Academic literature on the topic 'Littérature engagée – Afrique subsaharienne'
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Journal articles on the topic "Littérature engagée – Afrique subsaharienne"
Damome, Étienne. "Communication engagée au sein des associations d’auditeurs de radio en Afrique subsaharienne." Communication et organisation, no. 55 (June 1, 2019): 155–70. http://dx.doi.org/10.4000/communicationorganisation.7945.
Full textFafchamps, Marcel. "Les institutions de marché en Afrique subsaharienne." Articles 81, no. 4 (April 12, 2007): 595–616. http://dx.doi.org/10.7202/014911ar.
Full textAkkari, Abdeldjalil, Colleen Loomis, and Thibaut Lauwerier. "Investir dans le préscolaire en Afrique subsaharienne. Une synthèse de la littérature internationale." Insaniyat / إنسانيات, no. 60-61 (September 30, 2013): 223–49. http://dx.doi.org/10.4000/insaniyat.14212.
Full textMortimer, Mildred. "Ecritures en transhumance entre Maghreb et Afrique subsaharienne: littérature, oralité, arts visuels, by Hélène Tissières." Research in African Literatures 39, no. 3 (September 2008): 214–15. http://dx.doi.org/10.2979/ral.2008.39.3.214.
Full textRangira, Béatrice Gallimore. "Écriture féministe ? écriture féminine ?" Études françaises 37, no. 2 (September 9, 2004): 79–98. http://dx.doi.org/10.7202/009009ar.
Full textGbongué, Florent, Frédéric Planchet, and Arthur Ahoussi. "Proposition d’un modèle de projection des scénarios économiques pour le développement de la zone CIPRES — Version 2.24." Assurances et gestion des risques 84, no. 1-2 (November 13, 2017): 1–52. http://dx.doi.org/10.7202/1041819ar.
Full textEpprecht, Marc. "Une Critique “Beachienne” de la Littérature d'Expression Anglaise Récente Portant sur les Femmes et la Sexualité en Afrique Subsaharienne." History in Africa 28 (2001): 345–60. http://dx.doi.org/10.2307/3172222.
Full textPype, Katrien. "Pratiques religieuses africaines et médias numériques." Emulations - Revue de sciences sociales, no. 24 (March 16, 2018): 135–44. http://dx.doi.org/10.14428/emulations.024.009.
Full textSauvegrain, Priscille. "Les parturientes « africaines » en France et la césarienne." Anthropologie et Sociétés 37, no. 3 (March 13, 2014): 119–37. http://dx.doi.org/10.7202/1024082ar.
Full textCourcy, Nathalie. "COULON, Virginie, Bibliographie francophone de littérature africaine (Afrique subsaharienne), Deuxième édition mise à jour et complétée, Vanves, EDICEF / PARIS, AUF, 2005, 479 p. - ISBN 2-75-310014-4." Études littéraires africaines, no. 21 (2006): 50. http://dx.doi.org/10.7202/1041306ar.
Full textDissertations / Theses on the topic "Littérature engagée – Afrique subsaharienne"
Mohamed, Elemam Elmetwalli Mohamed. "Engagement politique et Imaginaire romanesque chez Ahmadou Kourouma et Rachid Mimouni." Thesis, Lyon, 2020. http://www.theses.fr/2020LYSES002.
Full textThis research, which unfolds in three stages, provides a reflection about the ideological, but also aesthetic dimension of postcolonial Francophone literature in sub-Saharan Africa and Maghreb. It aims precisely to show how a political and ideological discourse is linked up with a literary and aesthetic practice in the novels of the Ivorian Ahmadou Kourouma and the Algerian Rachid Mimouni. In the first two parts, we examine the different aspects of the political engagement of these two francophone writers belonging to different geographic, political social and cultural areas. It is precisely a question of staging their convictions and ideological positions expressed in the novels of the corpus about the phenomena of dictatorship, ideological drifts and war violence, which marked in Africa the period going from the first years of independence to the first decade of the 21st century. The last part aims at examining how poetics can provide suitable models for thinking politics at both writers. More precisely, studying the structures of narration at work in the novels of the corpus allows to highlight the aesthetic issues of their politically engaged writing which draws as much from the forms of the European novel as from African oral tradition
Pope, Julie. "Émancipation et création poétique. De la Négritude à l' écriture féminine à l'exemple d'Aimé Césaire, Léopold Sedar Senghor, Ahmadou Kourouma, Calixthe Beyala." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030067.
