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Books on the topic 'Literature|Gender studies|Film studies'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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1

Larsson, Stieg. Uomini che odiano le donne. Italia: Marsilio Editori, 2007.

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Девушка с татуировкой дракона. Moskva: Ėksmo, 2010.

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3

Miho, Hellen Halme, and Iwasawa Masatoshi, eds. Doragon tatū no onna. Tōkyō: Hayakawa Shobō, 2011.

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4

Larsson, Stieg. The girl with the dragon tattoo. New York: Random House Large Print, 2009.

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5

Larsson, Stieg. The girl with the dragon tattoo. London: MacLehose Press, 2008.

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6

Larsson, Stieg. The Girl with the Dragon Tattoo. 6th ed. New York, USA: Vintage Crime/Black Lizard, 2009.

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7

The Girl with the Dragon Tattoo. New York, USA: Random House Large Print, 2008.

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8

Larsson, Stieg. Män som hatar kvinnor. Stockholm: Norstedt, 2005.

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9

Larsson, Stieg. The Girl with the Dragon Tattoo. New York, USA: Vintage Crime/Black Lizard, 2009.

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10

The Girl with the Dragon Tattoo. New York, USA: Alfred A. Knopf, 2008.

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11

Larsson, Stieg. Los hombres que no amaban a las mujeres. Mexico: Destino, 2009.

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12

Paulo, Neves, ed. Os homens que não amavam as mulheres. São Paulo: Companhia das Letras, 2008.

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13

Larsson, Stieg. Män som hatar kvinnor. Stockholm: Norstedts, 2009.

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14

The Girl with the Dragon Tattoo. New York: Vintage Crime/Black Lizard, 2009.

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15

Larsson, Stieg. Dha Girl vitha ḍregana ṭêṭū: Pāne pāne jakaḍī rākhatī romāñcaka kathā. Mumbaī: Āra. Āra. Śeṭha enḍa Kampanī, 2012.

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16

Larsson, Stieg. Les hommes qui n'aimaient pas les femmes: Roman. Paris, France: Ed. France loisirs, 2008.

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17

The Girl with the Dragon Tattoo. New York: Knopf Doubleday Publishing Group, 2008.

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18

Uomini che odiano le donne. Venezia: Marsilio, 2010.

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19

Larsson, Stieg. The Girl with the Dragon Tattoo. New York, USA: Vintage Crime/Black Lizard, 2009.

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20

The Girl with the Dragon Tattoo. 4th ed. London, England: Maclehose Press, 2010.

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21

The Girl with the Dragon Tattoo. London, England: MacLehose Press, 2008.

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22

(Editor), Glenn Man, William E. Burgwinkle (Editor), and Valerie Wayne (Editor), eds. Significant Others: Gender and Culture in Film and Literature East and West : Selected Conference Papers (Literary Studies East and West). University of Hawaii Press, 1993.

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23

Wayne, Valerie. Translations/Transformations: Gender and Culture in Film and Literature East and West : Selected Conference Papers (Literary Studies East and West). East-West Center, 1993.

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24

Gender and Culture in Literature and Film East and West: Issues of Perception and Interpretation : Selected Conference Papers (Literary Studies East and West). College of Languages Linguistics, 1994.

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25

Lewis, George E., and Benjamin Piekut, eds. The Oxford Handbook of Critical Improvisation Studies, Volume 1. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780195370935.001.0001.

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Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.
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26

Piekut, Benjamin, and George E. Lewis, eds. The Oxford Handbook of Critical Improvisation Studies, Volume 2. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199892921.001.0001.

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Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.
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27

Ty, Eleanor. Gender, Post-9/11, and Ugly Feelings. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040887.003.0007.

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This chapter studies two texts that use humor and irony to deal with broken dreams and with ugly feelings caused by the inability to perform the dominant culture's expectations of race and gender. The protagonists in Alex Gilvarry's postmodern novel From the Memoirs of a Non-Enemy Combatant and in Keshni Kashyap and Mari Araki's Tina's Mouth: An Existential Comic Diary struggle to dissolve rigid categories of masculinity, femininity, and race. They both want to lead the lives of ordinary Americans but are misrecognized, and have to work through cultural expectations generated by their brown bodies, answering to the hopes of their families and friends and to the fantasies created by literature, film, and media.
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28

Schwadron, Hannah. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190624194.003.0001.

