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1
Kelleher, Michael. "Bulgaria's Communist-Era Landscape." Public Historian 31, no. 3 (2009): 39–72. http://dx.doi.org/10.1525/tph.2009.31.3.39.
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Abstract This essay discusses the various architectural and design elements that helped define the communist-era landscape of Bulgaria. The conclusions presented here are based on observations made by the author while living in Bulgaria and research into the literature on communist architecture and design in the East Bloc. Bulgaria was the member of the East Bloc that most closely followed the architectural and design model established by the Soviet Union and exported to its satellite states following the Second World War. This didactic model was intended to present a certain image of communism and its achievements. Despite physical changes that came with the end of communism in Bulgaria, the country has retained a significant communist-era landscape. Bulgaria, therefore, presents an opportunity to examine many of the architectural and design elements typical of the East Bloc, both how the communists intended them to be interpreted and how these buildings and monuments made the transition to the postcommunist era.
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Vaneyan, S. S. "Desert and ruins — landscapes of anger and traces of unbelief (landscape and Scripture)." Russian Journal of Church History 1, no. 4 (December 31, 2020): 22–54. http://dx.doi.org/10.15829/2686-973x-2020-4-45.
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The article treats of the experience of using two fundamental motives in architectural semantics — “desert” and “ruin” in order to resolve the hermeneutic paradox, which is peculiar to sacred architecture, considered in the context of Abrahamic tradition: canonical texts related to architecture either prescribe, or describe construction experience. Yet, purely construction motives can be supplemented not only by motives of creation, but also motives of destruction. Thus, the necessary critical (crisis) position of interpretation will be provided, revealing the pre- and post-architectonic dimensions of theophanic experience. The rhetorical topic of “desert” and “ruin” has two dimensions: one deals with phenomena of space and object, and the other with literary metaphors. Both are presented in the article in a threefold sequence: literature is replaced by the theory of memory, which in turn passes the baton to philosophy, primarily the philosophy of space, but also of time, with a return to history, either asserted or cancelled.
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Vaneyan, S. S. "Desert and ruins — landscapes of anger and traces of unbelief (landscape and Scripture)." Russian Journal of Church History 1, no. 4 (December 31, 2020): 22–54. http://dx.doi.org/10.15829/2686-973x-2020-4-45.
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The article treats of the experience of using two fundamental motives in architectural semantics — “desert” and “ruin” in order to resolve the hermeneutic paradox, which is peculiar to sacred architecture, considered in the context of Abrahamic tradition: canonical texts related to architecture either prescribe, or describe construction experience. Yet, purely construction motives can be supplemented not only by motives of creation, but also motives of destruction. Thus, the necessary critical (crisis) position of interpretation will be provided, revealing the pre- and post-architectonic dimensions of theophanic experience. The rhetorical topic of “desert” and “ruin” has two dimensions: one deals with phenomena of space and object, and the other with literary metaphors. Both are presented in the article in a threefold sequence: literature is replaced by the theory of memory, which in turn passes the baton to philosophy, primarily the philosophy of space, but also of time, with a return to history, either asserted or cancelled.
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Markova, Madara. "Landscape sociology as developing academic discipline." Landscape architecture and art 14 (July 16, 2019): 95–101. http://dx.doi.org/10.22616/j.landarchart.2019.14.09.
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The common tendency in higher education is specialisation. Landscape has been subject of interest in sociology from its beginnings, and social aspects are one of mane characteristic parts of landscape. Even more – sociology is strong theoretical basis of landscape architecture. The research is made with aim to understand theoretical basis of landscape sociology as developing academic discipline. Methodology used in research is systematic literature review, which provides range of tools to identify connections in theory. Literature review was done to define landscape sociology as important academic discipline in higher education of landscape architecture. Landscape and sociology as academic disciplines have long history, but landscape sociology as separate discipline is still developing. It is important include landscape sociology in landscape architecture higher education.
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Meishar, Naama. "Up/Rooting: Breaching Landscape Architecture in the Jewish-Arab City." AJS Review 41, no. 1 (April 2017): 89–109. http://dx.doi.org/10.1017/s0364009417000101.
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This article portrays and theorizes a new utterance of landscape architecture within Israeli Jewish-Arab urbanity, which aims to represent the prolonged and multifaceted Palestinian urban loss since 1948 in the design of a major city park. The analysis of design discourses at Jaffa Slope Park examines differing Israeli and Palestinian landscape sign systems. Dominant and breaching landscape architecture utterances in the constructed landscape of the park will be interpreted and theorized in the context of the discursive landscape sign systems, together with the local post-1948 history of urban institutional ruination and planning. The park's design involves both the intensive use and destabilization of a traditional Zionist/Israeli landscape mold that aims at greening’Ereẓ Yisra'eland at concealing ruined pre-1948 Palestinian locales under green shields. Through a close reading of the park's landscape, the paper explores ethical, political, and allegorical utterances of landscape architecture, immersed in both Israeli and Palestinian landscape semiotics, yet undermining these sign systems at the same time.
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Styliadis, Athanasios D., Debbie G. Konstantinidou, and Kyriaki A. Tyxola. "eCAD System Design - Applications in Architecture." International Journal of Computers Communications & Control 3, no. 2 (January 1, 2008): 204. http://dx.doi.org/10.15837/ijccc.2008.2.2388.
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The rapid advances in learning technologies, computer modeling, multimedia and spatial sciences, as well as the availability of many powerful graphics PCs and workstations, make 3-D modeling-based methods for personalized e-learning with eCAD (modeling) functionality feasible. Personalized eCAD learning is a new term in engineering, environment and architecture education, related to the development of learning educational units (3-D learning objects) with re-usable digital architecture functionality, and introduced to literature for the first time within this paper. In particular, for university education courses in eCAD, digital architecture, design computing and CAAD (reagarding spatial information systems, architectures, monuments, cultural heritage sites, etc.), such a e-learning methodolgy must be able to derive spatial, pictorial, geometric, spatial, topological, learning and semantic information from the target object (a 3-D model) or scene (a 3-D landscape environment) or procedure (a 3-D simulation approach to a phenomenon), in such a way that it can be directly used for e-learning purposes regarding the spatial topology, the history, the architecture, the structure and the temporal (time-based) 3-D geometry of the projected object, scene or procedure. This paper is about the system design of such a e-learning method. For this purpose, the requirements, objectives and pedagogical extensions are presented and discussed. Finaly, a practical project is used to demonstrate the functionality and the performance of the proposed methodology in architecture
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Faleh, Majdi. "Restoration of Tangible and Intangible Artefacts in the Tunisian Landscape: ‘Boutique Hotels’ and the Entrepreneurial Project of Dar Ben-Gacem." Journal of Heritage Management 4, no. 1 (June 2019): 22–35. http://dx.doi.org/10.1177/2455929619852863.
