Relevant bibliographies by topics / Literature Literature Consciousness

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Literature Literature Consciousness'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 January 2023

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Journal articles on the topic "Literature Literature Consciousness"

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Amer, Enas subhi. "Literature and Ecology: Promoting an Eco-Consciousness through Children Literature." International Journal of Language and Literary Studies 4, no. 3 (2022): 192–201. http://dx.doi.org/10.36892/ijlls.v4i3.993.

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The study scrutinises intermingled relations between children literature and some ecological issues. Such interwoven relationships would be highly recommended to encourage children to explore and identify themselves with nature from early ages to avoid facing an extreme experience later on. The research limits its scope to two novels Suzanne Collins’ (1962) The Hunger Games trilogy (2003-2007) and William Golding’s (1911-1993) Lord of the Flies (1954), and both novels have no direct connections with Ecology and the Eco-consciousness, yet it offers an insightful description about Man’s experience with Nature. Moreover, it raises serious moral questions, raises awareness, heals wounds and suggests solutions for the problems that are both cultural and physical about man’s interactions with nature. The study narrows its theoretical methodology to the thematic contents of literature rather than their form. Nevertheless, theories of ecocriticism such as Serpil Oppermann’s, Cheryll Glotfelty and Harold Fromm are to be mentioned due to their relevance to the main ideas mentioned in the research. The conclusion sums up that the environment is turned to be man’s collective problem rather than a mere didactic issue. This problem is referred to not only as a problem of nature, but also as social, psychological, and cultural problem that negatively affect all components of the earth. It is about a broad perspective which includes human as well as nonhuman nature.
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Baudh, Prashant Kumar. "National Consciousness in Bhojpuri Folk Literature." RESEARCH HUB International Multidisciplinary Research Journal 9, no. 2 (2022): 55–58. http://dx.doi.org/10.53573/rhimrj.2022.v09i02.010.

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Bhojpuri is the most widely spoken language of India. Its folk literature is equally extensive and inexhaustible. There is no consensus on its Bhojpuri nomenclature, but most scholars tell it to be related to 'Bhojpur' village of Ara (Bhojpur) division under the present Vihar province - 'Old Bhojpur' in Bhojpur pargana near Buxar in Shahabad district of Vihar province. There is a village called Now the name Bhojpur is used for the nearby villages named "New Bhojpur" and "Old Bhojpur". Although all the voices of consciousness are visible in Bhojpuri folk-literature, but in Bhojpuri folk-literature the distinctive color of the voices of national consciousness is visible.
 Abstract in Hindi Language: 
 भोजपुरी भारत की सर्वाधिक विस्तार वाली विभाषा है। इसका लोक साहित्य भी उतना ही विस्तृत और अगाध है। इसके भोजपुरी नामकरण पर मतैक्य नहीं मिलता, किन्तु अधिकांश विद्वान इसे वर्तमान विहार प्रान्त के अन्तर्गत ‘‘आरा (भोजपुर) प्रमण्डल के ‘भोजपुर’ ग्राम से संबंद्ध बताते है- विहार प्रान्त के शाहाबाद जिले में बक्सर के पास भोजपुर परगना में ‘पुराना भोजपुर’ नामक ग्राम है। अब भोजपुर नाम ‘‘ नया भोजपुर’’ और ‘‘पुराना भोजपुर’’ नामक पास-पास बसे ग्रामों के लिए व्यवहत होता है। यूं तो भोजपुरी लोक-साहित्य में चेतना के सभी स्वर दिखाई पड़ते है परन्तु भोजपुरी लोक-साहित्य में राष्ट्रीय चेतना के स्वरों का विशिष्ट रंग दिखाई पड़ता है।
 Keywords: भोजपुरी, लोक-साहित्य, राष्ट्रीय चेतना।
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김병건. "Aesthetic Consciousness of Yoon Ki’s literature." DONG-BANG KOREAN CHINESE LIEARATURE ll, no. 49 (2011): 393–429. http://dx.doi.org/10.17293/dbkcls.2011..49.393.

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Жиенбаева, Б. С., and Т. Б. Мажирова. "PAROXYSMAL STATES IN ADULTS (LITERATURE REVIEW)." Vestnik, no. 3 (December 15, 2021): 269–72. http://dx.doi.org/10.53065/kaznmu.2021.91.15.051.

