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Relevant bibliographies by topics / Liturgical music

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Journal articles
Dissertations / Theses
Books
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Academic literature on the topic 'Liturgical music'

Author: Grafiati

Published: 4 June 2021

Last updated: 21 February 2023

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Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Liturgical music.'

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Journal articles on the topic "Liturgical music"

1

Achikeh, Cordis-Mariae, and Raphael Umeugochukwu. "The value of good liturgical music." UJAH: Unizik Journal of Arts and Humanities 20, no. 3 (October 30, 2020): 133–50. http://dx.doi.org/10.4314/ujah.v20i3.8.

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It is disturbing that in recent times, the worshiping community in the capacity of some church ministers, composers and musicians have deviated from the specifications of liturgical music even as recommended by Vatican Council II (The Constitution of The Sacred Liturgy). Also misunderstood and misappropriated is the idea of inculturation that permits composers in different countries to write music using the language of the locality as well as the indigenous instruments. This is partly due to inadequate enlightenment and training on the part of the liturgical music practitioners on the real mea

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Love, Cyprian. "Music as Liturgical Revelation." Irish Theological Quarterly 69, no. 3 (September 2004): 225–38. http://dx.doi.org/10.1177/002114000406900302.

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Sihombing, Adison Adrianus. "Music in The Liturgy of The Catholic Community in Jakarta, Indonesia." Al-Albab 9, no. 1 (June 8, 2020): 3–18. http://dx.doi.org/10.24260/alalbab.v9i1.1542.

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This article discusses music in the Catholic liturgy in Jakarta, Indonesia in the postmodern era within the context of the autonomy of the Catholic Church. The Indonesian Catholic Church is an independent and autonomous church where liturgical music is a form of original artistic expression. However, in practice, the majority of Catholics in Indonesia view the liturgical celebration as uninteresting and dull. Conversely, pop music has increasingly influenced liturgical music. This reality is discussed and analyzed specifically in regards to liturgical music that experiences contextual data inf

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Clucas, Humphrey. "Liturgical Bumps." Musical Times 133, no. 1787 (January 1992): 7. http://dx.doi.org/10.2307/966227.

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Luff, Alan. "Liturgical Music for the 1990s." Musical Times 132, no. 1785 (November 1991): 578. http://dx.doi.org/10.2307/966221.

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Roederer, Charlotte, and Kathleen E. Nelson. "Medieval Liturgical Music of Zamora." Notes 53, no. 4 (June 1997): 1150. http://dx.doi.org/10.2307/899464.

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Haggh, Barbara. "Liturgical music in medieval England." Early Music XXII, no. 2 (May 1994): 325–28. http://dx.doi.org/10.1093/earlyj/xxii.2.325.

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Paucker, Günther Michael. "Liturgical chant bibliography 6." Plainsong and Medieval Music 6, no. 2 (October 1997): 151–74. http://dx.doi.org/10.1017/s0961137100001339.

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From 1992 to 1996 the Liturgical chant bibliography was compiled by Peter Jeffery. His new duties as professor of music at Princeton University will prevent him from continuing his valuable annual listing of chant scholarship. The new author of the bibliography and the editors of Plainsong & Medieval Music would like to take this opportunity to thank him for his unique contribution to this journal over the past four years.

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Jeffery, Peter. "Liturgical chant bibliography." Plainsong and Medieval Music 1, no. 2 (October 1992): 175–96. http://dx.doi.org/10.1017/s0961137100001765.

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The critical study of medieval chant, which began in the mid-nineteenth century, is one of the oldest of the disciplines that coalesced into modern musicology. It is also one of the most international, for liturgical chant traditions represent the earliest preserved musical heritage of a great many different countries that are heirs to the medieval Latin and Byzantine worlds and their satellite cultures, ranging from Finland to Ethiopia, from Iceland all the way to southern India. In more recent times the knowledge of these traditions, particularly Gregorian and Byzantine chant, has spread to

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Marks, Essica. "Music, History, and Culture in Sephardi Jewish Prayer Chanting." Religions 12, no. 9 (August 30, 2021): 700. http://dx.doi.org/10.3390/rel12090700.

