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Dissertations / Theses on the topic 'Liturgical music'

Author: Grafiati

Published: 4 June 2021

Last updated: 21 February 2023

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1

Kinder, Patrick J. "God's instrument of praise liturgical and para-liturgical music /." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.

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2

Koo, Gregory J. "The meaning of liturgical music." Theological Research Exchange Network (TREN), 1992. http://www.tren.com.

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3

Nelson, Kathleen E. "Medieval liturgical music of Zamora /." Ottawa : The Institute of Mediaeval music, 1996. http://catalogue.bnf.fr/ark:/12148/cb369600647.

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4

Nguyễn, Xuân-Thaʼo Joseph. "Music ministry the inculturation of liturgical vocal music in Vietnam /." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p033-0807.

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5

Miller, Timothy. "Benjamin Britten's liturgical music and its place in the Anglican Church music tradition." Thesis, University of Surrey, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.583252.

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This study presents a detailed analysis of the liturgical music of Benjamin Britten (1913- 1976). In addition to several pieces Britten wrote for the Anglican liturgy and one for the Roman Catholic Church, a number of other works, not originally composed for liturgical purpose, but which function well in a liturgical setting, are included, providing a substantial repertory which has hitherto received little critical commentary. Although not occupying a place of central importance in the composer's musical output, it is argued that a detailed examination of this liturgical music is important to

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6

Darby, Rosemarie. "The liturgical music of the Chiesa Nuova, Rome (1575-1644)." Thesis, University of Manchester, 2018. https://www.research.manchester.ac.uk/portal/en/theses/the-liturgical-music-of-the-chiesa-nuova-rome-15751644(eac12ff5-339a-413b-8c05-eade9235645a).html.

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The music of the Congregation of the Roman Oratory has been the subject of previous research relating to their spiritual exercises or oratories, which contributed to the development of the oratorio. This thesis, however, investigates the liturgical music from the Chiesa Nuova, the church of the Congregation of the Oratory in Rome. The period covered extends from 1575, when the Congregation was officially recognised, to 1644, when Girolamo Rosini, the final member of the Congregation to hold the post of maestro di cappella, died. After referring to literature that has described the Chiesa Nuova

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7

Noone, Michael John. "Music and musicians at the Escorial, 1563 to 1665." Thesis, University of Cambridge, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.358755.

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8

Rowe, Charles Edward. "The role of music in Omoto, a Japanese new religion." Thesis, SOAS, University of London, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312918.

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9

Johnson, Clare Veronica. "Music, ritual and the therapeutic exploring the therapeutic potential of liturgical music in Roman Catholic worship /." Theological Research Exchange Network (TREN), 1998. http://www.tren.com.

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10

Huncik, Kata. "A liturgical-repertorial study of 16th-century polyphonic music in "Bartfa MS 8"." Thesis, University of Ottawa (Canada), 2005. http://hdl.handle.net/10393/26929.

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Along with the other volumes of the Bartfa Collection , the 16th-century MS 8 was discovered in the Lutheran town of Bartfa (today Slovakia). While the manuscripts and prints of the Bartfa Collection have been somewhat neglected by Western scholars, the present study shows that this topic is worthy of attention. In examining the historical context, the role of the schoolmaster, Leonard Stockel stands out as particularly interesting; his life-time friendship with Luther and Melanchthon directly links Bartfa to the German Lutheranism. The German link is also apparent in MS 8 itself, as according

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11

Smith, Kevin Bryan. "Phōs hilaron and the macro-liturgical approach text and context elevated through song and rite /." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.

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12

Ong, John Chun-kuo. "Resonance : a music director’s theomusicological study of ‘praise’ and ‘glory’ in a selection of four liturgical music excerpts." Thesis, Queensland University of Technology, 2011. https://eprints.qut.edu.au/43508/1/John_Ong_Thesis.pdf.

