Log in

Relevant bibliographies by topics / Live-action film / Journal articles

To see the other types of publications on this topic, follow the link: Live-action film.

Journal articles on the topic 'Live-action film'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Live-action film.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Nadia, Silma, and Ofi Hidayat. "REPRESENTASI FEMINISME DALAM FILM LIVE-ACTION MULAN." KAGANGA KOMUNIKA: Journal of Communication Science 4, no. 1 (2022): 43–54. http://dx.doi.org/10.36761/kagangakomunika.v4i1.1925.

Full text

Abstract:

The live-action film Mulan is one of the war action films in which it describes gender equality. In addition, in this film there is also a depiction of the struggle of a girl who is determined to prosper her family until she has to go to war to replace her father. Women are not weak, women can stand on their own feet and women can play the role of men, is a representation of feminism that can be observed in several scenes in this film. This study was analyzed using Charles Sanders Peirce’s semiotics which focused on finding out what scenes represent feminism in the live-action film Mulan. The

APA, Harvard, Vancouver, ISO, and other styles

2

Syaiid, Rizky Abdullah, Ririn Despriliani, and Eko Hadi Prayitno. "Film Live Action dengan Sentuhan 3 Dimensi." Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual 1, no. 2 (2022): 94–98. http://dx.doi.org/10.21009/qualia.12.4.

Full text

Abstract:

Penelitian ini bertujuan untuk menciptakan sebuah karya seni media rekam eksploratif yang dapat dinikmati dengan cara yang berbeda yaitu audio visual 3 dimensi. Diharapkan film dapat dinikmati bukan hanya sekedar hiburan namun sebagai media edukasi agar pesan didalamnya dapat tersampaikan dengan baik. Film sendiri bercerita tentang seorang remaja yang duduk dibangku kelas 2 SMA sedang mencari Passion nya. Inspirasi dalam membuat cerita adalah pengalaman empirik serta koresponden yang diwawancarai yaitu anak SMA, dan beberapa ahli dibidang psikologi, seni dan film. Jannet Attwood mengatakan bah

APA, Harvard, Vancouver, ISO, and other styles

3

Jiang, Yiding, Xinyi Fan, and Xiaohan Xia. "Aladdin——The Live-Action Version: A Feminist Revolt Against Patriarchy." Journal of Education, Humanities and Social Sciences 24 (December 31, 2023): 745–50. http://dx.doi.org/10.54097/r8csre73.

Full text

Abstract:

The live-action version of "Aladdin" (2019) is based on the 92nd edition of Disney's animated film of the same name, giving the audience a great visual treat. As a work in the Disney series, the image of the princess in the live-action version of "Aladdin" is one of the major attractions of the film. Disney's portrayal of princesses is varied. From a feminist perspective, the early images of the princesses embodied the patriarchal and husbandly expectations of women, which is a kind of expectation for women. With the public's understanding, Disney's character and image of the princess have bec

APA, Harvard, Vancouver, ISO, and other styles

4

Romashin, Matvey I. "LIVE ACTION FILM AS HISTORY: BASIC METHODOLOGICAL APPROACHES." TULA SCIENTIFIC BULLETIN. HISTORY. LINGUISTICS, no. 1(17) (May 20, 2024): 112–21. https://doi.org/10.22405/2712-8407-2024-1-112-121.

Full text

Abstract:

The article identifies, analyzes, and describes the main methodological approaches to the problem of historical knowledge visualizing. The following research questions are formulated: whether visuals can be a form of presentation of historical knowledge rather than text? whether the affective can be a means of scientific knowledge of the past rather than the cognitive? whether live action films can be a historical source? On the basis of comparison and theoretical understanding of texts by researchers from different fields of science (historians, cultural specialists, film scholars), the autho

APA, Harvard, Vancouver, ISO, and other styles

5

Harinanda, Salsabila Astri, and Ahmad Junaidi. "Representasi Feminisme Pada Film Disney Live-Action Mulan." Koneksi 5, no. 2 (2021): 269. http://dx.doi.org/10.24912/kn.v5i2.10299.

