Relevant bibliographies by topics / Literaturem

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Literaturem'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Literaturem"

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Hurnik, Elżbieta. "Austrian Literature in „Literatura na Świecie”." Transfer. Reception Studies 2 (2017): 63–83. http://dx.doi.org/10.16926/trs.2017.02.03.

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Gilman, Sander L. "Introduction: Ethnicity-Ethnicities-Literature-Literatures." PMLA/Publications of the Modern Language Association of America 113, no. 1 (January 1998): 19–27. http://dx.doi.org/10.1632/s0030812900060995.

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GéRARD, Albert S., and W. Hanekom. "COMPARATIVE LITERATURE AND AFRICAN LITERATURES." South African Journal of African Languages 5, sup1 (January 1985): 150–54. http://dx.doi.org/10.1080/02572117.1985.10586639.

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Smith,, Robert P., Albert S. Gérard, and C. F. Swanepoel. "Comparative Literature and African Literatures." World Literature Today 69, no. 2 (1995): 415. http://dx.doi.org/10.2307/40151320.

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Silveira Gomes, July, Marco Fábio Coghi, and Priscila Fernandes Coghi. "Biofeedback Cardiovascular e suas aplicações: revisão de literatura." Avances en Psicología Latinoamericana 32, no. 2 (May 20, 2014): 199–216. http://dx.doi.org/10.12804/apl32.2.2014.02.

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Grenouillet, Corinne. "La révolution espagnole de 1936 dans Pas pleurer de Lydie Salvayre." Literatūra 60, no. 4 (February 6, 2019): 34–46. http://dx.doi.org/10.15388/literatura.2018.10.

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[full article and abstract in French; abstract in English and Lithuan Pas pleurer de Lydie Salvayre (2014) s’inscrit dans un des sous-genre les plus proli- fiques de la littérature française contemporaine, le récit de filiation, qui se présente comme une en- quête sur un ascendant (Viart 2005 et 2009). Par le biais des souvenirs de la guerre d’Espagne que lui raconte sa mère âgée de quatre-vingt dix ans et la lecture simultanée des Grands cimetières sous la lune de Georges Bernanos (1938), Lydie Salvayre qui intervient dans le livre à la première personne, propose une réflexion complexe sur un pan de l’histoire européenne : la Révolution liber- taire espagnole de l’été 1936. Cette dernière est restituée à travers les souvenirs fragmentaires d’un témoin oublieux : la mère, et par le dialogue instauré entre cette dernière et sa fille écrivain. Aux cô- tés de l’histoire du frère assassiné, l’intertexte bernanosien contrebalance, par le témoignage des atrocités perpétrées par les Franquistes sur l’île de Majorque, la mémoire éblouie et sélective d’une femme qui a tout oublié des années qui ont suivi 1936. Nous montrerons que ce roman, manifes- tant une résistance concertée à la nostalgie, propose une réflexion sur le caractère émancipateur de la Révolution libertaire espagnole, et que le traitement littéraire de celle-ci autorise un parallèle avec Mai 1968. Ce roman a une autre portée mémorielle, celui d’inscrire l’histoire espagnole dans la mémoire nationale des Français. Summary Pas Pleurer by Lydie Salvayre (Ed. Seuil, 2014) belongs to one of the most prolific sub-genres of contemporary French literature, the narrative of filiation, which presents itself as an inquiry into an ascendant. These are remembrances of a woman who lived a horrifying event – in the sense of the French historian Pierre nora – an event that opens an unprecedented and radically new breach in present day thoughts. Through the memories of the Spanish war told to her by her ninety-year-old mother and the simultaneous reading of A Diary of My Times (Les Grands Cimetières Sous La Lune) by novelist Georg- es Bernanos (1938), Lydie Salvayre offers a com- plex reflection on one aspect of European history: the Spanish libertarian Revolution of the summer of 1936. The latter is recounted through the fragmen- tary memories of a forgetful witness: the mother, and by the dialogue established between her and her daughter-writer. Alongside the story of the murdered brother, the Bernanosian inter-text counterbalances, throughout the testimony of the atrocities perpetrat- ed by the Franquists on the island of Majorca, the dazzled and selective memory of a woman who had forgotten all the years that followed 1936. We show that this novel, which inscribes the memory of Span- ish history into the national memory of the French, proposes the praise of an emancipatory moment, by which the author seems to take indirect position in the re-evaluation of which the years 1968 are cur- rently the object
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Jaskelevičius, Alius. "Xenophon’s political philosophy: a project for the whole of Greece." Literatūra 60, no. 3 (January 31, 2019): 20–26. http://dx.doi.org/10.15388/literatura.2018.2.

