Literary Criticism. Taylor & Francis Group, 2013.

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The Future Of Trauma Theory Contemporary Literary And Cultural Criticism. Routledge, 2013.

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Future of Trauma Theory: Contemporary Literary and Cultural Criticism. Routledge, 2013.

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Buelens, Gert, Robert Eaglestone, and Samuel Durrant. Future of Trauma Theory: Contemporary Literary and Cultural Criticism. Taylor & Francis Group, 2013.

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Book chapters on the topic "Literary trauma theory"

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Balaev, Michelle. "Literary Trauma Theory Reconsidered." In Contemporary Approaches in Literary Trauma Theory, 1–14. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137365941_1.

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Balaev, Michelle. "Trauma Studies." In A Companion to Literary Theory, 360–71. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118958933.ch29.

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Martin, Mathew R. "Psychoanalysis and Trauma Theory 1." In Psychoanalysis and Literary Theory, 209–22. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003219347-11.

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van der Wiel, Reina C. "Symbolization, Thinking and Working-Through: British Object Relations Theory." In Literary Aesthetics of Trauma, 48–69. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137311016_3.

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Visser, Irene. "Trauma and Power in Postcolonial Literary Studies." In Contemporary Approaches in Literary Trauma Theory, 106–29. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137365941_5.

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Stampfl, Barry. "Parsing the Unspeakable in the Context of Trauma." In Contemporary Approaches in Literary Trauma Theory, 15–41. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137365941_2.

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Rapaport, Herman. "Secondary Thinking and Trauma: Dostoevsky’s Notes from Underground." In Contemporary Approaches in Literary Trauma Theory, 42–69. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137365941_3.

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Forter, Greg. "Colonial Trauma, Utopian Carnality, Modernist Form: Toni Morrison’s Beloved and Arundhati Roy’s The God of Small Things." In Contemporary Approaches in Literary Trauma Theory, 70–105. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137365941_4.

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Vickroy, Laurie. "Voices of Survivors in Contemporary Fiction." In Contemporary Approaches in Literary Trauma Theory, 130–51. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137365941_6.

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Arthur, Paul. "Memory and Commemoration in the Digital Present." In Contemporary Approaches in Literary Trauma Theory, 152–75. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137365941_7.

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Conference papers on the topic "Literary trauma theory"

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Novinc, Vlasta. "he Experience of Writing about War – the 20th Century and Literary Trauma Theory." In Književno-znanstveni kolokviji Iskustvo pisanja i čitanja o ratu – u vremenu poslije ; (2019 ; Vukovar)Znanstveno-stručni kolokvij Vukovarski pojmovnik: Brane Crlenjak (1930.-2014.) – povodom devedesete godišnjice rođenja ; (2020 ; Vukovar). Hrvatska akademija znanosti i umjetnosti, 2023. http://dx.doi.org/10.21857/yrvgqtwxg9.

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Li, Jia, Esther Geva, Catherine Snow, and Andrew Biemiller. "Critical pedagogical transition in instructional content development: A vocabulary intervention using social media for Indigenous youth." In XXnd International CALL Research Conference, 141–48. Castledown Publishers, 2024. http://dx.doi.org/10.29140/9780648184485-22.

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Indigenous students speak diverse languages, and many of them are English language learners (ELLs). Research has consistently shown that it takes at least 5–7 years for ELLs to catch up with their English-speaking peers in academic language skills. Inequitable access to learning resources, along with diverse political, socioeconomic, and historical issues, have led to Indigenous students’ persistent academic underachievement, in particular for Indigenous youth in high school, where considerably increased academic language demands in content areas place them at high risk of academic failure and lead to extremely high dropout rates. Technology may enable us to bypass costly infrastructure requirements to develop innovative language interventions, given Indigenous students’ increasing interest in digital technology use. Considering culturally responsive pedagogy, our project aims to develop a content-based literacy intervention using social media for Grade 9–10 Indigenous students. This includes 30 curriculum units we developed integrating the Indigenous tradition of oral storytelling as a springboard to engage students and support their learning of academic vocabulary. These units based on First Nations youth’s stories are aligned with Ontario curriculum in subject content areas. This paper focuses on content development of our instructional design, where we honor “Indigenous ways of knowing.” With a transformative approach to teaching and learning, the project designed to support Indigenous youth’s academic language development aims to go beyond academic success. The school has been proven to be a significant protective measure against adverse factors that lead to the high suicide rate among Indigenous youth. This intervention project capitalizes on technology to promote literacy engagement and overcome the impact of low socioeconomic status and the intergenerational effects of historical trauma that have negatively affected the well-being and academic progress of many Indigenous youth.
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