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В данной статье автор рассматривает вопросы пароксизмального расстройства сознания у взрослых, которые выражаются в эпилептических припадках, потери сознания, обморок, панические атаки, расстройства сна. Оценка временных нарушений сознания имеет решающее значение для диагностики эпилептических припадков, обмороков, парасомний, органических энцефалопатий и психогенных непилептических припадков A temporary change in consciousness is the main clinical problem of neurology. Assessment of transient disorders of consciousness is crucial for the diagnosis of epileptic seizures, syncope, parasomnias, organic encephalopathies, and psychogenic non-pictorial seizures. Attacks and other disorders of consciousness converge on a common set of cortical and subcortical structures. These structures constitute the "system of consciousness."Paroxysmal disorders are one of the most important problems of modern clinical medicine, which is characterized by a steady increase in the frequency of these pathological conditions in people of young and middle age and the diagnostic complexity of many conditions. The analysis of modern publications, presented the results of their own observations on the studied problem.
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Kwon, Sung-Hun. "A Study on Poetry Consciousness of American Literature ― Centered on Berkeley Literature." Journal for Oversea Korean Literature 30 (August 31, 2021): 11–36. http://dx.doi.org/10.37643/diaspora.2021.30.1.

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Pokharel, Bhawana. "Diaspora and Diasporic Literature: Condition to Consciousness." Outlook: Journal of English Studies 11 (July 1, 2020): 86–98. http://dx.doi.org/10.3126/ojes.v11i0.36363.

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The term "Diaspora" originated from the experience and state of the Jews of being exiled into many countries back in the eighth century BCE. However, the definition of diaspora derived from the Jewish condition has changed and expanded; so has the concept of diasporic literature. In this context, the aim of this article is to inform the readers that there are some clear lines of demarcation between these key terms namely “Diaspora” and “Diasporic Literature” by showing the discrepancy between these two key terms that are most frequently used and are liable to be conflated in existing and upcoming diaspora discourse due to lack of its deeper understanding. This paper draws from the scholars like Martin Bauman, Robin Cohen, Thomas Faist and Uma Parmeswaran who write on diaspora, and brings it into open discussion among academics whether being a diaspora is a condition or a consciousness? The article discusses how has diasporic literature so far been understood and what are the alternative ways to comprehend it. It concludes that if a piece of literature has some of the qualities of diasporic literature as articulated by Parmeswaran, it will be apt to call it diasporic literature, instead of labeling it as emigrant’s or immigrant’s literature based on the origin, e/(im)migration, station or mobility of the author.
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A.T., Akhmetzhanova. "National and historical consciousness in modern literature." Journal of Oriental Studies 74, no. 4 (2015): 124–28. http://dx.doi.org/10.26577/jos-2015-4-711.

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Parthe, Kathleen, and David Shepherd. "Beyond Metafiction: Self-Consciousness in Soviet Literature." Modern Language Review 90, no. 1 (1995): 268. http://dx.doi.org/10.2307/3733377.

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Bilal, Mushtaq. "Pakistani Literature Festivals and a Scopaesthesiac Consciousness." Journal of World Literature 7, no. 3 (2022): 348–68. http://dx.doi.org/10.1163/24056480-00703004.

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Abstract This paper seeks to understand and theorize Pakistani literature festivals. In order to do so, I study the programs and schedules of the Karachi Literature Festival from 2010–2020 and the Lahore Literary Festival from 2013–2020. Using Andrew Shryock’s idea of Other-consciousness and building on Ammara Maqsood’s anthropological work done in urban Pakistan, I argue that the conception, programming, and execution of festivals like the Karachi and the Lahore festivals are governed by a “scopaesthesiac consciousness” – a consciousness of being observed and judged by an imagined outsider. As a result, the organizers and producers of these festivals are less interested in showcasing an organic literary production and more interested in portraying a “soft image of Pakistan” to an imagined outsider.
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Wachtel, Andrew, and David Shepherd. "Beyond Metafiction: Self-Consciousness in Soviet Literature." Russian Review 53, no. 3 (1994): 443. http://dx.doi.org/10.2307/131211.