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[full article, abstract in English; abstract in Lithuanian] This paper discusses Xenophon’s political philosophy and its Greek context. One of the major themes running through Xenophon’s works is leadership, which he tackles implicitly or explicitly in virtually all of his writings (be it his philosophical, historical or literary writings). For Xenophon, the leader was important not only as an individual leading the armed forces, but as a leader of a city or a community as well. Bearing in mind the importance of leadership and the role of leaders for Xenophon, the author of this paper tries to show that Xenophon’s political philosophy can be seen as part of his Panhellenic program. The aim of this program is to politically unite the Greeks by making them enter into an alliance in the name of a common Panhellenic crusade against Persia.
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Ališauskas, Vytautas. "Paradoksalūs Platono Puotos personažai." Literatūra 60, no. 3 (January 31, 2019): 27–34. http://dx.doi.org/10.15388/literatura.2018.3.

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[straipsnis ir santrauka anglų kalba, santrauka lietuvių kalba] Straipsnyje svarstoma Platono Puotos prologo veikėjo Glaukono tapatybė ir Apolodoro vaizdavimo savitumas. Pateikiami argumentai už Glaukono sutapatinimą su Valstybės dialogo veikėju (Platono broliu). Apolodoras laikomas Antisteno sekėju ir jo literatūriniu substitutu.
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Jaskelevičius, Alius. "Apulėjus. Apie Sokrato dievą. Vertė ir komentarus parengė Alius Jaskelevičius." Literatūra 60, no. 3 (January 31, 2019): 35–71. http://dx.doi.org/10.15388/literatura.2018.4.

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Kardelis, Naglis. "Ieškant tobulos malonumo ir protingumo mišinio formulės: apie lietuviškąjį Platono „filebo“ vertimą." Literatūra 60, no. 3 (January 31, 2019): 72–77. http://dx.doi.org/10.15388/literatura.2018.5.

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Dissertations / Theses on the topic "Literaturem"

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Duff, Guillermo. "Las huellas de la literatura 'gótica' en las literaturas estadounidense y argentina." Tesis, Universidad de Chile, 2013. http://www.repositorio.uchile.cl/handle/2250/115177.

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Tesis para optar al grado de Magíster en Literatura
El presente trabajo halla su punto de partida en la frecuente referencia al concepto de lo „gótico‟ en la crítica literaria para describir ciertos rasgos de la literatura estadounidense de los siglos XIX y XX, por un lado, y de la literatura argentina del siglo XX, por el otro. Al mediar una enorme distancia, tanto temporal como geográfica, entre estas literaturas y la literatura „gótica‟ original, que surge en Gran Bretaña a fines del siglo XVIII, dicha referencia invita a una investigación sobre los elementos comunes entre las obras a las que describe y a una reflexión crítica acerca de la validez de hermanar textos de contextos tan dispares bajo un mismo concepto teórico. La explícita admiración profesada por algunos
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Sardenberg, Thiago Silva. "The all-seeing mirror: reflecting on vampires as allegories in socio-culturally sensitive literary works." Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4730.

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Esta dissertação tem como objetivo analisar a figura do vampiro na literatura como poderosa ferramenta de leitura e interpretação dos medos e angústias que afligem um determinado espaço sociocultural. Ao olhar para a evolução do vampiro literário através dos séculos dezenove, vinte e vinte e um, notamos que cada uma de suas encarnações difere dramaticamente da anterior, e no que o vampiro é reinventado, ele engaja-se num diálogo pertinente e coerente com questões de seu próprio tempo, nunca perdendo assim sua relevância. Sua existência heterogênea, explicitada na dissertação primariamente através das obras Carmilla, de Sheridan LeFanu, Dracula, de Bram Stoker, Eu Sou a Lenda, de Richard Matheson, Entrevista com o Vampiro, de Anne Rice e Fledgling, de Octavia Butler, e as diferentes questões suscitadas em cada uma dessas obras como a sexualidade, a alteridade e o hibridismo nos levarão ao entendimento de que o vampiro pode potencialmente desempenhar importante função alegórica, tornando-se um espelho da própria humanidade através da qual se sustenta
The present work aims at looking at the figure of the vampire in literature as powerful means of reading and interpreting the fears and anxieties of a specific socio-cultural space. By looking at the evolution of the literary vampire through the nineteenth, twentieth and twenty-first centuries, we are able to notice that each of its incarnations dramatically differs from the previous one, and as vampires are reinvented, they engage in a coherent dialog with issues pertaining to their times, in a way that they never lose their relevance. Their heterogeneous existence, explicited in the dissertation primarily through Sheridan LeFanus Carmilla, Bram Stokers Dracula, Richard Mathesons I am Legend, Anne Rices Interview with the Vampire and Octavia Butlers Fledgling, and the different theoretical questions brought on by each of them such as sexuality, alterity and hybridity will lead us to the understanding that the vampire may potentially function as a powerful allegory as it becomes a mirror of the very humanity on which its life depends
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Pedlow, Jessica. "Connecting Adolescents to Adolescent Literature: A Study of Eighth Graders’ Lived Experiences and Literature’s Responses." Honors in the Major Thesis, University of Central Florida, 2004. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/722.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Education
English Education
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Brannigan, John Gerard. "Literature's poor relation : history and identity in the writing and criticism of nineteen-fifties literature." Thesis, University of Bedfordshire, 1995. http://hdl.handle.net/10547/620747.

