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Journal articles on the topic 'Little Critter (Fictitious character)'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

PARIS-POPA, Andreea. "“I’ve Read You Right—I’m With You Now”: Aesthetic Reading in Virginia Woolf's Metafictional Short Stories." Studia Universitatis Babeș-Bolyai Philologia 69, no. 3 (2024): 79–99. http://dx.doi.org/10.24193/subbphilo.2024.3.05.

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“I’ve read you right—I’m with you now”: Aesthetic Reading in Virginia Woolf’s Metafictional Short Stories. Despite critical interest in Virginia Woolf’s intense preoccupation with the imaginative process at the root of literary creation, little attention has been paid to the manner in which, through metafiction, the writer turns her short stories into reflections upon the nature of reading. In works such as “An Unwritten Novel” (1921) and “The Lady in the Looking-Glass. A Reflection” (1926), the boundaries between literature and criticism, between fiction and reality, take center stage and it

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2

Rutiquewiski Gomes, Amanda, and Carla Galvão Spinillo. "Apelos visuais nas embalagens de cereais matinais para o público infantil: análise e piloto de entrevistas | Visual appeals on breakfast cereal packages for children: analysis and interview pilot." InfoDesign - Revista Brasileira de Design da Informação 17, no. 2 (2020): 131–44. http://dx.doi.org/10.51358/id.v17i2.791.

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O consumo de alimentos ultraprocessados é um problema para a promoção da saúde dos brasileiros, principalmente para o público infantil. Buscando entender o tema, pesquisas vêm tratando dos apelos visuais na embalagem. Contudo, sua caracterização gráfica é pouco investigada. Em vista disso, este artigo apresenta as tendências de apelos na face frontal de cereais para crianças sob a perspectiva do design da informação a partir da análise de 60 amostras. De 346 apelos encontrados, a maioria (n=138) é utilizada no modo pictórico, destacando-se a imagem do produto (em todas as embalagens) e o perso

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3

Bâgiu, Lucian Vasile. "Death and immortality in "Dracula's Diary": readings through "Corpus Hermeticum"." Swedish Journal of Romanian Studies 6, no. 1 (2023): 283–311. http://dx.doi.org/10.35824/sjrs.v6i1.18732.

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The knowledge existent at present, which generates the need for a new approach to the myth of Dracula, refers to an almost unanimous reception based on the novel published in 1897 by Bram Stoker and on the tens of the subsequent portrayals which have induced a social and cultural paradigm standardized as commercial kitsch. Within this fictitious construct Dracula has been expounded in manifold keys. However, to ordinary perception, his figure is reduced to the semi-caricatural vampire character, the living-dead craving for blood. This article aims to answer a series of questions about the repr

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Salibra, Luciana. "“ALTRE RICETTE DI PETRONILLA” (1937): OSSERVAZIONI LINGUISTICHE." Italiano LinguaDue 14, no. 1 (2022): 950–71. http://dx.doi.org/10.54103/2037-3597/18334.

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L’indagine si concentra sull’aderenza del ricettario al canone della prescrittività, evidenziandone i supporti lessicali, che fanno riferimento al ruolo dell’enunciatore e alla pressione sul destinatario, le forme verbali ricorrenti e gli allocutivi. Lo schema comune alle ricette è articolato in promessa – difficoltà e avvertimenti – risultato, con una promozione dei piatti che ricorda molto da vicino il messaggio pubblicitario: elativi, alterati, anafore, nell’ambito di una concezione della buona cucina i cui parametri sono l’economicità, la velocità e la facilità di realizzazione, la sostanz

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5

Macenka, S. Р. "Literary Portrait of Fanny HenselMendelssohn (in Peter Härtling’s novel “Dearest Fenchel! The Life of Fanny Hensel‑Mendelssohn in Etudes and Intermezzi”)." Aspects of Historical Musicology 17, no. 17 (2019): 195–212. http://dx.doi.org/10.34064/khnum2-17.13.

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Background. Numerous research conferences and scholarly papers show increased interest in the creativity of German composer, pianist and singer of the 19th century Fanny Hensel-Mendelssohn. What is particularly noticeable is that her life and creativity are subject of non-scholarly discussion. Writers of biographical works are profoundly interested in the personality of this talented artist, as it gives them material for the discussion of a whole range of issues, in particular those pertaining to the phenomena of female creativity, new concepts of music and history of music with emphasis on it

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6

Becker, Jochen, and Annemiek Ouwerkerk. "'De eer des vaderlands te handhaven': Costerbeelden als argumenten in de strijd." Oud Holland - Quarterly for Dutch Art History 99, no. 4 (1985): 229–68. http://dx.doi.org/10.1163/187501785x00125.

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AbstractTwo things long stood in the way of the erection of statues in public in the Northern Netherlands, on the one hand the lack of a strong central government and on the other the wrongly interpreted - Calvinist interdict on them (Note 1). The first statue of this kind, that of Erasmus in Rotterdam by De Keyser (1622), was attacked by strict Calvinists, but noted throughout Europe as an early paradigm (Note 3). Not until the 19th century did the Netherlands join in the nationalistic 'statue craze', which was just breaking out then, with two monuments to the supposed Dutch inventor of print

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7

Chan, Fanny Fong Yee, and Steven Marc Edwards. "The perceptions of brand coappearance in product placement: cooperation, competition or coopetition?" European Journal of Marketing, October 30, 2024. http://dx.doi.org/10.1108/ejm-02-2023-0099.

