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Academic literature on the topic 'Literatura nazi'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 January 2023

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Journal articles on the topic "Literatura nazi"

Morawiec, Arkadiusz. "„Dezynfekcja”. Literatura polska wobec eksterminacji osób psychicznie chorych." Przestrzenie Teorii, no. 27 (December 15, 2017): 261–96. http://dx.doi.org/10.14746/pt.2017.27.18.

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The article concerns the theme of extermination of the mentally ill and handicapped in Polish literature. It outlines the basic facts regarding this crime perpetrated by the Nazis and indicates how Polish literature reacted to it. There are few works which deal with this crime. Writers (and historians) probably considered the extermination of the mentally ill to be a fact of insignificance compared to other Nazi crimes, or knew little about it. Thus Polish literature treats it incidentally, by entering it in another, more extensive or “more important” issue (the extermination of the Jews, the extermination of the Polish population), or treats it as an occasion to take up “more fundamental” (ideological) problems. The article analyzes famous works, Stanisław Lem’s novel Hospital of the Transfiguration and Andrzej Bursa’s poem The liquidation of the mentally ill in Kobierzyn by the Germans, and less known texts: Piotr Matywiecki’s poem *** [Dragged into the sun….] and Anna Dziewit-Meller’s novel Mount Taygetus.

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Misseri, Lucas Emmanuel. "Utopía, derecho y moral en Mi lucha de K. O. Knausgård." Cuadernos Electrónicos de Filosofía del Derecho, no. 42 (June 15, 2020): 263. http://dx.doi.org/10.7203/cefd.42.16147.

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La novela autobiográfica de Knausgård es un caso paradigmático para el análisis del vínculo entre derecho y literatura, porque permite tener tres perspectivas del mismo: la del Derecho en, de y como literatura. En este artículo se hace hincapié en la primera. La tesis defendida es que la postura de Knausgård, de afirmar el carácter utópico del nazismo, es análoga al debate en torno al derecho nazi. Siendo el aspecto más criticable el relativismo moral que sustenta dicha concepción y que le impide tener una visión más cabal del elemento justificativo de las utopías y del derecho. Palabras clave: Derecho y literatura, Derecho nazi, Utopismo, Relativismo moral.

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Holgado Sáez, Christina. "Los intentos de exterminio nazi de los homosexuales en la literatura = The attempts to exterminate homosexuals from literature by nazis." Estudios Humanísticos. Filología, no. 39 (December 15, 2017): 95. http://dx.doi.org/10.18002/ehf.v0i39.5093.

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<span style="font-size: 10pt; font-family: 'Book Antiqua'; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;">El nacionalsocialismo constituye uno de los períodos más infames de la historia. Esta afirmación se confirma por una gran cantidad de literatura que retrata fielmente las atrocidades cometidas. Uno de los grupos más severamente perseguidos, torturados y abusados sexualmente fue la comunidad homosexual, conocida burlonamente en los círculos del Tercer Reich como "triángulos rosas." Este artículo analiza tres biografías publicadas entre los siglos XIX y XX.<span style="font-size: 10pt; font-family: 'Book Antiqua'; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;"> <span style="font-size: 10pt; font-family: 'Book Antiqua'; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;">National Socialism constitutes one of the most infamous periods in history. This claim is solidly supported by a wealth of literature that faithfully portrays the committed atrocities. One of the most severely prosecuted, tortured and sexually abused groups was the homosexual community, derisively known in the Third Reich circles as "pink triangles." This paper analyzes two biographies of pink triangles that were published between the 19th and 20th centuries.

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Navarro Fuentes, Carlos Alberto. "La literatura entre piras, odios y cenizas. La quema de libros en la Alemania Nacionalsocialista." Sincronía XXVI, no. 82 (2022): 437–55. http://dx.doi.org/10.32870/sincronia.axxvi.n82.20b22.

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El ensayo tiene que objetivo principal repasar algunos de los pasajes más representativos de lo que se conoce como la “Literatura Nacionalsocialista” durante el periodo en el que el Partido Nacionalsocialista Obrero Alemán (NSDAP) ocupó el poder en Alemania (1933-1945), lapso histórico (Zeitgeist) en el que tanto el lenguaje como la literatura se vieron secuestrados por la ideología y la escatología nazis. Para ello, se recurre a los agentes participantes más importantes de dicho período: escritores, intelectuales, académicos, libreros, estudiantes y asociaciones relacionadas con la publicación y divulgación de información, así como el papel que la ideología nazi jugó principalmente en las reiteradas “quemas de libros” que se llevaron a cabo alrededor de todo el territorio alemán, en particular en las universidades y en contra de escritores judíos, aunque también de aquellos que consideraban “degenerados”, como los Románticos, los marxistas o socialistas y los defensores de la República de Weimar y la democracia. Lo anterior, lo llevamos a cabo revisando las principales proclamas, manifiestos y extractos aparecidos en la época en revistas, diarios y periódicos, y considerados para la elaboración de este texto a partir de la revisión de libros y compendios que tuvieron el tino de recuperar los elementos narrativos más representativos del periodo aludido