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All the major critics of postwar literature regard the fifties as a period in which literature was inept, conservative and conformist. This thesis argues that fifties literature was instead an active and successful agent in problematising conservative political orthodoxies, and in articulating alternative identities and politics. The study is concerned with two major themes: the relationship between literature and history, and the critical reputation and location of literature in nineteen-fifties Britain. It begins from positions that are already evident in postwar literary criticism towards both of these themes. Literature is understood in much of the critical writing of postwar Britain to be representative of social trends and attitudes, and its meaning is determined largely according to particular understandings of postwar British history and society. The literary text, if understood as 'representative', is capable of offering the reader direct access to the society of its production, and of reflecting the dominant trends and attitudes in a given period. Because it is the most recent period of realism in the history of English literature, the fifties seem to be particularly susceptible to this view. Reading fifties literature in the light of poststructuralist thinking on textuality and representation, this study argues that literature is not representative bu negotiates identities and social experiences of the fifties in a much more diverse way. These negotiations are demonstrated in readings of the work of John Osborne, Brendan Behan and Sam Selvon, and elaborated theoretically in the concluding chapters of the study. Literature's Poor Relation demonstrates that fifties literature is able to manoeuvre into a space wherein it can articulate oppositional and critical stances towards power, by firstly, imitating social detail and literary traditions, and secondly, reading these details and traditions in such was as to deconstruct them. The appearance of representativeness serves to seduce the reader into desiring the text (the idea that Look Back in Anger was representative attracted many of its original audiences to see it), and its readings and interpretations of history and identity deflect the reader's desire towards oppositional and critical moments in the text.
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Knierim, Sean Paul Rector Mônica. "Literatures of urban development World bank literature and the chronicles of Rio de Janeiro and Mexico City /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,759.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2007.
Title from electronic title page (viewed Dec. 18, 2007). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature." Discipline: English; Department/School: English.
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Silva, Gabriela Soares da. "A constelação de capriuro, de Fazil Iskander: tradução e comentário." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-05072012-135750/.

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Fazil Iskander (1929- ) é um dos mais representativos escritores soviéticos remanescentes da geração do degelo. Devido ao desconhecimento deste autor no Brasil, este trabalho consiste na tradução da novela que lhe deu notoriedade, precedida por uma apresentação e comentário: Sozvezdie Kozlotura, em português, A constelação do capriuro, de 1966. Apesar de pertencer à tradição satírica russa, junto a nomes como Nikolai Gógol e Mikhail Bulgákov, a prosa de Iskander carrega as singularidades da sua origem não-russa. A sua terra natal, a Abkházia, com a sua história e costumes, além de reverberarem na obra do autor, entrecruzam-se com a cultura russo-soviética numa relação complexa que dá às suas narrativas um caráter único. Neste trabalho, foram analisados os elementos que tornam a sátira de Iskander tão inovadora.
Fazil Iskander (1929- ) is one of the most representative remaining writers of the Thaw Generation. Due to the lack of recognition of this author in Brazil, the present dissertation consists in the translation of the short-novel that has made him internationally renowned, preceded by a presentation and commentary: Sozvezdie Kozlotura from 1966, or A constelação do Capriuro in Portuguese. Though the prose of Iskander belongs to the Russian satire tradition, along with names like Nikolai Gogol and Mikhail Bulgakov, it carries the singularities of his non-Russian origin. His motherland, Abkhazia, with its proper history and customs, besides reverberating on his works, entwines itself with the Russian-soviet culture in a complex and tense relationship that gives these narratives their unique nature. In this research, it is analyzed the characteristics that make the satire of Iskander so innovative.
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Nicolau, Maria da Conceição dos Santos. "A fúria dos tambores: music in African post-colonial literaturea música na literatura pós-colonial Africana." Master's thesis, Universidade de Aveiro, 2004. http://hdl.handle.net/10773/17761.

