Relevant bibliographies by topics / Literati painting

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Literati painting'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Literati painting"

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Song, Hyosup. "Three Korean literati paintings of an orchid in the deconstructive process." Semiotica 2016, no. 208 (2016): 223–36. http://dx.doi.org/10.1515/sem-2015-0116.

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AbstractLiterati paintings were drawn by Korean Confucian scholars from the end of the Koryeo period to the end of the Joseon period. As painting these works was considered a method for a scholar’s self-cultivation, literati paintings express plenty of in-depth metaphysical points of significance. Meanwhile, these paintings revealed changes that correspond with changes in cultural circumstances. The present study considers such transformation as a deconstructive process. This research analyzes three Korean orchid paintings to address the following three questions: (1) How are the literati’s th
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Wei, Hua. "Aesthetic Consciousness of Literati Painting and its Application in Urban Planning." Open House International 44, no. 3 (2019): 92–95. http://dx.doi.org/10.1108/ohi-03-2019-b0024.

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In order to find a way to combine traditional culture with modern living needs, taking “Chinese painting” as the breakthrough point, through the study of the development process and artistic characteristics of Chinese painting, four aspects of classical philosophy, natural landscape image, brush and ink composition artistic conception, and abstract aesthetic conception contained in Chinese painting are summed up. The results of the study provide enlightenment for contemporary residential landscape design, and summarize the methods of creating Chinese paintings in residential landscape design.
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Chiu, Ling-Ting. "A New Page of Literati Painting from Singapore and Malaysia: A Study of Chen Wen Hsi and Chung Chen Sun." Translocal Chinese: East Asian Perspectives 15, no. 1 (2021): 93–130. http://dx.doi.org/10.1163/24522015-15010006.

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Abstract In the early twentieth century, Chinese literati painting was embroiled in arguments on the relationship between ancient and modern or east and west. Therefore, the artistic practices of Wu Changshuo, Chen Shizeng, Qi Baishi, Xu Beihong and so on, were in response to this development. However, with the occurrence of World War ii and changes in the post-war situation, literati painting underwent further, new changes in different regions. This article intends to discuss the overseas Chinese painters Chen Wen Hsi and Chung Chen Sun as examples in exploring the new development of literati
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이나나. "A Review of Yeongnam Literati Painting - Focused on the formation and aesthetic characteristics of Gimhae literati painting -." 한국학논집 ll, no. 65 (2016): 325–70. http://dx.doi.org/10.18399/actako.2016..65.009.

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Jiang, Hong. "Poetry and Painting in Chinese Literati Culture." International Journal of the Arts in Society: Annual Review 4, no. 4 (2009): 1–12. http://dx.doi.org/10.18848/1833-1866/cgp/v04i04/35687.

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Kijoo Kim. "Ideal of Literati Painting in Northern Sung." Misulsahakbo(Reviews on the Art History) ll, no. 29 (2007): 195–226. http://dx.doi.org/10.15819/rah.2007..29.195.

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Duan, Lian. "Semiosphere and Solitary World." Chinese Semiotic Studies 14, no. 4 (2018): 455–79. http://dx.doi.org/10.1515/css-2018-0026.

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Abstract Literati landscape painting was the mainstream of Chinese art in the Yuan dynasty; its keynote is the idea of yi, literally, escaping for freedom, which is represented by the notion of reclusiveness at the conceptual level and the notion of spontaneity at the formal level. Based on an analytical interpretation of the development of Yuan literati landscape painting at the two levels, this essay intends to make a point that, under the Mongol rule, reclusiveness and spontaneity became the artistic pursuit of Chinese artists in the period from late 13th to late 14th century. Employing Yur
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Hillier, Jean, and Kang Cao. "Deleuzian Dragons: Thinking Chinese Strategic Spatial Planning with Gilles Deleuze." Deleuze Studies 7, no. 3 (2013): 390–405. http://dx.doi.org/10.3366/dls.2013.0119.