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Some of my most powerful spiritual experiences have come from the splendorous and sublime sounding hymns performed by a choir and church organ at the traditional Anglican church I’ve attended since I was very young. In the later stage of my life, my pursuit of education in the field of engineering caused me to move to Australia where I regularly attended a contemporary evangelical church and subsequently became a music director in the faith community. This environmental and cultural shift altered my perception and musical experiences of Christian music and led me to enquire about the relations

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13

Hamilton, Thomas Keith. "The liturgical organist: the creative use of solo organ music in the Lutheran liturgy." Diss., University of Iowa, 2014. https://ir.uiowa.edu/etd/1463.

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Sunday after Sunday, liturgical organists are faced with the challenge of providing music for liturgy. While hymns, psalms, musical settings of liturgical texts, choral anthems and responses are often made clear in their choice due to the marriage of text and music, choosing music outside of those parameters is a challenge. Music that happens prior to worship as the community gathers, music to accompany ritual actions such as the presentation of the offering or the distribution of the Eucharist, and music that sends people on their way at the end of the service is not something to be taken lig

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14

Generalow, Alice. "The Orthodox Concert Stage: Performing Rachmaninoff's All-Night Vigil, Op. 37 in a Liturgical Style." Diss., The University of Arizona, 2015. http://hdl.handle.net/10150/594557.

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The purpose of this study is to demonstrate that Sergei Rachmaninoff's All-Night Vigil, op. 37 can successfully be performed by choral ensembles in a liturgical style by careful selection and grouping of individual movements, along with the interpolation of other chants or musical settings traditionally used in the Russian Orthodox Church that are not part of the composer's original score. This would make the work more accessible to choirs and conductors that may otherwise not be inclined to program an unaccompanied work over seventy minutes in duration. Additionally, such performances would m

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15

Katani, Archwells Moffat. "Traditional Malawian choral music : a liturgical-critical study within the Church of Central Africa Presbyterian (CCAP)-Nkhoma Synod." Thesis, Link to the online version, 2008. http://hdl.handle.net/10019.1/1268.

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16

Bakker, Sarah. "Fragments of a liturgical world| Syriac Christianity and the Dutch multiculturalism debates." Thesis, University of California, Santa Cruz, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3589305.

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<p> This dissertation explores the reconfiguration of Syriac Orthodox liturgical tradition among Aramaic-speaking Christian refugees in the Netherlands. Under the pressures of Dutch integration policy and the global politics of secular recognition, the Syriac liturgy is rapidly losing its significance as the central axis of social life and kinship-relations in the Syriac Orthodox diaspora. As such, it has become a site for debate over how to be religiously, culturally, and ethnically distinct despite the narrative binary of Christian Europe and the Muslim Middle East that dominates Dutch multi

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17

Pan, Yu-Wen. "The effect of phonetic instruction on performance of liturgical Latin diction for middle school mixed choirs /." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487943610782237.

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18

Calitz, Coenraad Josepheus. "'n Prakties teologiese ondersoek na die vrye lied as 'n wesenlike deel van die Gereformeerde kerklied in die Nederduitse Gereformeerde Kerk." Pretoria : [S.n.], 2004. http://upetd.up.ac.za/thesis/available/etd-03092006-095219/.

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19

Rutter, Philip. "Paris, Bibliotheque Nationale, fonds Latin 1240 : a transcription and analysis of the trope repertoire." Thesis, Royal Holloway, University of London, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307702.

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20

Duarte, Fernando Lacerda Simões. "Música e ultramontanismo : possíveis significados para as opções composicionais nas missas de Fúrio Franceschini /." São Paulo : [s.n.], 2011. http://hdl.handle.net/11449/95106.

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Orientador: Prof. Dr. Paulo Augusto Castagna<br>Banca: Profa. Dra. Raquel Glezer<br>Banca: Prof. Dr. José Leonardo do Nascimento<br>Resumo: Este trabalho tem como objeto seis missas compostas por Furio Franceschini (1880-1976), compositor, regente e organista que atuou como mestre-de-capela na Sé de São Paulo por aproximadamente sessenta anos contados a partir de 1908. Seu objetivo é investigar possíveis significados às opções de Franceschini na composição das missas. Tais significados serão investigados levando em consideração o posicionamento estético do compositor, o período em que as obras

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21

Byrne, John Henry, and res cand@acu edu au. "Sacred or Profane: The Influence of Vatican Legislation on Music in the Catholic Archdiocese of Melbourne, 1843 - 1938." Australian Catholic University. School of Music, 2005. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp09042006.88.

