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Journal articles on the topic 'Literature, history and criticism, juvenile literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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1

Schroeder, Janice. "SELF-TEACHING: MARY CARPENTER, PUBLIC SPEECH, AND THE DISCIPLINE OF DELINQUENCY." Victorian Literature and Culture 36, no. 1 (March 2008): 149–61. http://dx.doi.org/10.1017/s1060150308080091.

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With the growth of the organized feminist movement in England at the end of the 1850s, women began to mount public lecture platforms in increasing numbers. By claiming a space in public assembly rooms through the simple use of their voices, women reformers such as Bessie Rayner Parkes and Barbara Leigh Smith Bodichon challenged the male privilege of public address, and changed the visual, oral, and aural culture of Victorian reform movements. Women's public speech in the 1850s and 60s was never linked with the kind of riotous responses provoked later by Josephine Butler or the women's suffrage movement. But even public speakers associated with a more moderate or “polite” tone, such as Parkes and Frances Power Cobbe, routinely received a mixture of moral censure and ridicule, causing them to question the value of publicity – both print and platform – for the feminist cause. However, one of the most prolific female public speakers of mid nineteenth-century England, Mary Carpenter (1807–77), seems to have escaped all such criticism and was repeatedly held up as a shining example, by both feminists and non-feminists, of appropriate womanly behavior in official public settings. Commentators on Carpenter's work and her public reputation were nearly unanimous in their approval of not only the content of her public speech but also its flawless delivery. What can Carpenter's apparently unique public persona tell us about shifts in the gendered dimensions of public utterance in the 1850s and 60s, when she was most active? More broadly, what does the history of women's platform speech have to do with a seemingly unrelated narrative: that is, the theorization of juvenile delinquency as a specific problem in nineteenth-century England?

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2

Zavarkina, Marina. "THE CONCEPT OF THE SHORT NOVEL (‘POVEST’) GENRE IN ANDREY PLATONOV’S CREATIVE WORK IN THE 1920S." Проблемы исторической поэтики 20, no. 1 (February 2022): 296–32. http://dx.doi.org/10.15393/j9.art.2022.10562.

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Based on the material of the short novels (povest’) “The Ethereal Tract,” “Epiphany Locks,” “The City of Gradov,” “The Innermost Man,” “Yamskaya Sloboda,” the article presents the concept of the short novel (‘povest’) genre in the 1920s works by A. Platonov. The structural possibilities of this traditional genre of Russian literature allowed the writer to reflect the contemporary reality with all its tragic contradictions. The genre of the short novel (‘povest’) will have reached its peak by the 1930s, when the writer’s principal works were written (“The Pit,” “For the Future,” “Juvenile Sea,” “Bread and Reading,” “Jan”). Many of the techniques that the writer used in the short novels (‘povest’) of the 1920s were embodied in the works of Platonov later on. The article briefly presents the history of the study of the genre of the short novel (‘povest’) in Russian criticism and in modern research. Special attention is paid to the genre-forming factors and genre features of Platonov's short novel (‘povest’), among which one can distinguish: ideological and philosophical content (“volume of content”), type of narrative, plot-compositional structure, the concept of artistic time and space, the genre concept of man, the poetics of the finale. The authors refute the opinion of researchers, which states that Platonov's short novels (‘povest’) can be described in the language of a short story or a novella and that, in general, his short novels (‘povest’) can be called novelistic. The parabolic plot of the “departure-return”, the epic distance, the type of narration, as well as the genre concept of a person (“a person is a plot”) do not allow Platonov's short novel (‘povest’) to be reduced to a novella or grow into a novel. Platonov's short novel (‘povest’) has its own artistic concept, which is rooted in the traditional Russian short novel (‘povest’) genre, which is the “heir” of the Old Russian genre tradition, rather than the European novel. The short novel (‘povest’) of A. Platonov answered the demands of the time, and testified to the writer's understanding of its structural and substantive capabilities.

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3

Mullins, G. A. "Atrocity, Literature, Criticism." American Literary History 23, no. 1 (December 10, 2010): 217–27. http://dx.doi.org/10.1093/alh/ajq084.

