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Journal articles on the topic 'Literature – History and criticism – Zimbabwe'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Mamvura, Zvinashe, and Shumirai Nyota. "The Form and Communicative Impact of Shona Postproverbials." Matatu 51, no. 2 (September 21, 2020): 282–98. http://dx.doi.org/10.1163/18757421-05102005.

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Abstract This article explores the syntax-semantics nexus of Shona postproverbials in the contemporary Zimbabwean society. In terms of syntax, Shona postproverbials are aligned to the following types of sentences found in the Shona language; substantival, verbal, and a combination of both. Like traditional proverbs, there is no postproverbial that takes the form of the ideophonic sentence. The communicative power of postproverbials is an inherent, inbuilt, and internal property stemming from their syntactic and lexical properties. The postproverbial forms, studied in this article, exhibit innovation and ingenuity of the users. The communicative force of the postproverbials arises from the correspondence and cross-correspondence of the structures and grammatical items that constitute them. Congruence and contrast of the lexical items found in the postproverbials also contribute to meanings. The study established that, just like the traditional proverbs, postproverbials are pithy and terse philosophical statements that resonate with a people’s collective experience. In most cases, the postproverbials provide a conduit for people to comment on issues regarded as politically ‘taboo’ and sensitive in a society where the state does not tolerate open criticism.

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2

McH., B., and Dominick LaCapra. "History and Criticism." Poetics Today 7, no. 3 (1986): 594. http://dx.doi.org/10.2307/1772526.

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3

Samson, Anne, and David Aers. "Medieval Literature: Criticism, Ideology and History." Modern Language Review 84, no. 4 (October 1989): 917. http://dx.doi.org/10.2307/3731173.

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4

Hornsby, Joseph, and David Aers. "Medieval Literature: Criticism, Ideology and History." South Atlantic Review 53, no. 1 (January 1988): 107. http://dx.doi.org/10.2307/3200408.

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5

Mullins, G. A. "Atrocity, Literature, Criticism." American Literary History 23, no. 1 (December 10, 2010): 217–27. http://dx.doi.org/10.1093/alh/ajq084.

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6

Gearhart, Suzanne, and Dominick LaCapra. "History as Criticism: The Dialogue of History and Literature." Diacritics 17, no. 3 (1987): 56. http://dx.doi.org/10.2307/464835.

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7

Strohm, Paul. "Medieval Literature: Criticism, Ideology and History. David Aers." Speculum 63, no. 2 (April 1988): 352–54. http://dx.doi.org/10.2307/2853226.

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8

Byerman, Keith. "Remembering History in Contemporary Black Literature and Criticism." American Literary History 3, no. 4 (1991): 809–16. http://dx.doi.org/10.1093/alh/3.4.809.

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9

Dean, Paul. "Current Literature 2000: Literary Theory, History and Criticism." English Studies 83, no. 1 (February 1, 2002): 9–39. http://dx.doi.org/10.1076/enst.83.1.9.9567.

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10

Dean, Paul. "Current Literature 2001. Literary Theory, History and Criticism." English Studies 84, no. 2 (April 1, 2003): 145–69. http://dx.doi.org/10.1076/enst.84.2.145.14904.

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11

Dean, Paul. "Current Literature 2002. Literary Theory, History and Criticism." English Studies 84, no. 6 (December 1, 2003): 558–72. http://dx.doi.org/10.1076/enst.84.6.558.28782.

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12

Dean, Paul. "CURRENT LITERATURE 2003: LITERARY THEORY, HISTORY AND CRITICISM." English Studies 85, no. 6 (December 2004): 532–46. http://dx.doi.org/10.1080/00138380412331339260.

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13

Dancer, Thom. "Literary Criticism: A Concise Political History." Comparative Literature 71, no. 1 (March 1, 2019): 117–21. http://dx.doi.org/10.1215/00104124-7217100.

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14

Russo, Adelaide M., Dominique Viart, Roger Célestin, and Eliane DalMolin. "Literature and Criticism: Taking Stock." Contemporary French and Francophone Studies 20, no. 3 (May 26, 2016): 351–56. http://dx.doi.org/10.1080/17409292.2016.1177352.

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15

Dean, Paul. "Current Literature 1999: II. Literary Theory, History and Criticism." English Studies 81, no. 6 (December 1, 2000): 548–73. http://dx.doi.org/10.1076/enst.81.6.548.9182.

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16

Dean, Paul. "Current Literature 1998: II. Literary Theory, History and Criticism." English Studies 81, no. 1 (February 1, 2000): 56–81. http://dx.doi.org/10.1076/0013-838x(200001)81:1;1-#;ft056.

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17

Dean, Paul. "Current literature 2004 II. Literary theory, history and criticism." English Studies 86, no. 6 (December 2005): 545–57. http://dx.doi.org/10.1080/00138380500319950.

