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Academic literature on the topic 'Littérature haïtienne – Thèmes, motifs'
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Journal articles on the topic "Littérature haïtienne – Thèmes, motifs"
Semujanga, Josias. "La réception immédiate des Demi-civilisés de J.-C. Harvey. Éléments de sociosémiotique du discours critique." La réception littéraire 27, no. 2 (April 12, 2005): 23–33. http://dx.doi.org/10.7202/030556ar.
Full textBooluck, Pooja. "Emma Bratte, la femme folle du Livre d’Emma." Voix Plurielles 17, no. 1 (April 27, 2020): 5–17. http://dx.doi.org/10.26522/vp.v17i1.2467.
Full textLAROCHELLE, MARIE-HÉLÈNE. "RAS-LE-BOL DU CARE." Dossier 43, no. 3 (September 4, 2018): 29–40. http://dx.doi.org/10.7202/1051084ar.
Full textDissertations / Theses on the topic "Littérature haïtienne – Thèmes, motifs"
Raffy-Hideux, Peggy. "Réalismes dans le récit haïtien contemporain : expression et représentation de la conscience sociale." Strasbourg, 2011. http://www.theses.fr/2011STRA1048.
Full textOur study, entitled Realisms in contemporary Haitian narrative. Expression and representation of social consciousness, aims at establishing an archeology of the reflexivity of reality in todays Haitian narrative. Up to the 1960s when François Duvalier came to power, Haitian realist tradition comes within two major areas of positivity: socialist realism and marvellous realism. The aim of this dissertation is to examine the metamorphoses of Haitian narrative in its affinities and oppositions to the realisms of the founding fathers, Jacques Roumain and Jacques Stephen Alexis, in order to define the influence they have exerted on the writers, patterns, genres and pragmatics of the contemporary narrative. Considering three generations of writers – the writers of the Duvalier generation (Jean Metellus, Emile Ollivier), the writers of the so-called Duvalierism generation (Dany Laferriere, Lyonel Trouillot) and the Aristide generation (Gary Victor, Kettly Mars) – we shall demonstrate in what way the novelists of today have created original literary paradigms to write an unbearable reality and grasp a praxis at work which summarizes the social contradictions of Haiti. We shall thus take into consideration the literature of testimony and the carnavalesque writing as the respective scions of socialist realism and marvellous realism. We shall also show the manner in which the novelists have progressively evolved from the expression of a national identity consciousness to that of an artistic consciousness which is not a sociopolitical consciousness but an other way of viewing it
Parisot, Yolaine. "Le sujet littéraire hai͏̈tien : l'importance du regard." Paris 4, 2004. http://www.theses.fr/2004PA040029.
Full textDuring his stay in Haiti, the land of Voodoo and a painters' retreat, Alejo Carpentier was inspired by a feeling of marvellous reality. J. S. Alexis' style of baroque alchemy gave rise to the so-called marvellous realism. But within the context of a didactic social realism, this type of perception is obscured by a dazzling symbolic transfiguration. Only the function of seeing matters, as it has the power to create a national literary space and to devote the encounter with the other to a shared vision. If the haitian sensibility can be defined as the cross between the supernatural and humour, the haitian writer nevertheless must face the difficulty of describing a land in which the fairy-like enchantement cannot match the political and economic tragedy of everyday life. The diversity of the Haitian novel originates in the permanent questioning of mimesis, and the exploration of visual processes gives evidence of a specular writing that is as much about the subject's visibility as about the inscribing of the island in a poetics of hybridity
Bernard, Philippe. "L'émergence du rêve dans la littérature romanesque haïtienne, de Jacques Roumain au mouvement spiraliste." Paris 4, 2002. http://www.theses.fr/2002PA040049.
Full textThe Emergence of Dream in the Haytian Novel, from Jacques Roumain up to Spiralist Movement presents a study of all the aspects of Dream in the contemporary haytian writing. It is the essential clue for this long walk throughout the novels produced in the last half century on this ancient land with a chaotic history but spirited by a tremendous strength of life. Considering the work of the two great precursors Jacques Roumain and Jacques-Stephen Alexis as the image of an initial Tree, the varied ramifications, grafts, cuttings, trimmings, are the endless work of the gardeners-writers who went after them in the garden. The dream spread around scattering an ideology, anecdotes, stories of hate and love, testimonies, mixing the pastry of real-marvellous, gleaning its colours in the Creole language, collecting its poetry in the voodoo temples or in the fairy tales of the "composes". Dictatorship and terror tried to suffocate these painters with words. Many of them had to flee away, the dream became compensatory. A few of them could remain to struggle, they still flourish through their pens, eyes starting out of their head. All of them are still screaming their words, for us
Chemla, Yves. "La question de l'Autre dans le roman haïtien contemporain." Paris 4, 1999. http://www.theses.fr/1998PA040300.