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Despite the authoritative and very explicit directions from the Vatican in 1903, the Catholic Archdiocese of Melbourne successfully resisted the demands for a major reform of liturgical Church music for 35 years. This thesis will examine the reasons for this strong and effective resistance to the demands of the Holy See and show that despite being complex and interrelated these reasons can be summarised under two fundamental headings. The thesis will examine the broad spectrum of music performed in the Melbourne Archdiocese, but because of the limited availability of information and the prime

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22

Coker, Kevin Lee. "Time Suspended: The Crossroads of Ancient Orthodox Liturgical Music with English Experimental Technique in the Works of Composer, Conductor, and Priest Fr Ivan Moody." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1523634520869545.

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23

Smith, Catherine (Kit). "The transformative power of liturgical music: A case study of an Australian catholic parish." Thesis, Australian Catholic University, 2007. https://acuresearchbank.acu.edu.au/download/2a154dc08cbba3f4bc120c7de5f1e262fbffb2bb0f6076d732555b4e42282a68/3436103/65090_downloaded_stream_315.pdf.

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This thesis comprises a case study of liturgical music practice in one Australian Catholic worshipping community, the parish of Our Lady of the Rosary Waitara NSW (situated in the suburban Sydney Diocese of Broken Bay). The principal aim has been to employ qualitative and ethnographic methods to explore and assess the effect of music on the faith life of an Australian Catholic parish, where music is a constitutive part of that community's liturgical prayer, taking into account the experience of clergy, music leaders and members of the assembly. Recent scholarly literature and local anecdotal e

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24

Almeida, Márcio Antônio de [UNESP]. "Mistagogia da música ritual católica romana: estudo teórico-metodológico." Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/95148.

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Made available in DSpace on 2014-06-11T19:27:27Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-05-28Bitstream added on 2014-06-13T20:16:52Z : No. of bitstreams: 1 almeida_ma_me_ia.pdf: 632583 bytes, checksum: 8fd3d00bb19e573959ffeeca8351e9e9 (MD5)<br>Universidade Estadual Paulista (UNESP)<br>Este estudo tem por finalidade descrever metodologicamente a prática mistagógica dos séculos IV e V d.C. e discutir a recente sistematização e aplicação do método mistagógico à formação dos ministérios litúrgico-musicais da Igreja Católica Romana. No ano de 1963, promulgava-se a Sacrosanctum Conc

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25

Varelli, Giovanni. "Musical notation and liturgical books in late Carolingian Nonantola." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/264172.

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The musical notation of the northern Italian Benedictine abbey of St Sylvester in Nonantola has hitherto been neglected by most scholarship on early music scripts, mainly because of the paucity of surviving music manuscripts and their limited geographical diffusion. A new study was needed in order to develop a full understanding of the abbey’s role and importance in the first phases of development of the writing of music in the early Middle Ages. A Lombard foundation, Nonantola acquired much of its prestige from the links with the Carolingian court as early as the late eighth century. From the

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26

Tsai, ShuHui. "A Study of the Baroque Techniques and Lutheran Liturgical Contexts in Hugo Distler's Chorale-Based Organ Works." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1460731474.

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27

Bray, Michael Robert. "The liturgical canticle settings for chorus and organ of Ralph Vaughan Williams." Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186253.

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Within the sacred choral music of composer Ralph Vaughan Williams, little is known regarding his subset of works intended for liturgical use. This study focuses on the canticle settings for choir and organ, written by Ralph Vaughan Williams for use in Anglican Worship. The compositions in this study include: Magnificat and Nunc dimittis (Village Service), Te Deum in G, Service in D Minor and Te Deum and Benedictus. This study provides a discussion of the structure and history of the Anglican service and a description of how canticle settings traditionally function in liturgical worship. Each w

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28

Arnold, David F. "Seeking balance between subjective and objective criteria for music in the liturgical assembly of the Orthodox Church in America." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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29

Scot, Stefan Anthony. "Text and context : The provision of music and ceremonial in the services of the first Book of Common Prayer (1549)." Thesis, University of Surrey, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297933.

