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Journal articles on the topic 'Literature of the Great War'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Kalnačs, Benedikts. "The Great War, Independence, and Latvian Literature." Przegląd Humanistyczny 62, no. 4 (463) (2019): 9–21. http://dx.doi.org/10.5604/01.3001.0013.2587.

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The article focuses on the representation of the year 1918 in Latvian literature. On November 18, the independent Republic of Latvia was proclaimed, and in the years to come international recognition of the state’s sovereignty followed. In retrospect, this event stimulated a number of salutary descriptions and interpretations and certainly provides a milestone in the history of the Latvian nation. It is, however, also important to discuss the proclamation of independence in the context of the Great War that brought a lot of suffering to the inhabitants of Latvia. Therefore, a critical evaluati

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2

AGOOS, JULIE. "READING THE GREAT WAR." Yale Review 95, no. 3 (2007): 46. http://dx.doi.org/10.1111/j.1467-9736.2007.00314.x.

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3

Savenko, Elena N. "Historical Literature in Siberia during the Great Patriotic War." Bibliotekovedenie [Library and Information Science (Russia)], no. 3 (June 28, 2015): 56–59. http://dx.doi.org/10.25281/0869-608x-2015-0-3-56-59.

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The article is devoted to the publication of historical books in the Siberian region in 1941-1945. There is described the role of historical knowledge in the conditions of wartime. The author considers the basic directions of publication of the historical literature in Siberia during the Great Patriotic War. There is highlighted the demand for historical books among the Siberian readers.

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4

Fisher, Jaimey. "The Great War in post-memory literature and film." First World War Studies 9, no. 1 (2018): 132–34. http://dx.doi.org/10.1080/19475020.2017.1411433.

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5

Osborne, Karen Lee, and Karen L. Levenback. "Virginia Woolf and the Great War." Journal of the Midwest Modern Language Association 34, no. 2 (2001): 134. http://dx.doi.org/10.2307/1315149.

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6

Feito, Patricia M., and Karen L. Levenback. "Virginia Woolf and the Great War." Tulsa Studies in Women's Literature 19, no. 2 (2000): 350. http://dx.doi.org/10.2307/464439.

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7

Kurennaya, Natalia. "The Great War in Slavic Literatures." Stephanos. Peer reviewed multilanguage scientific journal 33, no. 1 (2019): 19–26. http://dx.doi.org/10.24249/2309-9917-2019-33-1-19-26.

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8

Golovin, V. V. "Children’s Literature of the Great War: The Perception in Criticism." Russkaya Literatura 4 (2018): 122–31. http://dx.doi.org/10.31860/0131-6095-2018-4-122-131.

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9

Cox, John K., and Spencer C. Tucker. "The Great War, 1914-18." Slavic and East European Journal 44, no. 4 (2000): 691. http://dx.doi.org/10.2307/3086312.

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10

Cole, Sarah. "Modernism, Male Intimacy, and the Great War." ELH 68, no. 2 (2001): 469–500. http://dx.doi.org/10.1353/elh.2001.0013.

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11

Ghenim, Neema. "HYBRIDITY AND OTHERNESS IN ALGERIAN POSTCOLONIAL LITERATURE." Social Sciences, Humanities and Education Journal (SHE Journal) 1, no. 3 (2020): 103. http://dx.doi.org/10.25273/she.v1i3.7615.

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<p>The paper considers the dualistic existence between the Self and the Other during the Great War. Algerian participation in the war was compulsory and many authors wrote about the event.: Albert Camus, a Frenchman who belonged to a pied-noir family, Mohamed Ben Chérif, an Arab from Djelfa, and Elissa Rhaïs, a Jewish writer from Blida. <em>The First Man </em>(1994), Camus’s book, deals with the French who were reluctant participants in war. Mohamed Ben Chérif also published his first book, <em>Ahmed Ben Mostapha Goumier</em> (1997) that represents those Algerians

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12

Haughey, James P. "Partitioned memories: The Great War in Irish poetry." Lit: Literature Interpretation Theory 10, no. 2 (1999): 181–91. http://dx.doi.org/10.1080/10436929908580241.