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This article presents the study of a Jewish liturgical genre that is performed in main sections of Jewish prayer services. This liturgical genre is called “prayer chanting”. The term refers to the musical performance by the cantor of the prose texts in Jewish prayer services. The genre of prayer chanting characterizes most Jewish liturgical traditions, and its central characteristic is a close attachment of the musical structure to the structure of the text. The article will examine musical, cultural, and historical characteristics of prayer chanting of two Sephardi Jewish traditions and will

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Dissertations / Theses on the topic "Liturgical music"

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Kinder, Patrick J. "God's instrument of praise liturgical and para-liturgical music /." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.

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Koo, Gregory J. "The meaning of liturgical music." Theological Research Exchange Network (TREN), 1992. http://www.tren.com.

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Nelson, Kathleen E. "Medieval liturgical music of Zamora /." Ottawa : The Institute of Mediaeval music, 1996. http://catalogue.bnf.fr/ark:/12148/cb369600647.

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Nguyễn, Xuân-Thaʼo Joseph. "Music ministry the inculturation of liturgical vocal music in Vietnam /." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p033-0807.

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Miller, Timothy. "Benjamin Britten's liturgical music and its place in the Anglican Church music tradition." Thesis, University of Surrey, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.583252.

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This study presents a detailed analysis of the liturgical music of Benjamin Britten (1913- 1976). In addition to several pieces Britten wrote for the Anglican liturgy and one for the Roman Catholic Church, a number of other works, not originally composed for liturgical purpose, but which function well in a liturgical setting, are included, providing a substantial repertory which has hitherto received little critical commentary. Although not occupying a place of central importance in the composer's musical output, it is argued that a detailed examination of this liturgical music is important to

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Darby, Rosemarie. "The liturgical music of the Chiesa Nuova, Rome (1575-1644)." Thesis, University of Manchester, 2018. https://www.research.manchester.ac.uk/portal/en/theses/the-liturgical-music-of-the-chiesa-nuova-rome-15751644(eac12ff5-339a-413b-8c05-eade9235645a).html.

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The music of the Congregation of the Roman Oratory has been the subject of previous research relating to their spiritual exercises or oratories, which contributed to the development of the oratorio. This thesis, however, investigates the liturgical music from the Chiesa Nuova, the church of the Congregation of the Oratory in Rome. The period covered extends from 1575, when the Congregation was officially recognised, to 1644, when Girolamo Rosini, the final member of the Congregation to hold the post of maestro di cappella, died. After referring to literature that has described the Chiesa Nuova

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Noone, Michael John. "Music and musicians at the Escorial, 1563 to 1665." Thesis, University of Cambridge, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.358755.

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Rowe, Charles Edward. "The role of music in Omoto, a Japanese new religion." Thesis, SOAS, University of London, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312918.

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Johnson, Clare Veronica. "Music, ritual and the therapeutic exploring the therapeutic potential of liturgical music in Roman Catholic worship /." Theological Research Exchange Network (TREN), 1998. http://www.tren.com.

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Huncik, Kata. "A liturgical-repertorial study of 16th-century polyphonic music in "Bartfa MS 8"." Thesis, University of Ottawa (Canada), 2005. http://hdl.handle.net/10393/26929.

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Along with the other volumes of the Bartfa Collection , the 16th-century MS 8 was discovered in the Lutheran town of Bartfa (today Slovakia). While the manuscripts and prints of the Bartfa Collection have been somewhat neglected by Western scholars, the present study shows that this topic is worthy of attention. In examining the historical context, the role of the schoolmaster, Leonard Stockel stands out as particularly interesting; his life-time friendship with Luther and Melanchthon directly links Bartfa to the German Lutheranism. The German link is also apparent in MS 8 itself, as according

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Books on the topic "Liturgical music"

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New Skete (Monastery : Cambridge, N.Y.). Liturgical music: Lesser feasts. Cambridge, N.Y: New Skete, 1997.

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Medieval liturgical music of Zamora. Ottawa, Canada: Institute of Mediaeval Music, 1996.

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Evaluating your liturgical music ministry. San Jose, Calif: Resource Publications, 1993.

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The liturgical music answer book. San Jose, Calif: Resource Publications, 1999.

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Peter, Ralph. When we gather: Liturgical music. San Jose, Calif: Resource Publications, 1991.

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6

Foley, Edward B. Ritual music: Studies in liturgical musicology. Beltsville, MD: The Pastoral Press, 1995.

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Edward, Foley. Ritual music: Studies in liturgical musicology. Beltsville, Md: Pastoral Press, 1995.

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8

David, Nicholson. Liturgical music in Anglican Benedictine Monasticism. Oregon: Mount Angel Abbey, 1990.

