Relevant bibliographies by topics / Literatura boliviana

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Literatura boliviana'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Literatura boliviana"

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González Almada, Magdalena. "Tradición literaria y tratamiento del espacio en la narrativa boliviana contemporánea. Una lectura a partir de Lluvia de piedra de Rodrigo Urquiola Flores." Zama 12, no. 12 (November 30, 2020): 123–34. http://dx.doi.org/10.34096/zama.a12.n12.9620.

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El presente artículo se propone como un análisis de Lluvia de piedra (2011), novela del autor boliviano Rodrigo Urquiola Flores (1986) en la cual aparece como espacio privilegiado la ciudad de La Paz en tensión con Antofagasta. El análisis se realiza a partir de dos vectores: en primer lugar, la relación que este texto sostiene con la tradición literaria boliviana y, en segundo lugar, la relevancia que el tratamiento del espacio asume en el mismo. La revisión de la tradición literaria boliviana permite observar en qué medida la narrativa de Urquiola Flores se tensiona con ella, las recurrencias a las cuales apela y la actualización de los imaginarios sociales que atraviesan la literatura boliviana. En este mismo sentido, se examina la impronta del espacio como una noción que se presenta productiva al momento de analizar la narrativa boliviana contemporánea de tema paceño. Asimismo, este análisis permite revisar el concepto de nación a partir de la configuración que del espacio realiza Urquiola en su novela. Este trabajo apela a marcos teóricos vinculados con la noción de territorio (Calomarde, Ighina) y a trabajos de la crítica centrados en el análisis de la tradición literaria boliviana (Antezana, Wiethüchter, González Almada).
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Torres, Alexander. "Continuidad y líneas de fuga en la literatura boliviana contemporánea." Visitas al Patio, no. 12 (January 1, 2018): 281–86. http://dx.doi.org/10.32997/2027-0585-vol.0-num.12-2018-2099.

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González Almada, Magdalena. (2017). Relaciones de poder, imaginarios sociales y prácticas identitarias en la narrativa boliviana contemporánea 2000-2010. Córdoba: Universidad Nacional de Córdoba.260 págs.Dada la reciente difusión a nivel internacional de la escritura literaria boliviana, esta publicación de la doctora en letras argentina, Magdalena González Almada, es oportuna y necesaria tanto para entender el panorama en que se encuentra inserta actualmente la literatura boliviana como herramienta teórica que puede facilitar una mayor divulgación de un campo literario que cada vez más se está perfilando más allá de sus fronteras nacionales.
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Torres, Alexander. "Continuidad y líneas de fuga en la literatura boliviana contemporánea." Visitas al Patio, no. 12 (January 1, 2018): 281–86. http://dx.doi.org/10.32997/2027-0585-vol.0-num.12/2018/353.

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González Almada, Magdalena. (2017). Relaciones de poder, imaginarios sociales y prácticas identitarias en la narrativa boliviana contemporánea 2000-2010. Córdoba: Universidad Nacional de Córdoba.260 págs. Dada la reciente difusión a nivel internacional de la escritura literaria boliviana, esta publicación de la doctora en letras argentina, Magdalena González Almada, es oportuna y necesaria tanto para entender el panorama en que se encuentra inserta actualmente la literatura boliviana como herramienta teórica que puede facilitar una mayor divulgación de un campo literario que cada vez más se está perfilando más allá de sus fronteras nacionales.
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Santos, Susana. "La mejor mujer de la colonia: imágenes femeninas de la Villa Imperial de Potosí." América sin nombre, no. 15 (December 15, 2010): 137. http://dx.doi.org/10.14198/amesn2010.15.14.

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Bartolomé Arzanz y Vela, autor de Historia de la Villa Imperial de Potosí, iniciada en 1736 y escrita durante treinta y cinco años, definió a la rica Villa Imperial como «la mujer» en la «pareja originaria y soberana del mundo»; su hombre es el Cerro Rico. El edificio emblemático de la Villa, la Real Casa de Moneda, adquiere en las páginas de Brocha Gorda (Julio Lucas Jaimes) la caracterización de la casa natal donde la figura central es la madre (la Villa). En la reciente literatura de Argentina, país receptor de migrantes bolivianos, la dama potosina reaparece en las novelas Bolivia Construcciones (2006) y Grandeza Boliviana (2010) de Bruno Morales.
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Lorente Medina, Antonio. "Alcides Arguedas y la literatura nacional boliviana." Epos : Revista de filología, no. 2 (August 29, 1986): 177. http://dx.doi.org/10.5944/epos.2.1986.9452.