Full text

Abstract:

Film is a mass media that presents a story in audio-visual form. This research aims to see how are the representation of feminism in the Disney Live-Action Mulan film. The method used is descriptive qualitative research methods with semiotic as data analysis techniques. Data are collected using the methods of documentation, observation, and literature study. The signs of the film were analyzed using Roland Barthes' semiotic model two-stage of signification, which are the denotation, connotation, and myth stages. This film shows the discrimination that happened in women due to patriarchal ideol

APA, Harvard, Vancouver, ISO, and other styles

6

Yeremenko, Liliia, and Anna Kichapina. "The Musical Arrangement of a Live-Action Film." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 4, no. 2 (2021): 252–59. https://doi.org/10.31866/2617-2674.4.2.2021.248737.

Full text

Abstract:

<em>The purpose of the study </em>is to analyze the characteristics of a live-action film’s musical arrangement; to identify the impact of musical arrangement on the audience’s perception, on the example of the film composer Eric Serra’s works. <em>The research methodology </em>is to apply the following methods: theoretical – analysis of the music functions in making a film and the implementation of the director’s vision, generalizing the influence of musical arrangement on the viewer. <em>Scientific novelty. </em>The functions of film mus

APA, Harvard, Vancouver, ISO, and other styles

7

Putri, Zalfa Melanie. "Perbandingan dalam Film Animasi The Little Mermaid (1989) dan Versi Adaptasi Live-Action The Little Mermaid (2023)." Syntax Idea 5, no. 6 (2023): 612–20. http://dx.doi.org/10.46799/syntax-idea.v5i6.2374.

Full text

Abstract:

Animated films are one of the most popular children's literature, various themes and genres of animated films are certainly like friends for children. This study aims to analyze the comparison in an animated film and its adaptation work qualitatively and comparative in the overall exposure of the animated film The Little Mermaid (1989) and The Little Mermaid (2023) live-action produced by Disney with the musical-fantasy genre, where this study focuses on the transformation (alih wahana). An animation that is made into a live-action certainly experiences differences in terms of addition, reduct

APA, Harvard, Vancouver, ISO, and other styles

8

Yeremenko, Liliia, and Anna Kichapina. "The Musical Arrangement of a Live-Action Film." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 4, no. 2 (2021): 252–59. http://dx.doi.org/10.31866/2617-2674.4.2.2021.248737.

Full text

Abstract:

The purpose of the study is to analyze the characteristics of a live-action film’s musical arrangement; to identify the impact of musical arrangement on the audience’s perception, on the example of the film composer Eric Serra’s works. The research methodology is to apply the following methods: theoretical – analysis of the music functions in making a film and the implementation of the director’s vision, generalizing the influence of musical arrangement on the viewer. Scientific novelty. The functions of film music that help in creating a live-action film were analyzed for the first time, a de

APA, Harvard, Vancouver, ISO, and other styles

9

Jayanti, Ni Komang Tri. "Alih Wahana Manga Ao Haru Ride Karya Sakisaka Io ke Dalam Film Live action Karya Sutradara Miki Takahiro." Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang 2, no. 2 (2020): 63. http://dx.doi.org/10.24843/js.2020.v02.i02.p01.

Full text

Abstract:

Penelitian ini berjudul “Alih Wahana Manga Ao Haru Ride Karya Sakisaka Io ke dalam Film Live Action Karya Sutradara Miki Takahiro”. Penelitian ini memberi pemahaman lebih mendalam mengenai film live action yang dibuat dengan sumber berupa manga. Tujuan penelitian ini adalah untuk menyediakan wawasan mengenai perubahan sastra populer Jepang menjadi film live action. Metode yang digunakan dalam penelitian ini adalah metode deskriptif analisis dan metode informal. Teori yang digunakan dalam penelitian ini adalah Teori Struktural yang dikemukakan oleh Robert Stanton (2007) dan Teori Alih Wahana ol

APA, Harvard, Vancouver, ISO, and other styles

10

Li, Jiale. "The Challenges and Prospects of the Transformers Film Series." Advances in Economics, Management and Political Sciences 31, no. 1 (2023): 69–74. http://dx.doi.org/10.54254/2754-1169/31/20231500.