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Mestrado em Estudos Ingleses
The following dissertation attempts to discuss the presence of music (from indirect to more direct references) in representative texts of African Post- Colonial literature, in particular, Chinua Achebe’s Things Fall Apart, Ngũgĩ wa Thiong’o’s Devil on the Cross, and Paulina Chiziane’s Niketche. This dissertation attempts to contextualise the use of music in three African countries, with respect to the historical, social, and cultural backgrounds, as well as to provide an approach to general musical practice and significant aspects of the way music is present in the three novels individually. It is necessary to understand and recognize that music is not only interesting in the analysis of African cultures, but also when analysing certain literary works. I intend to characterise and valorise music from literature or vice-versa. One of the aims of this dissertation is to approach how, through the presence of musical references, we can understand the novel and the cultures of the country portrayed. Focus has often been made on other cultural aspects in the study of these novels, generally with music being dealt with sketchily if at all. These books thus raise a number of questions about human beings, society, and cultural practices, demonstrating the extent to which different aspects of a given society and music are interwoven in complex ways. It is in this interdependence between music and society that we find a point of analysis of different African cultures as of the novels in question.
A presente dissertação procura discutir a presença da música (desde referências indirectas até às mais directas) em textos representativos da literatura Pós-Colonial Africana, nomeadamente, Things Fall Apart de Chinua Achebe, Devil on the Cross de Ngũgĩ wa Thiong’o e Niketche de Paulina Chiziane. Esta dissertação pretende contextualizar o uso da música em três países Africanos, respeitando o contexto histórico, social e cultural, analisando a prática musical em geral e aspectos significativos na forma como a música está presente nas três obras individualmente. Torna-se necessário perceber e reconhecer que a música não só é interessante na análise de culturas Africanas, mas também o é quando analisamos determinadas obras literárias. Pretendo caracterizar e valorizar a música a partir da literatura ou vice-versa. Um dos objectivos desta dissertação é abordar o modo como, através da presença de referências musicais, podemos compreender a obra e as culturas do país em causa. Muitas vezes se deu relevo a outros aspectos culturais no estudo destas obras, sendo a música normalmente analisada com imprecisão, ou nem isso. Nas três obras são levantadas questões ligadas ao ser humano, sociedade e práticas culturais, de forma a poder demonstrar como diferentes aspectos de uma dada sociedade e a música estão interrelacionadas de forma complexa. É nesta interdependência entre música e sociedade que vamos encontrar um ponto de análise de diferentes culturas Africanas e das três obras em questão.
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Kraft, Tobias. "Literatur in Zeiten transnationaler Lebensläufe : Identitätsentwürfe und Großstadtbewegungen bei Terézia Mora und Fabio Morábito." Master's thesis, Universität Potsdam, 2006. http://opus.kobv.de/ubp/volltexte/2007/1295/.

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Im Zentrum dieser literaturwissenschaftlichen Arbeit steht der „homo migrans“ (Klaus Bade). Dieser ist nicht ein Typus, sondern vielmehr Sammelbegriff verschiedenster Länder, Kulturen und Sprachen querender Figuren der Bewegung: eurokoloniale Rück- und postkoloniale Zuwanderer, Asylbewerber, politische Dissidenten, Glaubensflüchtlinge, Arbeitsmigranten, Familiennachzügler und Aussiedler. Sie alle bewegen sich transnational und häufig interkontinental über und zwischen Grenzräumen. Unter dem Eindruck einer erneuten Beschleunigung globaler Migrationsprozesse ist es daher aus der Perspektive der Literaturwissenschaft entscheidend, sich zeitgenössischen Literaturen zu stellen, deren Autorschaft in genau jener kritischen wie produktiven Dynamik von Ortswechsel, Ent- und Reterritorialisierung, Heimatverlust und Herkunftsentwürfen stattfindet. Anhand ausgewählter Texte der deutschsprachigen Schriftstellerin ungarischer Herkunft Terézia Mora und des mexikanischen Schriftstellers italienischer Herkunft Fabio Morábito soll verdeutlicht werden, mit welch unterschiedlichen auktorialen Vorraussetzungen, produktionsästhetischen Strategien und leitmotivischen Schwerpunkten literarische Gegenwelten der Migration, der Fremd- und Selbsterfahrung erzeugt werden. So entstehen aus dem Innern eines als vielfach fremd empfundenen urbanen Lebensraums Zwischenweltfiguren und Bewegungsmuster, die zu analysieren sich allemal lohnt, wenn es darum gehen soll, mit den Mitteln der Literatur als Speicher von „Lebenswissen“ (Ottmar Ette) zu einem tieferen Verständnis dieser – ökonomisch wie kulturell wie analytisch – immer wichtiger werdenden Wissensressourcen vorzudringen. Die Analyse berücksichtigt bei beiden Autoren das bisher publizierte, literarische Gesamtwerk, setzt aber deutliche Schwerpunkte bei Terézia Moras Roman 'Alle Tage' und bei Fabio Morábitos Erzählband 'También Berlín se olvida', unter besonderer Berücksichtigung seiner umfangreichen, für das vorliegende Thema sehr ergiebigen Lyrik.
The main focus of this master’s thesis in literary studies is the ‘homo migrans’ (Klaus Bade). This entity is not a uniform archetype of migration, but a conglomeration of subjects who traverse a diverse range of countries, cultures and languages: the eurocolonial and postcolonial migrant, the asylum seeker, the dissident, the labor or family migrant, the refugee, the ethnic repatriate. They all share transnational and often intercontinental paths of trans-border movement. In light of the perpetual acceleration of global migration, it is of crucial importance that the humanities confront and discuss contemporary literature, which deals with the critical and productive dynamics of delocalization, de- and reterritorialization, the loss of homeland and the multiple constructions of belonging. In this thesis, selected works by the German-Hungarian author Terézia Mora and the Mexican-Italian author Fabio Morábito are analyzed to demonstrate the diverse auctorial conditions, aesthetic strategies and leitmotifs that produce literary counterworlds of migration, oscillating conceptions of identity and alienation. From within urban spaces that are oftentimes estranging, perspectives emerge of liminal identities that navigate between different worlds. As the analyses of Mora and Morábito illustrate, modes of identity and movement are literary expressions of ‘Lebenswissen’ (Ottmar Ette). They are therefore an invaluable contribution to our understanding of migration, in an economic, cultural, as well as analytical sense. The thesis takes into account the complete series of literary works that the two authors published until 2006. However, its focal points are Terézia Mora’s novel 'Alle Tage', as well as the short stories of 'También Berlín se olvida' and the lyrical oeuvre of Fabio Morábito.
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Branco, Isabel Rute Araújo. "A recepção das literaturas hispano-americanas na literatura portuguesa contemporânea: edição, tradução e criação literária." Doctoral thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2014. http://hdl.handle.net/10362/12521.