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This introductory chapter frames the book’s emphasis on the twenty-first-century Sexy Jewess, whose image proliferates in neoburlesque, comedy, mainstream film, and progressive pornography. A review of significant literature in Jewish studies, gender and sexuality studies, and dance and performance studies (1) introduces how performers complicate self-critical jokes of the excessive Jewish female body by playing up their differences, (2) historicizes the techniques that performers employ to mimic and master different ideas of sexiness, and (3) theorizes how performances of Jewish female identity use the body to participate in and parody notions of appropriate femininity as they relate to white womanhood.
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29

El futuro es un país extraño. Pasado & Presente, 2013.

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30

Patricia, Anthony Guy. Queering the Shakespeare Film: Gender Trouble, Gay Spectatorship and Male Homoeroticism. The Arden Shakespeare, 2019.

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31

Queering the Shakespeare Film: Gender Trouble, Gay Spectatorship and Male Homoeroticism. The Arden Shakespeare, 2016.

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32

Scholz, Susanne, ed. The Oxford Handbook of Feminist Approaches to the Hebrew Bible. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780190462673.001.0001.

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The Oxford Handbook of Feminist Approaches to the Hebrew Bible brings together thirty-seven essential essays written by leading international scholars, examining crucial points of analysis within the field of feminist Hebrew Bible studies. Organized into four major areas — globalization, neoliberalism, media, and intersectionality, the essays provide vibrant, relevant, and innovative contributions to the field. The topics of analysis focus heavily on gender and queer identity, with essays touching on African, Korean, and European feminist hermeneutics, womanist and interreligious readings, ecofeminist and animal biblical studies, migration biblical studies, the role of gender binary voices in evangelical-egalitarian approaches, oand the examination of scripture in light of trans women’s voices. The volume includes essays examining the Old Testament as recited in music, literature, film, and video games. In short, the book offers a vision for feminist biblical scholarship beyond the hegemonic status quo prevalent in the field of biblical studies, in many religious organizations and institutions that claim the Bible as a sacred text, and among the public that often mentions the Bible to establish religious, political, and socio-cultural restrictions for gendered practices. The exegetically and hermeneutically diverse essays demonstrate that feminist biblical scholarship forges ahead with the task of engaging the many issues and practices that keep the gender caste system in place even in the early part of the twenty-first century. The essays of this volume thus offer conceptual and exegetical ways forward at a historic moment of global transformation and emerging possibilities.
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33

A French Restoration. How To Books, 2006.

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34

Lee, Josephine, ed. The Oxford Encyclopedia of Asian American Literature and Culture. Oxford University Press, 2020. http://dx.doi.org/10.1093/acref/9780190699628.001.0001.

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In the past four decades the field of Asian American literary and cultural studies has grown enormously, expanding its areas of inquiry beyond the reflections on national identity and citizenship to encompass such issues as transnational and diasporic identities and communities; the workings of imperialism; the intersectionality of race, gender, and sexuality; and social justice/human rights in a global context. This project is the largest and most comprehensive collection of scholarship on Asian American literature and culture to date. From Asian American literary classics to experimental theater, from K-pop to online gaming, the Oxford Encyclopedia of Asian American Literature and Culture guides both established scholars and readers new to this study through the extensive landscape of Asian American writing and cultural production. More than one hundred essays on varied historical periods, geographical locales, and artistic modes offer an extensive examination of racial representation and activism, interdisciplinary and comparative approaches to literary work, ethnic communities, space and place, transnational and transpacific flows, and genres such as speculative fiction, the detective novel, and melodrama. Along with literary works from the late-19th century to the 21st century, the Oxford Encyclopedia of Asian American Literature and Culture covers a wide-ranging selection of Asian American theatre, dance, music, visual arts, film, television, and media. With its illuminating and profound commentary on Asian American writing and artistic practice, the volumes survey the historical foundations of this rich field, showing the exciting and profound new directions that currently drive the study of Asian American literary and cultural traditions.
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35

Disch, Lisa, and Mary Hawkesworth, eds. The Oxford Handbook of Feminist Theory. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199328581.001.0001.

