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1

Johnson, Charles Richard. Being & race: Black writing since 1970. Indiana University Press, 1988.

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2

M, Smith Henrietta, ed. The Coretta Scott King awards book, 1970-1999. American Library Association, 1999.

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3

The Harlem renaissance: Hub of African-American culture, 1920-1930. Pantheon Books, 1995.

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4

Watson, Steven. The Harlem renaissance: Hub of African-American culture, 1920-1930. Pantheon Books, 1995.

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5

The mechanic muse. Oxford University Press, 1987.

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6

Elizabeth, Ammons, ed. Short fiction by Black women, 1900-1920. Oxford University Press, 1991.

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7

La langue plurielle: Le bilinguisme franco-espagnol dans la littérature hispano-américaine (1890-1950). Harmattan, 2011.

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8

Gelpi, Albert. A coherent splendor: The American poetic renaissance, 1910-1950. Cambridge University Press, 1987.

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9

Jackson, Edward Mercia. American slavery and the American novel, 1852-1977. Wyndham Hall Press, 1987.

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10

Le génie de l'Italie: Géographie littéraire de l'Italie à partir des littératures américaine, britannique et française (1890-1940). Connaissances et savoirs, 2006.

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11

Clavaron, Yves. Le génie de l'Italie: Géographie littéraire de l'Italie à partir des littératures américaine, britannique et française (1890-1940). Connaissances et Savoirs, 2006.

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12

Jerz, Dennis G. Technology in American drama, 1920-1950: Soul and society in the age of the machine. Greenwood Press, 2003.

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13

"The changing same": Black women's literature, criticism, and theory. Indiana University Press, 1995.

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14

Modern women, modern work: Domesticity, professionalism, and American writing, 1890-1950. University of Pennsylvania Press, 2004.

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15

Foster, Frances Smith. Written by herself: Literary production by African American women, 1746-1892. Indiana University Press, 1993.

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16

The Black Arts Movement: Literary nationalism in the 1960s and 1970s. University of North Carolina Press, 2005.

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17

Louis, Parrington Vernon. Main currents in American thought: An interpretation of American literature from the beginnings to 1920. University of Oklahoma Press, 1987.

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18

The leisure ethic: Work and play in American literature, 1840-1940. Stanford University Press, 1999.

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19

Favor, J. Martin. Authentic Blackness: The folk in the New Negro renaissance. Duke University Press, 1999.

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20

Testing the faith: The new Catholic fiction in America. Greenwood Press, 1992.

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21

Family therapy: An intimate history. W.W. Norton, 2002.

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22

Hoffman, Lynn. Family therapy: An intimate history. W.W. Norton, 2002.

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23

Geniuses together: American writers in Paris in the 1920s. Houghton Mifflin Co, 1988.

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24

Carpenter, Humphrey. Geniuses together: American writers in Paris in the 1920s. Unwin Paperbacks, 1989.

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25

Geniuses together: American writers in Paris in the 1920s. Unwin Hyman, 1987.

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26

Historical nightmares and imaginative violence in American women's writings. Greenwood Press, 1998.

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27

American poetry and culture, 1945-1980. Harvard University Press, 1985.

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28

Unruly tongue: Identity and voice in American women's writing, 1850-1930. University Press of Mississippi, 1999.

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29

Budick, E. Miller. Engendering romance: Women writers and the Hawthorne tradition, 1850-1990. Yale University Press, 1994.

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30

Models for the multitudes: Social values in the american popular novel, 1850-1920. Greenwood Press, 1987.

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31

Hitting a straight lick with a crooked stick: Race and gender in the work of Zora Neale Hurston. University of Alabama Press, 1999.

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32

Sharing secrets: Nineteenth-century women's relations in the short story. Fairleigh Dickinson University Press, 2000.

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33

The American poet at the movies: A critical history. University of Michigan Press, 1994.

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34

Saints, sinners, saviors : strong Black women in African American literature. Palgrave, 2001.

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35

To wake the nations: Race in the making of American literature. Belknap Press of Harvard University Press, 1993.

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36

Sundquist, Eric J. To wake the nations: Race in the making of American literature. Belknap, 1993.

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37

Soitos, Stephen F. The blues detective: A study of African American detective fiction. University of Massachusetts Press, 1996.

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38

The power of the porch: The storyteller's craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan. University of Georgia Press, 1996.

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39

Simpson, Megan. Poetic epistemologies: Gender and knowing in women's language-oriented writing. State University of New York Press, 2000.

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40

Sympathy in American literature: American sentiments from Jefferson to the Jameses. University Press of Florida, 2002.

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41

The green breast of the new world: Landscape, gender, and American fiction. University of Georgia Press, 1996.

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42

Smith, Stephanie A. Conceived by liberty: Maternal figures and nineteenth-century American literature. Cornell University Press, 1994.

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43

Ben-Bassat, Hedda. Prophets without vision: Subjectivity and the sacred in contemporary American writing. Bucknell University Press, 2000.

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44

Like and unlike God: Religious imaginations in modern and contemporary fiction. Scholars Press, 1999.

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45

Reclaiming community in contemporary African-American fiction. University Press of Mississippi, 1999.

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46

Women of the Harlem renaissance. Indiana University Press, 1995.

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47

Hoffman, Daniel. Form and fable in American fiction. University Press of Virginia, 1994.

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48

Gilbert, Sandra M. No man's land: The place of the woman writer in the twentieth century. Yale University Press, 1989.

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49

Susan, Gubar, ed. No man's land: The place of the woman writer in the twentieth century. Yale University Press, 1991.

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50

Gilbert, Sandra M. No man's land: The place of the woman writer in the twentieth century. Yale University Press., 1994.

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