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Tese apresentada para cumprimento dos requisitos necessários à obtenção do grau de Doutor em Estudos Literários Comparados
A tese analisa as relações literárias da América Hispânica e de Portugal, concretamente a recepção das literaturas hispano-americanas na literatura portuguesa contemporânea. Recorremos à teoria da Literatura Comparada e à teoria dos polissistemas, para compreender campos tão vastos como a produção literária portuguesa e a tradução, edição e publicação de obras hispano-americanas. Neste âmbito, investigam-se as origens ibéricas do realismo mágico português e seu desenvolvimento, nomeadamente a sua relação com o realismo mágico hispano-americano. Estudamos particularmente os casos de António Lobo Antunes, David Machado, Dinis Machado, Hélia Correia, José Riço Direitinho, José Saramago, Lídia Jorge, Mário de Carvalho e Valter Hugo Mãe.
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Blaise, Aboua Kumassi Koffi. "Macunaíma / Kaydara: dois espelhos face a face. Ler Macunaíma sem rir." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-12092012-120553/.

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Explorar outros caminhos, até agora pouco seguidos, no intuito de participar de forma pertinente do debate acerca da inteligibilidade de Macunaíma de Mário de Andrade, isto, pode ser considerado o eixo que norteia este estudo comparado. Para levar adiante esta pesquisa comparativa apelamos para Kaydara, não apenas por ser uma obra prima da literatura africana de expressão francesa, mas também porque traz o olhar de dentro para fora de uma sociedade tradicional africana, capaz de dialogar com a literatura brasileira a ponto de lançar luz sobre alguns elementos culturais de origem afro-brasileira presentes nela. Por isso, fomos mergulhar naquilo que a maioria das sociedades africanas considera sua referência na Antiguidade: o Egito Antigo. Agora, quando se põem duas obras de grande valor estético frente a frente, o que sói acontecer é uma ajudar a ler a outra, por isso, nossa abordagem deixa de ser unilateral para privilegiar uma relação de leitura mútua, dando destaque às mais variadas consequências disso.
Explore other ways, until now little followed in order to participate in a meaningful way to the debate about the intelligibility of Macunaíma, this can be taken as the shaft that drives this comparative study. To carry out this comparative research we appeal to Kaydara, not only because it is a masterpiece of african french literature, but also because it brings - the look of the inside of a traditional african society, capable to converse with the brazilian literature, point to shed light on some cultural elements of afro-brazilian origin present in it. So we have been diving in what the vast majority of african societies consider his reference in antiquity: Ancient Egypt. Now, when you put two works of great aesthetic value face to face, which is usually happen is one help to read other, so our approach is no longer unilateral and privilege a relationship of mutual reading, highlighting various consequences.
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Books on the topic "Literaturem"

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Mapping world literature: International canonization and transnational literatures. London: Continuum, 2008.

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Bell, Kenneth. The Literatureof literature: Size, growth and characteristics. London: Polytechnic of North London, School of Librarianship and Information Studies, 1986.

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Ethnicity, identity and literature: Reading literatures from Northeast India. Guwahati: DVS Publishers, 2013.

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Usos i tradició de les literatures clàssiques a les literatures medievals: Uses and tradition of classical literature in medieval literatures. Lleida: Pagès Editors, 2013.

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de Zepetnek, Steven Totosy, and Tutun Mukherjee, eds. Companion to Comparative Literature, World Literatures, and Comparative Cultural Studies. Delhi: Foundation Books, 2009. http://dx.doi.org/10.1017/upo9789382993803.

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Glencoe literature: British literature. New York: Glencoe/McGraw-Hill, 2009.

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Native American and Chicano/a literature of the American Southwest : intersections of indigenous literatures. New York: Routledge, 2004.

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Foreman, Clifford W. Literature. Phillipsburg, New Jersey: P&R Publishing, 2014.

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Widdowson, Peter. Literature. London: Taylor & Francis Inc, 2004.

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Literature. Broomall, PA: Mason Crest, 2003.

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Book chapters on the topic "Literaturem"

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Gilmore, Paul. "Literatures of Technology, Technologies of Literature." In A Companion to American Literary Studies, 77–92. Chichester, UK: John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781444343809.ch5.