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13

Milojkovic-Djuric, Jelena. "Great War legacies in Serbian culture." Balcanica, no. 46 (2015): 241–54. http://dx.doi.org/10.2298/balc1546241m.

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In the aftermath of the Great War, Ivo Andric published a number of poems, essays and short stories describing the hard-won victorious outcome as transient to the dire reality of the inordinate loss of human lives and suffering. Yet, personal experiences, although perceived as ephemeral, helped to define the historical discourse capturing man?s resolve to persist in his chosen mission. Over time, Serbian literature and fine arts sustained an unfinished dialogue of the past and the present, merging the individual voices with the collective voices to construct the national narrative. The young w

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14

Hong, Sangwoo. "Literature and War: A Study of the Film, the Great Poetry." Hankuk University of Foreign Studies Literature Studies 77 (February 28, 2020): 129–44. http://dx.doi.org/10.22344/fls.2020.77.06.

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15

Ellis, Frank. "The Great Fatherland War in Soviet and Post-Soviet Russian Literature." Journal of Slavic Military Studies 20, no. 4 (2007): 609–32. http://dx.doi.org/10.1080/13518040701703112.

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16

Dodman, Trevor. "Mixing memory and desire: why literature can’t forget the Great War." First World War Studies 10, no. 2-3 (2019): 297–98. http://dx.doi.org/10.1080/19475020.2020.1728883.

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17

Neimneh, Shadi. "Literature of a Crisis: The Great War in Anglo-American Modernism." International Journal of Applied Linguistics & English Literature 1, no. 6 (2012): 122–30. http://dx.doi.org/10.7575/ijalel.v.1n.6p.122.

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18

Markova, T. N. "Artistic Reconstruction of the Great Patriotic War in Modern Mass Literature." Nauchnyy dialog, no. 12 (2019): 152–60. http://dx.doi.org/10.24224/2227-1295-2019-12-152-160.

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19

Brassard, Genevieve. "The Literature of the Great War Reconsidered: Beyond Modern Memory (review)." Modernism/modernity 9, no. 3 (2002): 516–17. http://dx.doi.org/10.1353/mod.2002.0041.

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20

Schuler, Catherine. "Staging the Great Victory." TDR: The Drama Review 65, no. 1 (2021): 95–123. http://dx.doi.org/10.1017/s1054204320000118.

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A war of history and memory over the Great Patriotic War (WWII) between the Soviet Union and Germany has been raging in Vladimir Putin’s Russia for almost two decades. Putin’s Kremlin deploys all of the mythmaking machinery at its disposal to correct narratives that demonize the Soviet Union and reflect badly on post-Soviet Russia. Victory Day, celebrated annually on 9 May with parades, concerts, films, theatre, art, and music, plays a crucial role in disseminating the Kremlin’s counter narratives.

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21

David, Ricardo Santos. "First World War on Europe and the War Literature in Periods of Great Difficulty." Guará 7, no. 1 (2017): 11. http://dx.doi.org/10.18224/gua.v7i1.5565.

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Nowadays, one hundred years after the greatest sea and trench battles, a question is posed: how could this Great European War change not only the continental configurations, but also the concepts of war and war literature? Until the nineteenth century, many saw war as some heroic act through which men could prove their bravery in an open fight, facing the enemy directly. By means of new weapon technology, death comes invisibly: gas, submarines, long-range artilleries, mines, airplanes, tanks, and machine guns. War strategies are altered and the feeling of a worthy fight in order to defend one’

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22

Smialkowska, Monika. "Introduction: Mobilizing Shakespeare During the Great War." Shakespeare 10, no. 3 (2014): 225–29. http://dx.doi.org/10.1080/17450918.2014.927391.