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Possi, Valeria. "Memorias incómodas: la División Azul en la literatura española contemporánea." Revista de literatura 82, no. 163 (2020): 277. http://dx.doi.org/10.3989/revliteratura.2020.01.012.

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El artículo se centra en un grupo de novelas históricas contemporáneas que relatan las vivencias de unos personajes que durante la Segunda Guerra Mundial se alistaron en la División Azul para luchar contra el comunismo en la Unión Soviética, al lado del ejército de la Alemania nazi. En el texto se indagan las maneras de representar a estos personajes de ideología derechista y falangista en el contexto actual de la recuperación de la memoria histórica acerca de episodios relacionados con la Guerra Civil española y la dictadura franquista. La novelización de los personajes divisionarios en las obras de Almudena Grandes, Juan Manuel de Prada, Pío Moa, Ignacio del Valle y Lorenzo Silva adopta en algunos casos un andamiaje maniqueo, mientras que en otros refleja una postura más crítica y plural, abierta a la reflexión metanarrativa acerca de la escritura de unas memorias conflictivas e incómodas en el presente contexto literario y cultural español.

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Czerska, Tatiana. "Zapomniane, przemilczane, przeoczone. Inne zagłady i ich literackie reprezentacje w ujęciu Arkadiusza Morawca." Narracje o Zagładzie, no. 6 (November 23, 2020): 409–25. http://dx.doi.org/10.31261/noz.2020.06.23.

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The article presents findings contained in the work by Arkadiusz Morawiec entitled Literatura polska wobec ludobójstwa. Rekonesans [Polish literature faced with genocide. Reconnaissance]. The scholar from Łódź calls into question the hitherto established hierarchy of genocides. Extensive comparative research into literary representations of particular wartime massacres is what constitutes the thematic pivot of the said treatise, which joins in the discussion scope outlined by genocide studies. Subsequent chapters of the presented book are devoted to literary reverberations of the Armenian Genocide perpetrated by Turks, the Nazi-Germany extermination of persons with physical and mental retardation as well as Sinti and Roma, the Srebrenica massacres carried out by Serbs. The remaining chapters deal with the Holocaust literature and, according to the author’s intentions, an attempt to enrich the state of research, and sometimes – to amend some of their findings.

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Ibáñez Ibáñez, María de las Nieves. "La literatura enfrentada a la total pérdida de humanidad en episodios del siglo XX." Interpretatio. Revista de Hermenéutica 5, no. 2 (2020): 185–206. http://dx.doi.org/10.19130/iifl.it.2020.5.2.0012.

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The first half of the 20th century has witnessed tragic episodes in Europe where the topic understood as humanity has being closed down. This article addresses the way literature, or the best of it —written by the survivors at the Nazi death camps, French camps, those who, broken and in front of everyone’s eyes, experienced the progress of evil, like Victor Klemperer— in the light of the difficulty to depict the horror and the decline of the human being, takes charge of genres close to the real —the report or the chronicle, the diary, the essay— and it opposes to horror the necessity of stating an unrealistic human experience in order to, ultimately, prevent it from happening again. As examples we can mention: Primo Levy in Auschwitz Trilogy; Max Aub in French Camp; Victor Klemperer in Diaries; Jean Améry in Beyond Guilt and Atonement.

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Silva, Guadalupe. "Bolaño, Borges y la cultura de fin de siglo. Una lectura de La literatura nazi en América y Estrella distante." Anales de Literatura Hispanoamericana 49 (December 18, 2020): 77–88. http://dx.doi.org/10.5209/alhi.73111.

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Este artículo indaga la apropiación literaria de Borges por parte de Roberto Bolaño en dos novelas, La literatura nazi en América y Estrella distante, ambas de 1996. Si bien es conocida la orientación borgeana de estos libros de Bolaño -en especial del primero-, el aporte de este ensayo consiste en contextualizar dicha apropiación en el marco de la cultura de finales del siglo XX, y en explorar un aspecto de la obra de Borges poco atendido por la crítica de Bolaño: su faceta antifascista. A través del análisis comparado de estas novelas con el cuento de Borges “Deustches Requiem” (1946), el artículo se propone iluminar un aspecto relevante del proyecto narrativo de Bolaño.