Full text

Abstract:

Currently, more and more IPs are being adapted for film and television, such as Marvel's superhero series sweeping the world. Yet one of the hottest products of the last century, Transformers, has been declining in box office and reviews for its live-action films. This study will analyze the problems of this IP adaptation project based on the deteriorating status of the Transformers live-action movie, using a documentary research method, and propose corresponding solutions. Due to the challenges of commercialization, the Transformers live-action movie faces the challenges of losing audiences d

APA, Harvard, Vancouver, ISO, and other styles

11

Azizah, Zulfa Nur, Siti Awalia Maryani, and Siti Hotimah Afriani. "ACTION OF ADVENTURE FORMULA IN MULAN 2020." Saksama 1, no. 2 (2022): 177–85. http://dx.doi.org/10.15575/sksm.v1i2.27823.

Full text

Abstract:

Films that have action and adventure genres appeal to the audience by displaying scenes that have a sense of tension due to murders, resistance, and extreme actions played by the characters. This research focuses on the narrative and analysis formula fiction. The analysis conducted on the film Mulan 2020 aims to understand the fiction of action and adventure formula, as well as what the action functions in the adventure formula. The research data is in the form of information about film units related to the formulation of the problem which includes John G. Cawelti’s four formulaic fictions, na

APA, Harvard, Vancouver, ISO, and other styles

12

Rosyid, Dzulfiqar Fickri, and Kankan Kasmana. "A Comparison of the 1940 Animated Pinocchio Movie and Walt Disney Studios' 2022 Live-action Version of Pinocchio Movie." ARTic 6, no. 1 (2023): 581–89. http://dx.doi.org/10.34010/artic.v6i1.10953.

Full text

Abstract:

Pinocchio is one of the popular classics of the Walt Disney animation industry released in 1940, the popularity of the Pinocchio series also prompted the animated film Pinocchio to be adapted into a live-action version in 2022. The movie is based on the classic novel by Carlo Collodi that tells the story of a wooden puppet named Pinocchio who wants to become a human child. There are different scenes from the 1940 version of Pinocchio and the 2022 version of Pinocchio. This adaptation process does bring changes in the meaning content when the story is adapted from animation to live-action. Base

APA, Harvard, Vancouver, ISO, and other styles

13

Du, Daisy Yan. "The Manchukuo Film Association and Its Afterlives: Animated Filmmaking in Wartime and Postwar Peking." JCMS: Journal of Cinema and Media Studies 63, no. 2 (2024): 119–42. http://dx.doi.org/10.1353/cj.2024.a919194.

Full text

Abstract:

abstract: Scholarship on the Manchukuo Film Association (Manying) has largely attended to documentaries, newsreels, and live-action films featuring Li Xianglan, neglecting animation. This article examines the animated film-making activities of the North China Film Company, a branch of Manying located in wartime Peking, by focusing on Chinese animator Liang Jin and a few Japanese animators such as Asada Isamu and Onozawa Wataru. With an animated filmmaking philosophy of territorialization and localization, Manying nonetheless created a de-territorialized world that enabled it to live multiple a

APA, Harvard, Vancouver, ISO, and other styles

14

Sulistiyawati, Puri. "ANALISIS KOMPONEN VISUAL DASAR SINEMATOGRAFI DALAM FILM LIVE ACTION “GREEN BOOK”." Desain Komunikasi Visual, Manajemen Desain dan Periklanan (Demandia) 4, no. 2 (2019): 172. http://dx.doi.org/10.25124/demandia.v4i2.2188.