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18

Bucco, Martin, and Rene Wellek. "A History of Modern Criticism 1750-1950. Volume 6: American Criticism 1900-1950." American Literature 59, no. 1 (March 1987): 126. http://dx.doi.org/10.2307/2926495.

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19

Fargnoli, Joseph R., and Rene Wellek. "A History of Modern Criticism: 1750-1950. Vol. 5: English Criticism, 1900-1950." Journal of the Midwest Modern Language Association 20, no. 1 (1987): 118. http://dx.doi.org/10.2307/1315004.

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20

Stern, Kimberly J. "A History of Feminist Literary Criticism." Women's Writing 16, no. 1 (May 2009): 173–76. http://dx.doi.org/10.1080/09699080902854503.

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21

Spierenburg, Marja. "Spirits and Land Reforms: Conflicts About Land in Dande, Northern Zimbabwe." Journal of Religion in Africa 35, no. 2 (2005): 197–231. http://dx.doi.org/10.1163/1570066054024703.

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AbstractDespite its present support for the invasion of (mainly white-owned) commercial farms and emphasis on 'fast-track resettlement', most interventions by the post-Independence government of Zimbabwe in agriculture aimed to confine African farmers to the Communal Areas. In Dande, northern Zimbabwe, a land reform programme was introduced in 1987 that sought to 'rationalise' local land use practices and render them more efficient. Such reforms were deemed necessary to reduce the pressure on commercial farms. This article describes how the reforms caused Mhondoro mediums in Dande to challenge the authority of the state over land, thereby referring to the role they and their spirits played in the struggle for Independence. Pressure on the mediums to revoke their criticism resulted in a complex process in which adherents challenged the reputation of mediums who were not steadfast in their resistance to the reforms.

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22

Gunn, Giles, and Rene Wellek. "A History of Modern Criticism, 1750-1950." Poetics Today 8, no. 1 (1987): 205. http://dx.doi.org/10.2307/1773017.

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23

Brown, Calvin S., and Rene Wellek. "A History of Modern Criticism, 1750-1950." Comparative Literature 40, no. 1 (1988): 67. http://dx.doi.org/10.2307/1770644.

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24

Cain, William E. "Notes toward a History of Anti-Criticism." New Literary History 20, no. 1 (1988): 33. http://dx.doi.org/10.2307/469319.

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25

Lehman, Robert S. "Criticism and Judgment." ELH 87, no. 4 (2020): 1105–32. http://dx.doi.org/10.1353/elh.2020.0039.

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26

Peradotto, John, and George A. Kennedy. "The Cambridge History of Literary Criticism, Volume I: Classical Criticism." American Journal of Philology 113, no. 3 (1992): 473. http://dx.doi.org/10.2307/295476.

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27

PYKETT, L. "Literary History and Criticism: General Works." Year's Work in English Studies 63, no. 1 (January 1, 1985): 1–23. http://dx.doi.org/10.1093/ywes/63.1.1.

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28

DAVISON, P. "Literary History and Criticism: General Works." Year's Work in English Studies 64, no. 1 (January 1, 1986): 1–30. http://dx.doi.org/10.1093/ywes/64.1.1.

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29

Carlson, Eric W. "The Transcendentalist Poe: A Brief History of Criticism." Poe Studies 32, no. 1-2 (January 1999): 47–66. http://dx.doi.org/10.1111/j.1754-6095.1999.tb00111.x.

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30

Matshakayile-Ndlovu, T. "The literary history of isiNdebele of Zimbabwe." South African Journal of African Languages 23, no. 2 (January 2003): 120–30. http://dx.doi.org/10.1080/02572117.2003.10587211.

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31

Halmi, Nicholas. "The Nostalgic Imagination: History in English Criticism." Common Knowledge 27, no. 2 (May 1, 2021): 318–20. http://dx.doi.org/10.1215/0961754x-8906285.

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32

Roof, Judith. "Hypothalamic Criticism: Gay Male Studies and Male Feminist Criticism." American Literary History 4, no. 2 (1992): 355–64. http://dx.doi.org/10.1093/alh/4.2.355.

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33

Reynolds, R. Clay, and R. S. Gwynn. "New Expansive Poetry: Theory, Criticism, History." South Central Review 17, no. 3 (2000): 141. http://dx.doi.org/10.2307/3190100.

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34

Hart, Thomas R., and Rene Wellek. "A History of Modern Criticism, 1750-1950. Vol. 8, French, Italian and Spanish Criticism, 1900-1950." Comparative Literature 45, no. 4 (1993): 372. http://dx.doi.org/10.2307/1771600.

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35

Ziolkowski, Theodore, and René Wellek. "A History of Modern Criticism, 1750-1950. 7: German, Russian, and Eastern European Criticism, 1900-1950." World Literature Today 67, no. 1 (1993): 249. http://dx.doi.org/10.2307/40149060.