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9

Sacred treasure: Understanding Catholic liturgical music. Collegeville, Minn: Liturgical Press, 2011.

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10

Barrett, David. Elementary music theory for orthodox liturgical singing. Southbury, CT: Orthodox Liturgical Press, 2015.

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Book chapters on the topic "Liturgical music"

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Taylor, Benedict. "Choral and Liturgical Music." In Arthur Sullivan, 196–215. Abingdon, Oxon; New York, NY: Routledge, 2018. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315568027-9.

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Cullin, Olivier. "Notations in Carthusian liturgical books: preliminary remarks." In The Calligraphy of Medieval Music, 175–94. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.muma-eb.1.100929.

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Hodgson, Janet. "6. Example 3: Western and African music in Southern Africa." In Liturgical Inculturation in the Anglican Communion, edited by David Holeton, 37–40. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463219475-011.

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Martin, David. "Fifth Commentary On the Return of the Liturgical in Modernist Music and Poetry and the Reconciliation Achieved by Liturgical Poetry and Music." In Ruin and Restoration, 81–98. Burlington : Ashgate, 2016.: Routledge, 2018. http://dx.doi.org/10.4324/9781315607108-7.

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Fassler, Margot. "Liturgical books and book production in the thirteenth-century diocese of Chartres: the case of Biblioteca Apostolica Vaticana, Vat. Lat. 4756." In The Calligraphy of Medieval Music, 125–52. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.muma-eb.1.100926.

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Walter, Kurt Kreyszig. "The thirteen non-liturgical fugues à 4 in Le Livre d’orgue de Montréal." In Perspectives on Early Keyboard Music and Revival in the Twentieth Century, 135–61. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series: Ashgate historical keyboard series: Routledge, 2017. http://dx.doi.org/10.4324/9781351254960-9.

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Novillo, Frances. "Personal reflections on professional experience of women's liturgical leadership as musicians in the Roman Catholic Church." In The Routledge Handbook of Women's Work in Music, 356–64. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429201080-36.

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Harper, John. "Alternatim performance of English pre-Reformation liturgical music for organ and voices composed c.1500–60 1." In Aspects of Early English Keyboard Music before c.1630, 69–98. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Ashgate historical keyboard series: Routledge, 2019. http://dx.doi.org/10.4324/9781315109701-5.

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Petersen, Nils Holger. "The Notion of an Imaginary Space in Music: Interpreting Mozart’s Requiem in Liturgical, Denominational, and Secular Contexts." In In-visibility, 339–60. Göttingen: Vandenhoeck & Ruprecht, 2020. http://dx.doi.org/10.13109/9783666550713.339.

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Colette, Marie-Noël. "The Place and Function of Music in a Liturgical Context: The Earliest Witnesses of Sequences and Versus ad sequentias in the Antiphoner of Charles the Bald and Other Early Sources." In Sapientia et eloquentia, 59–93. Turnhout: Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.disput-eb.3.460.

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Conference papers on the topic "Liturgical music"

1

Rajan, Rajeev, and Ananya Ayasi. "Oktoechos Classification in Liturgical Music Using SBU-LSTM/GRU." In Interspeech 2022. ISCA: ISCA, 2022. http://dx.doi.org/10.21437/interspeech.2022-136.

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Galaicu, Violina. "Byzantine religious chanting between oral and written tradition." In Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.15.

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Those who scrutinized the historical development of Byzantine liturgical chanting could notice the late codification of this music. With the transition to the written tradition, a clear tendency to preserve orality in the new hypostasis emerged. Proto-Byzantine chanting circulated orally, this being conditioned by the original orality of the evangelical tradition. When the Eastern promoters of Christian liturgical chanting felt the need to codify the cultic repertoire, they resorted to the Ekphonetic notation, and later to the Diastematic one. Ekphonetic notation is a rudimentary notation, it

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Galaicu, Violina. "The historical trajectory of Byzantine religious music in the Romanian space: volutes and milestones." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.04.

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The trajectory of the Romanian cult music is intertwined with the trajectory of the Byzantine cult music, the mega-phenomenon and its zonal manifestation conditioning and enhancing each other. Respectively, any attempt to stage the evolution of sacred singing in the reference area refers to the transformations supported by Byzantine music as a whole. In the historiography of the field, we found several variants of systematization of the Byzantine ecclesiastical music on the Romanian territories: according to historical epochs, according to the stages of consolidation of the national Church, ac

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