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This research stems from a theoretical study of the Medina of Tunis, as a continuity of the author’s doctoral research. The broader study from which the concepts are drawn is part of a PhD project, in architecture and humanities, focused on the effects of globalization on the Medina of Tunis. Studies and publications of the houses of the Medina of Tunis are lacking from the literature, in the Anglo-Saxon world, thus the interest of the author is to build a new body of knowledge examining historical restoration projects in Tunisia. This research article traces the challenges faced by the Medina of Tunis in the twenty-first century. It does so by evaluating a restoration and conversion project of seventeenth century Dar Ben-Gacem into a boutique hotel or ‘Hotel de Charme’. The project is unique as it reflects an architectural and entrepreneurial initiative of its owners aiming to work alongside the Medina’s small businesses, local artisans and the community at large. In this context, this research examines the architectural and socio-cultural challenges faced by the owners as well as the architects to preserve the identity of the building while diversifying the use of its spaces. This study first examines the history of Dar Ben-Gacem and the transition of the traditional courtyard house into a ‘cosmopolitan’ guest house that attracts visitors and tourists from all cultures and nationalities. Later, it explores the motivations and commitments of the owners to revive tangible and intangible artefacts through architecture as well as the social and cultural entrepreneurship of Tunisia’s rich cultural history. Ultimately, this theoretical study evaluates the challenges faced in such projects to revive the cultural heritage of the house while shaping a ‘story’ of a generation. Restoration projects in the Medina vary in scale and purpose. The consideration of both tangible and intangible artefacts in this historical context is highly important as it delves into the question of heritage in the age of tourism and globalization.
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Aryanto, Rudy, and Idris Gautama So. "Perencanaan Manajemen Lanskap Zonasi Destinasi Wisata Budaya Kota Tua Jakarta." Binus Business Review 3, no. 2 (November 30, 2012): 973. http://dx.doi.org/10.21512/bbr.v3i2.1368.
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Kota Tua is just like other historical old towns in various cities in developing countries, generally preserved even put to improve simultaneously historic and economic value of sustainable revitalization program which involves all stakeholders. The historical value and the architecture of the Kota Tua Jakarta are no less attractive compred to other cities in the world. Thus, Kota Tua has become a historical mainstay tourism destination objects for Jakarta and has broad potential to bring a lot of domestic and foreign tourists. Study on this research describes the identification of direction of planning and development of landscape management in historical tourism destinations of Kota Tua Jakarta. After conducting various studies and literature, then the spatial obtained existing condition, studies the potential of historical tourism, studies history, typology and building reserves, cultural space and Setup zoning patterns, which can be used for consideration and direction for management zoning landscape historical tourism in Kota Tua Jakarta.
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Ben Hilell, Keren, and Yael Allweil. "Infrastructure Development and Waterfront Transformations: Physical and Intangible Borders in Haifa Port City." Urban Planning 6, no. 3 (July 27, 2021): 43–57. http://dx.doi.org/10.17645/up.v6i3.4198.
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Constructed on its natural bay as a fortified Muslim town in the late 18th century, Haifa’s port city transformed into a modern cosmopolitan port city in the second half of the 19th century. Significant technological, administrative, and social changes made Haifa into the transportation and economic hub of northern Palestine: Its harbor, the first in the region, became a gate to the east for commodities, pilgrimages, and ideas. British imperialism enlarged it with landfill areas and added an industrial function, constructing refineries and a connecting pipeline with Iraq. Haifa port served as the main entry port for immigration and goods for the newly founded Israeli state. Privatization and neo-liberalization transformed it from national port to international corporate hub, reshaping both port and city. Individual entrepreneurs, local governments, and imperial actions shaped and reshaped the landscape; perforating new access points, creating porous borders, and a new socioeconomic sphere.<strong> </strong>This process persisted through the Late Ottoman era, the British Mandate, and the Israeli state. From the first Ottoman landfills to the sizeable British harbor of 1933, the market economy led urban planning of Haifa’s waterfront and its adjacent railroad to the current Chinese petrol-harbor project. What were the city’s tangible and intangible borders? How did these changes, influenced by local and foreign agendas, unfold? Tapping into built-environment evidence; archival documents (architectural drawings, plans, maps, and photographs); and multidisciplinary academic literature to examine Haifa’s urban landscape transformation, this article studies the history of Haifa’s planned urban landscape—focusing on transformations to the port and waterfront to adjust to new technologies, capital markets, and political needs. We thus explore Haifa port history as a history of porosity and intangibility—rather than the accepted history of European modernization—building upon theoretical literature on global networks and urban form, regional dynamics of port cities, and tangible and intangible border landscapes.
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Merino del Río, Rebeca. "Opportunities and precautions in the implementation of GIS-based analysis tools to cultural landscape restoration." Abstracts of the ICA 2 (October 9, 2020): 1–2. http://dx.doi.org/10.5194/ica-abs-2-44-2020.