Full textIn the context of the independences of former French colonies, the poetic impetus of militant authors such as Aimé Césaire, Léopold Sédar Senghor or Léon-Gontran Damas is adamantly linked to the rebuttal of colonialism and to political activism. Intellectuals, writers, and artists strongly condemn European imperialisms. For the “Négritude” poets, poetry stands as the most obvious testimony of political and literary commitment. Their poetic works, relying both on oral practices inherited from Africa and on relatively classic prosodic styles, is the vehicle for political messages and reclaiming of African culture. Subsequently, novel writing in sub-Saharian Africa tackles more and more themes of slavery, colonization, colonial alienation, neo-colonialism, all of this becoming empowering processes. The question is to open on a renewed vision of the world, giving the French language a new creative trace, through the authors’ representation. Therefore, Francophone literature reclaims its singularity. This is especially true with Cameroon and Congo: for instance, Ahmadou Kourouma posits that his literature is malinké. Tchicaya U. Tam’si declares that if the French language is colonizing him, then he colonizes it in turn. The colonized rebellion paradoxically leans on the French colonizer language, while trying to displace and advance it through writing. Francophone literature in sub-Saharian Africa is the place of differences and of “différances”, for it bears the traces of many sociological reflexions, and becomes, through its diversity, a place for creativity, liberty and hybridity. We also witness the rise of political protest novel against dictatures, corruption, civil wars ; for example Ahmadou Kourouma, writing Allah n’est pas obligé, does not bother anymore with the rules of literature but excels in the practice of a “rotten language” to describe an atrocious war. This is a form of creativity similar to the one that give birth to creole, “français petit-nègre”, “camfranglais” and one that African sub-Saharian literature explore. It is in this perspective opened by subversive writing and reading practices that women emancipation in Africa takes place. The case of Calixthe Beyala, among others, illustrates this evolution of the status of women in society, beyond the sexual male/female divide. This process stems from post-colonialism and independentist movements gaining power and focus in the XXth century. Women distinguish themselves thanks to their writing and speech in a public sphere reserved to men. Novels written by sub-Saharian African women carefully describe traditional practices, polygamy, forced marriages. These writers, through their acquired freedom speech, have gained the power to participate in the public debate. This form of emancipation takes hold of a language and an art formerly reserved to men because of traditions. Violence, slang words, obscene or pornographic language are no longer part of a male monopoly on poetic language. This poetic creation is vested differently by women writers, who are therefore able to express themselves
Azarian, Viviane. "Les écritures autobiographiques en Afrique francophone subsaharienne 1926-2000." Paris 3, 2005. http://www.theses.fr/2005PA030004.
Full textThe importance of collective consciousness in African societies has often been considered as an obstacle to autobiographical writing, yet autobiographical works appeared with the beginnings of literature in French language in black Africa ; where to this day it still occupies an important place. Its production has continued to grow in various and hybrid forms : factual, fictionnal stories, which simulate these narrative forms and autofictionnal stories. This study is divided into four sections. First an historical and sociological approach : the framing of the genre in historical context, the relationship between the individual and society ; then an analysis of the themes treated : authenticity, alienation, identity and otherness ; third a reflection on forms and literary models ; finally a poetical analysis and a reflection on the question of the subject and the relationship between an author and his wrtiting practice
Hounkanrin, Zountangni Yveline. "La littérature engagée de l'Afrique de l'Ouest contemporaine : renouvellements et adaptations interculturelles." Paris 4, 2006. http://www.theses.fr/2006PA040213.
Full textThe literature of the French-speaking Black Africa was perceived for a long time even theorized like concerning an ordinary literature of engagement because of the history of the continent. This design, in a certain manner, unconsciously harmed the image which one could have of this literature. It is from the Eighties, after the collapse of the Communism, that the concept of literary engagement seems, to be constrained to evolve and to renew itself putting more and more the African writer in a rather uncomfortable situation divided between the desire to remain a political writer, near to his people concerns, and the desire to assert a creative autonomy. Nowadays, if the question of artistic engagement makes debate again, it’s certainly not a question of chance according to the confused and dubious time we must cope with. Indeed, we attend a loss of the reference marks and ideals leading the men of thought (intellectual, writers) to adopt writing projects, i. E. Engagements, different in their work of creation. What are the interrogations that were faced or are still faced to the sub-Saharan committed literature in this universalization era? Thus, our study tries to analyze the evolution of this problematic until the faintness current of the new African writers in French language, confronted with a problem of redefinition contents of literary engagement
Martin, Valérie. "Aspects comparés du roman francophone contemporain : France, Maghreb, Afrique noire." Grenoble 3, 1995. http://www.theses.fr/1995GRE39028.