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Virguetti Villarroel, Pablo. "Desplazamientos conceptuales en la literatura boliviana actual." América sin nombre, no. 24-1 (December 9, 2019): 73. http://dx.doi.org/10.14198/amesn.2019.24-1.06.

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El estudio de la literatura boliviana durante el siglo XX permite observar que está constantemente vinculada a un intento de definición de lo nacional y lo social. Sin embargo, en el siglo XXI, los autores contemporáneos han intentado alejarse de esta tendencia, demostrando un mayor interés por algunas características que ponen de relieve la experiencia individual angustiada de un mundo percibido como caótico. Así, pueden observarse algunas características comunes entre la comparación de tres autores, Liliana Colanzi, Sebastián Antezana y Rodrigo Hasbún. Estas características son, además de la predominancia de lo individual frente a lo colectivo, la experiencia posmoderna de los personajes, que viven en un mundo globalizado y confuso; y los nuevos lugares de la enunciación que escapan a los topos típicos de la tradición nacional.
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David, Ricardo Santos. "The literature between frontiers: a study for the semiotic perspective of Greimas." Fragmentos de Cultura 27, no. 3 (November 23, 2017): 326. http://dx.doi.org/10.18224/frag.v27i3.5621.

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Starting from the idea that semiotics helps the reader understand the narrative universe. This article intends to make a brief analysis, aiming to conclude the process of valuing creative, thematic and figurative in the construction of literary narratives produced by literati in the border area of a poetic nomenclature of border literature here. Some proposals that integrate literary study that develop in both the Brazilian border, as the Bolivian border. The analysis is based on French semiotics of Algirdas Julien Greimas. They focus, then the works of the Latin American; Brazil-Bolivia border, with a fictional look at the border as an instrument facilitating the understanding of literature and its border meaningful connections. A literatura entre fronteiras: um estudo pela perspectiva semiótica de Greimas Partimos da ideia de que a semiótica greimasiana ajuda o leitor a entender o universo narrativo, neste artigo pretendemos fazer uma breve análise, visando a depreender o processo de valorização criativa, temática e figurativa na construção de narrativas literárias produzidas em zona fronteiriça por literatas de uma poética aqui nomenclaturada de literatura fronteiriça. Integram nesse estudo algumas propostas literárias que se desenvolvem tanto na fronteira brasileira, como na fronteira boliviana. A análise tem como base a semiótica francesa de Algirdas Julien Greimas. Focalizam-se, portanto as obras da fronteira, América Latina; Brasil-Bolívia, com um olhar sobre o ficcional fronteiriço como instrumento facilitador do entendimento desta literatura de fronteira e suas conexões significativas.
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Ortega, José. "Nueva historia de la literatura boliviana. I. Literaturas aborígenes by Adolfo Cáceres Romero." Nuevo Texto Crítico 2, no. 3 (1989): 194–96. http://dx.doi.org/10.1353/ntc.1989.0015.

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Mendes, Vinícius de Souza. "A cidade em festa: fraternidades folclóricas bolivianas em São Paulo." Cadernos PROLAM/USP 20, no. 39 (July 1, 2021): 213–36. http://dx.doi.org/10.11606/issn.1676-6288.prolam.2021.180561.

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O artigo propõe uma virada empírica sobre a presença boliviana em São Paulo, colocando as fraternidades folclóricas, suas danças e personagens, como objeto de pesquisa. Assim, pode-se avançar em relação às investigações que já apontaram a migração boliviana em torno da lógica do trabalho, como o “dispositivo oficina de costura” e o agenciamento de trabalhadores informais na Bolívia. Para atingir este objetivo, o artigo conceitua as fraternidades a partir da descrição dos contextos que elas protagonizam, assim como das relações que são promovidas entre os bolivianos, deles com a cidade e com a própria memória do país que eles deixaram. Assim, é possível encontrar e almejar outras potencialidades de compreensão do fenômeno para além das perspectivas já consagradas na literatura. Em segundo lugar, o artigo demonstra que as fraternidades engendram uma outra territorialidade boliviana em São Paulo – marcada pelo movimento constante de pessoas, mas também de objetos, imagens e capital sobre o mapa da cidade. Utilizando “métodos móveis” de análise, foi possível seguir as fraternidades ao longo de um ano em seus “ciclos de festas”. Ao estar em movimento com elas, descobriu-se toda uma circulação urbana - cujas lógicas vão além das delimitadas pela demanda por trabalho – que se realiza dançando.
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Bosshard, Marco Thomas. "Warisata en el arte, la literatura y la política boliviana. Observaciones acerca del impacto de la Escuela-Ayllu en la producción artística boliviana y la nueva legislación educativa del gobierno de Evo Morales." Bolivian Studies Journal/Revista de Estudios Bolivianos 15 (January 15, 2011): 64–90. http://dx.doi.org/10.5195/bsj.2010.12.

