Academic literature on the topic 'Littérature – Histoire et critique – Afrique'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Littérature – Histoire et critique – Afrique.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Littérature – Histoire et critique – Afrique"
Epprecht, Marc. "Une Critique “Beachienne” de la Littérature d'Expression Anglaise Récente Portant sur les Femmes et la Sexualité en Afrique Subsaharienne." History in Africa 28 (2001): 345–60. http://dx.doi.org/10.2307/3172222.
Full textCompagnon, Antoine. "Littérature française moderne et contemporaine : histoire, critique, théorie." L’annuaire du Collège de France, no. 108 (December 1, 2008): 723–39. http://dx.doi.org/10.4000/annuaire-cdf.111.
Full textCompagnon, Antoine. "Littérature française moderne et contemporaine : histoire, critique, théorie." L’annuaire du Collège de France, no. 114 (July 1, 2015): 661–82. http://dx.doi.org/10.4000/annuaire-cdf.11945.
Full textCompagnon, Antoine. "Littérature française moderne et contemporaine : histoire, critique, théorie." L’annuaire du Collège de France, no. 115 (November 1, 2016): 597–602. http://dx.doi.org/10.4000/annuaire-cdf.12573.
Full textCompagnon, Antoine. "Littérature française moderne et contemporaine : histoire, critique, théorie." L’annuaire du Collège de France, no. 116 (June 15, 2018): 415–30. http://dx.doi.org/10.4000/annuaire-cdf.13004.
Full textCompagnon, Antoine. "Littérature française moderne et contemporaine : histoire, critique, théorie." L’annuaire du Collège de France, no. 117 (September 1, 2019): 385–404. http://dx.doi.org/10.4000/annuaire-cdf.14252.
Full textCompagnon, Antoine. "Littérature française moderne et contemporaine : histoire, critique, théorie." L’annuaire du Collège de France, no. 111 (April 1, 2012): 591–613. http://dx.doi.org/10.4000/annuaire-cdf.1569.
Full textCompagnon, Antoine. "Littérature française moderne et contemporaine : histoire, critique, théorie." L’annuaire du Collège de France, no. 109 (March 1, 2010): 863–85. http://dx.doi.org/10.4000/annuaire-cdf.200.
Full textCompagnon, Antoine. "Littérature française moderne et contemporaine : histoire, critique, théorie." L’annuaire du Collège de France, no. 113 (April 1, 2014): 605–27. http://dx.doi.org/10.4000/annuaire-cdf.2566.
Full textCompagnon, Antoine. "Littérature française moderne et contemporaine : histoire, critique, théorie." L’annuaire du Collège de France, no. 112 (April 1, 2013): 569–86. http://dx.doi.org/10.4000/annuaire-cdf.775.
Full textDissertations / Theses on the topic "Littérature – Histoire et critique – Afrique"
Bourlet, Mélanie. "Emergence d'une littérature écrite dans une langue africaine : L'exemple du poulâr (Sénégal/Mauritainie)." Paris, INALCO, 2009. http://www.theses.fr/2009INAL0013.
Full textThe thesis considers the development of a written literature in an African language, focusing on pulaar (Senegal/Mauritania), one of the major dialectal variants of Fulani. The first part treats the interface between political context, linguistic changes and literary writing on the Latin alphabet. It is divided into two parts and (1960-1990s) centred on the appropriation of the languages by scholars seeking to integrate the culture into their nationalist claims. A second period, which extends to the present, witnesses the appearing of new and less politicised writers who, more interested to the status of individuals in a mutating society, appropriated the art of writing while refusing to use it to express ideologies. The second part considers literary creativity, using some sixty texts (mostly prose and poetry) identified during fieldwork in Senegal and Mauritania. Given the wealth of texts obtained and the author’s desire to reveal their riches, the choice was made to focus on prose, and on four novels from already well-known writers belonging to the second literary period: Yero Dooro JALLO, Nidkkiri Joom Moolo (Ndikkiri le Guitariste), 1981 ; Ibraahiima DEM, Sahre Goonga (Le Monde de la Vérité), 1997 ; Saydu Bah, Sammba Jallo. Moni fof et feccere mum (Sammba Jallo. Chacun sa destinée), 2005 ; Mammadu Abdul SEK, Ngayngu Gid’li (L’Amour-Haine), 2004. The appendix contains the detailed summaries of the four novels and a biobibliography of fifteen authors
Magnier, Julien. "Pour une littérature de l’interdépendance. Littérature et renouvellements politiques en Afrique noire, à partir de Mongo Beti." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030129/document.