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23

Sijakovic, Bogoljub. "The Great War, ethics of Vidovdan, memory." Zbornik Matice srpske za drustvene nauke, no. 150 (2015): 1–42. http://dx.doi.org/10.2298/zmsdn1550001s.

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After a characterization of contemporaneity (dominance of the financial sector and high technology, politicization of economy, ideological use of culture and thought control) and a brief analysis of expansionism (political, economic, cultural) on the eve of the Great War, the author gives a more detailed description of the spiritual situation in the wake of the Great War: in philosophy, literature, and art, as well as the national political programmatic texts and war propaganda publications of German intellectuals of the time. The continuity of the Austro-Hungarian colonial policy towards the

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24

Sheridan, Dominic P. G. "The demotic tongue of mateship in Australian Great War literature: The vernacular humourist." Beyond Philology An International Journal of Linguistics, Literary Studies and English Language Teaching, no. 15/4 (December 28, 2018): 27–45. http://dx.doi.org/10.26881/bp.2018.4.02.

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This paper looks at the demotic tongue of mateship in Australian Great War Literature as a theme of cognition and understanding in the literary texts and texts of culture. The language, like the Australian, was filled with character and a sense of the larrikin. It seemed irreverent at times, even rude in some circles, but it was much more than its immediate sound or inference; it was the natural verbal essence of the Australian mind – honest, loyal, dutiful and humorous. These characteristics are cornerstones of Australian mateship, a type of friendship that would be there beyond the bitter en

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25

Waldrep, Shelton, and James J. Kirschke. "Willa Cather and Six Writers from the Great War." American Literature 64, no. 2 (1992): 383. http://dx.doi.org/10.2307/2927854.

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26

Zilboorg, Caroline, and Claire M. Tylee. "Women's Writings about the Great War: Memory and Suppression." Contemporary Literature 32, no. 3 (1991): 432. http://dx.doi.org/10.2307/1208566.

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27

Casey Clabough. "Great Men and the Civil War: New Historical Fiction." Sewanee Review 116, no. 4 (2008): 667–72. http://dx.doi.org/10.1353/sew.0.0076.

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28

Bergonzi, Bernard, Dominic Hibberd, John Onions, and Catherine W. Reilly. "Poetry of the Great War: An Anthology." Modern Language Review 83, no. 4 (1988): 993. http://dx.doi.org/10.2307/3730950.

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29

Hill, Alexander. "Recent Literature on the Great Patriotic War of the Soviet Union 1941–1945." Contemporary European History 9, no. 1 (2000): 169–79. http://dx.doi.org/10.1017/s0960777300001089.

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Anthony Beevor, Stalingrad (London: Viking, 1998), 512 pp., £25.00, ISBN 0-670-87095-1. David Glanz, ed., The Initial Period of the War on the Eastern Front 22 June–August 1941 (London: Frank Cass, 1993, reprinted 1997), 511 pp., £22.50, ISBN 0-714-64298-3. David Glanz and Jonathan House, When Titans Clashed – How the Red Army Stopped Hitler (Lawrence, Kansas: University Press of Kansas, 1995), 414 pp., £14.50, ISBN 0-700-60899-0. Leonid Grenkevich, The Soviet Partisan Movement 1941–1944 (London: Frank Cass, 1999), 368 pp., £17.50, ISBN 0-714-64428-5. Mark Harrison, Accounting for war – Soviet

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30

Gordon, John. "Dylan Thomas: The Great War and Recovered Memory." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 18, no. 4 (2005): 43–46. http://dx.doi.org/10.3200/anqq.18.4.43-46.

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31

EMIROVA, M. N. "THE BEGINNING OF THE GREAT PATRIOTIC WAR IN THE SOVIET MEMOIR LITERATURE." Historical and social-educational ideas 8, no. 2/2 (2016): 84–86. http://dx.doi.org/10.17748/2075-9908-2016-8-2/2-84-86.