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Molas, Bàrbara. "«Con suerte, llegará el día de Nietzsche»: las raíces iliberales de la Alt-Right." Revista CIDOB d'Afers Internacionals, no. 132 (December 22, 2022): 73–91. http://dx.doi.org/10.24241/rcai.2022.132.3.73.

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Este artículo se centra en el impacto de pensadores europeos –cuyas ideas influenciaron los movimientos nazi y fascista de entreguerras en el siglo xx– sobre el actual movimiento de extrema derecha digital de la Alt-Right, localizado sobre todo en Estados Unidos. En concreto, explora las ideas sobre gobierno autoritario desarrolladas por intelectuales como Friederich Nietzsche (1844-1900), principalmente, o Julius Evola (1898-1974), y su uso contemporáneo en el discurso empleado por el líder de dicha corriente política iliberal estadounidense, Richard B. Spencer. El objetivo es construir un análisis del pensamiento de la derecha radical transnacional, específicamente del pensamiento autoritario, a través del tiempo y de medios totalmente distintos como pueden ser la literatura versus Internet.

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Ortegón Sepúlveda, Luisa Fernanda. "Conflictos bélicos en la Literatura Infantil y Juvenil: Guerra del Conflicto Armado en Colombia y Segunda Guerra Mundial." Elos: Revista de Literatura Infantil e Xuvenil, no. 7 (January 29, 2020): 5–18. http://dx.doi.org/10.15304/elos.7.4981.

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Cuando Hitler robó el conejo rosa y La luna en los almendros son novelas de la Literatura Infantil y Juvenil con una narrativa histórica. Pese a tener ocurrencia de los hechos en espacios geográficos diametralmente opuestos, tienen varios factores en común, entre ellos tener un contenido de guerra en el que los niños no solo son los protagonistas, sino los ojos a través de los cuales vemos y sentimos la historia. La primera de ellas hace referencia a la época de la Alemania Nazi ubicada entre 1933 y 1935, en que Adolf Hitler era candidato de ascenso al poder, que desencadenaría en unos años después en la Segunda Guerra Mundial, y la segunda obra literaria obedece al conflicto interno armado que ha vivido Colombia por más de 50 años. Ambas obras abarcan la temática del conflicto bélico desde una visión ajena a la adulta. De ese modo el desplazamiento forzado al que se ven obligados los protagonistas de los libros es contado de manera más sencilla pero no menos seria, lo cual sin duda alguna aporta memoria histórica en este sistema literario.

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Dissertations / Theses on the topic "Literatura nazi"

Chacon, Juan Alberto Castro. "A função da produção de Roberto Bolaño na canonização de novos modelos para a narrativa hispano-americana no final do séc. XX." Universidade Federal de Goiás, 2015. http://repositorio.bc.ufg.br/tede/handle/tede/5546.