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This paper applies literary criticism to a cultural phenomenon of the 1930s and re-projects such criticism to the extra-literary present in order to provide alternative routes for the understanding of a possible “nuova Bolivian culture.” Against the sociological, historical, ethnological, and/or pedagogical analysis that until now have framed the study of Warisata’s Escuela- Ayllu, this work is, first of all, an invitation to discuss Bolivian politics from the specific angle of a discipline different from that of the social sciences. This is nothing more than a first outline of possible discursive bonds between some artistic works of Warisata and Evo Morales’ education reform program. Este trabajo aplica las pautas metodológicas de la crítica literaria a un fenómeno cultural de los años 1930 y las re-proyecta al presente extraliterario con el propósito de abrir una vía alternativa para el entendimiento de las bases de una posible “nuova cultura” boliviana. Frente a los análisis sociológicos, históricos, etnológicos, pedagógicos, etc., que hasta ahora se han hecho sobre la Escuela-Ayllu de Warisata, este trabajo es ante todo una invitación a discutir la política boliviana desde el ángulo específico de una disciplina distinta a las ciencias sociales. El texto presente no es más que un primer esbozo de los posibles vínculos discursivos entre algunas obras artísticas de Warisata y el proyecto educativo-estatal de Evo Morales.
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Dissertations / Theses on the topic "Literatura boliviana"

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Maldonado, Reny Gomes. "El mito, el paisaje y el hombre en la literatura ando-boliviana." Universidade Federal do Rio Grande do Norte, 2010. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16182.

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Made available in DSpace on 2014-12-17T15:06:49Z (GMT). No. of bitstreams: 1 RenyGM_DISSERT.PDF: 1550111 bytes, checksum: b510b9a32ff5d6d1acc62c4fdac5b83d (MD5) Previous issue date: 2010-07-05
This research was based on a study regarding the myth, the landscape and then man in Bolivian literature, a country whose cultural tradition transcends myth and reality, with an exotic nature, inherited from extraordinary people from a remote time, with archeological remains that show its glory, making it particular among other Latin American literatures. To contextualize the literary study of this nation, rich in fantasy literature, understanding its traits in the current literature, we have sought to rescue the history of its first inhabitants, the Kollas, and the cultural reference they inherited and reviewed in the acculturation process between indigenous and Spanish people. This study is based on the contributions of Latin American theorists, such as Antonio Conejo Polar, Nestor Canclini, the Cuban ethnologist Fernando Ortiz, and especially the concept of transculturation of the Uruguayan critic ?ngel Rama. Thus, we have tried to rescue a study about the Andean past, approaching the fundamentals of mythic component in literature, addressing landscape and nature as the ones that illustrate, characterize and give life to the mythical characters and social problems of the Andean man
La presente investigaci?n parte de un estudio con respecto al mito, el paisaje y el hombre en la literatura boliviana, un pa?s cuya tradici?n cultural transciende entre lo m?tico y la realidad, con una naturaleza ex?tica, heredera de personajes extraordinarios de un tiempo remoto, con vestigios arqueol?gicos que nos muestran su esplendor, haci?ndola particular entre otras literaturas de hispanoam?rica. Para contextualizar el estudio de la literatura de esta naci?n, rica en literatura fant?stica, comprendiendo sus rasgos en la literatura actual, se ha buscado rescatar en la historia de sus primeros habitantes, los kollas, la referencia cultural que ellos heredaron y repasaron, en el proceso de aculturaci?n entre ind?genas y espa?oles. Se fundamenta el presente estudio en las contribuciones de los te?ricos de latinoam?rica Antonio Cornejo Polar, Nestor Canclini y el etn?logo cubano Fernando Ortiz, sobre todo por el concepto de la transculturaci?n con el cr?tico uruguayo ?ngel Rama. As?, se ha intentado rescatar un estudio sobre el pasado andino, abordando los fundamentos del componente m?tico en la literatura, abordando el paisaje y la naturaleza como los que ilustran, caracterizan y dan vida a los personajes m?ticos y a la problem?tica social del hombre andino
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Prain, Brice Michelle. "El diario de Bertram Brice: Estudio del diario de viaje de un inglés en la amazonía boliviana." Tesis, Universidad de Chile, 2006. http://www.repositorio.uchile.cl/handle/2250/108930.