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36

Byung-Chul Na. "Korean Literature and Politics Responding to Transnational History －Criticism of the Criticism of Literature and Film in Cold War South Korea－." 사이間SAI ll, no. 18 (May 2015): 189–220. http://dx.doi.org/10.30760/inakos.2015..18.006.

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37

Robbins, Bruce. "Falling into Criticism." American Literary History 1, no. 3 (1989): 656–64. http://dx.doi.org/10.1093/alh/1.3.656.

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38

Frost, Charlotte. "Digital Critics: The Early History of Online Art Criticism." Leonardo 52, no. 1 (February 2019): 37–43. http://dx.doi.org/10.1162/leon_a_01379.

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Art critic Jerry Saltz is regarded as a pioneer of online art criticism by the mainstream press, yet the Internet has been used as a platform for art discussion for over 30 years. There have been studies of independent print-based arts publishing, online art production and electronic literature, but there have been no histories of online art criticism. In this article, the author provides an account of the first wave of online art criticism (1980–1995) to document this history and prepare the way for thorough evaluations of the changing form of art criticism after the Internet.

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39

COŞKUN, Menderes. "Internal And External Criticism Of Sources Of Turkish History And Literature." Journal of Turkish Studies Volume 4 Issue 2, no. 4 (2008): 188–98. http://dx.doi.org/10.7827/turkishstudies.627.

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40

Forsdick, C. "Postcolonial Criticism: History, Theory, and the Work of Fiction." Comparative Literature 58, no. 3 (January 1, 2006): 263–65. http://dx.doi.org/10.1215/-58-3-263.

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41

Krieger, Murray. "The School of Criticism and Theory: An Allegorical History." New Literary History 25, no. 4 (1994): 881. http://dx.doi.org/10.2307/469380.

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42

Mulvihill, James. "“True portrait and true history”: William Hazlitt's art criticism." Prose Studies 21, no. 3 (December 1998): 32–50. http://dx.doi.org/10.1080/01440359808586652.

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43

Croce (book author), Benedetto, Massimo Verdicchio (editor and translator), and Milena Sabato (review author). "A Croce Reader: Aesthetics, Philosophy, History, and Literary Criticism." Quaderni d'italianistica 38, no. 1 (October 18, 2018): 279–81. http://dx.doi.org/10.33137/q.i..v38i1.31203.

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44

Comensoli (book editor), Viviana, Paul Stevens (book editor), and Stephen Guy-Bray (review author). "Discontinuities: New Essays on Renaissance Literature and Criticism." Renaissance and Reformation 34, no. 3 (July 1, 1998): 93–95. http://dx.doi.org/10.33137/rr.v34i3.10822.

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45

Zhang, Jie, and Wenxin Lin. "Historical facts of literature and personality in research – about the compilation of the book “History of Russian and Soviet literary criticism of the XX century”." Neophilology, no. 24 (2020): 755–64. http://dx.doi.org/10.20310/2587-6953-2020-6-24-755-764.

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Russian literature is an important part of world literature and is studied all over the world. In comparison with the history of literature, the history of literary criticism is more an interaction between the objectivity of literary facts and the personality of the compiler of this history. This work presents a description of the personality in research using the example of the book “History of Russian and Soviet literary criticism of the XX century” written by Chinese scientist Zhang Jie, the main task of which is to provide a theoretical basis and methods of criticism for analyzing the mechanism of reproducing the meanings of literary texts and images. We analyze the functions of literary criticism and explain the interaction and harmony of objective historical facts of literature and the compiler’s personality in the study. We define three currents of Russian and Soviet literary criticism of the 20th century: religious and cultural criticism, real literary criticism, and aesthetic criticism. We prove that history reflects not only the objectivity of factors, but also its compiler’s personality, which is an indicator. We explain the need to coordinate the objectivity of historical facts and the subjectivity of the compiler, and we present a value-based reflection of a scientific linguistic personality in the Chinese ethnoculture.

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46

Griffin. "“Comparative Literary History”." Criticism 57, no. 4 (2015): 691. http://dx.doi.org/10.13110/criticism.57.4.0691.

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47

Williams, Carolyn D., and Heidi Hutner. "Rereading Aphra Behn: History, Theory, and Criticism." Modern Language Review 90, no. 1 (January 1995): 147. http://dx.doi.org/10.2307/3733277.

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48

DAVISON, P. "I Literary History and Criticism: General Works." Year's Work in English Studies 65, no. 1 (January 1, 1987): 1–23. http://dx.doi.org/10.1093/ywes/65.1.1.

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49

Ledger, Sally. "Feminist Criticism in the Nineties." Literature & History 2, no. 2 (September 1993): 76–82. http://dx.doi.org/10.1177/030619739300200207.

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50

Hart, Thomas R., and Rene Wellek. "A History of Modern Criticism, 1750-1950: Vol. 7, German, Russian and East European Criticism, 1900-1950." Comparative Literature 44, no. 2 (1992): 207. http://dx.doi.org/10.2307/1770347.

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