Relevant bibliographies by topics / Little dancer (Degas, Edgar)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Little dancer (Degas, Edgar)'

Author: Grafiati
Published: 29 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Little dancer (Degas, Edgar)"

1

Brown, Douglas. "Degas and the Little Dancer98341R. Kendall. Degas and the Little Dancer. London: Yale University Press 1998. vii + 192 pp, ISBN: 0 300 07497 2 £30.00 With contributions by Douglas W. Druick and Arthur Beale." Reference Reviews 12, no. 6 (1998): 39. http://dx.doi.org/10.1108/rr.1998.12.6.39.341.

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"Degas and the Little Dancer." Choice Reviews Online 35, no. 11 (1998): 35–6041. http://dx.doi.org/10.5860/choice.35-6041.

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McCosker, Anthony, and Rowan Wilken. "Café Space, Communication, Creativity, and Materialism." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.459.

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IntroductionCoffee, as a stimulant, and the spaces in which it is has been consumed, have long played a vital role in fostering communication, creativity, and sociality. This article explores the interrelationship of café space, communication, creativity, and materialism. In developing these themes, this article is structured in two parts. The first looks back to the coffee houses of the seventeenth and eighteenth centuries to give a historical context to the contemporary role of the café as a key site of creativity through its facilitation of social interaction, communication and information
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Dissertations / Theses on the topic "Little dancer (Degas, Edgar)"

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Hill, Whitney LeeAnn. "FROM PRACTICE TO PERFORMANCE: THE IMPORTANCE OF BALLET IN DEGAS’S DANCER PAINTING PROCESS." UKnowledge, 2018. https://uknowledge.uky.edu/art_etds/16.

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The context in which any artist creates an artwork is integral to understanding its significance, and one crucial aspect of context is how a work was created. When first looking at how Edgar Degas created his dancer paintings, his process seems simple- he watched the dancers and then painted what he saw. However, that is only a surface examination of a much more complicated system of observation, practice, repetition, mastery, and reproduction. This thesis investigates how Degas bridged the gap between observation and understanding of balletic technique; how deep his knowledge of balletic tech
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2

Benartzy, Adee S. "The pastel medium communicating sexuality and promiscuity in late nineteenth-century Paris." Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/662.

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Throughout the history of art, the pastel medium has been considered a medium of secondary interest. Despite its pulsating textures, vibrant colors, and unique receptivity to touch, this medium has been recognized above all for its swiftness in stroke and subsequent ability of the artist to record images of fleeting moments and ideas almost instantaneously. The focus on the advantageous rapidity of the pastel, however, hindered the pastel medium's potential as a mere preliminary technique to working with grander mediums, such as oil paint, thus failing to recognize the prominence of pastel in
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Parent, Marie-Josée. "La Petite danseuse de quatorze ans : une analyse de la fonction subversive de l’œuvre." Thèse, 2009. http://hdl.handle.net/1866/3320.

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La Petite danseuse de quatorze ans (1881) de l’artiste français Edgar Degas (1834-1917) représente et déforme plusieurs catégories sociales et artistiques de son époque. L’œuvre peut ainsi être lue comme une mise en abyme à la fois des changements sociaux et des peurs qu’ils suscitent quant aux redéfinitions du rôle et de la place de la sculpture dans l’art et de l’art, des classes sociales, de la science et de la femme dans la société qui s’opèrent dans la seconde moitié du 19e siècle. D’une mise en contexte de l’œuvre à une analyse de la figure de la ballerine, en passant par une lecture du
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Books on the topic "Little dancer (Degas, Edgar)"

1

Kendall, Richard. Degas and The Little Dancer. Yale University Press, 1998.

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2

Anholt, Laurence. Degas and the little dancer: A story about Edgar Degas. Barron's Educational Series, 1996.

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ill, Schoenherr Ian, ed. Marie in fourth position: The story of Degas's "The little dancer". Philomel Books, 1996.

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Kérillis, Hélène. Little ballerina: Inspired by a painting by Edgar Degas. Prestel, 2011.

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5

Little Dancer Aged Fourteen. Fugitives, Les, 2020.

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The Little Dancer: A Children's Book Inspired by Edgar Degas. Prestel Junior, 2020.

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Little Dancer Aged Fourteen: The True Story Behind Degas's Masterpiece. Other Press, 2018.

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Little Dancer Aged Fourteen: The True Story Behind Degas's Masterpiece. Other Press, 2020.

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Degas' Little Dancer Aged Fourteen: The Earlier Version That Helped Spark the Birth of Modern Art. Arnoldsche Art Publishers, 2014.

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10

Marie in Fourth Position: The Story of Degas' "The Little Dancer" (Picture Books). Putnam Juvenile, 1999.

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Book chapters on the topic "Little dancer (Degas, Edgar)"

1

"The Little Dancer in Wax and Words: Reading a Sonnet by Edgar Degas." In Facture: Conservation Science Art History Volume 3: Degas. National Gallery of Art, 2017. http://dx.doi.org/10.37862/aaeportal.00206.007.

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"Edgar Degas, Little Milliners, 1882." In French Paintings and Pastels, 1600-1945: The Collections of the Nelson-Atkins Museum of Art. The Nelson-Atkins Museum of Art, 2021. http://dx.doi.org/10.37764/78973.5.618.

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"Edgar Degas, Dancer Making Points, 1879-1880." In French Paintings and Pastels, 1600-1945: The Collections of the Nelson-Atkins Museum of Art. The Nelson-Atkins Museum of Art, 2021. http://dx.doi.org/10.37764/78973.5.616.

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Freeman, Rachel. "Edgar Degas, Dancer Making Points, ca. 1874–1876." In French Paintings and Pastels, 1600-1945: The Collections of the Nelson-Atkins Museum of Art. The Nelson-Atkins Museum of Art, 2021. http://dx.doi.org/10.37764/78973.5.616.2088.

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Cullen, Danielle Hampton. "Edgar Degas, Dancer Making Points, ca. 1874–1876." In French Paintings and Pastels, 1600-1945: The Collections of the Nelson-Atkins Museum of Art. The Nelson-Atkins Museum of Art, 2021. http://dx.doi.org/10.37764/78973.5.616.4033.

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Gray, Meghan. "Edgar Degas, Dancer Making Points, ca. 1874–1876." In French Paintings and Pastels, 1600-1945: The Collections of the Nelson-Atkins Museum of Art. The Nelson-Atkins Museum of Art, 2021. http://dx.doi.org/10.37764/78973.5.616.5407.

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Knowles, Marika Takanishi. "Realism and the Visual Arts in France and Japan." In The Oxford Handbook of Global Realisms. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780197610640.013.12.

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Abstract Recent developments in the field of art history have chipped away at the preeminence of the “Western” narrative of realism, in which European and American realisms play a central role. Acknowledging artistic traditions from across the world has drawn attention to varieties of realism in a host of artistic traditions, many of which had little to no contact with European artistic production. While it is extremely difficult to generalize about the character of realism in the visual arts, some common subjects are the representation of contemporary urban life; the social life of the workin
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