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Dissertations / Theses on the topic "Literature Literature Consciousness"

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Marrable, Joseph. "Transpersonal literature." Thesis, Marrable, Joseph (2003) Transpersonal literature. PhD thesis, Murdoch University, 2003. https://researchrepository.murdoch.edu.au/id/eprint/179/.

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What do you get if you apply Ken Wilber's theories of transpersonal psychological development within human consciousness to William Golding's Lord of the Flies or Conrad's Heart of Darkness, or Shakespeare's Hamlet? Can they provide a clear interpretative tool in order to uncover the intentional or unintentional aspects of consciousness development contained within them? Do these literary texts reveal a coherent quest for knowledge of human consciousness, the nature of good and evil, and the ineffable question of spirit? Is there a case for presenting a transpersonal perspective of literature in order to expound the theories of this psychological discipline? Can literary texts provide materials that are unique to that art form and can be explicated by knowledge of transpersonal psychology? Is there an evolutionary motion, which is not necessarily historically chronological but nonetheless displays a developmental map of human consciousness across literary works? In other words, can we see a hierarchical framework along the lines of consciousness development as proposed by Ken Wilber, that suggests a movement up the evolutionary ladder of consciousness from Lord of the Flies to Hamlet and beyond? Can we counter oppose Lord of the Flies and Hamlet, suggesting that the first is a fable of regression to transpersonal evil within a cultural community and the second sees Hamlet attempt to avoid this path in order to move toward the transcendence of ego and self, within the individual? If this is so then we should be able to plot both paths relative to the models of development traced in Wilber's theories and interpret the texts according to this framework. What is the relationship between transpersonal aspects of consciousness and literature? And what are the effects upon the cultural consciousness of human evolution that literature has had so much to inform? How do the literary works of individuals inform the cultural consciousness and transcend the age in which they are written? Equally we should be able to test the theories with the aid of some texts of literature - especially those works which are of, and about consciousness. What does this mean to the literary interpretation of these texts? How does it differ from other interpretations? What are the pitfalls and what disclaimers need to be put in place? Is the difference between the notion of a transpersonal evil and a transpersonal good simply a matter of individual moral choice?
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Marrable, Joseph. "Transpersonal literature." Marrable, Joseph (2003) Transpersonal literature. PhD thesis, Murdoch University, 2003. http://researchrepository.murdoch.edu.au/179/.

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What do you get if you apply Ken Wilber's theories of transpersonal psychological development within human consciousness to William Golding's Lord of the Flies or Conrad's Heart of Darkness, or Shakespeare's Hamlet? Can they provide a clear interpretative tool in order to uncover the intentional or unintentional aspects of consciousness development contained within them? Do these literary texts reveal a coherent quest for knowledge of human consciousness, the nature of good and evil, and the ineffable question of spirit? Is there a case for presenting a transpersonal perspective of literature in order to expound the theories of this psychological discipline? Can literary texts provide materials that are unique to that art form and can be explicated by knowledge of transpersonal psychology? Is there an evolutionary motion, which is not necessarily historically chronological but nonetheless displays a developmental map of human consciousness across literary works? In other words, can we see a hierarchical framework along the lines of consciousness development as proposed by Ken Wilber, that suggests a movement up the evolutionary ladder of consciousness from Lord of the Flies to Hamlet and beyond? Can we counter oppose Lord of the Flies and Hamlet, suggesting that the first is a fable of regression to transpersonal evil within a cultural community and the second sees Hamlet attempt to avoid this path in order to move toward the transcendence of ego and self, within the individual? If this is so then we should be able to plot both paths relative to the models of development traced in Wilber's theories and interpret the texts according to this framework. What is the relationship between transpersonal aspects of consciousness and literature? And what are the effects upon the cultural consciousness of human evolution that literature has had so much to inform? How do the literary works of individuals inform the cultural consciousness and transcend the age in which they are written? Equally we should be able to test the theories with the aid of some texts of literature - especially those works which are of, and about consciousness. What does this mean to the literary interpretation of these texts? How does it differ from other interpretations? What are the pitfalls and what disclaimers need to be put in place? Is the difference between the notion of a transpersonal evil and a transpersonal good simply a matter of individual moral choice?
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Smart, Kirsten. "National consciousness in Postcolonial Nigerian children's literature." Master's thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/22880.