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Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2016-05-11T15:36:44Z No. of bitstreams: 2 Dissertação - Juan Alberto Castro Chácon - 2015.pdf: 734205 bytes, checksum: a8b2b03bd9cb9040832140e8a25b5473 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-05-11T15:38:19Z (GMT) No. of bitstreams: 2 Dissertação - Juan Alberto Castro Chácon - 2015.pdf: 734205 bytes, checksum: a8b2b03bd9cb9040832140e8a25b5473 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Made available in DSpace on 2016-05-11T15:38:19Z (GMT). No. of bitstreams: 2 Dissertação - Juan Alberto Castro Chácon - 2015.pdf: 734205 bytes, checksum: a8b2b03bd9cb9040832140e8a25b5473 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2015-11-11 El objetivo de esta investigación es el de verificar si hay un momento de inflexión, en el repertorio temático de la Literatura Hispano-americana del siglo XX posterior al fenómeno literario Boom Latinoamericano. Para ello, analizamos el repertorio temático de la obra La literatura nazi en América (1996), del escritor chileno Roberto Bolaño, que, segúnlos críticos como Manzoni (2006) y González (2010), muestra una temática, para la narrativa, renovada, si la comparamos con el repertorio desarrollado en el Boom e incluso, con la produção anterior a este, como Historia universal de la infâmia (1935). Inicialmente, presentamos el repertorio desarrollado por la Literatura Hispanoamericana antes de Roberto Bolaño, ejemplificándolo, principalmente con productos del Boom; trátanse de temáticas reconocidas por su originalidad, según Shaw (1996), Menton (1998) e Burgos (1997). Para comprender esta primeira parte, explicamos conceptos como repertorio (EVEN-ZOHAR, 1999) y campo literario (BOURDIEU, 1997) que aclaran la estructuración de la literatura como un complejo campo de fuerzas. También, dada la discusión suscitada sobre la genericidad de La literatura nazi en América (ibídem), realizamos una breve aclaración sobre los géneros narrativos, desde los análisis de Bahktin (1987), Marcuschi (2008) y Houvenaghel (2009). Además, para entender el espacio y el tiempo de los acontecimientos en la narrativa de Bolaño, discutimos la construcción de la voz y de la visión del narrador (VILLANUEVA, 1988; FRIEDMAN, 2002), así como la forma con estos elementos dialogan, mediante la verosimilitud, con la historia del continente americano del siglo XX. En el segundo capítulo, partimos de los estudios de Manzoni (2006) y Queiroz (2013) que muestran los puntos comunes entre el repertorio de La literatura nazi en América (ibídem) y el de Historia universal de la infamia (1935) de Borges. Visamos, con la comparación entre ambas obras, analisar las críticas de Manzoni (2006), Espinosa (2004) y, sobre todo, González (2010) que apuntan un distanciamiento tanto de la temática de Borges, como la del Boom, en la narrativa de Roberto Bolaño. En el tercer capítulo, tomamos los estudios de Pierre Bourdieu, sobre el concepto de habitus (1997; 2004) para entender como el repertorio de Roberto Bolaño se relaciona a cuestiones socioculturales, en un juego metaficcional que transforma el arte literaria en producto social. Pudimos verificar, con esta investigación, que la temática desarrollada en La literatura nazi en América (ibídem) provoca el distanciamiento de la narrativa sudamericana de fin del siglo XX, de la producción anterior, representada por las obras del Boom y la mencionada obra de Borges. Esta inflexión se da cuando la narrativa de Bolaño reúne los fenómenos sociales del racismo, el clasismo, la violencia y el fracaso, para expresar la naturaleza vil de las relaciones socioculturales, en el campo de poder y en el campo cultural. O objetivo desta pesquisa é verificar se há um momento de inflexão, no repertório temático da literatura hispano-americana do séc. XX, posterior ao fenômeno literário Boom Latino-americano. Para isso, analisamos o repertório temático da obra La literatura nazi en América (1996), do escritor chileno Roberto Bolaño, que, segundo críticos como Manzoni (2006) e González (2010), mostra uma temática, para a narrativa, renovada, se comparada com o repertório desenvolvido no Boom e inclusive, à produção anterior a esse, como Historia universal de la infâmia (1935). Inicialmente, apresentamos o repertório desenvolvido pela literatura hispano-americana antes de Roberto Bolaño, exemplificando-o, principalmente com produtos do Boom; trata-se de temáticas reconhecidas pela sua originalinalidade, segundo Shaw (1996), Menton (1998) e Burgos (1997). Para entender esta primeira parte, explicamos conceitos como repertório (EVEN-ZOHAR, 1999) e campo literário (BOURDIEU, 1997) que esclarecem a estruturação da literatura como um complexo campo de forças. Também, dada a discussão suscitada sobre a genericidade de La literatura nazi en América, fazemos um breve esclarecimento sobre os gêneros narrativos, a partir da análise de Bahktin (1987), Marcuschi (2008) e Houvenaghel (2009). Além disso, para entender o espaço e o tempo dos acontecimentos na narrativa de Bolaño, discutimos a construção da voz e da visão do narrador (VILLANUEVA, 1988; FRIEDMAN, 2002) e a forma como esses elementos dialogam, mediante a verossimilhança, com a história do continente americano do séc. XX. No segundo capítulo, partimos dos estudos de Manzoni (2006) e Queiroz (2013), que mostram os pontos comuns entre o repertório de La literatura nazi en América (ibidem) e o de Historia universal de la infâmia (1935) de Borges. Visamos, com a comparação de ambas as obras, a analisar as críticas de Manzoni (2006), Espinosa (2004) e, sobretudo, González (2010) que apontam para um distanciamento tanto da temática de Borges quanto da do Boom na narrativa de Roberto Bolaño. No terceiro capítulo, tomamos os estudos de Pierre Bourdieu sobre o conceito de habitus (1997; 2004) para entender como o repertório de Roberto Bolaño se relaciona com questões socioculturais, em um jogo metaficcional que transforma a arte literária em produto social. Pudemos verificar, com esta pesquisa, que a temática desenvolvida em La literatura nazi en América provoca o distanciamento da narrativa sul-americana de final do séc. XX da produção anterior, representada pelas obras do Boom e a mencionada obra de Borges. Esta inflexão se dá quando a narrativa de Bolaño reúne os fenômenos sociais do racismo, o classismo, a violência e o fracasso para expor a natureza vil das relações socioculturais no campo do poder e no campo cultural.