Full text

Abstract:

Sinematografi dapat diartikan dengan ilmu yang mempelajari tentang cara menangkap dan menggabungkan gambar menjadi rangkaian gambar yang bercerita. Film adalah produk sinematografi yang memiliki karakteristik terdiri dari beberapa gambar yang digabungkan. Gambar biasanya terdapat komponen yang mampu menunjukkan arti dari gambar tersebut. Salah satu komponennya yaitu visual. Komponen visual ini dapat ditemukan pada setiap gambar, baik itu gambar bergerak maupun gambar tidak bergerak. Penelitian ini bertujuan untuk menganalisis komponen visual dasar pada film Green Book berdasarkan teori Bruce B

APA, Harvard, Vancouver, ISO, and other styles

15

Novelia, Ruth, Nazrina Zuryani, and Nyoman Ayu Sukma Pramestisari. "Analisis Feminisme Postmodern dalam Film Barbie Live Action: Perlawanan terhadap Patriarki dalam Budaya Modern." Socio-political Communication and Policy Review 1, no. 4 (2024): 223–38. http://dx.doi.org/10.61292/shkr.155.

Full text

Abstract:

This study discusses the depiction of patriarchal culture and women's resistance to patriarchal culture in the Barbie Live Action film, which is then analyzed using the perspective of Luce Irigaray's postmodern feminism, and analyzed using the Zhongdang Pan and Gerald M. Kosicki Framing method. This study aims to explain and analyze the elements of patriarchy and women's resistance in the Barbie Live Action film. This study uses qualitative research methods and framing analysis methods, with qualitative data sourced from primary and secondary data. The data that has been collected will then be

APA, Harvard, Vancouver, ISO, and other styles

16

Hikmatyar, Aditya Aditama Putri, Syifa Salsabila Yusuf, and Ridha Marissa El Seira. "PENDIDIKAN PELESTARIAN EKOSISTEM LAUT MELALUI MEDIA FILM PENDEK ANIMASI DAN LIVE ACTION." Edukids: Jurnal Pertumbuhan, Perkembangan, dan Pendidikan Anak Usia Dini 21, no. 1 (2024): 186–99. http://dx.doi.org/10.17509/edukids.v21i1.69151.

Full text

Abstract:

Film pendek "Rumahku Hilang" merupakan sebuah media pembelajaran audio-visual yang bertujuan untuk menyampaikan pesan tentang pentingnya pelestarian ekosistem laut dalam mencegah perubahan iklim. Dengan menggabungkan live action dan animasi 3D, film ini adalah kisah seorang pemuda yang awalnya tidak peduli terhadap lingkungannya dan sering membuang sampah sembarangan. Namun, setelah mengalami kejadian tak terduga, dia berubah dan menyadari pentingnya menjaga lingkungannya. Melalui sinopsis, treatment, dan storyboard yang rinci, film ini memiliki tujuan yang jelas, yaitu meningkatkan kesadaran

APA, Harvard, Vancouver, ISO, and other styles

17

Panova, Maria. "The Artist and the Poetic Provocations in the 1980 Bulgarian Live-Action Film Illusion." Świat i Słowo 36, no. 1 (2021): 229–48. http://dx.doi.org/10.5604/01.3001.0014.7918.

Full text

Abstract:

This text highlights the aesthetic explorations of Bulgarian cinematographers from the 1980s, specifically those aimed at people of art. The article offers, first, a brief overview of films that examine the symbolic potential of the artist, which defines the consideration of an established and meaningful tendency in the development of Bulgarian cinema. The article focuses then on the live-action film Illusion (1980, directed by Lyudmil Staykov and written by Konstantin Pavlov) and examines the figure of the artist in the piece. The presented interpretation supports the view of the film as a mo

APA, Harvard, Vancouver, ISO, and other styles

18

Oktavian, Nurrisda Hermin, Elga Lauris Zabrina, and Nanda Shabrina Alisya. "Re-Alice: Reimagination of Carroll’s Alice in Wonderland into Animation and Live Action." SULUK: Jurnal Bahasa, Sastra, dan Budaya 6, no. 2 (2024): 146–60. https://doi.org/10.15642/suluk.2024.6.2.146-160.

