Relevant bibliographies by topics / Little Critter (Fictitious character)

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Academic literature on the topic 'Little Critter (Fictitious character)'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Little Critter (Fictitious character)"

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PARIS-POPA, Andreea. "“I’ve Read You Right—I’m With You Now”: Aesthetic Reading in Virginia Woolf's Metafictional Short Stories." Studia Universitatis Babeș-Bolyai Philologia 69, no. 3 (2024): 79–99. http://dx.doi.org/10.24193/subbphilo.2024.3.05.

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“I’ve read you right—I’m with you now”: Aesthetic Reading in Virginia Woolf’s Metafictional Short Stories. Despite critical interest in Virginia Woolf’s intense preoccupation with the imaginative process at the root of literary creation, little attention has been paid to the manner in which, through metafiction, the writer turns her short stories into reflections upon the nature of reading. In works such as “An Unwritten Novel” (1921) and “The Lady in the Looking-Glass. A Reflection” (1926), the boundaries between literature and criticism, between fiction and reality, take center stage and it
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Rutiquewiski Gomes, Amanda, and Carla Galvão Spinillo. "Apelos visuais nas embalagens de cereais matinais para o público infantil: análise e piloto de entrevistas | Visual appeals on breakfast cereal packages for children: analysis and interview pilot." InfoDesign - Revista Brasileira de Design da Informação 17, no. 2 (2020): 131–44. http://dx.doi.org/10.51358/id.v17i2.791.

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O consumo de alimentos ultraprocessados é um problema para a promoção da saúde dos brasileiros, principalmente para o público infantil. Buscando entender o tema, pesquisas vêm tratando dos apelos visuais na embalagem. Contudo, sua caracterização gráfica é pouco investigada. Em vista disso, este artigo apresenta as tendências de apelos na face frontal de cereais para crianças sob a perspectiva do design da informação a partir da análise de 60 amostras. De 346 apelos encontrados, a maioria (n=138) é utilizada no modo pictórico, destacando-se a imagem do produto (em todas as embalagens) e o perso
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Bâgiu, Lucian Vasile. "Death and immortality in "Dracula's Diary": readings through "Corpus Hermeticum"." Swedish Journal of Romanian Studies 6, no. 1 (2023): 283–311. http://dx.doi.org/10.35824/sjrs.v6i1.18732.

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The knowledge existent at present, which generates the need for a new approach to the myth of Dracula, refers to an almost unanimous reception based on the novel published in 1897 by Bram Stoker and on the tens of the subsequent portrayals which have induced a social and cultural paradigm standardized as commercial kitsch. Within this fictitious construct Dracula has been expounded in manifold keys. However, to ordinary perception, his figure is reduced to the semi-caricatural vampire character, the living-dead craving for blood. This article aims to answer a series of questions about the repr
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Salibra, Luciana. "“ALTRE RICETTE DI PETRONILLA” (1937): OSSERVAZIONI LINGUISTICHE." Italiano LinguaDue 14, no. 1 (2022): 950–71. http://dx.doi.org/10.54103/2037-3597/18334.

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L’indagine si concentra sull’aderenza del ricettario al canone della prescrittività, evidenziandone i supporti lessicali, che fanno riferimento al ruolo dell’enunciatore e alla pressione sul destinatario, le forme verbali ricorrenti e gli allocutivi. Lo schema comune alle ricette è articolato in promessa – difficoltà e avvertimenti – risultato, con una promozione dei piatti che ricorda molto da vicino il messaggio pubblicitario: elativi, alterati, anafore, nell’ambito di una concezione della buona cucina i cui parametri sono l’economicità, la velocità e la facilità di realizzazione, la sostanz
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Macenka, S. Р. "Literary Portrait of Fanny HenselMendelssohn (in Peter Härtling’s novel “Dearest Fenchel! The Life of Fanny Hensel‑Mendelssohn in Etudes and Intermezzi”)." Aspects of Historical Musicology 17, no. 17 (2019): 195–212. http://dx.doi.org/10.34064/khnum2-17.13.