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Abstract. The protection of cultural and natural heritage has been extended to the surrounding landscape in the last decades. This tendency has been corroborated by a series of International Charters and the European Landscape Convention (ELC) of 2000. Despite protection, management and planning proposed by ELC some structural aspects of the territory have been disregarded because of the frantic enlargement of cities throughout the Twentieth Century. In many cases, urban investments and planning associated to the expansion of the metropolitan areas have overlooked a territorial heritage that is necessary to ensure the cultural landscape regeneration. Cultural itineraries are presented as a landscape architecture strategy for valorising the territorial heritage. Well-targeted design of these itineraries can also contribute to restore the dynamics of cultural landscape formation. Research is focused on the definition of a method for designing cultural itineraries able to restore the dynamics of cultural landscape formation. Particular attention is paid to the areas around the archaeological sites. Because of the territorial scale of the intervention, software based on Geographical Information Systems (GIS) turns out to be the most suitable for representing and analysing complex spatial phenomena. This paper explores the opportunities and precautions that must be taken into account to integrate a GIS-based analysis into the design of a landscape architecture like the cultural itinerary.A systematic review of the scientific literature indexed in those databases with a wider international impact is elaborated in order to analyse the range of opportunities offered by GIS-based software in the area of theoretical and practical research on cultural landscapes. This review allows us to determine the state of the art, as well as to discover those applications and strategies that are generally used for each research field or intended aim. Knowledge of the recent discussions on the matter can be useful in that it can be integrated into the different phases of a method for designing cultural itineraries in an attempt to increase its level of technological innovation.In first place, a sample must be extracted. To this end, a series of parameters must be determined beforehand. It is considered a valid sample that formed by more than one hundred entries, which is representative of the state of the art observed. The sample is examined afterwards in quantitative and qualitative terms. The systematic review is conducted according to the methodology proposed by Gough, Oliver and Thomas (2012, 2013). The databases used to elaborate the systematic review of the scientific literature are Web of Science and Scopus. The definite search is based on the combination in groups of three of four elements: GIS, the component archaeo*, the operation (route OR path) and the expression “cultural landscape”.The questions that are meant to be clarified by means of this systematic review are the following ones. First, to what discipline does the entries belong? Second, what is the research field? Third, what is the scope of application of GIS? And, fourth, what GIS-based functionalities are prevalent? Then the criteria for inclusion and exclusion are determined. The details of the flow of the review process can be observed in the diagram on the slide.The distribution of the results by discipline allows us to observe how most of the articles and papers mainly belongs to the disciplines of archaeology and history. The significative but scant collection of writings that could be identified as belonging to the disciplines of architecture or civil engineering, may be due to the fact that the number of specific journals indexed in those databases is smaller in comparison with other disciplines. Most of the entries that were ruled out, because of the thematic dispersion, belong to the discipline of natural sciences and fail in considering human activity as fundamental in cultural landscape formation. The reduced number of entries belonging to the disciplines of architecture and civil engineering is considered here to be indicative of an unexplored research field.Following a thorough review, it is concluded that the main research field in relation to architecture and civil engineering concerns the technological innovation. In this sense, scientific literature review allows us to conclude that the main field of application of GIS in relation to architecture and civil engineering, when referring to cultural landscapes, is the development of protection, management and planning actions and cataloguing. The qualitative review of these entries has been useful to outline a possible integration of GIS-based functionalities into a method for designing cultural itineraries, as well as to prevent us from following some apparently innovative paths that sometimes lack of a solid scientific basis or that are far from the intended aim.None of the articles and papers focused on the technological innovation in which the scope of application of GIS is the protection, management and planning of cultural landscapes, is centred on the design of cultural itineraries as a landscape architecture strategy. Neither were they focused on the definition of a conceptual framework to guide the design of the cultural itineraries. This allows us to verify the opportunity of a research in which GIS and, more concretely, their analysis tools assist the landscape architect when design is aimed to restore the dynamics of cultural landscape formation.Having detected the main analysis tools that can contribute to cultural itineraries design and having considered in which way they are distributed by field of knowledge, research field and scope of application of GIS, we can then suggest a hypothesis to integrate GIS into our three-step method for designing cultural itineraries. In order to guide the design actions towards the restoration of the dynamics of cultural landscape formation, the methodological approach to the ecological design of settlements set up by different authors of the Società dei Territorialisti/e is taken as a reference. The synthetical structural descriptions that constitute the first part of the method, can benefit from the use of GIS-based analysis tools as they can assist landscape architect in the elaboration and refinement of the narratives about the evolution of the territorial heritage. The use of advanced spatial analysis tools should not be encouraged, however, in the elaboration of the interpretations. GIS software is used, both in the identity interpretations and the strategic scenario (the second and third phases of the method), as a visualisation and graphic representation tool. Basic functionalities allow us to manipulate and simultaneously observe different georeferenced datasets that can support the architect’s interpretative work of synthesis. As so many qualitative and sensitive factors should be taken into account when interpreting the process of cultural landscape formation, landscape architect’s design cannot rely on the abstract result of a GIS-based advanced spatial analysis. Although the use of algorithms is defended to lead to more precise results based on quantitative indicators, under no circumstances may the design of a landscape architecture be constrained by them, as identity features that have determined cultural landscape formation can hardly be codified.After an in-depth review, it is concluded that the success and efficiency of the method depends on the careful balance between the designer’s interpretation and the scope of application of the information technologies. It is defended that the automated result of applying advanced spatial analysis tools cannot supply the required interpretative work of the architect who pursues to restore the dynamics of cultural landscape formation through the design of cultural itineraries. Like any other operation of restauro, this restitution is subjective as it entails a revision of the past that should be necessarily interpretative. Thus, the use of predictive models based on the application of algorithms are discouraged in the interpretative phases because of the structural and historical complexity associated to the construction of the territory and landscape. Also, reluctance to ground the method on the implementation of GIS-based analysis tools lies in the fact that the highest levels of efficiency are meant to be obtained by focusing on the methodological innovation rather than on the technological one. GIS-based analysis tools integration into the different phases of the method for designing cultural itineraries mainly follows to ease the visualisation and comprehension of complex spatial processes that take place on the territory and it is always subsumed to the designer’s interpretative work.
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Alanen, Arnold R. "Architecture and Landscapes in Colombia: The Viability of the Vernacular." Journal of Popular Culture 22, no. 1 (June 1988): 99–119. http://dx.doi.org/10.1111/j.0022-3840.1988.2201_99.x.
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Zinchenko, V. P. "The importance of outdoor lessons for students." E3S Web of Conferences 273 (2021): 12126. http://dx.doi.org/10.1051/e3sconf/202127312126.
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In the article, we consider the problems of teaching painting to students of art specialties in plein air practice. Based on a historical study of the stages of development and formation of landscape as an independent genre in the fine arts, the specifics, and features of teaching the art of painting in the open air are determined. The definition of the concept “Motif in the fine arts” is being clarified. The dependence of the format of practical tasks and stages of work on a pictorial etude on the goals and objectives of teaching painting in the plein air is established. Research methods: analysis of literature on the research problem (art history, theory, and methods of teaching fine arts, etc.); student work performed in plein air practice; works of famous artists; survey of students and teachers. The results of the research can be used in the process of teaching painting to bachelors, masters, and specialists in the field of painting, graphics, design, architecture.
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HUGHES, J. "Deconstructing the bomb: recent perspectives on nuclear history." British Journal for the History of Science 37, no. 4 (December 2004): 455–64. http://dx.doi.org/10.1017/s0007087404006168.