Full text

Abstract:

Walt Disney Pictures has adapted several famous animated cartoons into live-action films in recent years, including Alice in Wonderland. The film is based on Lewis Carroll's classic novel, which tells the story of Alice's adventures in Wonderland. The adaptation process brought several changes in the form of the latest story. This study uses a qualitative descriptive method to investigate and examine the reimagination markers and reimagination functions from the animated film Alice in Wonderland (1951) to the live-action version (2010). This study utilizes the reimagination theory of Purnomo e

APA, Harvard, Vancouver, ISO, and other styles

19

Juanna, Juanna, and Sholihul Abidin. "ANALISA SEMIOLOGI PESAN MORAL PADA FILM “BEAUTY AND THE BEAST LIVE ACTION”." Commed : Jurnal Komunikasi dan Media 2, no. 2 (2018): 87. http://dx.doi.org/10.33884/commed.v2i2.472.

Full text

Abstract:

 “Beauty and The Beast Live Action” movie is a re-make film of the original version with the same title in 1991. As a romantic themed fiction show, it's no wonder that the film managed to tie the audience emotionally, so the audience can sense that they are part of the film as long as he/she watched the movie. By the time the film finishes, there will be at least a meaning or moral message that can be taken from a movie, which is composed of signs containing a moral message. Overall, the movie Beauty and The Beast Live Action gives a moral message that we should not judge a person just f

APA, Harvard, Vancouver, ISO, and other styles

20

Yali, Cheng, and Chen Kaiju. "Appropriation, Rewriting and Alienation: A Postcolonial Critique of Mulan." International Journal of Social Science Studies 9, no. 3 (2021): 82. http://dx.doi.org/10.11114/ijsss.v9i3.5226.

Full text

Abstract:

Released in September, 2020, Mulan, a live-action film starring Liu Yifei, was adapted by Disney from the Ballad of Mulan[1]. The film was produced from its animated version Mulan (1998) which hit global box office amounting to 304 million with marvelous reputation. However, the live-action movie Mulan did not continue the brilliant results of the previous work. Instead, Mulan (2020) disappointed most Chinese audience[2] because historical facts and cultural values about Mulan were excessively appropriated, rewritten and alienated. Applying theories of Postcolonialism, this essay analyzes the

APA, Harvard, Vancouver, ISO, and other styles

21

Biosa, Sito Fossy, and M. Dwi Marianto. "COMBINATION OF DOCUMENTATION, ANIMATION, AND LIVE ACTION IN THE FILM IDAM PICA." Capture : Jurnal Seni Media Rekam 11, no. 2 (2020): 70–82. http://dx.doi.org/10.33153/capture.v11i2.3008.

Full text

Abstract:

Film Idam Pica with visual documentation, animation and live action (called Trisikon; three situation and condition) is used in response to the dangerous phenomenon of idam pica. The writer tried to make a film that is not a cliché, not just a play of dramaturgy, gesture, mimic, and exploratory dialogue from the actor himself. The author explored the visual (mise en scene) by dissecting cliches and not cliches artwork. All action ranging from phenomena, maternal ecstasy, to visual realization. It is intended to create random Audio visual spaces, chaotic, and broken. The combination of document

APA, Harvard, Vancouver, ISO, and other styles

22

Martinez, Alexandra, Marco Campera, and K. A. I. Nekaris. "The Use of Live Action, Animation, and Computer-Generated Imagery in the Depiction of Non-Human Primates in Film." Animals 12, no. 12 (2022): 1576. http://dx.doi.org/10.3390/ani12121576.