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4

Hornsby, Joseph, and David Aers. "Medieval Literature: Criticism, Ideology and History." South Atlantic Review 53, no. 1 (January 1988): 107. http://dx.doi.org/10.2307/3200408.

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5

Samson, Anne, and David Aers. "Medieval Literature: Criticism, Ideology and History." Modern Language Review 84, no. 4 (October 1989): 917. http://dx.doi.org/10.2307/3731173.

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6

Gearhart, Suzanne, and Dominick LaCapra. "History as Criticism: The Dialogue of History and Literature." Diacritics 17, no. 3 (1987): 56. http://dx.doi.org/10.2307/464835.

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7

McH., B., and Dominick LaCapra. "History and Criticism." Poetics Today 7, no. 3 (1986): 594. http://dx.doi.org/10.2307/1772526.

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8

Végső, Roland. "Resisting World Literature." Journal of World Literature 7, no. 4 (December 19, 2022): 512–32. http://dx.doi.org/10.1163/24056480-00704003.

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Abstract This article examines the historical tensions between the theoretical definitions of “world literature” and the institutionalization of world literature programs in the context of early Cold War literary criticism in the United States. It uses the works of René Wellek, Austin Warren, and Lionel Trilling to establish that this type of criticism resisted the rise of world literature based on the theoretical claim that world literature does not exist as a legitimate object of literary analysis. In its conclusion, the article turns to Gayatri Spivak’s critique of world literature to demonstrate that the resistance to world literature is part of the ongoing history of Weltliteratur well beyond the Cold War.

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9

Russo, Adelaide M., Dominique Viart, Roger Célestin, and Eliane DalMolin. "Literature and Criticism: Taking Stock." Contemporary French and Francophone Studies 20, no. 3 (May 26, 2016): 351–56. http://dx.doi.org/10.1080/17409292.2016.1177352.

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10

Strohm, Paul. "Medieval Literature: Criticism, Ideology and History. David Aers." Speculum 63, no. 2 (April 1988): 352–54. http://dx.doi.org/10.2307/2853226.

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11

Byerman, Keith. "Remembering History in Contemporary Black Literature and Criticism." American Literary History 3, no. 4 (1991): 809–16. http://dx.doi.org/10.1093/alh/3.4.809.

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12

Dean, Paul. "Current Literature 2000: Literary Theory, History and Criticism." English Studies 83, no. 1 (February 1, 2002): 9–39. http://dx.doi.org/10.1076/enst.83.1.9.9567.

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13

Dean, Paul. "Current Literature 2001. Literary Theory, History and Criticism." English Studies 84, no. 2 (April 1, 2003): 145–69. http://dx.doi.org/10.1076/enst.84.2.145.14904.

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Dean, Paul. "Current Literature 2002. Literary Theory, History and Criticism." English Studies 84, no. 6 (December 1, 2003): 558–72. http://dx.doi.org/10.1076/enst.84.6.558.28782.

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15

Dean, Paul. "CURRENT LITERATURE 2003: LITERARY THEORY, HISTORY AND CRITICISM." English Studies 85, no. 6 (December 2004): 532–46. http://dx.doi.org/10.1080/00138380412331339260.

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Dean, Paul. "Current Literature 1998: II. Literary Theory, History and Criticism." English Studies 81, no. 1 (February 1, 2000): 56–81. http://dx.doi.org/10.1076/0013-838x(200001)81:1;1-#;ft056.

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Dean, Paul. "Current Literature 1999: II. Literary Theory, History and Criticism." English Studies 81, no. 6 (December 1, 2000): 548–73. http://dx.doi.org/10.1076/enst.81.6.548.9182.

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18

Dean, Paul. "Current literature 2004 II. Literary theory, history and criticism." English Studies 86, no. 6 (December 2005): 545–57. http://dx.doi.org/10.1080/00138380500319950.

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19

Ziolkowski, Eric. "Religion and Literature: History and Method." Brill Research Perspectives in Religion and the Arts 3, no. 1 (December 12, 2019): 1–112. http://dx.doi.org/10.1163/24688878-12340007.