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30

Katz, Tyler. "Amidah - תפילת העמידה". Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/6777.

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Amidah - תפילת העמידה – for soprano voice, clarinet, cello, and piano – is a liturgical work in three movements that uses common Jewish prayers as its text. These three movements focus on specific prayers that can be found in the Amidah, the central portion of a Jewish prayer service. This work uses prayers that can be performed on a Friday evening Shabbat service. The first movement focuses on accompanimental music to the Silent Amidah, a silent prayer. The prelude uses the traditional Jewish melody of the opening prayer of the Amidah, Adonai S’fatai Tiftach (אדני שפתי תפתח), leading directly

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31

Way, Anthony David, and res cand@acu edu au. "Lift Up Your Hearts:A Musico-liturgical Study of the Eucharistic Prayer of the Roman Rite." Australian Catholic University. School of Arts and Sciences, 2004. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp59.25092005.

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It is a well established fact that the practice of the eucharistic prayer in the roman, rite is seriously underdeveloped. This survey of complete or partially through -composed settings of the eucharistic prayer attempts to shed some light on why and how composers have responded to the wide-spread opinion that the eucharistic prayer is rarely experienced as the high point of the eucharistic celebration as it was intended. Divided into two parts, the study initially considers the official aims and norms of the post-conciliar liturgy, both in general and as they pertain to the eucharistic prayer

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32

Windt, Nathan John. "A Conductor’s Guide to Selected Short, Pre-Viennese Liturgical and Sacred Choral Works of Wolfgang Amadeus Mozart." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1211394102.

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33

Kasparavičius, Aurelijus. "Kauno I dekanato jaunimo liturginės muzikos grupių katechezė." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110215_095022-63142.

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Muzika, jungianti materialų pasaulį su žmogaus siela, gali skatinti maldos nuotaiką ir padėti dalyvauti krikščioniškoje liturgijoje. Pastaruoju atveju ji gali būti vadinama liturgine muzika. Liturginė muzika nereiškia muzikinio stiliaus, o daugiau (tinkamą liturgijai) formą. Tačiau forma gali daryti įtaką turiniui. Tarp jaunimo labiausiai paplitusi krikščioniška folk muzika, suprastina kaip naujasis liaudiškasis giedojimas, užpildo posovietinės Lietuvos bažnytinės muzikos paveldo spragas. Šio stiliaus giesmių bei „šlovinimo grupės“ termino tarp šv. Mišiose giedančio jaunimo atsiradimas liudij

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34

Han, Namhee. "Rethinking Grigny's Récit de tierce en taille in the liturgical context of the organ mass." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1495960031&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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35

Batchelor, Christopher Graham Paul. "William Child : an examination of the liturgical sources and a critical and contextual study of the church music." Thesis, University of Cambridge, 1990. https://www.repository.cam.ac.uk/handle/1810/250974.

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36

Tan, Hwee-San. "Sounds for the dead : ritualists and their vocal liturgical music in the Buddhist rite of merit in Fujian, China." Thesis, SOAS, University of London, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401898.

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37

Zanandrea, Rene Antonio. "O canto e a música no contexto ritual da liturgia na igreja católica: desafios para a formação de agentes na diocese de Vacaria/RS." Faculdades EST, 2009. http://tede.est.edu.br/tede/tde_busca/arquivo.php?codArquivo=188.

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O canto e a música no contexto ritual da liturgia na Igreja Católica: desafios para a formação de agentes na Diocese de Vacaria/RS. Os sons da natureza, selecionados e combinados, originaram a arte musical. A música faz parte da cultura humana; é constitutiva de sua própria existência. Na abordagem desse assunto, o capítulo primeiro deste trabalho busca uma aproximação histórica da música; investiga a antropologia da música e sua relação ritual com o sagrado, fazendo parte, inclusive, dos ritos cristãos. O Concílio Vaticano II resgatou, na Igreja Católica, o valor da arte musical e ampliou sua

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38

Puyat, Tara Elena. ""The Gradual" at Oregon State University: A Rough Guide to Assessing the Identity of a Late Roman Catholic Chant Book." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/19190.