Full text

Abstract:

For over 100 years, non-human primates (primates) have been a part of the now hundred-billion-dollar global film industry in a variety of capacities. Their use in the film industry is of concern due to the negative welfare effects on individuals, the potential for increased pet trade, and the conservation impacts of public perception. While the effects on human perception of using live primates in film have been studied, little research has been performed on their appearance in animation and none in computer-generated imagery (CGI). We aimed to investigate how the portrayal of primates varied

APA, Harvard, Vancouver, ISO, and other styles

23

Ostherr, Kirsten. "Operative Bodies: Live Action and Animation in Medical Films of the 1920s." Journal of Visual Culture 11, no. 3 (2012): 352–77. http://dx.doi.org/10.1177/1470412912455620.

Full text

Abstract:

This article examines the role of animation in early instructional medical films through close analysis of the films produced by the collaboration between the American College of Surgeons (ACS) and Eastman Kodak in the late 1920s. The ACS placed medical motion pictures at the center of surgical training and thus established moving images as fundamental to the practice of medicine. These films made extensive use of animation to present surgical sequences that were otherwise impossible to capture on film. By adopting the motion picture as an educational tool, the physician–filmmakers actively co

APA, Harvard, Vancouver, ISO, and other styles

24

Chen, Ming. "The Poetic Fables and Realistic Dilemmas of Disney's Live action Film “Mulan”." Frontiers in Humanities and Social Sciences 4, no. 1 (2024): 280–83. http://dx.doi.org/10.54691/zvbw7t53.

Full text

Abstract:

This article takes the 2020 Disney live action film “Mulan” as a case study to analyze the exploration of women in Niki Caro's works. On the one hand, this film uses unique visual symbols and emotional expressions to compose a poetic fable about women's awakening. On the other hand, it is difficult to break free from the "male standard" in the text and the "compromiseism" in business. With the help of this chain from various angles, one can glimpse the contradictory situation of female film creation at present.

APA, Harvard, Vancouver, ISO, and other styles

25

Aprilia Nasya Utami and Dedeh Fardiah. "Representasi Konten Feminisme dari Live Action Film Barbie menurut Pandangan Islam." Bandung Conference Series: Public Relations 4, no. 2 (2024): 742–48. http://dx.doi.org/10.29313/bcspr.v4i2.14176.

Full text

Abstract:

Abstract. Feminism is a series of social movement, political movement, and ideologies that aim to fight for women’s rights by establishing equality on various aspects such as political, economic, personal, and social aspects of the two sexes. Gender ideology has influenced humans since centuries ago, thus forming a patriarchal cultural structure. Patriarchy is a system of relations between the sexex based on fatherly laws. Islam itself does not recognize feminismandgender with various forms of concepts and their implementation in challenging the values of subordination of women, because Islam

APA, Harvard, Vancouver, ISO, and other styles

26

Daisuke Akimoto. "Beyond Orientalism? Evolving Political Correctness in Disney’s Live-Action Film Aladdin (2019)." International Journal of Linguistics, Literature and Translation 8, no. 4 (2025): 107–16. https://doi.org/10.32996/ijllt.2025.8.4.13.

Full text

Abstract:

Walt Disney’ animation film Aladdin (1992) has been beloved all over the world. However, the animated film has been harshly criticized by analysists for its cultural and racial prejudices and lack of consideration for gender equality. In 2019, the live-action version of Aladdin was released and Disney aimed to overcome the previous criticism based on some advice from the people who belong to a Middle East community. The purpose of this article is to conduct a comparative analysis of the 1992 animation version of Aladdin and the 2019 live-action version from the conceptual perspectives of Orien

APA, Harvard, Vancouver, ISO, and other styles

27

Grodź, Iwona. "Laboratoria nowoczesnej audiowizualności. Na marginesie książki Michała Bobrowskiego, Radosława Bomby, Poza ekranem kinowym. Postmedialne konteksty animacji, Wydawnictwo UMCS, Lublin 2021." Annales Universitatis Paedagogicae Cracoviensis | Studia de Cultura 15, no. 2 (2023): 157–64. http://dx.doi.org/10.24917/20837275.15.2.12.