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Abstract Religion and literature is the study of interrelationships between religious or theological traditions and literary traditions, both oral and written, with special attention to religious or theological underpinnings of, influences upon, and reflections in, individual “texts” (oral and written) or authors’ oeuvres. This overview considers the origins and history of, and methods employed in, that scholarly enterprise, focusing upon the dual construals of “literature” in religious studies (as a body of sacred writings and as writing valued for artistic merit); the problematics of defining “religion”; the transformation of theology and literature as a “field” (pioneered by Nathan A. Scott Jr. et al.) to religion and literature; the affiliated fields of myth criticism, and of biblical reception; and the institutionalization, globalization, and future of the study of religion and literature.

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20

Zhang, Jie, and Wenxin Lin. "Historical facts of literature and personality in research – about the compilation of the book “History of Russian and Soviet literary criticism of the XX century”." Neophilology, no. 24 (2020): 755–64. http://dx.doi.org/10.20310/2587-6953-2020-6-24-755-764.

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Russian literature is an important part of world literature and is studied all over the world. In comparison with the history of literature, the history of literary criticism is more an interaction between the objectivity of literary facts and the personality of the compiler of this history. This work presents a description of the personality in research using the example of the book “History of Russian and Soviet literary criticism of the XX century” written by Chinese scientist Zhang Jie, the main task of which is to provide a theoretical basis and methods of criticism for analyzing the mechanism of reproducing the meanings of literary texts and images. We analyze the functions of literary criticism and explain the interaction and harmony of objective historical facts of literature and the compiler’s personality in the study. We define three currents of Russian and Soviet literary criticism of the 20th century: religious and cultural criticism, real literary criticism, and aesthetic criticism. We prove that history reflects not only the objectivity of factors, but also its compiler’s personality, which is an indicator. We explain the need to coordinate the objectivity of historical facts and the subjectivity of the compiler, and we present a value-based reflection of a scientific linguistic personality in the Chinese ethnoculture.

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21

Simons, Oliver. "Literature as Thought and Thought as Literature." boundary 2 47, no. 1 (February 1, 2020): 239–50. http://dx.doi.org/10.1215/01903659-7999593.

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Paul North’s The Yield: Kafka’s Atheological Reformation is one of the few books to have analyzed Kafka’s so-called Zürau Aphorisms, a collection of short texts from 1917–1918. North reads these notations as “reflections” in the tradition of ontological philosophy, “thoughts” in the style of Blaise Pascal’s Pensées, or a theoretical treatise. By referring to Kafka’s notations as “thoughts before” they are tamed, North suggests that they must be distinguished from all literary forms and that their “real story” cannot be reduced to a specific genre or mode of representation, let alone an epoch in the history of literature. This review is an attempt to respond to North from precisely this point of view: the perspective of literary criticism. It suggests that Kafka’s notations might indeed be part of a longer tradition of aphorisms, a genre that has often been conceived as a philosophical form of writing.

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22

Dancer, Thom. "Literary Criticism: A Concise Political History." Comparative Literature 71, no. 1 (March 1, 2019): 117–21. http://dx.doi.org/10.1215/00104124-7217100.

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23

Byung-Chul Na. "Korean Literature and Politics Responding to Transnational History －Criticism of the Criticism of Literature and Film in Cold War South Korea－." 사이間SAI ll, no. 18 (May 2015): 189–220. http://dx.doi.org/10.30760/inakos.2015..18.006.

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24

Comensoli (book editor), Viviana, Paul Stevens (book editor), and Stephen Guy-Bray (review author). "Discontinuities: New Essays on Renaissance Literature and Criticism." Renaissance and Reformation 34, no. 3 (July 1, 1998): 93–95. http://dx.doi.org/10.33137/rr.v34i3.10822.

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25

Langlands, Rebecca. "Latin Literature." Greece and Rome 62, no. 1 (March 25, 2015): 97–106. http://dx.doi.org/10.1017/s001738351400028x.