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As symbols of adaptability and transformation, together with qualities of vigilance and intelligence, we argue the relevance of dragons for spatial planning in China. We develop a metaphorical concept – the green dragon – for grasping the condition of contemporary Chinese societies and for facilitating the development of theories and practices of spatial planning which are able to face the challenges of rapid change. We ask Chinese scholars and spatial planners to liberate Deleuzian potential for strategic spatial planning in a ‘becoming-between, coming-together’ of concepts which can effectiv
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Takeuchi, Melinda. "“True” Views: Taiga's Shinkeizu and the Evolution of Literati Painting Theory in Japan." Journal of Asian Studies 48, no. 1 (1989): 3–26. http://dx.doi.org/10.2307/2057661.

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Few cultures had as rich a vocabulary for pictures of specific places as did eighteenth-century Japan. Why then did yet another word, shinkeizu (literally “true-view pictures”), come into being in the late eighteenth century? The answer is that none of the existing terms satisfactorily articulated the ideological essence of a new kind of painting advocated by a group of artists who sought to incorporate into their work styles and concepts associated with the art of the Chinese literatus. These Japanese masters came to constitute a school known as Nanga (the Japanese interpretation of the Chine
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박윤희. "The Knowledge and Practice o Ikeno Taiga on Literati Painting." KOREAN JOURNAL OF ART HISTORY 255, no. 255 (2007): 134–49. http://dx.doi.org/10.31065/ahak.255.255.200709.006.

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Dissertations / Theses on the topic "Literati painting"

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Ye, Guo Shin. "Appropriation and hybridity of Taiwanese literati painting and American abstract expressionism (1949-2007)." Thesis, London Metropolitan University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.536723.

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For centuries, traditional Literati painting has been unchallenged and has not undergone any real or radical change. The Taiwanese Modem Ink-wash Painting that emerged in the 1950s is an extension of this painterly tradition. This new visual form of modern Ink-wash painting that I am presenting, is a hybrid, combining both Chinese Ink-wash painting and American Abstract Expressionism, and represents a different and I hope more progressive artistic style in comparison to the restricted conventions of Literati painting. My thesis seeks to evaluate the mutual appropriation of the stylistic and id
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Yao, Ning [Verfasser], and Lothar [Akademischer Betreuer] Ledderose. "Commemorating the Deceased: Chinese Literati Memorial Painting - A Case Study of Wu Li's "Remembering the Past at Xingfu Chapel" (1672) / Ning Yao. Betreuer: Lothar Ledderose." Heidelberg : Universitätsbibliothek Heidelberg, 2013. http://d-nb.info/1061055043/34.

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Yao, Ning Verfasser], and Lothar [Akademischer Betreuer] [Ledderose. "Commemorating the Deceased: Chinese Literati Memorial Painting - A Case Study of Wu Li's "Remembering the Past at Xingfu Chapel" (1672) / Ning Yao. Betreuer: Lothar Ledderose." Heidelberg : Universitätsbibliothek Heidelberg, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:16-heidok-156375.

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Zhu, Sicong. "Poetic feeling in a thatched pavilion attributed to the Chinese Yuan artist Wu Zhen." Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/4983.

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In this thesis, I explored the visual and textual connotations of the handscroll painting Poetic Feeling in a Thatched Pavilion attributed to the Chinese Yuan dynasty artist Wu Zhen, and discussed this piece of work in terms of its relation to the long history of Chinese literati painting.
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Li, Zoe Pei-Yu. "Consoling frustrated scholars: a copy of a parting gift by Wen Zhengming." Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/246.

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Farewell in the Garden is a Qing dynasty (1644-1911) copy of a parting gift painted by Wen Zhengming (1470-1559) for his student Wang Chong (1494-1533) to mark the occasion of Wang Chong’s visit before he left to write the civil service examination. In addition to this painting, three other versions bearing similar poetic inscriptions exist. These four paintings present an intriguing riddle and oppourtunity to consider copies as works worthy of scholarly attention. The compelling scene of farewell between teacher and student who both failed the examinations numerous times resonated with audie
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Allen, David Harold. "As well as painting : teaching for visual literacy in English secondary schools." Thesis, University of Southampton, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.295048.