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Este estudio se centra en el diario de viaje de Bertram Brice, un inmigrante de origen británico radicado en Valparaíso a fines del siglo XIX. El relato da cuenta, de manera testimonial, de su viaje a la región amazónica de Bolivia en 1909 en busca de su hermano desaparecido, Ernest Brice, quien opta por dejar el comercio y la “civilización” del hombre blanco para vivir como ermitaño entre los indígenas “primitivos”. La primera parte de la tesis corresponde a un estudio teórico sobre los géneros referenciales que persigue determinar qué tipo de diario es el de Bertram Brice. La segunda, se refiere al contexto socio-histórico de la producción del diario en cuestión, abordando los relatos de otros viajeros que exploraron la región del río Beni en la misma época, a la búsqueda del mítico Gran Paitití o Dorado, al tema de la fiebre del caucho y al choque del mundo moderno e industrializado con la vida premoderna de los habitantes de la selva. Por último, se propone una interpretación desde la literatura comparada de las figuras de Bertram Brice y de Ernest Brice, sujeto de la enunciación y sujeto del enunciado, acercando al primero al arquetipo del héroe y al motivo del viaje al averno y, al segundo, al arquetipo del loco.
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Monasterios, P. Elizabeth. "Poesía boliviana contemporánea : hacia la comprensión del imaginario poético en la obra de Blanca Wiethuchter." Thesis, University of Ottawa (Canada), 1987. http://hdl.handle.net/10393/5259.

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Mattos, Vazualdo Diego M. "Hacia una nación urgente: descolonización en Bolivia en la era neoliberal." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1253499432.

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Quilis, Antonio. "Notas gramaticales sobre la lengua española de Bolivia." Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/100534.

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Echenique, Maria Elva. "Si nos permiten hablar : narrados Bolivianas del siglo XX /." view abstract or download file of text, 2002. http://wwwlib.umi.com/cr/uoregon/fullcit?p3061941.

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Díaz, Romero Paz María Vania. "La Revolución de 1952 en la Novela Boliviana Escrita por Mujeres." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20719.

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DISSERTATION ABSTRACT María Vania V. Díaz Romero Paz Title: La Revolución de 1952 en la Novela Boliviana Contemporánea Escrita por Mujeres This dissertation studies the different discourses of nation that underlie contemporary novels written by women authors in Bolivia during the period between 1977 and 2007. My primary corpus is comprised of three novels: Gaby Vallejo’s Hijo de opa (1977), Giancarla Zabalaga’s La Flor de "La Candelaria" (1990) and Verónica Ormachea’s Los ingenuos (2007). These novels allude to the Revolution of 1952 at its different stages, either explicitly or implicitly. Written during different time periods, these novels are a product of their respective historical periods and therefore reveal diverse ways of reading the nationalist discourse and the revolution. My objective is to analyze and discuss the concept of nation and how this concept varies among the different novels by focusing on the Revolution of 1952. The Revolution of 1952 is one of the most important moments in the history of Bolivia, when the conditions for socio-political change converge in order to make possible an “imagined community,” of proposing and implementing a nation-building project based on state capitalism. The mestizo is called upon to serve as a vanguard of this revolution. These novels explore how social, economic, and cultural contradictions make the construction of the nation difficult, and transmit a critique of this process of nation-building, and its nationalist discourse. The main purpose of my dissertation is to examine the recurrence of retellings of the revolution from a feminine perspective in which the domestic space is privileged and the house and family work as a metaphor of the country. The three novels I analyze prioritize female protagonists and the female perspective, embracing a feminist critique of the traditionally patriarchal representation of the revolution. Each of them makes the presence of women visible, prioritizes domestic space as a place of enunciation of national imaginaries and portrays the home as a metaphor for the nation. These authors develop their own political agenda in order to become effective political actors, challenge the patriarchal order and claim their space and their right to participate in nation building. This dissertation is written in Spanish.
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Calvo, Pérez Julio. "Lengua aimara y evaluación de préstamos en el español de Bolivia." Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/102451.