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Inksetter, Hamish. "Perceptions of Evil: A Comparison of Moral Perspectives in Nazi Propaganda and Anti-Nazi Literature." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/31917.

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This thesis examines how the concept of evil was understood by opposing German perspectives during the era of National Socialist rule (1933-1945). The rise of Nazism in Germany marked a period of massive political upheaval wherein the National Socialist government encouraged the masses to view the world in terms of a great struggle between forces of good and evil. This was the central theme of their propaganda, which zealously encouraged racialist beliefs in the popular consciousness, and was based on assumptions of German superiority and Jewish evil. Despite Hitler's apparent success in creating an obedient nation, a significant number of Germans opposed his rule, amongst whom a small group of writers expressed their discontent through creative fiction. Through a comparison of the worldviews communicated through political propaganda and anti-Nazi literature, it is revealed that the crux of the divide between their opposing perspectives hinged on the meaning of evil. Since evil is a concept with many meanings, this thesis approaches the subject thematically. The comparison begins by focusing on the perception of evil as an all-corrupting force that had taken hold of Germany, followed by an exploration of how power and brutality were understood, ending with a comparison of views on how the struggle between good and evil took place on both a social and individual level. In addition to demonstrating the subjectivity of moral perspective during a tumultuous period of the recent past, this research reveals how the struggle against Nazism existed as a conflict of ideas. Moreover, the comparison of cultural sources (including Nazi art, visual propaganda, written texts such as Mein Kampf, and anti-Nazi creative fiction) demonstrates the value of art as a tool for conducting historical enquiry. Since the legacy of the Third Reich continues to directly influence modern perceptions of evil, exploring how evil was understood according to contemporary Germans – from both pro and anti-Nazi perspectives – is of particular historical interest.

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Usbeck, Frank. "Representing the Indian, Imagining the Volksgemeinschaft. Indianthusiasm and Nazi Propaganda in German Print Media." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2016. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-197936.

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The German fascination with Native Americans has been a tradition of several centuries, beginning with the first reports about the New World and its peoples. The main features of German Indian imagery have evolved since the early nineteenth century and have evoked the phenomenon of mass euphoria for Indians in the late 1800s, a euphoria which lasted for more than one hundred years. This fascination has been a source of curiosity for both Native peoples and scholars.

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Landry, Olivia Ryan. "The female corpse: sacrificed bodies of Enlightenment tragedy and Nazi cinema." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22047.

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This thesis approaches the topic of feminine representation through comparative readings of two eighteenth-century Enlightenment tragedies, G. E. Lessing's Emilia Galotti (1772) and Charlotte von Stein's Dido (1794), as well as two twentieth-century Nazi films, Leni Riefenstahl's The Blue Light (1932) and Veit Harlan's Jew Süss (1940). In addition to the obvious diachronic dimension of this project, my framework for examination is thematically structured. Drawing on numerous theories and secondary sources, I will investigate these texts under three specific topics – namely, female sexuality, female sacrifice, and finally, the female corpse. All three chronologically represent the junctures of the rhetorical instrumentalization and abuse of the female body in these texts. In light of this, the thesis seeks to thus reveal not only the unexpected diachronic parallels between the texts and therefore between the Enlightenment and the Nazi period, but more importantly, it seeks to reinterrogate hitherto accepted readings of these texts vis-à-vis feminine representation. Ce mémoire aborde le sujet de la représentation de la femme à travers des lectures comparatives de deux tragédies de l'époque de les Lumières, Emilia Galotti (1772) de G. E. Lessing et Dido (1794) de Charlotte von Stein, ainsi que de deux films nazis, La lumière bleue (1932) de Leni Riefenstahl, et Juif Süss (1940) de Veit Harlan. Outre la dimension diachronique évidente de ce projet, ma recherche est organisée par thèmes. En me référant à plusieurs théories et sources secondaires, j'explore ces œuvres en me concentrant sur trois thèmes spécifiques : la sexualité féminine, le sacrifice féminin et finalement le cadavre féminin. Ces trois thèmes illustrent les étapes de l'instrumentalisation et de l'abus rhétoriques du corps féminin dans ces œuvres. Ce mémoire révèle donc ainsi non seulement les parallèles diachroniques imprévues entre les œuvres, et, donc, entre les Lumières et le Nazisme, mais, de façon plus significative, ce mémoire remet en question les interprétations que l'on a faites de ces œuvres quant à la représentation de la femme.