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This project highlights the role of locally produced children's written literature for ages six to fourteen in postcolonial Nigeria as a catalyst for national transformation in the wake of colonial rule. My objective is to reveal the perceived possibilities and pitfalls contained in Nigerian children's literature (specifically books published between 1960 and 1990), for the promotion of a new national consciousness through the reintegration of traditional values into a contemporary context. To do this, I draw together children's literature written by Chinua Achebe, Cyprian Ekwensi and Mabel Segun in order to illustrate the emphasis Nigerian children's book authors writing within the postcolonial moment placed on the concepts of nation and national identity in the aim to 'refashion' the nation. Following from this, I examine the role of the child reader in relation to the adult authors' intentions and pose the question of what the role of the female is in the authors' imagining of a 'new nation'. The study concludes by reflecting on the persistent under-scrutiny of children's literature in Africa by academics and critics, a preconception that still exists today. I move to suggest further research on the genre not only to stimulate an increased production of children's literature more conscious in content and aware of the needs of its young, (male and female) African readership, but also to incite a change in attitude toward the genre as one that is as deserving of interest as its adult counterpart.
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Shepherd, David. "Beyond metafiction : self-consciousness in Soviet literature /." Oxford [GB] : Clarendon press, 1992. http://catalogue.bnf.fr/ark:/12148/cb35688877g.

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L'Hostis, Aurelie Marie. "Literature and historical consciousness in the French Caribbean." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609280.

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Zweifel, Aara. "Spiralist Interconnection and Environmental Consciousness in Caribbean Literature." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20511.

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This dissertation addresses the politics of interrelation between living beings and the natural world within Caribbean literature, and the underlying dangers inherent in modes of existence that deny such interrelation. Spiralism is a chaotic and pluralist literary movement emerging from Haiti in the 1960s, and this project features René Philoctète’s Spiralist novel Le Peuple des terres mêlées (1989) as its literary center, joined with two other Caribbean novels: Jacques Roumain’s Gouverneurs de la rosée (1944), and Mayra Montero’s Tú, la oscuridad (1995). In my comparative reading of these novels, I argue that their representations of environmental consciousness, social collaboration, and all-inclusive modes of interacting with the natural world provide models of co-existence in the context of the many socio-environmental injustices that threaten the continuation of many life forms on Earth, including humans. These novels evoke empathy and imagination, and add vital perspectives to the understudied field of environmentally conscious literature. Each of these three novels emotionally engages and reconnects humans as members of ecosystems – a move often lacking in the objective presentation of environmental studies. Given that the Earth is our only home, the continued ecological devastation caused by the human species increasingly deserves our full attention. I argue that the all-inclusive Spiralist imaginary and the related literatures are apt ideological tools to help address the cognitive dissonance currently preventing sufficient social change.
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Stigter, Shelley, and University of Lethbridge Faculty of Arts and Science. "Double-voice and double-consciousness in Native American literature." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Sciencec, 2005, 2005. http://hdl.handle.net/10133/288.

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This thesis follows the interaction of "double-voicing" and "double-consciousness" in Native American literary history. It begins with surviving records from the time of colonial contact and ends with works by Leslie Marmon Silko and Thomas King, two contemporary authors of the Native American Literary Renaissance. "Double-voicing" is a common feature found in many works preserved by early anthropologists from various Native American oral traditions. However, after colonial contact this feature largely disappears from literary works written by Native American authors, when it is replaced by the societal condition "double-consciousness." With the revitalization of cultural knowledge in the mid-twentieth-century, Native authors also revitalize their rhetorical techniques in their writing and the "double-voice" feature reemerges coupled with a bicultural awareness that is carried over from "double-consciousness."<br>vi, 98 leaves ; 29 cm.
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Vetock, Jeffrey Joseph 1965. "Reading between the lies: Liminal consciousness in American literature." Diss., The University of Arizona, 1998. http://hdl.handle.net/10150/282689.