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32

Kuznetsov, Igor I. "Great Patriotic War in School Literature: Features of Political Socialization of Students." RUDN Journal of Political Science 22, no. 2 (2020): 245–61. http://dx.doi.org/10.22363/2313-1438-2020-22-2-245-261.

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The author of article reviews relevant setbacks of modern school education. Russian youth faces a «dissolution of history» due to gaps in school subjects, where historical events and individuals are losing their significance, but which was mentioned in soviet school program. Author underlines that new studying courses limit the list of authors and their works, which truly reflect a picture of Great Patriotic War. Moreover, digital technologies are filling up kids and youth’s spare time, that is why historical and fictional works are being replaced away. The author of article focuses on Russian

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33

Marshall, Peter, and A. D. Harvey. "English Literature and the Great War with France: An Anthology and Commentary." Yearbook of English Studies 15 (1985): 309. http://dx.doi.org/10.2307/3508599.

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34

Isherwood, Ian. "Book Review: Literature and the Great War, 1914–1918 by Randall Stevenson." War in History 21, no. 3 (2014): 381–82. http://dx.doi.org/10.1177/0968344514526634c.

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35

Jaillant, Lise. "Sapper, Hodder & Stoughton, and the Popular Literature of the Great War." Book History 14, no. 1 (2011): 137–66. http://dx.doi.org/10.1353/bh.2011.0011.

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36

Badsey, Stephen. "Over the Top: The Great War and Juvenile Literature in Britain (review)." Journal of Military History 69, no. 3 (2005): 852–53. http://dx.doi.org/10.1353/jmh.2005.0142.

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37

Grimm, Reinhold, and Gerhard Fischer. "Debating Enzensberger: Great Migration and Civil War." German Quarterly 70, no. 4 (1997): 438. http://dx.doi.org/10.2307/408105.

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38

Mcguire, Michael. "A Fractured Service: Frances Webster and The Great War, 1914–1918." New England Quarterly 91, no. 2 (2018): 307–30. http://dx.doi.org/10.1162/tneq_a_00671.

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Born to privilege in Boston, Frances Webster, like her peers volunteered overseas with the American Red Cross as a nurse's aide. Where the activities of other Americans during the First World War is characterized as a “culture of coercive volunterism,” Webster's reflected a more complex mixture of altruism and tourism. Her history of participation in the First World War suggests historians need more multifaceted frameworks to explain Americans' First World War service.

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39

Gallagher, Jean. "The great war and the female gaze: Edith Wharton and the iconography of war propaganda." Lit: Literature Interpretation Theory 7, no. 1 (1996): 27–49. http://dx.doi.org/10.1080/10436929608580167.

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40

Mankov, Sergei A. "Medieval motives in memorialization of the Great War." Vestnik of Saint Petersburg State University of Culture, no. 2 (47) (2021): 67–71. http://dx.doi.org/10.30725/2619-0303-2021-2-67-71.

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The article examines the European experience of creating war memorials dedicated to the World War I, using the motives of medieval architecture. The fascination with the Middle Ages, spread through the art and literature of the Neo-Gothic and national Romanism period, was emotionally rethought by the generation that survived the catastrophe of the global conflict of 1914–1918. At the new stage, the symbolic harsh images of the Middle Ages turned out to be more consonant with the social creation of former front-line soldiers than the classical antique forms used in the memorialization of wars i

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41

Croft, Janet Brennan, and John Garth. "Tolkien and the Great War: The Threshold of Middle-Earth." World Literature Today 79, no. 1 (2005): 93. http://dx.doi.org/10.2307/40158819.

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42

Cella, Matthew J. C. "Great Plains Literature by Linda Ray Pratt." Western American Literature 53, no. 4 (2019): 502–4. http://dx.doi.org/10.1353/wal.2019.0006.