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Background. Numerous research conferences and scholarly papers show increased interest in the creativity of German composer, pianist and singer of the 19th century Fanny Hensel-Mendelssohn. What is particularly noticeable is that her life and creativity are subject of non-scholarly discussion. Writers of biographical works are profoundly interested in the personality of this talented artist, as it gives them material for the discussion of a whole range of issues, in particular those pertaining to the phenomena of female creativity, new concepts of music and history of music with emphasis on it
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Becker, Jochen, and Annemiek Ouwerkerk. "'De eer des vaderlands te handhaven': Costerbeelden als argumenten in de strijd." Oud Holland - Quarterly for Dutch Art History 99, no. 4 (1985): 229–68. http://dx.doi.org/10.1163/187501785x00125.

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AbstractTwo things long stood in the way of the erection of statues in public in the Northern Netherlands, on the one hand the lack of a strong central government and on the other the wrongly interpreted - Calvinist interdict on them (Note 1). The first statue of this kind, that of Erasmus in Rotterdam by De Keyser (1622), was attacked by strict Calvinists, but noted throughout Europe as an early paradigm (Note 3). Not until the 19th century did the Netherlands join in the nationalistic 'statue craze', which was just breaking out then, with two monuments to the supposed Dutch inventor of print
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Chan, Fanny Fong Yee, and Steven Marc Edwards. "The perceptions of brand coappearance in product placement: cooperation, competition or coopetition?" European Journal of Marketing, October 30, 2024. http://dx.doi.org/10.1108/ejm-02-2023-0099.

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Purpose Brands increasingly coappear in television programs while research in product placement has primarily focused on the placements of a single brand. Building on research related to product placement and cobranding, this study aims to systematically examine the roles of product competitiveness and brand competitiveness on the effectiveness of brand coappearance on television programs. Design/methodology/approach Extensive pretesting and four experimental studies were conducted. Real stimuli that had been digitally manipulated with fictitious brands were used in Study 1 (laboratory experim
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Nairn, Angelique, and Lorna Piatti-Farnell. "The Power of Chaos." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3012.

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In 2019, Netflix released the first season of its highly anticipated show The Witcher. Based on the books of Polish author Andrzej Sapkowski, the fantasy show tells the intersecting stories of the Witcher Geralt of Rivia (Henry Cavill), the princess of Cintra Ciri (Freya Allan), and sorceress Yennefer of Vengerberg (Anya Chalotra), who is commonly referred to as a ‘mage’. Although not as popular among critics as its original book incarnations and adapted game counterparts, the show went on to achieve an 89% audience score on Rotten Tomatoes and was subsequently renewed for more seasons. Althou
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King, Ben. "Retelling Psycho." M/C Journal 2, no. 1 (1999). http://dx.doi.org/10.5204/mcj.1740.

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As the old technologies become automatic and invisible, we find ourselves more concerned with fighting or embracing what’s new”—Dennis Baron, From Pencils to Pixels:The Stage of Literacy Technologies Increasingly, cultural study is villainised by defenders of the academic tradition for luring English students away from the high-brow texts of the literary canon, a condition exacerbated by institutions' need for economic survival. In Britain in 1995 there were 1500 fewer English A-Level students than in 1994, whereas cultural studies students increased by approximately the same number (Cartmel e
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Starrs, Bruno. "Hyperlinking History and Illegitimate Imagination: The Historiographic Metafictional E-novel." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.866.

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‘Historiographic Metafiction’ (HM) is a literary term first coined by creative writing academic Linda Hutcheon in 1988, and which refers to the postmodern practice of a fiction author inserting imagined--or illegitimate--characters into narratives that are intended to be received as authentic and historically accurate, that is, ostensibly legitimate. Such adventurous and bold authorial strategies frequently result in “novels which are both intensely self-reflexive and yet paradoxically also lay claim to historical events and personages” (Hutcheon, A Poetics 5). They can be so entertaining and
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Dissertations / Theses on the topic "Little Critter (Fictitious character)"

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Ávila, Fernanda Góes de Oliveira 1985. "Análise do discurso humorístico = condições de produção das piadas de Joãozinho = Analysis of speech humorous : conditions of production of little Johnny jokes." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/268914.