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Usbeck, Frank. "Representing the Indian, Imagining the Volksgemeinschaft. Indianthusiasm and Nazi Propaganda in German Print Media." Institut für Ethnologie der Universität Hamburg, 2013. https://tud.qucosa.de/id/qucosa%3A29261.

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Wendel, Emily E. "„Die Aufarbeitung der Vergangenheit“: The Complications of Vergangenheitsbewältigung in Post-Nazi Germany." Wittenberg University Honors Theses / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1239027168.

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Davis, Caleb Benjamin. ""Man stellt Denkmaler nicht auf den flachen Asphalt" - Nationalism and Narrative in Commemorative "Siegfried" Monuments in Weimar- and Nazi Germany." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1589252035505928.

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Fechner, Matthias. "The literature (novels/plays) of political extremism in Weimar Republic (1918-1933) : a comparative study of 32 Communist, nationalist and Nazi writers." Thesis, University of Sheffield, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286876.

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Rice, Michael Howard. "Nazis and Jews: A Thematic Approach to Three Exile Works by Friedrich Torberg." University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1006886567.

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Pettitt, Joanne. ""What kind of animal is the Nazi beast?" : representations of perpetrators in narratives of the Holocaust." Thesis, University of Kent, 2016. https://kar.kent.ac.uk/54326/.

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This project seeks to explore representations of Holocaust perpetrators in literature. Such texts, often rather controversially, seek to undo the myth of “pure evil” that surrounds the Holocaust and to reconstruct the perpetrator in more “human” terms. Accordingly, significant questions of “how” and “why” are centralised and explored, providing fertile ground for examinations of the intersections between ethics, literature and history, and enabling ongoing discussions about the characteristics and obligations of perpetrator literature as a whole. Of central concern, these humanising discourses place emphasis on the contextual or situational factors that led up to the genocide. Following these issues through to their logical conclusion, this project takes the question of determinism seriously. This is not to suggest that it disavows individual responsibility, merely that it engages fully with the philosophical problems that are invoked through allusions to external influences, especially as they relate to ideas of contingency. A significant consequence of these discussions is the impact that they have on the reader. That is because, since situational aspects are featured so heavily in these narratives, questions are raised about his or her own capacity for wrongdoing. Consequently, the reader is drawn into the narrative as a potential perpetrator. The tensions that this creates constitutes the second major focus of this work. Ultimately, I hope to expose the challenges that face the reader when they encounter perpetrator narratives, and the ways in which these tensions impact upon our understandings of these figures, and of the Holocaust more generally. In order to provide a more comprehensive overview this project makes use of a large number (in excess of sixty) primary sources, examining both fictional and non-fictional accounts. My aim is not to offer close literary analyses of each of the texts under consideration but, rather, to trace paradigms across the full spectrum of perpetrator literature. In this way, I hope to contribute to the growing body of literature that engages with this topic.

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Books on the topic "Literatura nazi"

Bolaño, Roberto. La literatura nazi en América. Editorial Planeta, 1999.

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Bolaño, Roberto. La literatura nazi en América. Editorial Anagrama, 2015.

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Bolaño, Roberto. La literatura nazi en América. Debolsillo, 2017.

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Bolaño, Roberto. La literatura nazi en América. Seix Barral, 2005.

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Bolaño, Roberto. La literatura nazi en América. Seix Barral, 1996.

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Michael, Nicholson. Raoul Wallenberg: El diplomático que salvó a 100,000 judíos del holocausto nazi. Ediciones SM, 1991.

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Bolaño, Roberto. Nazi literature in the Americas. New Directions, 2008.

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Gibson, Atkins Henry. German literature through Nazi eyes. Routledge, 2013.

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1956-, Winner David, ed. Raoul Wallenberg: The Swedish diplomat who saved 100,000 Jews from the Nazi Holocaust before mysteriously disappearing. G. Stevens, 1989.

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Gaca, Maciej. Literatura piktograficzna Naxi (Chiny Południowe) =: Pictographic script literature of the Naxi in Southern China. IIEOS, 1997.

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Book chapters on the topic "Literatura nazi"

Wild, Gerhard. "Boni, Nazi." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2821-1.

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Edelheit, Abraham J., and Hershel Edelheit. "Nazi Germany." In Bibliography on Holocaust Literature: Supplement. Routledge, 2021. http://dx.doi.org/10.4324/9780429033353-4.

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Jahn, Janheinz. "Boni, Nazi: Crépuscule des temps anciens." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2822-1.

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Holm, Kerstin, and Sibille Rigler. "Dovlatov, Sergej: Naši." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_361-1.