Full textThis thesis is divided in two main parts : the study of novelistic patterns and the problems of writing. The first part deals with biographical elements, proving that the chosen authors, nathalie sarraute, mohammed dib, rachid boudjedra, tierno monenembo and sony labou tansi, all felt a desire to break with their original literary style. The composition of the novels, both internally and externally, has been studied in order to prove how the presentation, the introduction and the dedication create a meaningful whole. The division of text (chapters, intertextual references, typography) has also been analysed in terms of its relevance to the novel. The last section of this first part studies the time and space elements within the novel. The second part of this work is focussed on the difficulties presented by writing. The first chapter deals with character study (classification, psychologie and inter-character relationships) and the second chapter deals with the narrator's status (wheter first or third person, etc. ) finally, the third chapter studies the varied uses of the french language through style and above all the reader's responses to this
Lombale-Bare, Gilbert. "Étude comparative et interculturelle de la littéraure africaine de langue française au sud du Sahara unité littéraire et identités régionales." Paris 4, 2006. http://www.theses.fr/2006PA040121.
Full textThis study is an attempt to experiment with the classification of Sub-Saharan African literature in the light of “cultural areas”, a perspective which was first applied at the international conference “Aires Culturelles et Création Littéraire en Afrique” organised by the UNESCO. From this point of view, Equatorial Africa, which is an area of Bantu culture, and West Africa, which is an area of Sudano-Sahelian culture, make up two distinct frames of reference, even though they are considered as a homogeneous literary group by literary criticism. In the first part several methodological questions are tackled—the main current trends of African literary criticism are based on the historic approach related to the colonial context and the period of independence. They all bear a common trait: the monolithic vision of literary facts. To the global eye, unity appears as something obvious. Problems arising from national literatures, which are supposed to reflect diversity and plurality, conform to the colonial partition of Africa, which has given birth to the balkanisation of this continent. A classification by linguistic areas has emerged from the partitioning of Africa in regions of European influence. An intercultural comparison stands out as a new perspective, which has the advantage of considering African literature as a two-fold entity of unity and diversity. The question that the second part tries to answer is: what does the African literary unity consist of? The cross-section study of two themes: the impact of Black-African spiritual memory on writing and the representation of modern political power are supported by facts which make unity to be perceived as objective. The primitive spirituality that has traditionally justified the African look on the world is an amazing source of spiritual imagery which pervades literature by means of a variety of forms, genres and techniques. This spirituality coexists with the rational discourse in a relation of interference. In the third part, the analysis focuses on the “literary conscience” of literary works—this notion implies both the conscience of a common African identity and, at the same time, the Bantu tribal conscience, for the works of writers coming from Equatorial Africa, and the Sudano-Sahelian tribal conscience, for the works of writers coming from West Africa. Some differences between an “equato-Bantu”-inspired literature and a Sahelian-inspired literature, both with their own characteristics, are then unveiled through a myriad of centres of interest in an internal coherence which justifies literary regional specificities
Moji, Polo Belina. "Réimaginer la nation : nationalisme africain, engagement sociopolitique et autoreprésentation chez les romancières subsahariennes." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030130/document.
Full textNationalism in sub-Saharan Africa « imagines » a homogenous national identity embedded in the mythology of African uniqueness, which represents the woman symbol of cultural roots (the “Mother Africa “trope). This study analyses how the sub-Saharan female novelist (the woman as a mute, extra-historical and apolitical object of culture) appropriates African nationalism (re-imagines the nation) to define a new identity for African womanhood. The study tests the hypothesis that a marginal subject reveals itself in “border location” according to its similarity or difference to dominant subjects. It analyses political nationality (citizenship), cultural nationality (Africanness), and their interaction within the representation of female national identity. And They Didn’t Die and Nehanda evoke liberation movements in South Africa and Zimbabwe to recontextualise women’s cultural affiliation (the woman “pot of culture)” between tradition and modernity. Matins de couvre-feu and L’Ex-père de la nation depict the post-independence disillusionment of Senegal and the Ivory Coast to subvert the dichotomy of public and private spheres which construct a male centred State (the “Father of the Nation”) and the woman-centred “domestic” sphere. Finally, Destination Biafra highlights ethnic nationalism in Nigeria to illustrate the problematic of the intertwining of cultural and political nationalities resulting from the paradoxical construction of the African nation-state: A State (a geo-political space) defined by modern borders and a supranational nation (“imagined community”) delimited by the symbolic borders of a pre-colonial culture
Sevrain, Emilie. "Des pensées politiques subversives aux conduites révolutionnaires : les personnages feminins dans les littératures francophones de l'Afrique subsaharienne : (1975 à 2005)." Paris 13, 2010. http://www.theses.fr/2010PA131009.