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Purpose Brands increasingly coappear in television programs while research in product placement has primarily focused on the placements of a single brand. Building on research related to product placement and cobranding, this study aims to systematically examine the roles of product competitiveness and brand competitiveness on the effectiveness of brand coappearance on television programs. Design/methodology/approach Extensive pretesting and four experimental studies were conducted. Real stimuli that had been digitally manipulated with fictitious brands were used in Study 1 (laboratory experim

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8

Nairn, Angelique, and Lorna Piatti-Farnell. "The Power of Chaos." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3012.

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In 2019, Netflix released the first season of its highly anticipated show The Witcher. Based on the books of Polish author Andrzej Sapkowski, the fantasy show tells the intersecting stories of the Witcher Geralt of Rivia (Henry Cavill), the princess of Cintra Ciri (Freya Allan), and sorceress Yennefer of Vengerberg (Anya Chalotra), who is commonly referred to as a ‘mage’. Although not as popular among critics as its original book incarnations and adapted game counterparts, the show went on to achieve an 89% audience score on Rotten Tomatoes and was subsequently renewed for more seasons. Althou

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9

King, Ben. "Retelling Psycho." M/C Journal 2, no. 1 (1999). http://dx.doi.org/10.5204/mcj.1740.

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As the old technologies become automatic and invisible, we find ourselves more concerned with fighting or embracing what’s new”—Dennis Baron, From Pencils to Pixels:The Stage of Literacy Technologies Increasingly, cultural study is villainised by defenders of the academic tradition for luring English students away from the high-brow texts of the literary canon, a condition exacerbated by institutions' need for economic survival. In Britain in 1995 there were 1500 fewer English A-Level students than in 1994, whereas cultural studies students increased by approximately the same number (Cartmel e

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10

Starrs, Bruno. "Hyperlinking History and Illegitimate Imagination: The Historiographic Metafictional E-novel." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.866.

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‘Historiographic Metafiction’ (HM) is a literary term first coined by creative writing academic Linda Hutcheon in 1988, and which refers to the postmodern practice of a fiction author inserting imagined--or illegitimate--characters into narratives that are intended to be received as authentic and historically accurate, that is, ostensibly legitimate. Such adventurous and bold authorial strategies frequently result in “novels which are both intensely self-reflexive and yet paradoxically also lay claim to historical events and personages” (Hutcheon, A Poetics 5). They can be so entertaining and

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11

Yunxia, Zhu, and Peter Thompson. "Invitation or Sexual Harassment?" M/C Journal 3, no. 4 (2000). http://dx.doi.org/10.5204/mcj.1859.

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This article aims to analyse an intercultural telephone invitation given by a Chinese tutor to an Australian student, and highlight general principles of intercultural invitations. This anecdote is based on a true story that took place in a university in Australia, but the persons' names used here are fictitious for the sake of confidentiality. Below is the transcript of the actual conversation between the Chinese tutor Dr Lin Liang (L) and his student Catherine Jones (C): C: Catherine speaking. L: Hi, Catherine, this is Lin. C: Hi, Teacher Lin. L: I would like to invite you to our New Year's

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12

Haller, Beth. "Switched at Birth: A Game Changer for All Audiences." M/C Journal 20, no. 3 (2017). http://dx.doi.org/10.5204/mcj.1266.

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The American Broadcasting Company (ABC) Family Network show Switched at Birth tells two stories—one which follows the unique plot of the show, and one about the new openness of television executives toward integrating more people with a variety of visible and invisible physical embodiments, such as hearing loss, into television content. It first aired in 2011 and in 2017 aired its fifth and final season.The show focuses on two teen girls in Kansas City who find out they were switched due to a hospital error on the day of their birth and who grew up with parents who were not biologically relate

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13

Nolan, Huw, Jenny Wise, and Lesley McLean. "The Clothes Maketh the Cult." M/C Journal 26, no. 1 (2023). http://dx.doi.org/10.5204/mcj.2971.

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Introduction Many people interpret the word ‘cult’ through specific connotations, including, but not limited to, a community of like-minded people on the edge of civilization, often led by a charismatic leader, with beliefs that are ‘other’ to societal ‘norms’. Cults are often perceived as deviant, regularly incorporating elements of crime, especially physical and sexual violence. The adoption by some cults of a special uniform or dress code has been readily picked up by popular culture and has become a key ‘defining’ characteristic of the nature of a cult. In this article, we use the semiotic

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14

Tofts, Darren John. "Why Writers Hate the Second Law of Thermodynamics: Lists, Entropy and the Sense of Unending." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.549.

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If you cannot understand my argument, and declare “It’s Greek to me,” you are quoting Shakespeare.Bernard LevinPsoriatic arthritis, in its acute or “generalised” stage, is unbearably painful. Exacerbating the crippling of the joints, the entire surface of the skin is covered with lesions only moderately salved by anti-inflammatory ointment, the application of which is as painful as the ailment it seeks to relieve: NURSE MILLS: I’ll be as gentle as I can.Marlow’s face again fills the screen, intense concentration, comical strain, and a whispered urgency in the voice over—MARLOW: (Voice over) Th

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15

Rocavert, Carla. "Aspiring to the Creative Class: Reality Television and the Role of the Mentor." M/C Journal 19, no. 2 (2016). http://dx.doi.org/10.5204/mcj.1086.

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Introduction Mentors play a role in real life, just as they do in fiction. They also feature in reality television, which sits somewhere between the two. In fiction, mentors contribute to the narrative arc by providing guidance and assistance (Vogler 12) to a mentee in his or her life or professional pursuits. These exchanges are usually characterized by reciprocity, the need for mutual recognition (Gadamer 353) and involve some kind of moral question. They dramatise the possibilities of mentoring in reality, to provide us with a greater understanding of the world, and our human interaction wi

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