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Berman, Jessica. "Imagining World Literatures: Modernism and Comparative Literature." In Disciplining Modernism, 53–70. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230274297_4.

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Mayer, Ruth. "III.6. Kleine Literaturen als globale Literatur." In Handbuch Literatur & Transnationalität, edited by Doerte Bischoff and Susanne Komfort-Hein, 203–14. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110340532-012.

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Michieka, Martha. "My English, My Literature: Owning Our African Englishes and Literatures." In African Histories and Modernities, 49–63. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-50797-8_4.

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Huang, Yonglin. "Popular Literature, Elite Literature and Folk Literature." In Narrative of Chinese and Western Popular Fiction, 23–44. Berlin, Heidelberg: Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-57575-8_2.

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Azadibougar, Omid. "Persian Literature, World Literature." In World Literature and Hedayat’s Poetics of Modernity, 1–18. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-1691-7_1.

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Paravicini, Dietrich. "Literature." In Intraoperative Autotransfusion, 77–88. Berlin, Heidelberg: Springer Berlin Heidelberg, 1986. http://dx.doi.org/10.1007/978-3-642-70799-5_9.

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Mcduffie, Michael. "Literature." In Contributions to Phenomenology, 416–20. Dordrecht: Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-017-5344-9_94.

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Xu, Guobin, Yanhui Chen, and Lianhua Xu. "Literature." In Understanding Chinese Culture, 107–35. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-8162-0_5.

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Slavec, Zvonka Zupanič. "Literature." In New Method of Identifying Family Related Skulls, 247–53. Vienna: Springer Vienna, 2004. http://dx.doi.org/10.1007/978-3-7091-0605-1_7.

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Conference papers on the topic "Literaturem"

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Hlazkova, Olena. "“Literature of Migration” vs “Literatura Emihratsii”: Defining a New Trend in Ukrainian Literature." In International Conference on New Trends in Languages, Literature and Social Communications (ICNTLLSC 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210525.017.

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Hilderbrandt, Darlene Myers. "Computing literature." In the 14th annual ACM SIGUCCS conference. New York, New York, USA: ACM Press, 1986. http://dx.doi.org/10.1145/324239.324310.

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Dhandapani, Sowmya. "Literature Review1." In 2015 International Conference on Data and Software Engineering (ICoDSE). IEEE, 2015. http://dx.doi.org/10.1109/icodse.2015.7436968.

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Bakhtikireeva, Uldanai. "TRANSNATIONAL LITERATURE: RUSSIAN-LANGUAGE LITERATURE BY NON-RUSSIAN WRITERS." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s27.076.

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Ismawati, E., Warsito Warsito, and KA Anindita. "Javanese Women in Old Literature Text: Literature Ethnography Study." In Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BASA, 20-21 September 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.20-9-2019.2296756.

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Chen, Liyu. "Research on the Literature Sensibility in Ancient Literature Researches." In 2016 5th International Conference on Social Science, Education and Humanities Research. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/ssehr-16.2016.63.

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KAYA, Ahmet. "İSMET ÖZEL'İN ŞİİRLERİNDE DİL KULANIMI." In International Research Congress of Language and Literature of Language and Literature. Rmar Academy, 2021. http://dx.doi.org/10.47832/languagecongress978-605-065876-1.

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1944 yılında Sökel bir ailenin oğlu olarak Kayseri’de doğan İsmet Özel, ilk şiirini 1963 yılında yayımlayarak edebiyatımıza şair olarak önemli bir iz bırakmıştır. Uzun süreler siyasi, düşünsel topluluklarda aktif görevler alıp en ön saflarda bulunmuş, düşünce yazıları ve söyleşileriyle içinde olduğu kitleyi mobilize ve motive etme becerisi göstermiş ise de şiirlerini içinde olduğu ve savunduğu görüşlerin aracı yapmamayı, şiirini “has şiir” kategorisi içinde tutmayı başarmıştır. Edebiyatımızda “İkinci Yeni” olarak adlandırılan dönemin hemen ardından, ikinci yeninin şiirinden de beslenerek bağımsız şair kimliğini oluşturmayı başarmıştır. Bunu becerebilmesinin en önemli sebebi daha özgün imge oluşturabilmesi ve dilin imkanlarını özgün bir biçimde kullanabilmesindendir. Dili son derece rahat görünse de okuyucunun şiirinin dünyasına dahil olabilmesi ve şiirinden keyif alabilmesi için okuyucusunun da emek sarf etmesini istemektedir. Bu konuda okuyucusuna yardımcı olmak arzusundan olsa gerek, “Şiir Okuma Kılavuzu” dahi hazırlamış, bu çalışmasıyla öte yandan “poetikasını” ortaya koymuştur. İsmet Özel’in kelimelere yaklaşımı kendinden önceki şair nesli gibi değildir. O kelimeleri alışılmış ve eskimiş şekillerinin dışında kullanmaktan, yani hep aynı şekilde kullanmamaktan yanadır. İsmet Özel’in kelime anlayışı, imgeci şiirin kelime anlayışıdır, tıpkı modern resmin nesne anlayışı gibidir. Kelimelere imgeci şiirin çok anlamlı genişliği içinde fonksiyon verir. Biçimsel özellikleri şiirlerinde kullandığı kelimelerin seçiminde gösterdiği titizlikle besler. Bağlandığı siyasal düşünceleri şiirlerinde esas almayan, yani şiirini özellikle politik söylem aracı olarak kullanmayan İsmet Özel, ilk yıllarda sol, sonraki yıllarda da İslami terim ve kavramları kullanmıştır. Üçüncü dönem diyebileceğimiz son dönemde de milletçilik kavramları şiire dâhil olur
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TÜRK, Osman. "MUSTAFA KUTLU’NUN “SIR” HİKÂYESİNDEKİ BİRLEŞİK YAPILI FİİLLER." In International Research Congress of Language and Literature of Language and Literature. Rmar Academy, 2021. http://dx.doi.org/10.47832/languagecongress978-605-065876-4.