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John Canaday,The Nuclear Muse: Literature, Physics, and the First Atomic Bombs. Madison: University of Wisconsin Press, 2000. Pp. xviii+310. ISBN 0-299-16854-9. £19.50.Septimus H. Paul,Nuclear Rivals: Anglo-American Atomic Relations 1941–1952. Columbus: Ohio State University Press, 2000. Pp. ix+266. ISBN 0-8142-0852-5. £31.95.Peter Bacon Hales,Atomic Spaces: Living on the Manhattan Project. Urbana and Chicago: University of Illinois Press, 1997. Pp. 448. ISBN 0-252-02296-3. £22.00.A decade after the end of the Cold War, the culture and technology of nuclear weapons had lost much of the overt sense of dread they once inspired. The decline in international tension following the end of the communist regimes of the Soviet bloc produced a massive shift in the ideology of the nuclear in the 1990s. The de-targeting and dismantling of large numbers of nuclear weapons and the demise of the threat of nuclear annihilation created new conditions both for international security and for the writing of nuclear history. With the declassification and release of large quantities of official documentation from the former adversaries, as well as the fiftieth anniversary of the bombings of Hiroshima and Nagasaki in 1995, a burst of histories of various aspects of the nuclear age have appeared over the last ten years, exploring not just the technopolitics, strategy and operational logistics of the Cold War and the arms race, but the cultural history of the nuclear age, its imagery, its architecture, its oppositional politics and its effects on the landscape, national and regional economies and cultures and indeed everyday life. At a time of global economic and political uncertainty and the emergent threat of capricious international terrorism and new nuclear proliferation, the apparent certainties of the Cold War now even evoke a certain nostalgia, and its artefacts and structures are being recast as ‘heritage’.
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McInnis, Jarvis C. "Black Women’s Geographies and the Afterlives of the Sugar Plantation." American Literary History 31, no. 4 (2019): 741–74. http://dx.doi.org/10.1093/alh/ajz043.
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Abstract This essay examines how several contemporary black women artists—Attica Locke, Natalie Baszile, Beyoncé, Ava DuVernay, and Kara Walker—interrogate the afterlives of the sugar plantation in present day literature, performance, and visual art. Drawing on Katherine McKittrick’s conceptualization of “black women’s geographies,” I show how these artists turn to the landscape and built environment of the sugar plantation and factory to restore black women and the US South to the global history of sugar. Part one, “Plantation Pasts,” examines Locke’s 2012 novel, The Cutting Season, alongside Kara Walker’s 2014 installation, A Subtlety, or the Marvelous Sugar Baby, as critiques of the sugar plantation’s ongoing economic viability through plantation tourism and modern agribusiness. By foregrounding a “logic of perishability” that insists on the plantation’s dissolution and demise, Locke and Walker interrogate these sugar plantation afterlives to exhume, expose, and ultimately revise buried histories of racial dispossession and consumption in the US and global sugar industries. Part two, “Plantation Futures,” examines how Natalie Baszile’s 2014 novel, Queen Sugar, its television adaptation created by Ava DuVernay, and several of Beyoncé’s music videos—“Déjà Vu” (2006), “Formation” (2016), and the visual album Lemonade (2016)—“return” to Louisiana’s sugar plantation geographies to confront the violent histories of slavery and Jim Crow and to reconcile African Americans’ contentious relationship to land, agriculture, and contemporary southern identity in the post-Civil Rights era. Given the limits of colonial and state archives of slavery, I argue that these artists reestablish the landscape and architecture of the sugar plantation and factory as counter-archives, wherein the slave cabin, big house, refinery, and cane fields are figured as contested sites of official history and memory. In doing so, they “respatialize” hegemonic geographies, exposing and indicting the persisting legacies of racial-sexual dispossession and violence, on one hand, and positing embodied practices of pleasure, mourning, and collectivity as modes of “reterritorialization” on the other, imagining a new relationship to land, agriculture, and the earth.
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Frost, Mark. "“THE CIRCLES OF VITALITY”: RUSKIN, SCIENCE, AND DYNAMIC MATERIALITY." Victorian Literature and Culture 39, no. 2 (May 18, 2011): 367–83. http://dx.doi.org/10.1017/s1060150311000040.
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The days have passed inwhich John Ruskin's scientific writings were deemed secondary and separate to his art, architecture, or politics, but his science still tends to be viewed predominately via the prism of his later natural history, with its characteristically virulent opposition to Darwin and materialism, and in relation to his application of typological exegesis to landscape study. I would argue that an approach is required that situates Ruskin's response to Darwin against the background of his entire career in scientific writing and that seeks to clarify the relationship between the various influences which informed his engagement with environment. While this article cannot pursue such an analysis in full, it outlines some key reasons for its necessity. Through examination of significant 1843 correspondence and related works, I will call in particular for a re-evaluation of the degree to which Ruskin engaged in modern scientific methods and approaches. In doing so, I will suggest that Ruskin's later anti-materialism did not represent a seamless continuation of a long-established attitude to science and nature, but something of a discontinuity, in which, faced with the implications of evolutionary theory, he attempted to reject not just Darwinism, but many of the elements that had made his own work in science distinctive, convincing, and attuned to modernity, materiality, and process.
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Carse, Ashley, and David Kneas. "Unbuilt and Unfinished." Environment and Society 10, no. 1 (September 1, 2019): 9–28. http://dx.doi.org/10.3167/ares.2019.100102.
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Infrastructures have proven to be useful focal points for understanding social phenomena. The projects of concern in this literature are often considered complete or, if not, their materialization is assumed to be imminent. However, many—if not most—of the engineered artifacts and systems classified as infrastructure exist in states aptly characterized as unbuilt or unfinished. Bringing together scholarship on unbuilt and unfinished infrastructures from anthropology, architecture, geography, history, and science and technology studies, this article examines the ways in which temporalities articulate as planners, builders, politicians, potential users, and opponents negotiate with a project and each another. We develop a typology of heuristics for analyzing the temporalities of the unbuilt and unfinished: shadow histories, present absences, suspended presents, nostalgic futures, and zombies. Each heuristic makes different temporal configurations visible, suggesting novel research questions and methodological approaches.
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Szilágyi, Kinga, Chaima Lahmar, Camila Andressa Pereira Rosa, and Krisztina Szabó. "Living Heritage in the Urban Landscape. Case Study of the Budapest World Heritage Site Andrássy Avenue." Sustainability 13, no. 9 (April 22, 2021): 4699. http://dx.doi.org/10.3390/su13094699.