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Davison, Carol Margaret. "Afterword: Pathological Projection and the Nazi Nightmare." In Anti-Semitism and British Gothic Literature. Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230006034_7.

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Nogueira, Fátima R. "Parody as Genealogy and Tradition in Nazi Literature in the Americas." In Postmodern Parody in Latin American Literature. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90430-6_6.

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Kinzel, Till. "Edgar Hilsenrath’s Novels: Der Nazi & der Friseur and Berlin… Endstation." In The Palgrave Handbook of Holocaust Literature and Culture. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33428-4_12.

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Nelson, Cary. "The Dark Side of Holocaust Era Poetry: Nazi Poetry Promoting Antisemitism and Genocide." In The Palgrave Handbook of Holocaust Literature and Culture. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33428-4_21.

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Tippner, Anja. "Worlds Apart? Cross-mapping Camp Literature from the Gulag and Nazi Concentration Camps." In Narratives of Annihilation, Confinement, and Survival, edited by Anja Tippner and Anna Artwińska. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110631135-003.

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Westermann, Edward B. "X-Men at Auschwitz? Superheroes, Nazis, and the Holocaust." In The Palgrave Handbook of Holocaust Literature and Culture. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33428-4_32.

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Conference papers on the topic "Literatura nazi"

Cahyani, Narita, Arief Hakim, and Surotun Siqoyah. "Positive Psychology in Novel “Merindu Baginda Nabi“ According to Martin E.P. Seligman Perspective." In Proceedings of the 3rd English Language and Literature International Conference, ELLiC, 27th April 2019, Semarang, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.27-4-2019.2285310.

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Herdawati, Herdawati, and Nurizzati Nurizzati. "Character Education In The Novel Bumi Cinta and Novel Merindu Baginda Nabi by Habiburrahman El Shirazy." In Proceedings of the 2nd International Conference on Language, Literature and Education, ICLLE 2019, 22-23 August, Padang, West Sumatra, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.19-7-2019.2289503.

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Ahmad, Nur, and Moh Muzakka. "Text Writing Motivation of the Story of Nabi Bercukur in Nusantara Text Textological Study of Malay and Javanese Manuscripts." In Proceedings of the First International Conference on Culture, Literature, Language Maintenance and Shift, CL-LAMAS 2019, 13 August 2019, Semarang, Central Java, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.13-8-2019.2290201.

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Kim, Mahn Shik, and Glen E. Johnson. "Mechanics of Roller Chain-Sprocket Contact: A General Modelling Stragegy." In ASME 1992 Design Technical Conferences. American Society of Mechanical Engineers, 1992. http://dx.doi.org/10.1115/detc1992-0088.

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Abstract An extensive analysis of the contact phenomenon occuring between a roller chain and sprocket was given by Binder in 1956. Naji and Marshek complemented Binder’s work by presenting a theoretical and experimental investigation of the contact phenomenon under quasi-static conditions during the early 1980’s. The problem is very complex, and significantly complicated due to the non-trivial geometry of the sprocket tooth, manufacturing tolerances, and changes in clearances between components due to wear. Accordingly, several simplifying assumptions were necessary in the previous investigations. In this paper, a more detailed model of the quasi-static contact phenomenon is developed from first principles. The new model includes the external loading conditions, the curvature difference between the roller and the seating curve, the net error in the chain pitch (defined as the error in the chain pitch minus the error in the sprocket pitch), and Coulomb friction between the tooth and roller, the roller and bushing, and the bushing and pin. No assumption regarding the pressure angle at each contact point is made — rather the pressure angle at each contact point is calculated during the solution. (This is a very significant difference between the present and previous analyses). An efficient strategy for the computation is outlined. In a companion paper (“Mechanics of Roller Chain - Sprocket Contact: Observations About the Contact Phenomenon and Load Distribution” submitted for presentation at this conference), results generated by the new model are presented and discussed. A comparison with experimental data taken from the literature (Naji and Marshek, 1983) indicates that excellent quantitative prediction of load distribution is possible. Finally, practical observations about chain performance (including effects of manufacturing tolerance and wear, and guidelines for incorporation of idler sprockets) are presented.

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Murks, Nina, Anže Omerzu, and Borko Bošković. "Analiza sentimenta komentarjev hotelov z uporabo slovarjev in metode Naivni Bayes." In 7th Student Computer Science Research Conference. University of Maribor Press, 2021. http://dx.doi.org/10.18690/978-961-286-516-0.15.