Full textSince the publication of Gouverneurs de la rosée, the Haitian novel has presented a major paradox. The indigenist movements sought a literary revival by having the land play a more dominant role in literature. Yet day by day this became more difficult, both in its human aspects and in the descriptions of places and landscapes, since the land itself was disappearing. Reflecting this disaster, the pieces of fiction studied testify diachronically to the movement of the peasants toward more cultivable lands, then little by little to the villages and onward to the cities. Until, at last, the flight from Haiti became ineluctable. This movement fits into a particularly complex system of identification and designation of persons, based upon lineage, birthplace, phenotypes, social particularities, age group and nationality. The possible variations in each of these parameters, notably the phenotypes, define the differences that provide analytical materials for the narrators and describers. One of the common narrative initiatives consists of comparing the assignation of the other with its criticism, as if a homo-assignation responded to a hetero-assignation by taking the opposite view. Therefore, major questions such as the conditions under which a book was read and the ideological a priori, especially the prejudices and the effect of resonances, of echoes of other literature, must be taken into account. If, for methodological reasons, it is possible to constitute this literary area as a thing in itself, weaving its own ideological, historical and textual relations, the question of the reader's interest in this literature must not be ignored. Reading a Haitian novel provokes a strange culture warp, based simultaneously on the sense of otherness in this literature and recognition of that least avowed part of the reader: the dark side of occidental cultures and ideologies
Marty, Anne. "Le personnage féminin dans les romans hai͏̈tiens et québécois de 1938 à 1980 : traitement et signification." Paris 4, 1995. http://www.theses.fr/1994PA040213.
Full textHaiti and French Canada, two young states issued from a compulsory or a voluntary expatriation, call the old world to witness the panges of two nations in the throes of birth. Guided by an identical quest for authenticity which has induced them to adopt a contradictory relationship with France, the role model country. In the course of history, their authors will invariably ask the same question and will share a certain number of recurrent fears to be found in their themes. The study of female character in their novels during the period 1938-1980 will allow us to better determine their similarities and their differences. Prior to 1938 the female characters were treated according to convention of the literary genre which was prevalent at the time. Theirs, is essentially and ideological function. Nevertheless, the first Haitians novels already heralded a particular thematic treatment in relation to "political power" and the mother figure. In French Canada, the female subject to the positive ideological international influences and the emancipatory impact of the oral mother long upon the written word. The increasingly more radical socio-economic changes in French Canada quicken the progress of individualisation of the Quebec heroine whose more and more complex character goes together with the increasing brittleness of the author-narrator. Between 1938 and 1950, the French Canadian narrator calls into question the established values and orientates the introspective quest of his hero and who begins to identify himself with the female character. Whereas, the Haitian author, no longer expressing woman as an actual person succeeds in exploiting the fantasy of "archaic mother" with its two fold aspect, modelled by the symbol and the mother tong. The narrators-heroes in both literatures were led into confessing their weakness: the authors from Quebec and Haiti protect their vulnerability by creating Pygmalions, don Juans and "voyeurs". A characteristic of Haitian authors is to display widows alienated from the cult of the late hero
Simard, Mélissa. "Théâtre, culture et société haïtienne : une exploration interartistique et interculturelle de "La mort de soi dans sa longue robe de Mariée" de Guy Régis Jr." Thesis, Université Laval, 2012. http://www.theses.ulaval.ca/2012/29411/29411.pdf.
Full textUlysse, Sterlin. "Problématique de l'autre : écriture et peinture haïtiennes en question." Thesis, Toulouse 2, 2015. http://www.theses.fr/2015TOU20073.
Full textThe first writings on art in Haiti were based on the questioning of otherness - the aim was to know how literature could help define a Haitian identity. This dissertation uses literature and painting to explore this issue of otherness – an otherness inside, in which otherness lies between the members of a same society. The popular artistic and cultural productions are analyzed through the perspective of Naïve Art which gives birth to this reflection on the interaction between literature and painting. The representations of the rural world by the indigenous movement are first explored in literary and pictorial works, in order to see if practice could match the theoretical objectives established by the thinkers of the movement. The dialogue between literature and painting is then explored through several perspectives – cultural, social, esthetic ones, while studying the following novels, La contrainte de l’inachevé by Anthony Phelps, L’Énigme du retour by Dany Laferrière and Yanvalou pour Charly by Lyonel Trouillot. In painting, our analyses notably refer to the works of André Normil, Wilson Bigaud, Wilbert Laurent or Pétion Savain among others
Pierre, Bretelle Marie-Gladys. "Poétique de l'espace chez Jacques Roumain : imaginaire et écriture." Paris 3, 1998. http://www.theses.fr/1998PA030198.