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This time last year my review concluded with the observation that the future for the study of Latin literature is fundamentally interdisciplinary, and that we should proceed in close dialogue with social historians and art historians. In the intervening period, two books from a new generation of scholars have been published which remind us of the existence of an alternative tide that is pushing back against such culturally embedded criticism, and urging us to turn anew towards the aesthetic. The very titles of these works, with their references to ‘The Sublime’ and ‘Poetic Autonomy’ are redolent of an earlier age in their grandeur and abstraction, and in their confident trans-historicism. Both monographs, in different ways, are seeking to find a new means of grounding literary criticism in reaction to the disempowerment and relativism which is perceived to be the legacy of postmodernism. In their introductions, both bring back to centre stage theoretical controversies that were a prominent feature of scholarship in the 1980s and 1990s (their dynamics acutely observed by Don Fowler in his own Greece & Rome subject reviews of the period) but which have largely faded into the background; the new generation of Latinists tend to have absorbed insights of New Historicism and postmodernism without feeling the need either to defend their importance or to reflect upon their limitations. Henry Day, in his study of the sublime in Lucan's Bellum civile, explicitly responds to the challenges issued by Charles Martindale, who has, of course, continued (in his own words) to wage ‘war against the determination of classicists to ground their discipline in “history”’. Day answers Martindale's call for the development of some new form of aesthetic criticism, where hermeneutics and the search for meaning are replaced with (or, better, complemented by) experiential analysis; his way forward is to modify Martindale's pure aesthetics, since he expresses doubt that beauty can be wholly free of ideology, or that aesthetics can be entirely liberated from history, context, and politics. Reassuringly (for the novices among us), Day begins by admitting that the question ‘What is the sublime?’ is a ‘perplexing’ one, and he starts with the definition of it as ‘a particular kind of subjective experience…in which we encounter an object that exceeds our everyday categories of comprehension’ (30). What do they have in common, then, the versions of the sublime, ancient and modern, outlined in Chapter 1: the revelatory knowledge afforded to Lucretius through his grasp of atomism, the transcendent power of great literature for Longinus, and the powerful emotion engendered in the Romantics by the sight of impressive natural phenomena such as a mountain range or a thunderstorm? One of the key ideas to emerge from this discussion – crucial to the rest of the book – is that the sublime is fundamentally about power, and especially the transference of power from the object of contemplation to its subject. The sublime is associated with violence, trauma, and subjugation, as it rips away from us the ground on which we thought we stood; yet it does not need to be complicit with the forces of oppression but can also work for resistance and retaliation. This dynamic of competing sublimes of subjugation and liberation will then help us, throughout the following chapters, to transcend the nihilism/engagement dichotomy that has polarized scholarship on Lucan in recent decades. In turn, Lucan's deployment of the sublime uses it to collapse the opposition between liberation and oppression, and thus the Bellum civile makes its own contribution to the history of the sublime. This is an impressive monograph, much more productively engaged with the details of Lucan's poem than this summary is able to convey; it brought me to a new appreciation of the concept of the sublime, and a new sense of excitement about Lucan's epic poem and its place in the Western tradition.

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Gadowski, Robert. "The Evantropian Project: Revitalising Critical Approaches to Young Adult Literature." Dzieciństwo. Literatura i Kultura 2, no. 2 (December 31, 2020): 182–93. http://dx.doi.org/10.32798/dlk.622.

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Anna Bugajska’s recent book Engineering Youth: The Evantropian Project in Young Adult Dystopias (2019) is an important and thought-provoking inquiry into the field of young adult literary criticism. While for the average reader, young adult narratives may be associated with juvenile tales created with an intent to provide escapist entertainment, a true connoisseur of youth literature is well aware of an immense didactic potential of this genre. Bugajska certainly belongs to the latter category as she diligently engages with young adult dystopias to highlight the immense critical power of these texts. In the following review article, the author of the paper is going to offer a brief commentary on the critical perspective that Bugajska employs to explore the notion of evantropia. The first section of this review discusses Bugajska’s volume as a part of utopian intellectual tradition, the second section postulates that ideas presented in Engineering Youth enrich literary criticism in the field of speculative fiction and children’s and young adult literature, the third section briefly discusses the layout of the volume and the content of each chapter, the fourth section presents an overview of selected core ideas that Bugajska presents in her work and in the last section the author of the paper offers his final thoughts on Engineering Youth.