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Historic allées and urban avenues reflect a far-sighted and forward-thinking design attitude. These compositions are the living witnesses of olden times, suggesting permanence. However, the 20th century’s urban development severely damaged the environment, therefore hundred-year-old mature trees are relatively rare among city avenues’ stands. Due to the deteriorated habitat conditions, replantation may be necessary from time to time. However, there are a large number of replanted allées and urban avenues considered historical monuments, according to the relevant international literature in urban and living heritage’s preservation. The renewal often results in planting a different, urban tolerant taxon, as seen in several examples reviewed. Nevertheless, the allée remains an essential urban structural element, though often with a changed character. The Budapest Andrássy Avenue, a city and nature connection defined in the late 19th century’s urban landscape planning, aimed to offer a splendid link between city core and nature in Városliget Public Park. The 19–20th century’s history and urban development are well documented in Hungarian and several English publications, though current tree stock stand and linear urban green infrastructure as part of the urban landscape need a detailed survey. The site analyses ran in 2020–early 2021 created a basis for assessing the allées and the whole avenue as an urban ecosystem and a valuable case study of contemporary heritage protection problems. Andrassy Avenue, the unique urban fabric, architecture, and promenades have been a world heritage monument of cultural value since 2002. The allées became endangered despite reconstruction type maintenance efforts. The presented survey analyses the living heritage’s former renewal programs and underlines the necessity of new reconstruction concepts in urban heritage protection. We hypothesize that urban green infrastructure development, the main issue in the 21st century to improve the urban ecological system and human liveability, may support heritage protection. The Budapest World Heritage Site is worthwhile for a complex renewal where the urban green ecosystem supply and liveable, pedestrian-friendly urban open space system are at the forefront to recall the once glorious, socially and aesthetically attractive avenue.
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Ehrlich, Tracy L. "Raffaella Fabiani Giannetto. Medici Gardens: From Making to Design. Penn Studies in Landscape Architecture. Philadelphia: University of Pennsylvania Press, 2008. x+306 pp. index. append. illus. $55. ISBN: 978–0–8122–4072–6." Renaissance Quarterly 62, no. 3 (2009): 937–39. http://dx.doi.org/10.1086/647426.
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Marina, Areli. "From the Myth to the Margins: The Patriarch’s Piazza at San Pietro di Castello in Venice*." Renaissance Quarterly 64, no. 2 (2011): 353–429. http://dx.doi.org/10.1086/661795.
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AbstractThis study analyzes the campo of San Pietro di Castello from its mythologized origins to the Renaissance, paying particular attention to the architectural and political forces that shaped it. Although San Pietro was Venice’s cathedral from the ninth to the nineteenth centuries, civic leaders marginalized the site, which incarnated the contentious relationship between the Roman Church and the Venetian republic. The essay places the campo at the center of inquiry because the episcopal complex’s significance is best discerned through diachronic analysis of the urban landscape. The building activities of its medieval and Quattrocento patrons generated a heterogeneous campo that incorporated morphological elements from two Venetian urbanistic types: the parish campo and the monastic island. Its sixteenth-century patriarchs created a new architectural vision of the campo, contesting its slippage from the center of Venetian life and forging a distinctive ensemble that differs markedly from the better-known piazzas at San Marco and Rialto.
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Gjuroski, Milosh. "Consumer - Oriented Street Furniture Design: Effects on the Identity of Urban Landscapes." South East European Journal of Architecture and Design 2018 (July 10, 2018): 84. http://dx.doi.org/10.3889/seejad.2018.10039.
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This master's thesis aims to analyze the effects of street furniture on the identity of urban landscapes and to develop a corresponding consumer-centred street furniture design solution. An understanding of three key aspects is necessary for the development of consumer-oriented street furniture which positively creates or co-creates the identity of the public space. These three aspects are: i) the users’ needs, preferences and perceptions; ii) meaning of, functions of, and interaction with street furniture; and iii) influence on the image and identity of the urban area. Historical overview, current trends, principles of street furniture design, criteria, consumer behaviour and behaviour of other stakeholders are presented in the chapter analysis and research. An overview of the most important principles of development of street furniture products - ergonomics, adaptability, inclusive design, modularity, bionics, eco-design, socialization and product life cycle - is also provided. The research and analysis consist of a literature review, survey, and concept evaluation by a multidisciplinary team of experts. First, key principles for the design of street furniture were identified based on the literature review and conducted the survey. Next, concepts were developed based on the survey and literature review findings. Last, following best practices in leading product design companies, these concepts were evaluated by a multidisciplinary group of experts in the fields of product design, architecture and urbanism, sociology, history of art, graphic design and local government. The evaluation was implemented through semi-structured interviews as part of which segmental grades and suggestions were developed for each concept. Based on the research, it can be concluded that the influence of street furniture on urban identity is twofold: through the creation of landmark and through the development of sentiment of belonging. Finally, the best-evaluated concept was developed, detailed and visually presented
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Ingerpuu, Laura. "Comparing the socialist rural architecture of the Baltic States: the past and the future of the administrative-cultural centres of collective farms." SHS Web of Conferences 63 (2019): 11004. http://dx.doi.org/10.1051/shsconf/20196311004.
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Collectivisation of agriculture in Estonia, Latvia and Lithuania was a drastic change that shaped rural built landscapes of the Baltic countries for five decades. Although Estonia, Latvia and Lithuania have been independent states, and collective farming has been abolished for almost thirty years now, the physical legacy of collective farms still exists. This paper examines what are the present processes in terms of preservation and valorisation of collective farm architectural heritage in the Baltic States. The focus of the analysis is on the administrativecultural buildings of the collective farms, built between the 1960s and 1990s, which represent the modernist and postmodernist rural architectural gems. I compare the context of the establishment of the administrative-cultural centres in Estonia, Latvia and Lithuania as well as developments in reuse and protection of these buildings after the abolishment of collective farming. I also analyse today's situation in terms of acceptance of this socialist legacy as a meaningful part of the history. My study is based on the field work in the relevant countries, available literature and data, and interviews conducted with the heritage conservation experts and researchers in this field.
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Montalban Bravo, Guillermo, Rashmi Kanagal-Shamanna, Christopher B. Benton, Simona Colla, Irene Ganan-Gomez, Koji Sasaki, Farhad Ravandi, et al. "Mutational and Clonal Landscape of Acute Myeloid Leukemia with Myelodysplastic Related Changes." Blood 132, Supplement 1 (November 29, 2018): 1514. http://dx.doi.org/10.1182/blood-2018-99-119899.