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Orientador: Sírio Possenti<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-20T21:38:07Z (GMT). No. of bitstreams: 1 Avila_FernandaGoesdeOliveira_M.pdf: 1586975 bytes, checksum: f48cfb52cbc594ea9197f9a0b811a713 (MD5) Previous issue date: 2012<br>Resumo: O objetivo central deste trabalho é a análise de um corpus constituído por um conjunto de "piadas de Joãozinho". Neste material, queremos avaliar, tendo como base teórica a Análise do Discurso francesa, quais são suas condições de produção, procurando compr
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Dohmen, Lizette. "A bear of very little brain : positive psychology themes in the stories of Winnie the Pooh." Diss., 2016. http://hdl.handle.net/10500/22055.

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The aim of this study is to discover to what extent and in what way Peterson and Seligman’s (2004) twenty-four character strengths are present in Winnie the Pooh storybooks, and how they are depicted. Character strengths are a well-known theory in positive psychology and the analysis of children’s literature is a respected genre. A qualitative examination of the text was conducted using content and thematic analyses to extract examples of the strengths. The exemplars were coded and recoded before being subjected to a peer and supervisor review. The excerpts indicated that all strengths are dep
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Rodrigues, Debbie June. "Funny little witches and venerable-looking wizards: a social constructionist study of the portrayal of gender in the Harry Potter series." Diss., 2011. http://hdl.handle.net/10500/4774.

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In this study I apply social constructionism as propounded by Vivian Burr (1998) to show that although J. K. Rowling uses stereotypes in the Harry Potter series as a reflection of how gender is constructed across a wide range of societal institutions in contemporary Britain, she created complex characters who on an individual level subvert social constructs and thereby offers her readers alternatives to culturally defined concepts of gender. I explore the all-pervasive social phenomenon of gender and examine how it is constructed in present-day Britain and reflected in the series (bearing in m
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Books on the topic "Little Critter (Fictitious character)"

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Mayer, Mercer. Little Critter at scout camp. Golden Book, 1991.

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Mayer, Mercer. A yummy lunch. McGraw-Hill Children's Pub., 2001.

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Mayer, Mercer. Our park. McGraw-Hill Children's Pub., 2002.

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Mayer, Mercer. Little Critter bedtime storybook. Sterling, 2011.

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Mayer, Gina. That's not fair. Western Pub. Co., 1993.

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Mayer, Mercer. Helping Mom. McGraw-Hill Children's Pub., 2002.

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Mayer, Gina. That's not fair. Reader's Digest Kids, 1993.

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Mayer, Gina. That's not fair. Scholastic, 2000.

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9

Mayer, Mercer. Little Critter's little sister's birthday. Western Pub. Co., 1988.

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Mayer, Mercer. Little Critter's This is my school. Western Pub. Co., 1990.

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Book chapters on the topic "Little Critter (Fictitious character)"

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Cumbler, John T. "Farmers, Fishers, and Sportsmen." In Reasonable Use. Oxford University Press, 2001. http://dx.doi.org/10.1093/oso/9780195138139.003.0014.

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At the end of the nineteenth century, Edward Bellamy, one of the Connecticut River Valley’s most famous literary residents, created a fictional character who wanted to avoid “industrial existence” and instead “all day to climb these mighty hills, feeling their strength” and to “happen upon little brooks in hidden valleys.” Bellamy planned for his protagonist “to breathe all day long the forest air loaded with the perfume of the forest trees.” The wanderings of this turn-of-the-century fictitious character through thick forests and deserted hills reflects the changes engendered in the valley wi
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2

Goldsmith, Oliver. "Scarce any virtue found to resist the power of long and pleasing temptation." In The Vicar of Wakefield, edited by Robert L. Mack and Arthur Friedman. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199537549.003.0017.

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As I only studied my child’s real happiness, the assiduity of Mr. Williams pleased me, as he was in easy circumstances, prudent, and sincere. It required but very little encouragement to revive his former passion; so that in an evening or two he and Mr. Thornhill met at our house, and surveyed each other for some time with looks of anger: but Williams owed his landlord no rent, and little regarded his indignation. Olivia, on her side, acted the coquet to perfection, if that might be called acting which was her real character, pretending to lavish all her tenderness on her new lover. Mr. Thornh
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