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27

Ling, Chao. "Chinese Tradition in the World Literature: Review of Zhang Longxi's A History of Chinese Literature." Journal of Foreign Languages and Cultures 7, no. 1 (June 28, 2023): 072–76. http://dx.doi.org/10.53397/hunnu.jflc.202301008.

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This essay reviews Zhang Longxi’s A History of Chinese Literature. The book covers Chinese literature from its very beginning to modern times. It emphasizes texts’ literary and aesthetic qualities when evaluating and historicizing literature. The book demonstrates the importance of canons in literary history, using Chinese tradition as an example. Therefore, it also brings the Chinese tradition into the broader framework of world literature. Reading Zhang’s concise historical overview of Chinese literature, we can better understand the interplay between literary tradition and the individual talent. Zhang Longxi has skillfully combined the writing of a history of literature with literary criticism in this book. Zhang’s successful attempt informs literary scholars of possible paradigms of compiling literary history in a post-cultural-studies theoretical context.

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28

Kilpatrick, Hilary, and Roger Allen. "Modern Arabic Literature (A Library of Literary Criticism)." Die Welt des Islams 29, no. 1/4 (1989): 217. http://dx.doi.org/10.2307/1571022.

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29

Jongsoo Kim. "A Study on World literature-Oriented Korean Literature in the History of Modern Korean Literary Criticism." Cross-Cultural Studies 25, no. ll (December 2011): 87–106. http://dx.doi.org/10.21049/ccs.2011.25..87.

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30

Roumani, Judith. "A Literature of One’s Own: A Survey of Literary History and Criticism of Maghrebian Francophone Literature." L'Esprit Créateur 26, no. 1 (1986): 11–21. http://dx.doi.org/10.1353/esp.1986.0057.

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31

Fargnoli, Joseph R., and Rene Wellek. "A History of Modern Criticism: 1750-1950. Vol. 5: English Criticism, 1900-1950." Journal of the Midwest Modern Language Association 20, no. 1 (1987): 118. http://dx.doi.org/10.2307/1315004.

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32

Bucco, Martin, and Rene Wellek. "A History of Modern Criticism 1750-1950. Volume 6: American Criticism 1900-1950." American Literature 59, no. 1 (March 1987): 126. http://dx.doi.org/10.2307/2926495.

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33

Boer, Roland. "A Titanic Phenomenon: Marxism, History and Biblical Society." Historical Materialism 16, no. 4 (2008): 141–66. http://dx.doi.org/10.1163/156920608x357756.

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Marxist contributions to biblical criticism are far more sustained and complex than many would expect. This critical survey of the state of play, with a look back at the main currents that have led to that state, deals with Marxist contributions to the reconstructions of biblical societies and the interpretation of the literature produced by those societies. It begins by outlining the major Marxist positions within current biblical criticism and then moves on to consider two possible sources of further insight from outside biblical criticism: Western-Marxist studies of the ancient world (Karl Kautsky, Perry Anderson and G.E.M. de Ste. Croix) and the long and neglected tradition of Soviet-era Russian work on the ancient Near East. I conclude by pointing to a number of lingering problems: the unreliability of the literature for historical purposes; the lack of fit between juridical distinctions in the literature and class distinctions in the ancient world; the question as to whether the state can be a class; and the viability of imposing on the ancient world Marxist categories developed in very different situations.

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34

Alfadlilah, Muna. "The Social Criticisms of Rah(i)m Poetry by Kedung Darma Romansha." LITE 19, no. 1 (March 31, 2023): 65–75. http://dx.doi.org/10.33633/lite.v19i1.7884.