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This study posits reading as a trope for meaning-construction and considers the thematized act of reading in American literature as a self-reflective phenomenon that reveals, questions, and complicates the state of America's cultural consciousness in and through literature. Against the institutionalized New Critical practice of explicating texts in a vacuum, the paradigmatic shift in recent decades to contextualized modes of criticism has promoted a performance-oriented view of textuality that immerses texts in a number of problematic relations with the past and with social reality. This "new" perception of reading has been with us all along, I suggest, and my study is an attempt to recuperate the major writers of the American Renaissance for the ongoing work of revisionist scholarship. The canonical writers of the mid-nineteenth century recognize an unstable view of textuality endemic to the American cultural imagination, and indeed centralize its destabilizing effects in their work. The struggle to find and maintain meaning in such a milieu largely informs Melville's ideas about reading, as I describe in Chapter Two, and it also becomes a compelling way to consider American identity and culture in terms of process rather than product. In Chapters Three and Four, I address Whitman and Dickinson as two particularly influential figures who discover, challenge, and even attempt to harness the liminal power from which a process-oriented conception of identity arises. In their ambitious attempts to achieve a freedom of the imagination, Melville, Whitman, and Dickinson consciously and unconsciously construct and reflect the American will to freedom. Their liminal conception of reading reveals a liminal sense of being, both of which extend to the present day as a primary trait of American literature and of American cultural consciousness. My concluding chapter considers the implications of a culture based on liminality and arrives at the hard fact that America is doomed by its own dream. The endless American mission to make possible in both fiction and reality the impossible experience of pure freedom inevitably leads to dislocation, frustration, and meaninglessness, as our most powerful and lasting literature consistently illustrates.
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Kensky, Eitan Lev. "Facing the Limits of Fiction: Self-Consciousness in Jewish American Literature." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10716.

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This thesis explores the limits of fictional language by studying the work of Jewish American writer-critics, novelists who significantly engaged with literary criticism, and critics who experimented with the novel or short fiction. These writer-critics all believed in Literature: they believed that literature could effect social change and educate the masses; or they believed in literature as an art-form, one that exposed the myths underlying American society, or that revealed something fundamental about the human condition. Yet it is because they believed so stridently in the concept of Literature that they turned to non-fiction. Writing fiction exposed problems that Literature could not resolve. They describe being haunted by “preoccupations” that they could not exhaust in fiction alone. They apologetically refer to their critical texts as “by-products” of their creative writing. Writer-critics were forced to decide what the limits of fiction were, and they adopted other types of writing to supplement these unexpected gaps in fiction's power. This dissertation contains four chapters and an introduction. The introduction establishes the methodological difficulties in writing about author-critics, and introduces a set of principles to guide the study. Chapter 1 approaches Abraham Cahan's The Rise of David Levinsky (1917). I argue that many of the novel's difficulties result from Cahan's desire to present the way that ideology shades our understanding of reality while minimizing direct narratorial intrusions. Chapter 2 studies how politics affected the work of Mike Gold, Moishe Nadir, and Isaac Bashevis Singer. In all three writers, literature emerges as a kind of ersatz-politics, a space for the dispossessed to imagine the political. In the end, the political novel only reinforces the fictionality. Chapter 3 is a study of Leslie Fiedler's problematic novel, The Second Stone. While critics have seen the novel as a kind of game, I propose reading the novel as an earnest expression of Fiedler's vision of literature as a conversation. Chapter 4 turns to Cynthia Ozick and Susan Sontag. A cumulative reading of their fiction and criticism shows the deep twinning of their fiction and critical thought. For both writers true knowledge comes only through the imagination.<br>Near Eastern Languages and Civilizations
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Casto, Andrew Christopher. "Reading Consciousness: Analyzing Literature through William James' Stream of Thought Theory." Thesis, Virginia Tech, 2011. http://hdl.handle.net/10919/32531.

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Proceeding from the assumption that psychoanalytic theory has yielded insightful literary interpretations, I propose that equally legitimate readings result from analyzing consciousness in literature. William Jamesâ â Stream of Thoughtâ offers a psychological theory of consciousness from which I develop a literary theory that counterbalances the Freudian emphasis on the unconscious. Examining two works by Henry James, I demonstrate how assessing the elements of a characterâ s consciousness leads to conclusions at which other theories do not arrive. This analytical approach leads to not only an alternative critical agenda but also a fuller understanding of the psychological function of the characterâ s and, by extension, the human mind.<br>Master of Arts
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Books on the topic "Literature Literature Consciousness"

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Malekin, Peter, and Ralph Yarrow. Consciousness, Literature and Theatre. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25280-0.