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43

Leonova, Lira Stepanovna. "Moscow university during the Great Patriotic War (1941-1945)." Moscow University Pedagogical Education Bulletin, no. 1 (March 30, 2012): 78–99. http://dx.doi.org/10.51314/2073-2635-2012-1-78-99.

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The article is devoted to the many-sided life of the Moscow University during the Great Patriotic War. The author analyses specific features of wartime educational process, the scale and character of academic research, shows the feats of arms committed by students and stuff members of the University as well as their labor contribution to the cause of Victory, describes the moral atmosphere in the University's collective. The Moscow University added one of the most glorious pages to history of science and education, to history of our country during the war. The article is based upon biographica

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44

Ogliari, Elena. "“Ireland first”: The Great War in the Irish Juvenile Press." Revista Alicantina de Estudios Ingleses, no. 31 (December 15, 2018): 53. http://dx.doi.org/10.14198/raei.2018.31.04.

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Inspired by Ben Novick’s studies on the response of the Irish advanced nationalist press to the First World War, this paper focuses on a less-explored topic, i.e. the representation of the conflict in the separatist press for Ireland’s youth. Combining literary and historical interests, I devote my attention to the editorials and literary contributions published in the pages of the juvenile periodicals during and after the war, to highlight how these papers came to popularise, among the youngsters, a specific reception of the first ‘total’ conflict. Spy- and war- stories, ballads and aislings

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45

Martin, Richard. "The Great War and the Great Image: J. C. Leyendecker's World War I Covers for The Saturday Evening Post." Journal of American Culture 20, no. 1 (1997): 55–74. http://dx.doi.org/10.1111/j.1542-734x.1997.00055.x.

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46

Di Fuccia, Michael Vincent. "A Metaphysical Appreciation of C.S. Lewis and Owen Barfield’s ‘Great War’." Literature and Theology 34, no. 3 (2020): 347–62. http://dx.doi.org/10.1093/litthe/fraa002.

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Abstract The recent publication of the renowned ‘great war’ letters between Inklings C.S. Lewis and Owen Barfield has reinvigorated scholarly discussion regarding their respective views on the ‘truthfulness of the imagination’. However, in focusing primarily on their epistemological differences and rarely considering the high view Lewis affords the imagination in his fiction, analyses of the ‘great war’ tend to over-accentuate Lewis and Barfield’s differences. A metaphysical appreciation sheds fresh light on the ‘great war’, casting a more Barfield-friendly Lewis whose shared high view of the

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47

Kovtun, N. V. "THEME OF MEMORY IN MODERN PROSE ABOUT THE GREAT PATRIOTIC WAR." Culture and Text, no. 43 (2020): 6–24. http://dx.doi.org/10.37386/2305-4077-2020-4-6-24.

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The article is devoted to the problem of memory in Russian prose of the second half of the XX–XXI centuries. The periodization of this literature, its leading directions are presented: historical, ontological, existential, and aesthetic, which characterizes the literature of recent decades. A detailed description of the main texts, features of their ideology, poetics for the interpretation of the theme of memory (from ‘lieutenant’s prose’ to the works by I. Boyashov, E. Vodolazkin, G. Yakhina and S. Samsonov) is given. It shows how the understanding of the mission of Russians in the Great Patr

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48

Facknitz, Mark A. R. "The Garden and the Self in Great War Autobiography." a/b: Auto/Biography Studies 5, no. 2 (1990): 140–51. http://dx.doi.org/10.1080/08989575.1990.10815459.

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49

de Schaepdrijver, Sophie. "Death Is Elsewhere: The Shifting Locus of Tragedy in Belgian Great War Literature." Yale French Studies, no. 102 (2002): 94. http://dx.doi.org/10.2307/3090595.

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50

Thibonnier, Laure. "The Great Patriotic War in Modern Russian Children’s Literature: Looking for an Alternative." Children s Readings Studies in Children s Literature 17 (2020): 144–66. http://dx.doi.org/10.31860/2304-5817-2020-1-17-144-166.

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