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The Oxford Handbook of Feminist Theory provides an overview of the analytical frameworks and theoretical concepts feminist theorists have developed to challenge established knowledge. Leading feminist theorists, from around the globe, provide in-depth explorations of a diverse array of subject areas, capturing a plurality of approaches. The Handbook raises new questions, brings new evidence, and poses significant challenges across the spectrum of academic disciplines, demonstrating the interdisciplinary nature of feminist theory. The chapters offer innovative analyses of the central topics in social and political science (e.g. civilization, development, divisions of labor, economies, institutions, markets, migration, militarization, prisons, policy, politics, representation, the state/nation, the transnational, violence); cultural studies and the humanities (e.g. affect, agency, experience, identity, intersectionality, jurisprudence, narrative, performativity, popular culture, posthumanism, religion, representation, standpoint, temporality, visual culture); and discourses in medicine and science (e.g. cyborgs, health, intersexuality, nature, pregnancy, reproduction, science studies, sex/gender, sexuality, transsexuality) and contemporary critical theory that have been transformed through feminist theorization (e.g. biopolitics, coloniality, diaspora, the microphysics of power, norms/normalization, postcoloniality, race/racialization, subjectivity/subjectivation). The Handbook identifies the limitations of key epistemic assumptions that inform traditional scholarship and shows how theorizing from women’s and men’s lives has profound effects on the conceptualization of central categories, whether the field of analysis is aesthetics, biology, cultural studies, development, economics, film studies, health, history, literature, politics, religion, science studies, sexualities, violence, or war.
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36

Brown, Jeffrey A. Beyond Bombshells: The New Action Heroine in Popular Culture. University Press of Mississippi, 2015.

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37

Brown, Jeffrey A. Beyond Bombshells: The New Action Heroine in Popular Culture. University Press of Mississippi, 2016.

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38

Brown, Jeffrey A. Beyond Bombshells: The New Action Heroine in Popular Culture. University Press of Mississippi, 2018.

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39

Brown, Jeffrey A. Beyond Bombshells: The New Action Heroine in Popular Culture. University Press of Mississippi, 2015.

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40

Brown, Jeffrey A. Beyond Bombshells: The New Action Heroine in Popular Culture. University Press of Mississippi, 2015.

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41

Lothian, Alexis. Old Futures. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479811748.001.0001.

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Old Futures traverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital media. Centering works by women, queers, and people of color that are marginalized within most accounts of the genre, the book offers a new perspective on speculative fiction studies while reframing established theories of queer temporality by arguing that futures imagined in the past offer new ways to queer the present. Imagined futures have been central to the creation and maintenance of imperial domination and technological modernity; Old Futures rewrites the history of the future by gathering together works that counter such narratives even as they are part of them. Lothian explores how queer possibilities are constructed and deconstructed through extrapolative projections and affective engagements with alternative temporalities. The book is structured in three parts, each addressing one convergence of political economy, theoretical framework, and narrative form that has given rise to a formation of speculative futurity. Six main chapters focus on white feminist utopias and dystopias of the nineteenth and twentieth centuries; on Afrofuturist narratives that turn the dehumanization of black lives into feminist and queer visions of transformation; on futuristic landscapes in queer speculative cinema; and on fan creators’ digital interventions into televised futures. Two shorter chapters, named “Wormholes” in homage to the science fiction trope of a time-space distortion that connects distant locations, highlight current resonances of the old futures under discussion.
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42

Män Som Hatar Kvinnor. Månpocket, 2006.

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43

Larsson, Stieg. The Girl with the Dragon Tattoo. Random House Audio, 2011.

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44

Verblendung. München, Germany: Wilhelm Heyne Verlag, 2007.

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45

The Girl With the Dragon Tattoo. 2nd ed. Toronto, Canada: Penquin Group (Canada), 2009.

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46

The Girl with the Dragon Tattoo. London, England: Maclehose Press, 2009.

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47

The Girl with the Dragon Tattoo. 7th ed. New York, USA: Vintage International, 2008.

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48

The Girl with the Dragon Tattoo. Books on Tape, 2008.

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49

Girl with the dragon tattoo. Random Housw, 2008.

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50

the Girl with the Dragon tattoo. vintage, 2010.

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