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Dissertations / Theses on the topic 'Liturgical law'

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1

Cronkleton, Thomas Eugene. "The liturgical dimension of a sacrament as reflected in the canonical form of marriage." Theological Research Exchange Network (TREN), 1993. http://www.tren.com.

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2

Garrity, Robert Michael. "Canon 846.1 and the limits of personal accommodation in the celebration of the eucharist." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.

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Ugarte, Elisa E. "The participation of the laity in the Liturgy of the Hours the reform that failed /." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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4

Condon, T. Mark. "The diocesan bishop as moderator of liturgical life an examination of the influence of the Second Vatican Ecumenical Council on canon 835.1 of the 1983 code of canon law /." Theological Research Exchange Network (TREN), 1995. http://www.tren.com.

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5

Gilligan, Catherine Agnes. "Admission to the sacraments for the developmentally disabled." Theological Research Exchange Network (TREN), 1999. http://www.tren.com.

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6

PERSICO, ALESSANDRO. "ADRIANO BERNAREGGI E IL RINNOVAMENTO DELLA CULTURA ECCLESIASTICA ITALIANA (1884 - 1932)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2014. http://hdl.handle.net/10280/3159.

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La ricerca approfondisce il ruolo svolto da Adriano Bernareggi, sacerdote milanese, poi dal 1932 vescovo di Bergamo, nel movimento di rinnovamento degli studi ecclesiastici che ha attraversato il primo trentennio del Novecento. Formatosi presso le Università Gregoriana e Lateranense, nel clima segnato dal modernismo e dalla reazione pontificia, Bernareggi insegnò presso il Seminario di Milano, dal 1909 al 1932, e presso l’Università Cattolica, dal 1922 al 1926. In queste sedi, si sforzò di dare una risposta moderna – non modernista – all’ansia spirituale dell’uomo contemporaneo, attraverso un
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PERSICO, ALESSANDRO. "ADRIANO BERNAREGGI E IL RINNOVAMENTO DELLA CULTURA ECCLESIASTICA ITALIANA (1884 - 1932)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2014. http://hdl.handle.net/10280/3159.

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La ricerca approfondisce il ruolo svolto da Adriano Bernareggi, sacerdote milanese, poi dal 1932 vescovo di Bergamo, nel movimento di rinnovamento degli studi ecclesiastici che ha attraversato il primo trentennio del Novecento. Formatosi presso le Università Gregoriana e Lateranense, nel clima segnato dal modernismo e dalla reazione pontificia, Bernareggi insegnò presso il Seminario di Milano, dal 1909 al 1932, e presso l’Università Cattolica, dal 1922 al 1926. In queste sedi, si sforzò di dare una risposta moderna – non modernista – all’ansia spirituale dell’uomo contemporaneo, attraverso un
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8

Victorio, Cánovas Emma Patricia. "Los ornamentos litúrgicos: Programa iconográfico y discurso. Las casullas peruanas del siglo XVIII en la Catedral de Lima." Master's thesis, Universidad Nacional Mayor de San Marcos, 2011. https://hdl.handle.net/20.500.12672/4383.

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El reconocimiento del valor excepcional de la colección de vestiduras que posee la Catedral de Lima ha motivado el desarrollo de la investigación que se presenta. Igualmente ha sido fundamental el considerar que es importante rescatar para la historia del arte peruano los objetos que han perdurado, tanto de manera integral como en alguna de sus secciones, pues son ejemplares que contribuyen al mejor conocimiento de la actividad artística del bordado realizada para un cliente excepcional en rigurosidad y exigencia como la Iglesia. El valor simbólico que evidencian da cuenta, igualmente, del pen
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9

López, Morillo Luis. "Les Bourbons sacrés : musica sacra y liturgia de Estado en las cortes de Roma, Madrid y Versalles (1745-1789)." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL174.