Full text

Abstract:

Gdy myślimy o sztuce ruchomych obrazów, to zwykle dochodzi do dychotomicznego podziału na film fikcji i film faktów. Autorzy książki Poza ekranem kinowym proponują spojrzenie na film przez pryzmat sztuki żywego planu (live‑action film – film zrealizowany przy użyciu techniki rejestracji w czasie rzeczywistym), ...

APA, Harvard, Vancouver, ISO, and other styles

28

Cartwright, Lisa. "The Hands of the Animator: Rotoscopic Projection, Condensation, and Repetition Automatism in the Fleischer Apparatus." Body & Society 18, no. 1 (2012): 47–78. http://dx.doi.org/10.1177/1357034x11432562.

Full text

Abstract:

This article is concerned with the affective relationship among bodies and film technologies in the process of building and using filmmaking instruments, taking as its object the early Rotoscope, a device patented by the legendary American animator Max Fleischer that entailed the projection of live-action film for use as a template in the drawing of animated figures, to which the live-action trace was thought to impart life-like, normative patterns of movement. Drawing from media archaeology, psychoanalytic theories of repetition, projection, and condensation, and object relations theory, this

APA, Harvard, Vancouver, ISO, and other styles

29

Hardi, Sanny Clarista, and Ahmad Junaidi. "Pengaruh Komunikasi Pemasaran Film Barbie Live Action 2023 terhadap Minat Beli Masyarakat." Prologia 8, no. 1 (2024): 116–23. http://dx.doi.org/10.24912/pr.v8i1.27556.

Full text

Abstract:

Marketing communications is an effort to deliver messages to consumers or the public as sales targets regarding the presence of a product or service on the market. Marketing communications has an important role for a marketer. Without communication, the public and consumers in general will not know about the presence of products or services on the market. Mattel revealed that most of the expenses spent on making the film were for marketing by collaborating with clothing, bag, food and drink brands, organizing events, and opening the Barbie Dreamhouse. Seeing this, the author is interested in a

APA, Harvard, Vancouver, ISO, and other styles

30

Abdullah Rashed, Atoof, and Laila M. Al-Sharqi. "Roses in Amber: Gendered Discourse in Disney’s 2017 Adaptation of Villeneuve’s Fairytale Beauty and the Beast." Arab World English Journal For Translation and Literary Studies 5, no. 1 (2021): 126–43. http://dx.doi.org/10.24093/awejtls/vol5no1.9.

Full text

Abstract:

This study considers the dialogic relationship between the 2017 Disney live-action film Beauty and the Beast with Gabrielle-Suzanne de Villeneuve’s fairy tale and Disney’s 1991 animated version. Drawing on cultural and feminist discourse, the study seeks to examine Disney’s live-action film for incidents of cultural appropriation of gender representation compared to Villeneuve’s fairy tale and Disney’s 1991 animated version. The Study argues that the 2017 film adaptation reverses the traditional patriarchal notions and embraces a transgressive feminist discourse/approach as part of Disney’s st

APA, Harvard, Vancouver, ISO, and other styles

31

Dancus, Adriana Margareta. "Animation and the visualization of subjective experiences in Ninjababy." Journal of Scandinavian Cinema 14, no. 1 (2024): 49–55. http://dx.doi.org/10.1386/jsca_00110_1.

Full text

Abstract:

This article explores how animation has unique abilities to portray the emotional lives of characters in concise, accurate, reflective and engaging ways. It does so through a close reading of the experimental Norwegian film Ninjababy (), about Rakel, a young woman who, discovering that she is six-and-a-half-months pregnant after casual sex, decides to put her baby up for adoption. In Ninjababy, animation is combined with live-action footage and used to illustrate interior states of mind that live-action film cannot show. The article also discusses how the use of animation makes Ninjababy parti

APA, Harvard, Vancouver, ISO, and other styles

32

Dudková, Jana. "Form(ulat)ing Mistrust in the State in the 1990s’ Slovak Live-Action Films." Slovenske divadlo /The Slovak Theatre 65, no. 3 (2017): 302–15. http://dx.doi.org/10.1515/sd-2017-0017.