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Culture and consciousness: Literature regained. Bucknell University Press, 2002.

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International, Conference on Consciousness Theatre Literature and the Arts (2005 University of Wales). Consciousness, theatre, literature and the arts. Cambridge Scholars Press Ltd, 2006.

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1958-, Meyer-Dinkgräfe Daniel, ed. Consciousness, theatre, literature, and the arts 2009. Cambridge Scholars Pub., 2010.

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Jones, Jason B. Lost causes: Historical consciousness in Victorian literature. Ohio State University Press, 2007.

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1940-, Ikonné Chidi, Eko Ebele, Oku Julia, and University of Calabar. Dept. of English and Literary Studies., eds. Black culture and Black consciousness in literature. Heinemann Educational Books (Nigeria), 1987.

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Beyond metafiction: Self-consciousness in Soviet literature. Clarendon Press, 1992.

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Penfold, Tom. Black Consciousness and South Africa’s National Literature. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57940-5.

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Jones, Jason B. Lost causes: Historical consciousness in Victorian literature. Ohio State University Press, 2006.

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Ralph, Yarrow, ed. Consciousness, literature, and theatre: Theory and beyond. St. Martin's Press, 1997.

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Book chapters on the topic "Literature Literature Consciousness"

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Eaglestone, Robert. "Transition into the Profession: Accuracy, Sincerity and ‘Disciplinary Consciousness’." In Teaching Literature. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-31110-8_5.

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Eaton, Mark. "Cosmic Consciousness." In Science and Religion in Western Literature. Routledge, 2022. http://dx.doi.org/10.4324/9781003213987-8.

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Wilson, Keith. "Regionalism and Consciousness." In A Companion to British Literature. John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118827338.ch83.

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Malekin, Peter, and Ralph Yarrow. "Introduction." In Consciousness, Literature and Theatre. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25280-0_1.

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Malekin, Peter, and Ralph Yarrow. "Aim, Scope, Method." In Consciousness, Literature and Theatre. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25280-0_2.

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Malekin, Peter, and Ralph Yarrow. "Experience, Metaphor and Story." In Consciousness, Literature and Theatre. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25280-0_3.

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Malekin, Peter, and Ralph Yarrow. "Myth and Narrative: Wholeness and Meaning." In Consciousness, Literature and Theatre. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25280-0_4.

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Malekin, Peter, and Ralph Yarrow. "Theatre and Drama: Spirit in Performance." In Consciousness, Literature and Theatre. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25280-0_5.

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Malekin, Peter, and Ralph Yarrow. "Epilogue." In Consciousness, Literature and Theatre. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25280-0_6.

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Mohaghegh, Jason Bahbak. "Chaos-Consciousness." In New Literature and Philosophy of the Middle East. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230114418_4.

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Conference papers on the topic "Literature Literature Consciousness"

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Hui, Xin. "Translator’s Consciousness and Historical Literature Translation." In Proceedings of the 2nd International Workshop on Education Reform and Social Sciences (ERSS 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/assehr.k.191206.076.

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Shan, Yuyang. "Research on Home Consciousness in Japanese Language and Literature." In 4th International Conference on Management Science, Education Technology, Arts, Social Science and Economics 2016. Atlantis Press, 2016. http://dx.doi.org/10.2991/msetasse-16.2016.266.

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3

"Analysis on factors influencing Ningxia Guyuan people's sports consciousness and behavior." In 2017 4th International Conference on Literature, Linguistics and Arts. Francis Academic Press, 2017. http://dx.doi.org/10.25236/iclla.2017.55.

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4

Qiu, Ying. "Critical Discourse Analysis of Female Consciousness in the Novel Orlando from Transitivity Perspective." In Annual International Conference on Language, Literature & Linguistics (L3 2016). Global Science & Technology Forum ( GSTF ), 2016. http://dx.doi.org/10.5176/2251-3566_l316.42.