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İş, kılış, oluş gibi eylemlerin karşılığı olan fiiller, söz diziminin esas unsuru ve cümledeki anlamın yüklenicisidir. Temel söz varlığının hareket işlevli parçaları olan fiiller genel başlığı altında bulunan birleşik fiiller, tek kelime ile karşılanamayan eylemleri anlatma ihtiyacına cevap verir. İşlevsel olarak dilin eylem nitelikli söz varlığını işler kılan, isim ya da isim soylu kelimeleri de yüklemleştiren birleştirmelerdir. Birleşik fiiller, isimle ve fiille yapılan birleşik fiiller olmak üzere iki ana başlık altında toplanabilir. Bu çalışmada Mustafa Kutlu’nun “Sır” adlı hikâyesindeki birleşik fiiller incelenmiştir.
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ADIGÜZEL, Ahmet. "ALİ BİN İSHAK’IN BÂHNÂMESİNDE FİİL ÇEKİMLERİ VE YAPILARI." In International Research Congress of Language and Literature of Language and Literature. Rmar Academy, 2021. http://dx.doi.org/10.47832/languagecongress978-605-065876-5.

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Bâh-nâmeler’in ana teması, konusu ve fikir yapısı, sağlıklı bir cinsellik, cinsel hastalıklar ve bu hastalıkların tedavisi için geleneksel çözüm arayışlarıdır. Bu eserler, içerdiği cinsel bilgilerin yanında ayrıca genel sağlık ve genel sağlıkla ilişkili olan bilim disiplinlerini de kapsayan birer genel sağlık ansiklopedileridir. Bāh-nāmeler, aslında geleneksel tedavi yöntemlerinin bilimsel tedavi yöntemlerine uyarlanmasıdır. Bu eserler, ayrıca cilt bakımı ve beden temizliğinin yaşam için gerekliliğini ve önemini de değerlendirmektedir. Genel ve cinsel sağlık alanlarında birçok bilim disiplinin malzemesini, unsurlarını barındıran bâh-nâmeler özellikle dil açısından da oldukça önemli ve zengin bir malzemeyle yazılmıştır. Bâh-nâmeler, Eski Türk dil unsurların yanında dil gelişim seyrini izleme açısından önemli eserler, kaynaklardır. Yaşam kalitesinin artması, ekonomik, sosyokültürel ilerlemeler, gelişmeler ve toplumsal değişimler konuşurların ölçünlü dillerinin ve dil gelişimine ve oluşmasına yardımcı olur. Teknoloji ve bilimde ilerleme, beraberinde bir dil zenginliği getirir. Fiiller, hareket, oluş, durum ve tavır bildiren yapılardır. Yapılan yeni icatlar, keşifler ve kullanılan yeni kavramlar, fiilleri daha işlevsel hale getirir ve cümlenin anlam yükünü taşıyan fiillerin çekimini daha önemli kılar. Türkçedeki kelimeler yapı, köken ve özellikleri bakımından üç temel birim olarak değerlendirilir: isimler, fiiller ve edatlar. Her ne kadar Banguoğlu ve Jean Deny gibi bazı dilbilimciler ünlem ve bağlaçları edattan ayrı yapılar olarak ele almışlarsa da Türk dilindeki kelime yapılarının tabii tasnifi açısından: 1. İsimler (Sıfatlar, zamirler ve zarflar) 2. Fiiller, 3. Edatlar (Bağlaçlar ve ünlemler) olarak üç ana bölümde toplanmaktadır. Türkçe fiil zengini bir dildir. Fiillerin haber ve dilek kipleri çekimleri ve bu zenginliği işlevsel hale getiren bir diğer husus fiil çekiminin esnekliğidir. Fiillerden türetilen fiilimsiler (Sıfat-fiil ve zar-fiiller cümle içerisinde geçici kelimeler üretir.) yüklem olarak kullanılabildiği gibi bir fiil çekime girdiğinde; fiilin kendisi, biçim ve zaman, şahıs unsurlarıyla çekimli fiil yapısını oluşturur. Çekimli fiiller cümlenin anlam bölümünü oluşturur. Fiil çekimi Türkçe cümle yapısında en az dört unsuru karşılar: hareket, biçim, zaman ve kişi. Cümlenin aslî unsuru olan çekimli fiil, tek başına cümlede ifade edilmek istenen anlamı taşıyabilir. Fiil çekimleri Türkçeye sonsuz anlam kazandırabilmektedir. Türkçede fiillerin yapıları incelendiğinde onları yapısal olarak da bir tasnife tabi tutmak gerekir: Kök fiiller, Türemiş fiiller ve Birleşik fiiller. Bu fiil yapıları da anlam içeriklerine göre farklılıklar teşkil etmektedirler: Hareket, iş oluş ve tavır bildirenler vd. Bâh-nâmede geçen fiiller tespit edilerek bu fiiller, hem çekimleri hem de yapıları bakımından incelendi
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ÇELİKTEN, Hakan. "RADYONUN TOPLUMSAL KABULÜ VE DEĞİŞEN GÜVEN DUYGUSU: “TÜCCAR OYUNU” ÖRNEĞİ." In International Research Congress of Language and Literature of Language and Literature. Rmar Academy, 2021. http://dx.doi.org/10.47832/languagecongress978-605-065876-8.