Full textJacques roumain's imageries are examined through the analysis of his polymorphous writings and social circles. His travels in america and in europe, his numerous occupations, his fictions about haiti have made him famous. The new generations find in jacques roumain's works images of the time (1907-1944) and even of a further past. Jacques roumain's poems contain various themes. His political and social ideas are in his essays and in his articles. His novels gouverneurs de la rosee and la montagne ensorcelee show the haitian country side, while the town and people of roumain's generation are in la proie et l'ombre and les fantoches. Relying on historical and cultural references, the author's fictional descriptions reflect many symbols, myths and images. Additionally, the combination of haitian creole and french is evidence of a unique coexistence of poetry and realism
Boadas, Aura Marina. "Le réalisme merveilleux dans l'oeuvre romanesque de Jacques Stephen Alexis." Bordeaux 3, 1987. http://www.theses.fr/1987BOR30062.
Full textThe aim is to find what may have at the origin and what later gave a very definite orientation to the works of the haitian writer jacques stephen alexis. The first part studies various literary tendencies that had a common goal: the integration of the "marvellous" in reality. Studies on "surrealisme", "real maravilloso" and "realisme magique" preceding that of "realisme merveilleux", a tendancy which does not appear unexpectedly, but as a result of various factors which affect the haitian literary as well as political words. Once we have established the foundations of the "realisme merveilleux, we will then approach the second part where we directly study the work of alexis to try to discover the way in which the marvellous and the real interpenetrate each other. Progressively differents levels of the work are observed; first of all the linguistics choices: the lexicographicals and syntacticals. Then, we observe how this foundation is used for the creation of a precise universe of images. We attach ourselves longer to the insertion of the alexisian imaginary in a significative time and space, before showing the preexisting structures of the haitian collective memory from which alexis harvests abundantly to desing his works. This analysis allows us in the third part to discover the perception of the world which appears in the works. Strongly optimistic, alexis seas for his compatriots a future of hope where the struggle of classes, brought to its end will give way to total freedom of man, who will them be sole master of his desting
Thompson-Brenot, Kassandra A. "A la recherche de Prométhée : le mythe prométhéen dans la littérature latino-américaine du XXe siècle et sa généalogie anglo-saxonne et germanique." Paris 4, 1998. http://www.theses.fr/1998PA040053.
Full textTwentieth century Latin American promethean literature is the product of the melange of archetypal, cultural and historical “voices”, amongst these voices figures Anglo-Saxon and Germanic promethean literature. This thesis identifies six modern Latin American promethean works, analyzes them from a Jungian perspective, establishes and discusses their parallels with earlier Anglo-Saxon and Germanic promethean works and, finally, presents a classification for promethean characters from modern Latin American literature. The first part of this thesis discusses, from a Jungian point of view, the archetypes of the mature masculine and their role in the process of individuation which the promethean myth chronicles. The second part presents the development of promethean literature from ancient Greece and Rome up to seven Anglo-Saxon and Germanic works : Faust, 1st part (1808) and 2nd part (1832) by Johann von Goethe, Frankenstein (1816) by Mary Wollstonecraft Shelley, Prometheus unbound (1820) by Percy Bysshe Shelley, the short story “the birthmark” (1843) by Nathaniel Hawthorne, Dr. Jekyll and Mr. Hyde (1886) by Robert Louis Stevenson, The portrait of Dorian Gray (1891) by Oscar Wilde, and The island of dr. Moreau (1896) by Herbert George Wells. The third part analyzes six fictional works by six modern Latin American authors: Prometeo (1943) by the Ecuadorian Humberto Salvador, La invención de Morel (1940) by the argentine Adolfo Bioy Casares, El señor presidente (1946) by the Guatemalan Miguel Angel Asturias, Los pasos perdidos (1953) by the Cuban Alejo Carpentier, Cien años de soledad by the Colombian Gabriel Garcia Marquez and the short story “las ruinas circulares” from Ficciones (1941) by the argentine Jorge Luis Borges
Books on the topic "Littérature haïtienne – Thèmes, motifs"
Shelton, Marie-Denise. Image de la société dans le roman haïtien. Paris: L'Harmattan, 1993.
Find full textLes "bienfaits" de la colonisation: 18 textes de 16 auteurs. Belfort-du-Quercy (Lot): ABS éditions, 2007.
Find full textsud, Université de Bretagne, ed. La Vierge Marie dans la littérature française: Entre foi et littérature. Lyon: Jacques André Editeur, 2014.
Find full textAlberto Moravia, écrivain voyageur, 1930-1990. Chambéry: Université de Savoie, 2005.
Find full textFranz, Marie Luise von. L' Interprétation des contes de fées. 3rd ed. Paris: Dervy-livres, 1987.
Find full textSociété internationale d'étude des littératures de l'ère coloniale. Colloque. Littérature et colonies: Actes. Paris: Kailash Editions, 2003.
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