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Albó, Xavier. "Flexibilidad para la normalización en lenguas originarias." Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/101923.

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Salinas, Zabalaga Jaime Omar. "En busca de lo popular en el proceso de construccion de la nacion." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1468926666.

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Books on the topic "Literatura boliviana"

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Moreno, Gabriel René. Estudios de literatura boliviana. La Paz: Libreria editorial "Juventud,", 1989.

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Cuento y realidad: Literatura boliviana. La Paz, Bolivia: [s.n.], 1986.

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1933-, Ortega José, ed. Diccionario de la literatura boliviana. 3rd ed. Cochabamba, Bolivia: Grupo Editorial Kipus, 2009.

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Romero, Adolfo Cáceres. Nueva historia de la literatura boliviana. La Paz, Bolivia: Editorial Los Amigos del Libro, 1987.

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Arze, José Roberto. Contribución de Cochabamba a la literatura boliviana. La Paz, Bolivia: [s.n.], 2002.

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Gumucio, Mariano Baptista. Los dos Augustos de la literatura boliviana. Cochabamba, Bolivia: Grupo Editorial Kipus, 2008.

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Mariano, Baptista Gumucio, and Baptista Gumucio Mariano, eds. Los dos Augustos de la literatura boliviana. Cochabamba, Bolivia: Grupo Editorial Kipus, 2008.

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Enciclopedia Gesta de autores de la literatura boliviana. 2nd ed. La Paz, Bolivia: Agencia Gesta de Servicio Informativo Cultural, 2005.

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Simposio de Literatura Boliviana (4th 1997 La Paz, Bolivia). Rastros de la crítica literaria boliviana: Memorias del IV Simposio de Literatura Boliviana, Carrera de Literatura, Universidad Mayor de San Andres. Edited by Mariaca Guillermo. La Paz, Bolivia: Empresa Editoria Proins, 1997.

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Simposio de Literatura Boliviana (4th Universidad Mayor de San Andrés). Rastros de la crítica literaria boliviana: Memorias del IV Simposio de Literatura Boliviana, Carrera de Literatura, Universidad Mayor de San Andrés. Edited by Mariaca Guillermo and Universidad Mayor de San Andrés. Carrera de Literatura. [Bolivia: s.n., 1997.

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Book chapters on the topic "Literatura boliviana"

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Richards, Keith. "Internalized Exiles: Three Bolivian Writers." In Comparing Postcolonial Literatures, 134–43. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230599550_11.

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Sanjinés, Javier C. "Decolonizing Aesthetic Representation: The Presence of the European Savage in Bolivian Modernity." In Decolonial Approaches to Latin American Literatures and Cultures, 99–119. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-349-93358-7_6.

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Monasterios, Elizabeth P. "When Nationality Becomes a “Negative Condition” for Politics: Gamaliel Churata’s Contribution to Bolivian Political Theory." In Decolonial Approaches to Latin American Literatures and Cultures, 181–97. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-349-93358-7_10.

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Prada M., Ana Rebeca. "De migración y nomadismo en la literatura boliviana de fin de siglo." In Visiones de fin de siglo, 741–52. Institut français d’études andines, 2001. http://dx.doi.org/10.4000/books.ifea.7322.

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"Warisata en el arte, la literatura y la política boliviana. Observaciones acerca del impacto de la Escuela Ayllu en la producción artística boliviana y la nueva legislación educativa del gobierno de Evo Morales." In Culturas políticas en la región andina, 391–416. Vervuert Verlagsgesellschaft, 2011. http://dx.doi.org/10.31819/9783954871513-019.

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"Literatur." In Beruflich in Bolivien, 153–58. Göttingen: Vandenhoeck & Ruprecht, 2015. http://dx.doi.org/10.13109/9783666491566.153.

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"Literatur." In Korruption, Gewalt und die Welt der Polizisten: Deutschland, Chile, Bolivien und Venezuela im Vergleich, 387–424. Vervuert Verlagsgesellschaft, 2007. http://dx.doi.org/10.31819/9783964565877-007.

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Fisbach, Eric. "La literatura intimista en Bolivia, una historia el siglo XXI." In America: il racconto di un continente | América: el relato de un continente. Venice: Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-319-9/045.