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La présente thèse tente d'aborder, pour la première fois, une analyse comparative du rôle que la musique liturgique a joué dans le processus de construction de l'image sacrée des souverains de la maison Bourbon de France et d'Espagne dans le cadre des cérémonies religieuses célébrées aux cours de Madrid et de Versailles pendant les dernières décennies de l'Ancien Régime, ainsi que du rôle que l'exemple de la Chapelle pontificale a joué dans ce processus. Le but principal de cette étude a été d’apporter un cadre conceptuel et un modèle d'analyse qui permettraient d'aborder une étude globale de
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10

Forner, Caballero Ester. "El retablo en las comarcas castellonenses de la Diócesis de Tortosa (siglos XVI albXVIII): doscientos cincuenta años de arte y liturgia." Doctoral thesis, Universitat Jaume I, 2015. http://hdl.handle.net/10803/669064.

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Estudio de los retablos castellonenses de la diócesis de Tortosa desde las modalidades aportadas por el Concilio de Trento en 1545 hasta la creación de la academia de Bellas Artes de San Carlos de Valencia en 1781. El objetivo es abordar en profundidad un estudio de conjunto que reúne material disperso, inédito, desaparecido o conservado, subsanando de este modo un estudio que englobe la retablística renacentista y barroca en la provincia de Castellón.
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11

Zauner, Sergi. "El fabordón a la luz de las fuentes hispánicas del renacimiento (ca.1480-1626): fórmulas y fabordón elaborado en el marco del oficio divino." Doctoral thesis, Universitat Autònoma de Barcelona, 2014. http://hdl.handle.net/10803/284967.

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La presente Tesis Doctoral está dedicada a un estudio exhaustivo de la tradición escrita del fabordón en la Península Ibérica entre ca.1480-1626 a partir de los testimonios que nos han llegado en las fuentes musicales. El objeto principal es definir, previa identificación del mayor número posible de fuentes del Renacimiento hispánico que incluyen fabordones, las características musicales del género y su transmisión. El trabajo se halla dividido en dos partes principales que se corresponden con los dos tipos básicos de fuentes estudiadas, a saber, vocal e instrumental. El acotamiento del marco
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12

Lee, SangDong. "The development of Dunfermline Abbey as a royal cult centre, c.1070-c.1420." Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/20473.

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This thesis examines the development the cult of St Margaret at Dunfermline as a royal cult from 1070, the moment when St Margaret married King Malcolm III at Dunfermline, to 1420, the year of the burial of Robert duke of Albany who was the last royal member to be buried at Dunfermline. Scholars have focused on the life of St Margaret and her reputation or achievement from the biographical, institutional and hagiographical point of view. Although recent historians have considered St Margaret as a royal saint and Dunfermline as a royal mausoleum, they have approached this subject with relativel
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13

Gamieldien, Mogamad Faaik. "An annotated translation of the manuscript Irshad Al-MuqallidinʾInda Ikhtilaf Al-Mujtahidin (Advice to the laity when the juristconsults differ) by Abu Muhammad Al-Shaykh Sidiya Baba Ibn Al-Shaykh Al-Shinqiti Al-Itisha- I (D. 1921/1342) and a synopsis and commentary of its dominant themes". Thesis, 2018. http://hdl.handle.net/10500/25753.

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Text in English and Arabic<br>In pre-colonial Africa, the Southwestern Sahara which includes Mauritania, Mali and Senegal belonged to what was then referred to as the Sudan and extended from the Atlantic seaboard to the Red Sea. The advent of Islam and the Arabic language to West Africa in the 11th century heralded an intellectual marathon whose literary output still fascinates us today. At a time when Europe was emerging from the dark ages and Africa was for most Europeans a terra incognita, indigenous African scholars were composing treatises as diverse as mathematics, agriculture an
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14

BLAŽEK, Petr. "Praxe současných Letnic." Master's thesis, 2008. http://www.nusl.cz/ntk/nusl-46561.

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This thesis deals in detail with Pentecost in Judaic and Christian traditions and with all that is connected herewith. It presents biblical roots as well current customs and traditions, but above all it analyses the contemporary liturgical practice which constitutes its primary focus. This work can be divided into two larger units. As its theme is intimately intertwined with the domain of religion, the first part of the thesis examines the Judaic Pentecost, time of omer. The second part of this thesis deals comprehensively with Christian Pentecost.
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15

Sweetman, Roseanne Lopers, Ginkel Aileen Van, Kathy Vanderkloet, and Robert E. VanderVennen. "Perspective vol. 16 no. 4 (Aug 1982)." 2013. http://hdl.handle.net/10756/251290.

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