Full textFurther to the violent colonial conquests and the postcolonial civil wars, many writers, men and women, applied themselves to depict contemporary Africa's political and cultural upheavals. Female figures emerge from these struggles of power and the underlying resistance movements. Holding political sponsibilities or commited in revolutionary missions, they scope of African societies’tendancies to corruption and despotism through subversive speeches and/or protesting reactions. Based on recent texts published between 1975 and 2005, this dissertation proposes to highlight the rhetorical and stylistic processes at work in the development of a women’s political imaginary. Following an interdisciplinary methodology, we will try to determine the cultural and ideological issues of these constant features and/or poetic innovations in the rewriting, modelling or subversion processes of African struggles’memory
Rémond, Françoise. "De la Black Consciousness à la Nouvelle Afrique du Sud : enjeux d'une poésie engagée." Thesis, Université de Lorraine, 2013. http://www.theses.fr/2013LORR0060/document.
Full textFrom 1948 to 1992, the apartheid system in South Africa aimed at systematically denying or even destroying the black population's speech. As a parameter of any oppressive system, the denial of speech was violently and ruthlessly enforced through an institutionalised racist system based on the exploitation of the black population. A resistance movement, therefore, took shape in political movements, unions, and arts, among which literature, and fought for decades to rebuild a black identity, to take part into the writing of history and to establish the foundations of a democratic state. During the 1960s and 1970s, poetry became a considerable force of resistance and struggle, whose aim was to create and sustain the collective will to pull down the structures of oppression. The seizure of speech by poets who recycled the techniques of oral literatures allowed the identification of the crucial relationships between poetics and politics. The Black Consciousness movement was thus structured in and by a poetic speech that appropriated language, words and things through a dialogical process. In spite of major political changes, that dynamics continued during South Africa's political transition, and the poetic voices in contemporary South Africa remain a force that is both disruptive and constructive. It is therefore necessary to define and develop tools for the analysis of the Black Consciousness poetry; the works of Frantz Fanon will prove enlightening in the understanding of a poetry which was a practice and an experiment, fighting for a humanistic perspective based on language
Ngodjo, Ngodjo Elian Sedrik. "Pour une sociopoétique de la nouvelle subsaharienne francophone." Thesis, Limoges, 2020. http://www.theses.fr/2020LIMO0018.
Full textLong confined to the margins of literary history, the short-story genre in French-speaking Africa has often lacked visibility among critics. Between a long-standing latent disinterest and nascent scientific research today, the short-story has for too long been absent in the African literary field. However, this peripheral posture seems inaccurate and incongruous nowadays, when one revisits its historical trajectory, and especially when we consider the interest that some writers take in it. Having achieved its autonomy as a genre, the short-story can no longer be considered a « premature novel », an « illegitimate genre » etc. This obsolete and old-fashioned vision is here reassessed, and allows, somehow, to direct the critical gaze (on its forms, its favorite themes ...), towards a more objective conception, built from the latest developments of the genre. Like the other narrative forms, and perhaps even more elaborately, the short story, in the French-speaking world, addresses the authors’ social experiences, summarizes their vision of the world and shows the process of its evolution in Sub-Saharan Africa. It is the overwhelming evidence of the observed and experienced reality of the short-story writer in a given time period in the history of his society. The short-story genre takes on the task of bringing to light, with a touch of realism, the worries and phenomena behind the dislocations and transformations of African societies. Based on new social representations taking place in Africa, it bears witness to a transformed Africa, stubbornly oriented towards fundamentally modern structures. For this reason, this genre tends to claim a new perspective, based on a debate devoid of any bias which has impacted it so far
Books on the topic "Littérature engagée – Afrique subsaharienne"
Agence universitaire de la francophonie, ed. Bibliographie francophone de littérature africaine: (Afrique subsaharienne). 2nd ed. Vanves: EDICEF, 2005.
Find full textEcritures en transhumance entre Maghreb et Afrique subsaharienne: Littérature, oralité, arts visuels. Paris: L'Harmattan, 2007.
Find full textBook chapters on the topic "Littérature engagée – Afrique subsaharienne"
ATCERO, Milburga. "A Critical Evaluation of New Challenges Pertaining to the Activities of Translation and Interpretation in Sub-Saharan Africa." In La traduction et l’interprétation en Afrique subsaharienne : les nouveaux défis d’un espace multilingue, 25–38. Editions des archives contemporaines, 2021. http://dx.doi.org/10.17184/eac.3540.
Full textReports on the topic "Littérature engagée – Afrique subsaharienne"
FICHE D’INFORMATION : Une approche des groupes armés communautaires en Afrique subsaharienne : Enseignements tirés et mesures de la réussite. RESOLVE Network, December 2020. http://dx.doi.org/10.37805/fs2020.8.cbags.fr.
Full textFICHE D’INFORMATION : Origines de la gouvernance hybride et de la mobilisation des communautés armées en Afrique subsaharienne. RESOLVE Network, December 2020. http://dx.doi.org/10.37805/fs2020.7.cbags.fr.
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