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Cui, Xiaoxi. "Analysis of Female Consciousness in Jane Austen’s Works." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.456.

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"The Camellia Swinging in the Storm-- A View on Awakening of Women's Self-consciousness in the East and West from the Comparison between the Tragic Fate of Marguerite and Chen Bailu." In 2018 International Conference on Culture, Literature, Arts & Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icclah.18.066.

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Bai, Qian, and Yu Sun. "An Interpretation of Postcolonialism in The Adventures of Huckleberry Finn On The Latent Colonial Consciousness of Huck and Jim." In 6th Annual International Conference on Language, Literature and Linguistics (L3 2017). Global Science & Technology Forum (GSTF), 2017. http://dx.doi.org/10.5176/2251-3566_l317.29.

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8

Kuzmina, Luiza, and Elena Remchukova. "RUSSIAN CLASSICAL LITERATURE TEXT AS A PRECEDENT PHENOMENON OF THE MODERN MEDIA SPACE." In NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/18.

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Abstract:
The article is devoted to the functioning features of precedent texts in modern media discourse. Texts by F.M. Dostoevsky, namely, fiction, journalism and epistolary heritage, served as the research material. The relevance of the study is explained by the intertextual nature of the modern media space. The article shows that along with the use of Dostoevsky's precedent texts as signs of high culture, the modern media space also actively manifests the features of the postmodern cultural paradigm. The specifics of the latter include metatextuality, irony, various kinds of transformation, e.g., in headlines, which indicates their game foregrounding. Special attention is paid, firstly, to various types of intertextuality and ways of precedent phenomena foregrounding; secondly, to their use in various media areas (advertising, urban naming) and genres (interviews, internet blogs, etc.). The problem of recoding precedent phenomena is considered against the background of the use of signs of high culture as a form of reflection of modern mass consciousness in modern media communication, which is of research interest from an axiological point of view.
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Carmo, Carolina Barbosa Carvalho do, Marcos Filipe Bueno Langkamer, Luis Regagnan Dias, et al. "Knowledge of university students about sexually transmitted infections: a literature review." In XIII Congresso da Sociedade Brasileira de DST - IX Congresso Brasileiro de AIDS - IV Congresso Latino Americano de IST/HIV/AIDS. Zeppelini Editorial e Comunicação, 2021. http://dx.doi.org/10.5327/dst-2177-8264-202133p208.

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Introduction: Sexually transmitted infections (STIs) are a serious health care problem, with an estimated annual incidence of 357 million cases by the World Health Organization (WHO). It is important to recognize that young adults are responsible for more than half of all STI cases. Objective: The aim of this review was to determine the general knowledge of university students about STI. Methods: A literature review was conducted to identify knowledge studies of undergraduate students about STI. The electronic database MEDLINE was searched for articles published in the past 5 years, using the following MeSH terms: “Sexually Transmitted Diseases,” “Knowledge,” “University,” and “Students.” Studies’ titles and abstracts were screened for eligibility and relevant articles were read in full and included in the review. Results: A total of nine articles were selected for the final analysis. When compared to other courses, health students had higher rates of knowledge and showed more correct answers to the questions about STI than students from other courses. For some students, the consciousness acquired at the university acted as a protection factor to avoid risky sexual behavior. In contrast, in one study, only 13% of the students declared feeling they had enough knowledge to avoid getting infected. The source of knowledge may vary. Concerning a Chinese study, students declared their knowledge about STI was obtained mainly at school. HIV was the best known STI, although 90% of the participants in one study were unaware that an infected person might not have any symptoms. Comparisons between sex and age evidenced knowledge variation in some studies. Conclusion: The average of knowledge level about STI among university students varies between 30% and 60% in the analyzed studies. HIV/AIDS was the best known STI and this result shows the need for emphasizing other STI information among university students.
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Dmytrenko, Victoriia, Olena Brovko, and Nailia Khairulina. "Comparative Projections of “Life is a Fair” Model in Artistic Consciousness at the Turn of the Nineteenth–Twentieth Centuries: Realistic and Modernist Tendencies." In International Conference on New Trends in Languages, Literature and Social Communications (ICNTLLSC 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210525.015.

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