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V £lanku smo predstavili pristop k analizi sen-timenta komentarjev hotelskih gostov s pomo£jo slovarjev in metode Naivni Bayes. Najprej smo zgradili slovarja sentimenta, ki sta vsebovala n-grame, ter njihove verjetnosti, da pripadajo pozi-tivnemu ali negativnemu razredu. Nato smo s po-mo£jo zgrajenih slovarjev klasificirali komentarje hotelov, pri £emer smo uporabili metodo Naivni Bayes. Pri klasifikaciji komentarjev s mo ra£u-nali klasifikacijske vrednosti o z. verjetnosti, da so posamezni komentarji pozitivni ali negativni. Komentarje smo klasificirali s p omo£jo unigra-mov in bigramov, ter rezultate primerjali z re-zultati iz literature. Pri unigramih smo dosegli natan£nost 0,92, pri bigramih je natan£nost zna-šala 0,80. Klasifikacijske v rednosti posameznih komentarjev smo si shranili, pri £emer smo pri komentarjih, ki smo jih klacificirali kot negativne, dodali negativen predznak. Predzna£ene klasifi-kacijske vrednosti smo nato sešteli, za vsak hotel ter na tak na£in izra£unali hotelom pripadajo£e to£ke. To£ke hotelov so v našem primeru poka-zatelj splošnega zadovoljstva hotelskih gostov, ki ga najdemo v komentarjih. Glede na to£ke smo hotele uredili po vrsti in prišli do lestvice hote-lov, pri katerih najdemo najbolj pozitivne komen-tarje.

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Kim, Mahn Shik, and Glen E. Johnson. "Mechanics of Roller Chain-Sprocket Contact: Observations About the Contact Phenomena and Load Distribution." In ASME 1992 Design Technical Conferences. American Society of Mechanical Engineers, 1992. http://dx.doi.org/10.1115/detc1992-0089.

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Abstract In a companion paper (“Mechanics of Roller Chain - Sprocket Contact: A General Modelling Strategy” submitted for presentation at this conference), a new theoretical model to describe the quasi-static contact phenomenon between a roller and sprocket is developed from first principles. The new model includes the external loading conditions, the curvature difference between die roller and the seating curve, the net error in the chain pitch (defined as the error in the chain pitch minus the error in the sprocket pitch), and Coulomb friction between the tooth and roller, the roller and bushing, and the bushing and pin. No assumption regarding the pressure angle at each contact point is made — rather the pressure angle at each contact point is calculated during the solution. In this paper we present results generated by a computer simulation based on the new model. A comparison with experimental data taken from the literature (Naji and Marshek. 1983) indicates that excellent quantitative prediction of load distribution is possible. The simulation results suggest several practical observations about chain performance (including effects of friction, manufacturing tolerances, wear, and the incorporation of idler sprockets) and these are presented and discussed.

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Kadambi, J. R., C. Shingote, R. Ke, Z. Tian, J. Furlan, and R. Visintainer. "Experimental and Computational Investigation of an Air Core Inside a Milling Circuit Hydroclone." In ASME 2017 Fluids Engineering Division Summer Meeting. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/fedsm2017-69234.

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Hydrocyclone separators are widely used in various industrial applications in the oil and mining industries to sort, classify and separate solid particles or liquid droplets within liquid suspensions. Often, studies in the literature have investigated idealized and simplified geometries, which are also typically scaled down to very small sizes. In this study, the two phase flow system inside a transparent acyclic model with actual milling circuit cyclone hydraulics was investigated computationally and experimentally. The diameter and height of the hydrocyclone are 12.7 cm and 94 cm, respectively. In many industrial applications, a single phase flow system in a hydrocyclone is a rarity, since nearly all cyclones have an underflow which is open to atmosphere, and therefore an air core is present along the central axis. In this study, the flow field with an air core present has been investigated. The computational modelling was conducted using Star CCM+, a commercial Computational Fluid Dynamics (CFD) software package. Large Eddy Simulation (LES) and the Volume of Fluid multiphase model was used. Additionally, the computational studies also focused on the prediction of the dimensions of the air core, which were measured experimentally. The tests were conducted in the Reynolds number range of 20,000–150,000 and 9000–67,800 for the water and NaI solution respectively. The model hydrocyclone was made of optically transparent acrylic plastic with flat, smooth outer surfaces so that there were no reflections, distortions, or obstructions. Refractive index matching, to minimize refraction effects, between the test fluid and acrylic test piece was achieved using a test liquid of sodium iodide aqueous solution (63.3% NaI by weight). Images of the flow field with the air core were taken using a Canon DSLR camera. A comparison between the experimental data and the computational results were made in the r-z plane. The experimental results and the computational results will be discussed in this paper.

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