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Abstract INTRODUCTION: Acute myeloid leukemia (AML) with myelodysplasia-related changes (AML-MRC) is a subtype of AML within the WHO classification system defined by morphologic, cytogenetic and clinical features. Although cytogenetic abnormalities define this group, there is little knowledge on the mutational landscape and clonal architecture of this heterogeneous group of leukemias. METHODS: We evaluated all patients (pts) with AML-MRC diagnosed and treated at The University of Texas MD Anderson Cancer Center from April 2017 to May 2018. All patients underwent conventional metaphase karyotyping. Somatic mutation analysis was done by use of an 81-gene targeted amplicon-based next generation sequencing (NGS) platform using whole bone marrow mononuclear cells. Previously described somatic mutations registered at the Catalogue of Somatic Mutations in Cancer (COSMIC) and other databases, as well as literature were considered as potential drivers. Variant allele frequency (VAF) estimates were used to evaluate clonal variant relationships. In mutations with likely loss of heterozygosity (VAF >60%), VAFs were adjusted according to zygosity. Clonal relationships were tested using Pearson goodness-of-fit tests with heterogeneity being defined in pts with goodness-of-fit p values <0.05. Mutations with significantly higher VAF in pts with p<0.05 where defined as dominant and those with significantly lower VAF as minor. RESULTS: A total of 95 pts with AML-MRC were included. Median age at diagnosis was 70 years (range 28-84). Diagnosis of AML-MRC was based on MDS-defining cytogenetic abnormalities in 30 (32%) patients, presence of >50% dysplasia in at least 2 lineages in 21 (22%) pts and due to history of prior myelodysplastic syndrome (MDS) or myelodysplastic/myeloproliferative neoplasm (MDS/MPN) in 44 (46%) pts. Among pts with a prior history of MDS or MDS/MPN, 23 (52%) had received therapy with hypomethylating agents, 1 (2%) with lenalidomide and 3 (7%) with ruxolitinib. Median bone marrow blast percentage on aspirate was 33% (range 1-94%). A total of 55 (58%) pts had complex karyotype, with 19 (20%) having monosomy 5 or del(5q), 14 (15%) having monosomy 7 or del(7q) and 18 (19%) having both. A total of 260 mutations were identified among 90 pts. The most frequently mutated gene was TP53, present in 43% of pts, followed by ASXL1, NRAS, DNMT3A, SRSF2, TET2 and U2AF1, all present in >10% pts (Figure A). The median number of detectable mutations was 2 (range 0-8) with 21 (22%) pts having 1 mutation, 28 (30%) 2, 15 (16%) 3, 9 (10%) 4, 7 (7%) 5, 6 (6%) 6, 1 (1%) 7 and 3 (3%) 8 mutations. Mutations in TP53 were more commonly observed in pts in whom the diagnosis of AML-MRC was due to cytogenetic abnormalities (p=0.001). In addition, mutations in RUNX1 were more commonly observed in pts with a known prior history of MDS (p=0.038). Mutations in ASXL1 were significantly associated with NRAS (r=0.338, p=0.01), SETBP1 (r=0.471, p<0.001), STAG2 (r=0.54, p<0.001) and SRSF2 (r=0.337, p=0.001) mutations. A significant association was found between STAG2 and U2AF1 mutations (r=0.438, p<0.001). Variant allele frequencies of identified mutations in genes found to be mutated in at least 4 pts are shown in Figure B. Clonal relationships were studied among pts with 2 or more detectable mutations (n=69). Among these, 44 pts (64%) were found to have clonal heterogeneity with presence of multiple clones. Clonal dominance of identified mutations is shown in Figure C. Mutations in ASXL1, BCOR, IDH1, SF3B1, SRSF2, TP53 and U2AF1 tended to appear in dominant clones while mutations In IKZF1, JAK2, KRAS, NRAS and PTPN11 were more commonly observed within minor clones. CONCLUSION: AML-MRC is a heterogeneous sub-type of AML with diverse mutational abnormalities. Further characterization of molecular abnormalities and their clonal context may define distinct subgroups within this WHO entity. Figure. Figure. Disclosures Colla: Abbvie: Research Funding. Sasaki:Otsuka Pharmaceutical: Honoraria. Ravandi:Amgen: Honoraria, Research Funding, Speakers Bureau; Abbvie: Research Funding; Orsenix: Honoraria; Abbvie: Research Funding; Sunesis: Honoraria; Xencor: Research Funding; Seattle Genetics: Research Funding; Amgen: Honoraria, Research Funding, Speakers Bureau; Macrogenix: Honoraria, Research Funding; Astellas Pharmaceuticals: Consultancy, Honoraria; Seattle Genetics: Research Funding; Sunesis: Honoraria; Macrogenix: Honoraria, Research Funding; Jazz: Honoraria; Astellas Pharmaceuticals: Consultancy, Honoraria; Xencor: Research Funding; Orsenix: Honoraria; Jazz: Honoraria; Bristol-Myers Squibb: Research Funding; Bristol-Myers Squibb: Research Funding. Kadia:Novartis: Consultancy; Amgen: Consultancy, Research Funding; Pfizer: Consultancy, Research Funding; Takeda: Consultancy; Abbvie: Consultancy; Jazz: Consultancy, Research Funding; Abbvie: Consultancy; BMS: Research Funding; Celgene: Research Funding; Amgen: Consultancy, Research Funding; Jazz: Consultancy, Research Funding; Pfizer: Consultancy, Research Funding; BMS: Research Funding; Novartis: Consultancy; Takeda: Consultancy; Celgene: Research Funding. Cortes:novartis: Research Funding. Daver:Kiromic: Research Funding; Pfizer: Consultancy; Karyopharm: Consultancy; Novartis: Consultancy; Daiichi-Sankyo: Research Funding; ImmunoGen: Consultancy; Incyte: Consultancy; ARIAD: Research Funding; Alexion: Consultancy; Novartis: Research Funding; Sunesis: Consultancy; Karyopharm: Research Funding; Otsuka: Consultancy; Sunesis: Research Funding; BMS: Research Funding; Pfizer: Research Funding; Incyte: Research Funding. DiNardo:Medimmune: Honoraria; Abbvie: Honoraria; Karyopharm: Honoraria; Agios: Consultancy; Celgene: Honoraria; Bayer: Honoraria. Jabbour:novartis: Research Funding. Konopleva:Stemline Therapeutics: Research Funding; cellectis: Research Funding; Immunogen: Research Funding; abbvie: Research Funding.
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Nia, Hourakhsh Ahmad. "A Comprehensive Review on the Effects of COVID-19 Pandemic on Public Urban Spaces." Architecture and Urban Planning 17, no. 1 (January 1, 2021): 79–87. http://dx.doi.org/10.2478/aup-2021-0008.