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Since the end of the 20th century, Bolivian literature has started liberating itself from social realism to favour subjectivism and formal experimentation. There is no more denouncing of exploitation, injustice, inequality but an interest in the confusion experienced by individuals in today’s globalised world. One of the most prominent characteristics of this narrative is the change in the perception of space which used to predetermine the plot, the characters’ psychology or the social relationships. Space now becomes the space of the characters’ transformation, changeable spaces which follow individual dramas. First, this essay defines the orientations of this literature of the end of last century, then it analyses the narrative paradigm in the writings published since the 1990s.
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"José Carlos Mariátegui y la literatura de vanguardia." In Las vanguardias literarias en Bolivia, Colombia, Ecuador, Perú, Venezuela, 303–14. Vervuert Verlagsgesellschaft, 2008. http://dx.doi.org/10.31819/9783964560124-012.

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"3. Bolivia en su historia y literatura, 1982 al presente: Democracia y economía en crisis, neoliberalismo y movimientos sociales." In Bolivia en el siglo XXI, 67–92. Vervuert Verlagsgesellschaft, 2017. http://dx.doi.org/10.31819/9783964566584-007.

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Conference papers on the topic "Literatura boliviana"

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Vaughan, Meagan R., Carolyn C. Seepersad, and Richard H. Crawford. "Creation of Empathic Lead Users From Non-Users via Simulated Lead User Experiences." In ASME 2014 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/detc2014-35052.

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Customer Needs Analysis (CNA) is a common method used to help non-user designers to identify latent user needs. However, efforts by engineers in developed countries to conduct CNA with lead users from developing countries is complicated by differences in culture, geographical location, and language among participants. To overcome these issues, we present in this paper an alternative strategy to create Empathic Lead Users (ELU) from non-user product design engineers through the use of simulated lead user experiences. The strategy for creating ELU includes two exercises to build empathic understanding of the needs of lead users. The problem selected for this case study was to improve lower-limb prosthetics for amputees in developing countries. The first exercise was an academic, lecture-style training session — based on videos, photos, and literature — to build understanding of the needs of amputees worldwide and in a particular developing country, Bolivia. The second exercise simulated the experiences of lead users by allowing participants to don, ambulate, and doff a mock-prosthetic limb. Each participant was interviewed before, between, and after the experiences and customer needs were interpreted from their responses. For comparison, lead users in Bolivia and typical users in the United States were similarly interviewed and customer needs interpreted from their responses. The ELU participants were able to identify a majority of the lead user group’s needs and the traditional user group’s needs, 95% and 95% respectively. Further, by completing a CNA with the ELU group, there was a 100% increase in the number of latent needs that could be utilized in future design efforts in this study, relative to the 5 latent needs identified by the lead users themselves. As a result of this study, it appears that customer needs analysis with ELU helps to identify more latent needs, and possibly more avenues for product innovations, than interviewing lead or traditional users alone.
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Reports on the topic "Literatura boliviana"

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Freitas, Carlos Otávio, Mateus C. R. Neves, and Felipe de Figueiredo Silva. Agricultural Production and Access to Energy in Bolivia, Peru, and Colombia. Inter-American Development Bank, August 2021. http://dx.doi.org/10.18235/0003443.

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In this paper, we explore the link between energy and agricultural production in Bolivia, Peru, and Colombia. The economic literature and policy reports, discussed here, indicate that access to energy (electricity) has a positive effect on agricultural production. To test this hypothesis, we look at the agricultural census and national survey to estimate the effect of energy use on the value of production using the Propensity Score Matching (PSM) technique. We found that, in the three countries, access to energy increases the value of agricultural production.
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Herbert, Sian. Covid-19, Conflict, and Governance Evidence Summary No.30. Institute of Development Studies (IDS), February 2021. http://dx.doi.org/10.19088/k4d.2021.028.

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This fortnightly Covid-19 (C19), Conflict, and Governance Evidence Summary aims to signpost the UK Foreign, Commonwealth and Development Office (FCDO) and other UK government departments to the latest evidence and opinions on C19, to inform and support their responses. Based on the feedback given in a recent survey, and analysis by the Xcept project, this summary is now focussing more on C19 policy responses. This summary features resources on: how youth empowerment programmes have reduced violence against girls during C19 (in Bolivia); why we need to embrace incertitude in disease preparedness responses; and how Latin American countries have been addressing widening gender inequality during C19. It also includes papers on other important themes: the role of female leadership during C19; and understanding policy responses in Africa to C19 The summary uses two main sections – (1) literature: – this includes policy papers, academic articles, and long-form articles that go deeper than the typical blog; and (2) blogs & news articles. It is the result of one day of work, and is thus indicative but not comprehensive of all issues or publications.
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