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An expressing media with literature work could indirectly convey various social criticisms toward a certain phenomenon. The most frequently occurring social criticism is the social reality portrayal of a community. This study aims to describe the form of social criticism contained in the poetry entitled Rahi(i)m by Kedung Darma Romansha. Using qualitative methods and a literary sociology approach, especially social criticism, this study reveals the author's worldview of phenomena that occur in society. The study results show that the author of poetry criticises social situations, namely: the author's criticism of poverty, crime, family disharmony, juvenile delinquency, violation of norms, and environmental problems. Social criticism also reveals the author's disappointment, annoyance, anger, and regret towards the arrogant and unfair performance of government officials in responding to socio-cultural problems that occur in society.

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35

Gunn, Giles, and Rene Wellek. "A History of Modern Criticism, 1750-1950." Poetics Today 8, no. 1 (1987): 205. http://dx.doi.org/10.2307/1773017.

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Brown, Calvin S., and Rene Wellek. "A History of Modern Criticism, 1750-1950." Comparative Literature 40, no. 1 (1988): 67. http://dx.doi.org/10.2307/1770644.

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37

Cain, William E. "Notes toward a History of Anti-Criticism." New Literary History 20, no. 1 (1988): 33. http://dx.doi.org/10.2307/469319.

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38

COŞKUN, Menderes. "Internal And External Criticism Of Sources Of Turkish History And Literature." Journal of Turkish Studies Volume 4 Issue 2, no. 4 (2008): 188–98. http://dx.doi.org/10.7827/turkishstudies.627.

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39

Zhenzhao, Nie, and S. А. Kaminskaya. "Ethical literary criticism: The main concept and the notion of didactics." Voprosy literatury, no. 1 (April 5, 2022): 104–18. http://dx.doi.org/10.31425/0042-8795-2022-1-104-118.

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Ethical literary criticism is a method of criticism that explores the didactic function of literature from the ethical viewpoint, and seeks to analyse and interpret literature from this perspective. The theory of ethical literary criticism describes natural selection as a theoretical prerequisite and philosophical foundation of ‘ethical selection.’ Teaching is seen as a method of ethical selection, whereas literature — as an instrument of enlightenment of humans, where a didactic effect is achieved through moral examples, models and guidance. The authors believe that the method of ethical literary criticism will benefit not only from a history of its own development, but also a detailed description of the arguments voiced by its opponents. The article examines one of the key themes in the theory of ethical literary criticism — the ethical choice, its theoretical premises and examples found both in world literature and in the Chinese literary tradition.

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40

A. K. Matayeva, S. B. Jumagul, and E. I. Kopteva. "MODERN KAZAKH LITERATURE STUDIES: ACHIEVEMENTS, PROBLEMS, DEVELOPMENT PROSPECTS." Bulletin of Toraighyrov University. Philology series, no. 1.2023 (March 31, 2023): 227–38. http://dx.doi.org/10.48081/szww2913.

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"The end of the 19th and the beginning of the 20th centuries were marked for the Kazakh society by entering a new stage of development. The universal values that determine the concepts of modern social changes have undoubtedly influenced national literary criticism, posing new tasks for the correct determination of development prospects through an objective revision of the past, marked by ideological pressure. The formation of new aesthetic knowledge in assessing the role of literature in society, the appeal to new forms, methods and means of reflecting reality, the development of scientific and theoretical approaches and the definition of new principles for studying the nature of the literary process are characteristic features of modern Kazakh literary criticism. At the current stage, the urgent task is to identify the patterns of development of literary science, comprehensive differentiation of scientific research, the definition of methodological concepts, theoretical foundations and areas of research, the assessment of achievements and the definition of prospects for new research. Being an important branch of the social and human sciences, modern Kazakh literary criticism seeks to rethink its way of becoming as a field of scientific knowledge in order to evaluate its achievements and identify shortcomings that occur at each stage of development. The article deals with the scientific and theoretical problems of modern Kazakh literary criticism, reflecting innovative searches. At the same tiem6 the evaluation and analysis of studies based on new research methods and scientific principles is of great importance. Special place is occupied by theoretical works written on the basis of hermeneutics, structuralism, semiotics and other innovative research methods. Analysis of the main achievements, literary and theoretical problems, directions of development of modern Kazakh literary criticism is presented as well. Keywords: Kazakh literary studies, theory and history of national literature, methodology. "

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Amaral, Vitor. "Danish Literature in Brazil: Notes on Translation and Criticism." Brasiliana: Journal for Brazilian Studies 1, no. 1 (September 21, 2012): 66–83. http://dx.doi.org/10.25160/bjbs.v1i1.6646.