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Keck, Michaela. "Walking in the wilderness the peripatetic tradition in nineteenth century American literature and painting." Heidelberg Winter, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2811163&prov=M&dok_var=1&dok_ext=htm.

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Konoshima, Nanako. "Dickens and the Visual Arts: Literary Imagination and Painted Image." 京都大学 (Kyoto University), 2014. http://hdl.handle.net/2433/189331.

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Pitre, Nicholas. "Angle incarné /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1990. http://theses.uqac.ca.

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Mémoire (M.A.)--Université du Québec à Chicoutimi, 1990.<br>Programme de la maîtrise en arts plastiques extentionné de l'UQAM à l'UQAC. CaQCU Document électronique également accessible en format PDF. CaQCU
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Tremblay, Gisèle. "Liens de mémoire : (démarche de création en situation de paradoxe entre la mémoire et l'oubli) /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1993. http://theses.uqac.ca.

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Mémoire (M.A.)-- Université du Québec à Chicoutimi, 1993.<br>Ce travail de recherche a été réalisé à l'Université du Québec à Chicoutimi dans le cadre du programme de la maîtrise en arts plastiques extensionné de l'UQAM à l'UQAC. CaQCU Document électronique également accessible en format PDF. CaQCU
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Books on the topic "Literati painting"

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Huang, Boyle. Chinese art: The pastime of literati. Vantage Press, 1991.

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Sturman, Peter Charles. Mi Youren and the inherited literati tradition: Dimensions of ink-play. University Microfilms International, 1989.

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Nan hua shi liu guan: Sixteen views on Chinese literati paintings. Beijing da xue chu ban she, 2013.

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Art, Birmingham Museum of, ed. Deities, emperors, ladies, and literati: Figure painting of the Ming and Qing dynasties. Birmingham Museum of Art, 1987.

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undifferentiated, Paul Berry. Literati modern, bunjinga from late Edo to twentieth-century Japan: The Terry Welch collection at the Honolulu Academy of Arts. Honolulu Academy of Arts, 2008.

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Berry, Paul. Literati modern, bunjinga from late Edo to twentieth-century Japan: The Terry Welch collection at the Honolulu Academy of Arts. Honolulu Academy of Arts, 2008.

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1713-1791, Kang Se-hwang, and Kungnip Chungang Pangmulgwan (Korea), eds. P'yoam Kang Se-hwang: Sidae rŭl apsŏ kan yesul hon = A painter's life : Kang Sehwang and literati culture in the 18th century. Kungnip Chungang Pangmulgwan, 2013.

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Wŏlchŏn Chang U-sŏng sisŏhwa yŏn'gu: A study on Chang Woo-soung, the Korean literati painter : his poetry, calligraphy, and painting. Yŏrhwadang, 2012.

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Center, Hong Kong Cultural. Shui yue feng liu: Jin dai Zhongguo shui mo hua zhan : Xianggang wen hua zhong xin, 1990 nian 11 yue nian ri zhi nian er ri = In the literati tradition : exhibition of 19th and 20th century Chinese paintings : Hong Kong Cultural Center, November 20-22, 1990. Lian zhai gu wan hao, 1990.

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Heck, Michèle-Caroline. LexArt Words for Painting : (France, Germany, England, The Netherlands, 1600-1750). Presses Universitaires de la Méditerranée - PULM, 2018.

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Book chapters on the topic "Literati painting"

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Heng, Jiuan. "Ritual and the Body in Literati Painting." In Life the Play of Life on the Stage of the World in Fine Arts, Stage-Play, and Literature. Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-010-0826-6_22.

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Silbergeld, Jerome. "On the Origins of Literati Painting in the Song Dynasty." In A Companion to Chinese Art. John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118885215.ch23.