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Abstract COVID-19, evidently the world’s worst pandemic during the last two centuries, has predicated several challenges for urban designers, especially in their bid to find appropriate designing strategies. Even though there are umpteenth studies in the literature that have focused on the different aspects of COVID-19 related pandemics, very scant studies sought to find appropriate mitigating strategies in designing pandemic friendly urban spaces. Thus, through qualitative grounded theory as a main methodological approach, this study hypothesized that the COVID-19 induced pandemic has direct effects on the liveability of public spaces. Accordingly, by developing a comprehensive review of the literature on the environmental and socio-economic effects of the pandemic, this study proposed a comprehensive framework for understanding its side effects and a comprehensive mitigating strategy to deal with it in the short and long term of designing a healthy urban environment.
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Browne, Ray B. "Invitation to Vernacular Architecture: A Guide to the Study of Ordinary Buildings and Landscapes by Thomas Carter and Elizabeth Collins Cromley." Journal of American Culture 29, no. 3 (September 2006): 380–81. http://dx.doi.org/10.1111/j.1542-734x.2006.00391.x.
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Radomski, Grzegorz. "Ochrona kultury narodowej w koncepcjach współczesnej prawicy narodowej w Polsce." Sprawy Narodowościowe, no. 47 (January 29, 2016): 15–25. http://dx.doi.org/10.11649/sn.2015.061.
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Protection of natural culture in concepts of the contemporary National Right Wing in PolandIn the centre of the system of values of the National Right Wing which revived after 1989 there are still nation, family and religion. The nation as community of culture is in opinion of the said parties exposed to dangers. The main risks are in their opinion as follows: cosmopolitism, Communist ideology, individualism, liberalism; secularization.In Poland, such ideas are, in the opinion of the National Right Wing, propagated by the liberal and post-communist circles. In the beginning they demanded that the communist activists are brought to justice. Some columnists refer to antisemitism. They perceive also the fall of the literary output. They assess critically the novels of Czesław Miłosz, Stanisław Barańczak or Olga Tokarczuk. Similar assessments regard the works of Polish historians. As preventive measures the following is mentioned: appropriate educational activity, statutory protection of national heritage, broadening of Catholicism, promotion of national culture. They attach great importance to the national branding. Its components are history, language, political regime, architecture, literature, art, religion, icons landscape, music. They would probably accept the opinion of Michael Porter: “Many contemporary discussions of international competition stress global homogenization and a diminished role for nations. But, in truth, national differences are at the heart of competitive success.” Ochrona kultury narodowej w koncepcjach współczesnej prawicy narodowej w PolsceW centrum systemu wartości odrodzonego po 1989 roku ruchu narodowego pozostają naród, rodzina i religia. Naród, traktowany jako wspólnota kultury, narażony jest w ocenie wspominanych wyżej środowisk na liczne zagrożenia. Za najgroźniejsze uznają one: kosmopolityzm, ideologię komunistyczną, indywidualizm, liberalizm, sekularyzację. W Polsce wspomniane idee mają być propagowane przez środowiska liberalne i postkomunistyczne. W wypowiedziach publicystów narodowych pojawiają się także akcenty antysemickie. Krytyczna ocena dotyczy też współczesnej polskiej literatury, a zwłaszcza twórczości Czesława Miłosza, Stanisława Barańczaka czy Olgi Tokarczuk. Podobne oceny odnoszone są do prac polskich historyków. Za istotną uznano więc puryfikację kultury narodowej. Wśród środków zaradczych środowiska narodowe proponują: rozwój edukacji historycznej, ochronę dziedzictwa narodowego, rozwój katolicyzmu i promocję kultury narodowej. W tym ostatnim wypadku za niezwykle ważny uznają one branding narodowy. Jego podstawowe składniki to historia, język, architektura, krajobraz, reżim polityczny itp. Polscy narodowcy zapewne zaakceptowaliby opinię sformułowaną przez Michaela Portera. Twierdzi on, iż co prawda nastąpiła globalna homogenizacja, ale podkreślanie odrębności narodowej jest źródłem sukcesu.
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Upton, Dell. "Architectural History or Landscape History?" Journal of Architectural Education (1984-) 44, no. 4 (August 1991): 195. http://dx.doi.org/10.2307/1425140.
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Davies, Christie. "Death redesigned, British crematoria: History, architecture and landscape." Mortality 12, no. 3 (August 2007): 316–18. http://dx.doi.org/10.1080/13576270701430809.
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Kapper, Thomas, and Richard Chenoweth. "Landscape Architecture and Societal Values: Evidence from the Literature." Landscape Journal 19, no. 1-2 (2000): 149–55. http://dx.doi.org/10.3368/lj.19.1-2.149.
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Streatfield, David C. "The History of Landscape Architecture: The Art and Aesthetics of the Landscape." Forest & Conservation History 32, no. 4 (October 1988): 212–14. http://dx.doi.org/10.2307/4005038.
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Swanson, L. Tyler. "Directed Landscapes: History and Theater in Contemporary Landscape Architecture." Studies in the History of Gardens & Designed Landscapes 31, no. 4 (October 2011): 286–93. http://dx.doi.org/10.1080/14601176.2011.594359.
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Fox, Stephen, and Carl R. Lounsbury. "An Illustrated Glossary of Early Southern Architecture and Landscape." Journal of Southern History 61, no. 3 (August 1995): 571. http://dx.doi.org/10.2307/2211877.
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Kelly, William P., and Alfred Kazin. "A Writer's America: Landscape in Literature." Journal of American History 76, no. 3 (December 1989): 898. http://dx.doi.org/10.2307/2936439.
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Williams, Maggie M. "Howard Williams, Joanne Kirton, and Meggen Gondek, eds., Early Medieval Stone Monuments: Materiality, Biography, Landscape. (Boydell Studies in Medieval Art and Architecture.) Woodbridge, UK: Boydell, 2015. Pp. xiv, 279; many black-and-white figures and 4 tables. $99. ISBN: 978-1-78327-074-3. Table of contents available online at https://boydellandbrewer.com/early-medieval-stone-monuments-hb.html." Speculum 93, no. 4 (October 2018): 1270–71. http://dx.doi.org/10.1086/699745.
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Lounsbury, Carl R., and Matthew Johnson. "Housing Culture: Traditional Architecture in an English Landscape." William and Mary Quarterly 51, no. 3 (July 1994): 558. http://dx.doi.org/10.2307/2947449.