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This article aims to present and analyse some examples of translation and criticism of Danish literature in Brazil. It will demonstrate that the dialogue between Denmark and Brazil in the literary field has more eventful a history than one can imagine at first. Translation and criticism are regarded as two complementary ways to disseminate a literature in foreign places. To the reader who knows little or nothing about the reception of Danish literature in Brazil, this article can provide the initial elements for a further research. There is not any attempt towards comprehensiveness, and this article remains a discrete look of its author’s over the reception of Danish literature in Brazil.

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Adeel Niaz, Muhammad Iqbal, Muhammad Ilyas, Ghulam Dastgir Khan, Riaz Ahmed Shahid, and Muhammad Tariq. "JUVENILE NASOPHARYNGEALANGIOFIBROMA: OUR EXPERIENCE AND LITERATURE REVIEW." Pakistan Postgraduate Medical Journal 32, no. 01 (November 18, 2021): 03–08. http://dx.doi.org/10.51642/ppmj.v32i01.406.

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ABSTRACT Introduction: Juvenile nasopharyngeal angiofibroma is a benign vasculartumor.It is commonly found in teen age males. Its site of origin is sphenopalatine foramen. Exact pathogenesis of angiofibroma is not known. It has predictable natural history and growth pattern. This tumor most often involves nasopharynx, nasal cavity, paranasal sinuses, pterygopalatine fossa and infratemporal fossa. It can also involve orbit and can spread intracranially. Its very important to diagnose this tumor very early on the basis of clinical examination and imaging. As early tumor confined to nose and sinuses can be removed exclusively with endoscope. It is very helpful to do angiography before surgery to ascertain itsblood supply and then embolization can be done to reduce intraoperative bleeding. Objective: To describe our experience of Juvenile Nasopharyngeal Angiofibroma cases in ENT Unit-I of Lahore General Hospital. Study Design: Descriptive Study with retrospective analysis after approval from Institutional Review Board (IRB) of LGH/PGMI/AMC Lahore. Methods: We studied 20 patients who underwent surgery in our department from October 2019 to October 2020. We analyzed following factors: age, gender, symptoms, staging, mode of surgery and need for intraoperative blood transfusion, hospital stay, complications and recurrences. Results: Range of patient’s age was 12 to 25 years. Eight patients underwent surgery with endoscope. Mean blood loss was about 400 ml and mean operating time was 140 minutes. All the cases were embolized preoperatively. Conclusion: Endoscopic surgery is a safe and effective method in early stage JNA patients. While patients with advance stage tumors should be managed with combined endoscopic and conventional open approaches. KEYWORDS: juvenile nasopharyngeal angiofibroma, JNA, endoscopic surgery

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43

Stern, Kimberly J. "A History of Feminist Literary Criticism." Women's Writing 16, no. 1 (May 2009): 173–76. http://dx.doi.org/10.1080/09699080902854503.

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Ismail, Ismail, Tatik Maryatut Tasnimah, and Ridwan Ritonga. "Kritik Sastra Arab pada Masa Yunani." JURNAL Al-AZHAR INDONESIA SERI HUMANIORA 9, no. 1 (March 27, 2024): 18. http://dx.doi.org/10.36722/sh.v9i1.2747.

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<p><strong>The purpose of this study is to examine the development of literary criticism in the Greek period. The data collection method used in this study is the literature review method. The researcher will search all data related to this study and record the data. The approach used in this study is a historical approach where researchers look for stories related to the history of the development of Arabic literary criticism in the Greek period. From the results of this research can be found out about the understanding and classification of Arabic literary criticism. In addition, this study provides information on Arabic literary criticism in Greek times, Greek influence on Arab criticism through reading, and criticism of orientalist books in the context of Greek influence. In literary criticism, the task of teaching literature with the support of literary theory is literary criticism, especially oral literary criticism, using works of literary criticism to explain abstract literary theories.</strong></p><p><em><strong>Keywords</strong> - Criticism, Arabic Literature, Greek.</em></p>

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Johnson, David R. "The Mark of the Beast, Reception History, and Early Pentecostal Literature." Journal of Pentecostal Theology 25, no. 2 (September 10, 2016): 184–202. http://dx.doi.org/10.1163/17455251-02502003.