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Zhang, Zi-han. "Study on the modern dilemma of the Chinese traditional literati painting." In Green Building, Environment, Energy and Civil Engineering. CRC Press, 2016. http://dx.doi.org/10.1201/9781315375106-27.

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Correoso-Rodenas, José Manuel. "The (Literary) Caricatures of Flannery O’Connor’s Short Fiction 1." In Painting Words. Routledge, 2020. http://dx.doi.org/10.4324/9780429242601-11.

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Taylor, Denny. "Reflection 4. Writing pictures, painting stories with Roz Ivanič." In Studies in Written Language and Literacy. John Benjamins Publishing Company, 2009. http://dx.doi.org/10.1075/swll.12.15tay.

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Vives, Anna. "Astronomy in Planells’ Paintings, Drawings, and Literary Texts." In Àngel Planells’ Art and the Surrealist Canon. Routledge, 2019. http://dx.doi.org/10.4324/9780429439605-6.

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Berensmeyer, Ingo. "Dryden, John: To the Pious Memory of the Accomplisht Young Lady Mrs Anne Killigrew, Excellent in the two Sister-Arts of Poësie, and Painting." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8413-1.

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"Literati Painting: Reflections Across Discontinuities." In A New Thoughtfulness in Contemporary China. transcript-Verlag, 2011. http://dx.doi.org/10.14361/transcript.9783839416655.59.

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"Itinerant Literati Painter, 1850–1866." In Painting Nature for the Nation. BRILL, 2013. http://dx.doi.org/10.1163/9789004249417_003.

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"Literati Culture in Edo/Tokyo, 1866–1888." In Painting Nature for the Nation. BRILL, 2013. http://dx.doi.org/10.1163/9789004249417_004.

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Conference papers on the topic "Literati painting"

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Li, Wenxiu. "Chinese Literati Painting." In International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-14). Atlantis Press, 2014. http://dx.doi.org/10.2991/icelaic-14.2014.136.

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Xu, Ying. "The Aesthetization of Moral Education in Traditional "Literati Painting"." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.17.

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Hou, Bojun. "Thinking of Traditional Literati Painting and Its Contemporary Development." In Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.42.

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"The Application of Chinese Traditional Literati Painting in Animation Design." In 2018 International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icallh.2018.26.

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Wang, Xiaosha. "Discussion on the Quiet Beauty of Ancient Literati Landscape Painting." In 4th International Symposium on Social Science (ISSS 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/isss-18.2018.45.

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Leng, Ping. "The inspiration of Chinese literati painting art to modern graphic designs." In 2016 International Conference on Humanity, Education and Social Science. Atlantis Press, 2016. http://dx.doi.org/10.2991/ichess-16.2016.30.

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Ye, Zhenyan. "Study on the Application of Ming and Qing Dynasties Literati Painting on Interior Design." In 6th International Conference on Social Science, Education and Humanities Research (SSEHR 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/ssehr-17.2018.69.

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Lu, Zhang. "THE INTERTEXTUALITY OF RUSSIAN LITERATURE AND RUSSIAN PAINTING IN THE 19TH CENTURY." In INNOVATIONS IN THE SOCIOCULTURAL SPACE. Amur State University, 2020. http://dx.doi.org/10.22250/iss.2020.21.

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The background color of Russian literature and Russian painting art in the 19th century is gloomy and heavy, and there exists text intertextuality between them, which is different from single text and single painting. Literary words and painting invisible words quote, permeate, insinuate and rewrite each other. Literature is the writing of painting, and painting is the color of literature. The main line of literature development and the main line of painting development seem to be twisted together like a rope, presenting spiral development, closely linked, complementary and inseparable.The sam
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Demidova, Y. V. "NOTHING EXTRA: PAINTING BY JOSE ESTEBAN BASSO AS A FORM OF VISUAL COMMUNICATION." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-136.

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Jiang, Lan. "Introspecting to the Modernity of Zen and the Characters of Literati Paintings in Yuan Dynasty." In Proceedings of the 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/iccese-19.2019.14.

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