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In the 1930s, Oregon State University received an impressive oversized manuscript, now known as "The Gradual," as part of a large donation of books. Not much was known about this manuscript. It does not have documentation attached from the time of its acquisition, nor had any methodical study been undertaken regarding the manuscript. This thesis examines the OSU Gradual, aiming to provide research tools for the identification of musical manuscripts of unknown or unclear provenance that could be useful to conservators, archivists, and librarians, irrespective of musical training. It is concei

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39

Leightenheimer, Douglas Blair. "From Couperin to Vierne: Liturgical and Stylistic Connections between the French Baroque and French Romantic Organ Mass." Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/613259.

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The alternatim practice is one of the oldest and longest observed liturgical practices in the French Catholic Church. With the gradual addition of the organ to the practice beginning in the fifteenth century, the organ came to play an important liturgical function that exists to this day. Organ improvisations in the liturgy gave rise to composed organ masses such as those of François Couperin (1668-1733). Composition of the Baroque organ mass continued through the Classical period and into the nineteenth century. Liturgical and musical changes through the decades of the nineteenth century, how

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40

Nelms, Jonathan P. "A guide to the liturgical use of the Baptist Hymnal (1991) in fourfold Sunday worship at First Baptist Church, Cookeville, TN." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.

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41

Duarte, Fernando Lacerda Simões [UNESP]. "Música e ultramontanismo: possíveis significados para as opções composicionais nas missas de Fúrio Franceschini." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/95106.

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Made available in DSpace on 2014-06-11T19:27:26Z (GMT). No. of bitstreams: 0 Previous issue date: 2011-06-22Bitstream added on 2014-06-13T20:35:59Z : No. of bitstreams: 1 duarte_fls_me_ia.pdf: 3814312 bytes, checksum: 90d901af88d337474c9add90ab77ad25 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Universidade Estadual Paulista (UNESP)<br>Este trabalho tem como objeto seis missas compostas por Furio Franceschini (1880-1976), compositor, regente e organista que atuou como mestre-de-capela na Sé de São Paulo por aproximadamente sessenta anos contados a partir de

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42

Jankowitz, Hendrika Johanna. "Die praktyk van liturgiese psalmsang in die NG Kerk in Suid-Afrika en Namibië / H.J. Jankowitz." Thesis, North-West University, 2009. http://hdl.handle.net/10394/3659.

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This study probes the state of psalm-singing in the Nederduitse Gereformeerde Kerk (Dutch Reformed Church) in South Africa and Namibia during 2007-2008. First, the history of psalm-singing, from its Old Testament origin to its contemporary use in South Africa, is researched. Highlights of its development, as well as low points where congregational psalm-singing all but died out, are researched in order to establish the causes of the current situation. The essence of the study involves an empirical study to determine the frequency of use and functionality of psalms. The results of different ap

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43

Alley, Zachary W. "Michael Praetorius's Theology of Music in Syntagma Musicum I (1615):A Politically and Confessionally Motivated Defense of Instruments in The Lutheran Liturgy." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1402316351.

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44

Almeida, Márcio Antônio de 1970. "Mistagogia da música ritual católica romana : estudo teórico-metodológico /." São Paulo : [s.n.], 2009. http://hdl.handle.net/11449/95148.

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Orientador: Dorotéa Machado Kerr<br>Banca: Maria Aparecida Bento<br>Banca: Valeriano dos Santos Costa<br>Resumo: Este estudo tem por finalidade descrever metodologicamente a prática mistagógica dos séculos IV e V d.C. e discutir a recente sistematização e aplicação do método mistagógico à formação dos ministérios litúrgico-musicais da Igreja Católica Romana. No ano de 1963, promulgava-se a Sacrosanctum Concilium (Constituição sobre a Sagrada Liturgia) do Concílio Ecumênico Vaticano II (1962-1965) que, sustentada pelo Movimento Litúrgico, representava o retorno às fontes bíblicas e patrísticas

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45

Campbell, Colin Archibald 1970. "Music ministry in the missional worship service of the Dutch Reformed Church in South Africa / Colin Archibald Campbell." Thesis, North-West University, 2013. http://hdl.handle.net/10394/8998.