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This article examines appearances of the mark of the beast or beast in the early Pentecostal Literature from 1908–1918. By utilizing Wirkungsgeschichte, this article demonstrates that early Pentecostal interpretations were not monolithic when interpreting bestial texts. Dispensationalism did not control their interpretations. The Apocalypse had a significant impact on early Pentecostal reflection including their criticism of issues associated with World War i.

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Lehman, Robert S. "Criticism and Judgment." ELH 87, no. 4 (2020): 1105–32. http://dx.doi.org/10.1353/elh.2020.0039.

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Vuzitas, Alexis, and Claudiu Manea. "Juvenile nasopharyngeal angiofibroma – literature review and case series." Romanian Journal of Rhinology 8, no. 29 (March 1, 2018): 17–24. http://dx.doi.org/10.2478/rjr-2018-0002.

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Abstract Juvenile nasopharyngeal angiofibroma is a rare benign tumour of vascular origin found in adolescent males, originating around the sphenopalatine foramen. Although the exact pathogenesis of the tumour is not yet known, natural history and growth patterns can be predicted. JNA progressively involves the nasopharynx, nasal cavity, paranasal sinuses, pterygopalatine fossa, infratemporal fossa and, in severe cases, an orbital or intracranial extension can be seen. Early diagnosis based on clinical examination and imaging is mandatory to ensure the best resectability of the tumour, as small to moderate tumours can be managed exclusively endoscopically. Preoperative angiography can reveal the vascular sources and allow embolization to prevent significant bleeding. We present a brief literature review followed by our case series of endoscopic removal of 7 juvenile nasopharyngeal angiofibromas.

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Carlson, Eric W. "The Transcendentalist Poe: A Brief History of Criticism." Poe Studies 32, no. 1-2 (January 1999): 47–66. http://dx.doi.org/10.1111/j.1754-6095.1999.tb00111.x.

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Frost, Charlotte. "Digital Critics: The Early History of Online Art Criticism." Leonardo 52, no. 1 (February 2019): 37–43. http://dx.doi.org/10.1162/leon_a_01379.

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Art critic Jerry Saltz is regarded as a pioneer of online art criticism by the mainstream press, yet the Internet has been used as a platform for art discussion for over 30 years. There have been studies of independent print-based arts publishing, online art production and electronic literature, but there have been no histories of online art criticism. In this article, the author provides an account of the first wave of online art criticism (1980–1995) to document this history and prepare the way for thorough evaluations of the changing form of art criticism after the Internet.

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Santosa, Puji. "KONDISI KRITIK SASTRA INDONESIA SEABAD H.B. JASSIN (Indonesia Literary Criticism in A Century of H. B. Jassin)." Kandai 13, no. 1 (August 24, 2017): 91. http://dx.doi.org/10.26499/jk.v13i1.94.

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This study aims to reveal and to describe the condition of Indonesian literary criticismin a century of H.B. Jassin (1917-2017). The research problem is how the condition of Indonesian literary criticism in a century of H.B. Jassin? The method used is the historical and descriptive method. The research proves that the condition of Indonesian literary criticism in a century of H.B. Jassin progressing quite encouraging on four genres of literary criticism, namely: (1)general literary criticism or practical literary criticism developed in printed media and electronic, (2) history of academic literary that thrives in academic research focusing on philology, (3) literature appreciation and interpretation that developes in the academic and scientific journal of literature, and (4) literary theory that developes in academic world as a basic reference for writing literature scientific papers. From these results it can be concluded that the condition of Indonesian literary criticism in a century of H.B. Jassin has never been stagnant or vacuum.

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