Full textThe links between literature and african politic seem to be so close that they concentrated the problematics and the evolutions of artistic field. According to Mongo Beti, the relation is preponderant, whereas Alain Mabanckou asserts that this closeness is a possibility. Between these generations, it exists both an esthetical and ideological change: the crossing from delinking to an interdependant regime. The writers focus on the useful of the form in ordrer to underline the meaning. The politic of literature follows the contours of the world and its entrance in the era of the Poetic of Relation
Martin, Valérie. "Aspects comparés du roman francophone contemporain : France, Maghreb, Afrique noire." Grenoble 3, 1995. http://www.theses.fr/1995GRE39028.
Full textThis thesis is divided in two main parts : the study of novelistic patterns and the problems of writing. The first part deals with biographical elements, proving that the chosen authors, nathalie sarraute, mohammed dib, rachid boudjedra, tierno monenembo and sony labou tansi, all felt a desire to break with their original literary style. The composition of the novels, both internally and externally, has been studied in order to prove how the presentation, the introduction and the dedication create a meaningful whole. The division of text (chapters, intertextual references, typography) has also been analysed in terms of its relevance to the novel. The last section of this first part studies the time and space elements within the novel. The second part of this work is focussed on the difficulties presented by writing. The first chapter deals with character study (classification, psychologie and inter-character relationships) and the second chapter deals with the narrator's status (wheter first or third person, etc. ) finally, the third chapter studies the varied uses of the french language through style and above all the reader's responses to this
Waddle, Robin. "Staffrider et la nouvelle en Afrique du Sud de 1976 à 1990." Université Stendhal (Grenoble), 1995. http://www.theses.fr/1995GRE39056.
Full textThe aim of this research is to study a particulary literary genre (the short story) in a precise place (south africa) at a specific moment in time (1976 - 1990). So, we have tried to show how the context which surrounds the act of writing (historical, geopolitical and cultural) is bound to influence all literary production. First of all, i present the recent history of the country, its literary magazines and the short story itself (including its criticism) in order to appreciate the south african context and the nature of short fiction. Then having chosen a magazine of the period, staffrider, i studied all of the short texts which appeared in its pages. After the statistical study of the typology of the short story, i analysed the topographical, thematic and narrative choices used in the texts in staffrider, to compare and contrast the writers' individual choices. I have tried to show how these choices perfectly reflect south african society and why the short story corresponds, because of its own poetics, to the needs of the authors in this country at that period. The last part of my work is given over to textual studies which aim to show the importance of context on south african writing
Chaka, Limakatso Elizabeth. "Pitseng de Thomas Mofolo, roman sesotho (Afrique australe) : texte et contexte." Paris, INALCO, 2010. http://www.theses.fr/2010INAL0019.
Full textThomas Mokopu Mofolo (1876-1948), born in Lesotho, is the author of three novels written in Sesotho language : "Moeti oa bochabela" (1907), "L'homme qui marchait vers le soleil levant" (2003), "Pitseng" (1910) et "Chaka" (1925), "Chaka, une épopée bantoue" (1940). The aim of this research is to study the novel "Pitseng", analyze the context of its production as well as its relationship with the other literary works of author. In order to achieve this, we translate the novel into French, in a way that respects the language register and the oral style of the original novel. Mofolo is the first novelist to write in Sesotho. The research therefore dealswith the emergence of Sesotho literature, in particular, the role of the missionary press and its relationship with the local literature. It begins by examining the 1906 standardization of Southern Sesotho orthography (Chapter 1). The analysis of the novel itself is presented in the first five chapters. Chapter 2 provides a discussion of the general presentation of the novel focusing on the structure of the narrative, themes and characters. Chapter 3 deals with the referential, imaginary and cultural settings in "Pitseng". Chapter 4 analyses the portrayal of traditional society, in particular its values at the centre of which is humanism. Chapter 5 is an analysis of language and the role of the narrator in fictional prose. It studies the representation of the linguistic awareness and pluralism of Southern Africa as well as the construction of discourse characteristic of traditional and Christian societies. Chapter 6 probes into relationship between orality and written fictional prose. A comparative analysis of "Pitseng" with the other two novels of the author appears in Chapter 7 which deals with "Moeti a bochabela" ("L'homme qui marchait vers le soleil levant"), and Chapter 8 wich focuses on "Chaka". This comparative approach is expected to enhance the understanding of the articulation of "Pitseng" with these two literaty works
Desnoyers, Johanne. "Histoire des femmes au Sénégal et au Mali et processus de modernisation : itinéraires et aspirations de la première génération de femmes lettrées." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ51127.pdf.
Full textAlmeida, Amakoe d'. "Le référentiel dans la littérature pour enfants en Afrique noire francophone 1990-2000." Paris 4, 2004. http://www.theses.fr/2004PA040021.