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This thesis investigated the approach to, and the conducting of worship services in ten missional faith communities of the Dutch Reformed Church in South Africa during the period 2004 – 2009. It investigated the shift in theological paradigm (towards mission) taking place in the Dutch Reformed Church from 2002 onwards, and the effects thereof on liturgy and music in the worship domain. In order to contextualise the liturgical developments emanating from the case studies, the history and liturgy of the Dutch Reformed Church in South Africa were traced back to the early Dutch pastors arriving w

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46

Porret-Dubreuil, Amélie. "Contribution à l'étude de la restauration de la musique à l'église au xixe siècle au prisme de l'expérience de Félix Clément (1822-1885)." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSES043/document.

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L'étude de la musique à l'église au XIXe siècle est une thématique de recherche en plein essor. Depuis quinze ans, lesrecherches menées ont permis d'appréhender ce large sujet et d'ouvrir les perspectives de recherche qui en découlent,mais une part de cette thématique reste encore à explorer. En effet, le mouvement de restauration de la musique d'égliseest à ce jour peu abordé de façon singulière.Notre objectif étant de mettre en évidence l'étendue du champ de recherche, musicologique et pluridisciplinaire liée àl'étude de ce mouvement, Félix Clément est apparu être une entrée appropriée. Bien

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Hamilton, Elizabeth P. K. "A Study of Early Sixteenth-Century English Music Fragments from the DIAMM Database." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/20241.

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While the study of complete sources is very valuable, and has contributed greatly to what is understood of music history, the perspective they contribute is limited because they cannot reveal information about how music and music sources were most often used. The study of functional sources, more probably created for use, allows for more insight into how music was performed and understood, and how such sources were created, used and valued. This study examines twelve fragmentary early sixteenth-century English sources from the Digital Image Archive of Medieval Music (DIAMM) database, constit

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Terra, Adenor Leonardo. "O repertório litúrgico para coro no Brasil após o Concílio Vaticano II." Universidade do Estado de Santa Catarina, 2014. http://tede.udesc.br/handle/handle/1544.

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Made available in DSpace on 2016-12-08T17:06:45Z (GMT). No. of bitstreams: 1 116043.pdf: 3801232 bytes, checksum: c7bb6790815a7e549cdd6a8f489e230b (MD5) Previous issue date: 2014-03-27<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The liturgical repertoire for choir in Brazil from the last decades of the twentieth century was marked by the determinations of Vatican II, an event that promoted the reform of the Catholic rite. Due to this context of change, which allowed the celebration of Mass in the vernacular, the liturgical chant, which includes choral, suffered a readju

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Mofokeng, Mokete. "The Belhar Confession and liturgy : a hymnological study." Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/63034.

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Much study regarding the Belhar Confession has been conducted already such as: The Belhar Confession in its historical context Plaatjies-van Huffel (2014), Chronicle of Conference Barman/ Belhar Consultation 18 and 19 October 2004 Hansen (2005), A gift from heaven-the receptions in the Belhar Confession in the period 1982-2000 and its ecumenical significance today Naudè (2003) and On violence, the Belhar Confession and human dignity Koopman (2008) to mention but a few. From preliminary observations and some initial research, it seems that there is still a need to do an indepth study on

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Kloppers, Elizabeth C. "Kerkliedere vir 'n nuwe generasie - 'n Liturgies-himnologiese ontwerp onder voorwaarde van die Ekumene." Thesis, University of Pretoria, 2004. http://hdl.handle.net/2263/31115.

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Hymns are handed down from generation to generation, from country to country, and from church to church. In every time in history, hymns and songs are needed that are new for that time and generation – hymns through which the timeless message can be voiced in a new and unique way. The historical binding, as well as the ecumenical tie, are thus indispensable features for the church, her liturgy and her music. In the processes of creating new hymns and liturgical forms, the una sancta ecclesia always needs to be in focus. In this study the ecumenical and liturgical movements of the twentieth cen

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