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Rothman, Hal, and Ethan Carr. "Wilderness by Design: Landscape Architecture and the National Park Service." Western Historical Quarterly 30, no. 2 (1999): 236. http://dx.doi.org/10.2307/970517.
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Wilson, Richard Guy, Carl R. Lounsbury, and Vanessa E. Patrick. "An Illustrated Glossary of Early Southern Architecture and Landscape." William and Mary Quarterly 51, no. 4 (October 1994): 805. http://dx.doi.org/10.2307/2946953.
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Sozina, Elena K. "GEOPOETICS OF THE NATIONAL LANDSCAPE IN RUSSIAN LITERATURE." Ural Historical Journal 67, no. 2 (2020): 99–106. http://dx.doi.org/10.30759/1728-9718-2020-2(67)-99-106.
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Daniels, Stephen. "Landscape History: Material and Metaphorical Regimes." Journal of the Society of Architectural Historians 65, no. 1 (March 1, 2006): 16–17. http://dx.doi.org/10.2307/25068231.
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Leibiger, S. "George Washington's Eye: Landscape, Architecture, and Design at Mount Vernon." Journal of American History 100, no. 1 (June 1, 2013): 186–87. http://dx.doi.org/10.1093/jahist/jat018.
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Ross, Stephanie, and John Dixon Hunt. "Gardens and the Picturesque: Studies in the History of Landscape Architecture." Journal of Aesthetics and Art Criticism 52, no. 2 (1994): 250. http://dx.doi.org/10.2307/431178.
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Major, Judith K. "Gardens and the Picturesque: Studies in the History of Landscape Architecture." Journal of Architectural Education 48, no. 1 (September 1994): 67–69. http://dx.doi.org/10.1080/10464883.1994.10734624.
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Major, Judith K., and John Dixon Hunt. "Gardens and the Picturesque: Studies in the History of Landscape Architecture." Journal of Architectural Education (1984-) 48, no. 1 (September 1994): 67. http://dx.doi.org/10.2307/1425311.
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Fu, Albert S. "Contradictions in California’s orientalist landscape: Architecture, history and Spanish-Colonial Revival." Cities 28, no. 4 (August 2011): 340–46. http://dx.doi.org/10.1016/j.cities.2010.09.003.
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Yang, B. E. "Landscape architecture: An illustrated history in timelines, site plans, and biography." Landscape and Urban Planning 29, no. 1 (June 1994): 71–72. http://dx.doi.org/10.1016/0169-2046(94)00165-0.
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SUBTELNY, M. E. "Mīrak-i Sayyid Ghiyāsand the Timurid Tradition of Landscape Architecture." Studia Iranica 24, no. 1 (January 1, 1995): 19–60. http://dx.doi.org/10.2143/si.24.1.2003982.
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Long, Yan, and Rong Ke Jin. "Recommendations on Promoting the Landscape Architecture Esthetics Research in China." Applied Mechanics and Materials 295-298 (February 2013): 701–7. http://dx.doi.org/10.4028/www.scientific.net/amm.295-298.701.
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This article reviews the landscape esthetics research in China in the last thirty years by collecting and listing the domestic journals concerning landscape esthetics and related literature since 1980. It analyzes and surmises the disadvantages and characteristics in the current situation of research on landscape esthetics in China. In order to solve the problems of vague subject in the research of landscape esthetics in China, as well as the complexity and variation in the scale of research objects, the authors propose that the concept of “landscape esthetics” should be renamed to “landscape architecture esthetics” in domestic academic research, recommending the improvement of theoretical research framework on landscape esthetics. Finally, it ends with an attempt to prospect the research on landscape esthetics in China.
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Pritchard, James A., Ethan Carr, and Linda Flint McClelland. "Wilderness by Design: Landscape Architecture and the National Park Service." Environmental History 3, no. 4 (October 1998): 541. http://dx.doi.org/10.2307/3985218.
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Huo, Dan, and Fan Yang. "Application of Western Surrealistic in Design of Landscape Architecture." Applied Mechanics and Materials 226-228 (November 2012): 2394–97. http://dx.doi.org/10.4028/www.scientific.net/amm.226-228.2394.
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Surrealism was the twentieth century’s longest lasting art movement in the arts. It explored the mysterious dream world of the unconscious mind. Surrealist works depict a familiar yet alien world of dreamlike serenity and nightmarish fantasy, and their legacy pervades much of contemporary art, literature, film and popular culture. As a representation of irrational aesthetics in the modern art trends, it is worthwhile to study the influence and construction of Surrealism in modern landscape architecture. This paper explores the modern landscape form under the influence of Surrealism Art by analyzing and investigating the intrinsic relationship between Surrealist Art and the modern landscape architecture. Besides that, this paper described the connection between surreal spirit and Chinese landscape architecture design term metaphor of “presence”.
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Horrigan, Paula. "SYMPOSIUM ON HISTORY IN LANDSCAPE ARCHITECTURE: WHAT DO WE EXPECT TO LEARN FROM OUR HISTORY?" Landscape Journal 14, no. 1 (1995): 111–14. http://dx.doi.org/10.3368/lj.14.1.111.
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Dormidontova, V. V., and K. I. Kuznetsova. "Architectural landscape ensemble of Pioneer palace on Vorobyovy gory. History and modernity." FORESTRY BULLETIN 24, no. 5 (October 2020): 12–19. http://dx.doi.org/10.18698/2542-1468-2020-5-12-19.
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This article deals with the problem of the significance of the Soviet period in the development of landscape architecture in our country and abroad. The object of research is the architectural and landscape ensemble of the Palace of pioneers on the Vorobyovy gory. To determine the origins and compositional value of this object, the stages in the development of Soviet landscape architecture are traced. The first stage is characterized — the period of constructivism in 1920–1930, which formed typologically new objects of landscape architecture — parks of culture and recreation, and had a decisive influence on the development of modernism throughout the world. The study of the works of Soviet landscape architects L.A. Ilyin, M.P. Korzhev, V.I. Dolganov, and M.I. Prokhorova revealed the techniques of architectural and landscape organization of objects of this period: functionality, conciseness, dynamics, asymmetry and scale. It is shown that the Palace of pioneers on the Vorob’ovy gory is one of the striking examples of the second stage, which came after the great Patriotic war, inheriting the techniques of constructivism and bearing the civilizational signs of the Soviet era in Russia. A comparative compositional analysis of its architectural and landscape composition in the past and present is carried out. The techniques by which the Palace of pioneers on the Vorobуovy gory had the quality of an ensemble are highlighted.