Full textOur research can be divided into three parts whose common purpose is to define the weight of liteature for children as a whole, and especially of african child literature. The opening part called "Analytical approach to literature for children "sets out to show the beginnings of that particular litérature, through a diachronic analysis. Such a literature has its roots rased in oral sources (folhlore), identification criteria with the problems thus raised regarding literature and finally the present dimension of this literature in back french-speaking Africa. The second part has been devoted to the theme of the referential which had led us to demonstrate the philosophy which lies under the writing of these texts. Thus in the third part we have been induced to state that, along with the different aspects of the referential, books actually open out on to the blackafricanworld. Those are real spaces of initiation the African young reader will enter so as to get a better understanding of the world around him and in order to achieve his integration
Kuupolé, Domwini Dabiré. "Dynamisme du français non conventionnel de l'Afrique Occidentale à travers l'œuvre romanesque d'écriture française : approches linguistique et socio-linguistique." Besançon, 1995. http://www.theses.fr/1995BESA1017.
Full textAli, Doubed Mohamed. "Le soufisme dans la Corne de l'Afrique de la fin du XIXe à nos jours." Lyon 3, 2007. https://scd-resnum.univ-lyon3.fr/in/theses/2007_in_ali-doubed_m.pdf.
Full textTo treat (handle) the above-mentioned subjects. We opted for a tripartite plan (shot). The first part (party), consisted of six chapters, is a sort of general presentation (display) in which we present the region (the Horn of Africa) on the geographical, historic and social plans (shots), then we approach the appearance of the Islam - essentially the Islam soufi-on the region. The second part (party), divided into four chapters. Processes the question of the Sufism, at first in a general way, then by emphasizing the characteristics of the African Sufism and by trying to reconstitute the history(story) of the Sufism in the Horn of Africa in particular thanks to the reports of the inquiries of ground realized in 2003 in three countries (Somalia, Ethiopia and Djibouti). When in the third and last part (party), them consists of three chapters dedicated to the soufie literature considered as an essential element of the spirituality in the Horn. In this part (party) we shah present one of the collections of poetry soufie the most representative, that of ŠayÌ al-Óuruq ÝAbdiraÎmân ZayliÝî. This presentation (display) will be followed by a translation, as well as by a literary analysis o f three poems pulled (fired) by this collection
Megneng, Mba-Zue Geneviève. "La société dans le théâtre d’Afrique centrale : les cas du Cameroun, du Congo et du Gabon. Pour une sémiotique de l’énonciation théâtrale." Cergy-Pontoise, 2008. http://biblioweb.u-cergy.fr/theses/08CERG0373.pdf.
Full textThis study’s based on four main parts, and concerns with a legitimate and necessary wish to reinterpret the history and thematic of African literature, through its theatre. This study also concerns with the problematic of poetical analysis of contents, and over all, its destiny. After the summary of the birth of the modern theatre of Central Africa we have tried to shed new light on a lot of situations of signification what are determining for this theatre
Books on the topic "Littérature – Histoire et critique – Afrique"
Temple-Thurston, Barbara. Nadine Gordimer revisited. New York: Twayne Publishers, 1999.
Find full textKuhne, Dave. African settings in contemporary American novels. Westport, Conn: Greenwood Press, 1999.
Find full textBessie Head: Subversive identities in exile. Charlottesville: University Press of Virginia, 1996.
Find full textBonells, Jordi. Histoire de la littérature catalane. Paris: Presses universitaires de France, 1994.
Find full textLeclercq, Marie-Claude. Littérature et société québécoise: Histoire, méthode et textes. Sainte-Foy, Qué: Éditions Le Griffon d'argile, 1991.
Find full textDiop-Maes, Louise Marie. Afrique noire, démographie, sol et histoire: Une analyse pluridisciplinaire et critique. Paris: Présence africaine, 1996.
Find full textBook chapters on the topic "Littérature – Histoire et critique – Afrique"
El Gammal, Jean. "Léon Daudet critique : histoire, littérature, politique." In Maurrassisme et littérature. Volume IV, 55–68. Presses universitaires du Septentrion, 2012. http://dx.doi.org/10.4000/books.septentrion.48923.
Full textATCERO, Milburga. "A Critical Evaluation of New Challenges Pertaining to the Activities of Translation and Interpretation in Sub-Saharan Africa." In La traduction et l’interprétation en Afrique subsaharienne : les nouveaux défis d’un espace multilingue, 25–38. Editions des archives contemporaines, 2021. http://dx.doi.org/10.17184/eac.3540.
Full textReports on the topic "Littérature – Histoire et critique – Afrique"
FICHE D’INFORMATION : Une approche des groupes armés communautaires en Afrique subsaharienne : Enseignements tirés et mesures de la réussite. RESOLVE Network, December 2020. http://dx.doi.org/10.37805/fs2020.8.cbags.fr.
Full textFICHE D’INFORMATION : Origines de la gouvernance hybride et de la mobilisation des communautés armées en Afrique subsaharienne. RESOLVE Network, December 2020. http://dx.doi.org/10.37805/fs2020.7.cbags.fr.
Full text