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Toplumun sosyo-kültürel hayatında yaşanan değişim, bireylerin hayata bakış açsını da etkilemektedir. Daha çok sözün hâkim olduğu toplumsal düzende ağızdan çıkan her bir kelime son derece önem arz ederken; yazılı kültürün hâkim olduğu yaşayış tarzında artık yazılı metinler esas kabul edilir hâle gelmiştir. Bu durum, bize yazının hakimiyetiyle birlikte toplumun güven duygusunda yaşanan değişimi göstermektedir. Yazılı kültürü takip eden ve günümüz dünyasının şekillendiren elektronik kültür ortamında ise bu kültür ortamına ait araçların sunmuş olduğu içerik, toplumunda yeniden bir güven inşasına yol açmıştır. Bu araçların başında gelen radyo, Anadolu coğrafyasına çok hızlı bir şekilde yayılmış ve toplumun bu yeniliği kabulü ile radyonun sunmuş olduğu içeriklere güven yan yana ilerlemiştir. Öyle ki belirli bir zaman sonra radyoda sunulan bilgiye göre doğru ve yanlış ayrımı yapılır hâle gelmiştir. Toplumda yaşanan böylesi bir değişimi ilgili toplumun içerisinden çıkan ürünlerde takip etmek mümkündür. Bu bildiride “Tüccar Oyunu” adlı köy seyirlik oyunu incelenerek radyonun toplumsal kabulü ve buna bağlı olarak Anadolu’nu en kırsal yerinde gerçekleşen değişim görülmeye çalışılacaktır
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Reports on the topic "Literaturem"

1

Dwyer, Stephen F. Literature review :. Office of Scientific and Technical Information (OSTI), March 2013. http://dx.doi.org/10.2172/1095130.

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Nambiar, Arjun. Literature searching. BJUI Knowledge, January 2021. http://dx.doi.org/10.18591/bjuik.0741.

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Rogers, R. D., and J. W. Jr McConnell. Lysimeter literature review. Office of Scientific and Technical Information (OSTI), August 1993. http://dx.doi.org/10.2172/10183270.

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Lumbroso, D., A. P. Hurford, J. Winpenny, and S. D. Wade. Harnessing hydropower: Literature review. Evidence on Demand, December 2014. http://dx.doi.org/10.12774/eod_cr.august2014.lumbrosoetal1.

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Sørensen, Michael Munk, Mattias Carlsson Feng, Jenny von Bahr, Thea Marcelia Sletten, Johanna Kiiski, and Signe Krarup. Valuation Literature on Chemicals. Nordic Council of Ministers, January 2017. http://dx.doi.org/10.6027/na2017-903.

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Bell, William L., Trudy A. Scholten, and Bryan M. Smith. Reactive Coatings Literature Review. Fort Belvoir, VA: Defense Technical Information Center, January 2002. http://dx.doi.org/10.21236/ada414297.

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Burcham, Patricia M. Motion Sickness Literature Search. Fort Belvoir, VA: Defense Technical Information Center, May 2002. http://dx.doi.org/10.21236/ada402963.

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Need, Ryan F. Cu-Cr Literature Review. Office of Scientific and Technical Information (OSTI), August 2012. http://dx.doi.org/10.2172/1048824.

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Duignan, M. CROSSFLOW FILTRATON: LITERATURE REVIEW. Office of Scientific and Technical Information (OSTI), January 2011. http://dx.doi.org/10.2172/1011080.

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Schwartz, Peter J. Constraint Optimization Literature Review. Fort Belvoir, VA: Defense Technical Information Center, October 2015. http://dx.doi.org/10.21236/ada625107.

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