Full text

Abstract:

Abstract The text deals with the ways in which Slovak live-action films made in the 1990s introduced the topic of mistrust in the State and in its institutions. Using specific examples, the text demonstrates that such mistrust was not primarily a critical attitude, but rather consisted of two basic forms of rejection. On the one hand, live-action films made for cinema often promoted the post-modern principle of a “relative” truth, presenting a lifestyle with minimal ties to the State, sometimes also formulating a mistrust in specific state institutions (the police, state-run artistic instituti

APA, Harvard, Vancouver, ISO, and other styles

33

Purnomo Arbi, Anggun. "SOCIAL VALUES REFLECTED FROM TOKYO REVENGERS LIVE-ACTION MOVIE." JURNAL HURRIAH: Jurnal Evaluasi Pendidikan dan Penelitian 3, no. 4 (2022): 37–44. http://dx.doi.org/10.56806/jh.v3i4.112.

Full text

Abstract:

A good movie is one that is able to convey useful messages in social life. The researcher assumes that Tokyo Revengers Live-Action is a movie that presents social values. In other words, this research has the objective of analyzing and describing the types of social values contained in this movie. In conducting this research, the researcher applied a qualitative descriptive research method. The research instrument is divided into two parts: researchers and documentation. The film scene and scripts from Tokyo Revengers are the object of this research. In the data collection process, the researc

APA, Harvard, Vancouver, ISO, and other styles

34

Wanda Andres Saputra, Asmanadia Izzatul Karimah, and Abdullah Zaidi. "TRANSMUTATIONS OF PLOT AND CHARACTERS: A COMPARATIVE ANALYSIS OF THE ANIMATED FILM THE LION KING (1994) AND THE LIVE-ACTION THE LION KING (2019)." CrossOver 3, no. 2 (2023): 136–48. http://dx.doi.org/10.22515/crossover.v3i2.7016.

Full text

Abstract:

This study aims to reveal the existence of transmutations of the plot and characters in the film adaptation. This study uses theory (Stam, Robert 2000) to find transmutations of plot and characters and theory (Hutcheon, Linda 2012) for a comparative analysis of the film adaptation of the animated version of "The Lion King (1994)" and the live-action version of " The Lion King (2019). In this study, the researcher used a descriptive-qualitative research method, and data collection was carried out visually and textually in the film. Based on Spradley's theory and analysis, the researcher first f

APA, Harvard, Vancouver, ISO, and other styles

35

Putri, Rosalinda Mardiana, Mayasari Mayasari, and Nurkinan Nurkinan. "Analisis Wacana Kritis Norman Fairclough Pada Film Barbie 2023 Sebagai Representasi Budaya Patriarki." JKOMDIS : Jurnal Ilmu Komunikasi Dan Media Sosial 4, no. 2 (2024): 566–74. http://dx.doi.org/10.47233/jkomdis.v4i2.1884.

Full text

Abstract:

Film is part of audio-visual mass media communication and aims to convey social messages to the audience in accordance with the reality that is growing and developing in society. One of the films that has this purpose is the film Barbie Live Action 2023. The purpose of this research is to dissect the discourse in three dimensions, namely textual, discourse practice, and sociocultural practice. In this research, the type of research used is qualitative-descriptive research. The paradigm used in this research is the critical paradigm. The appropriate research method used for this research is Nor

APA, Harvard, Vancouver, ISO, and other styles

36

Kalbarczyk, Kamil. "„No animals were used in the making of this film?” Postzwierzęta i zew antropomorfizmu w epoce CGI." Kwartalnik Filmowy, no. 110 (August 26, 2020): 138–55. http://dx.doi.org/10.36744/kf.335.

Full text

Abstract:

Artykuł traktuje o wpływie rewolucji cyfrowej na reprezentacje zwierząt w filmach fabularnych. Autor analizuje zwierzęta generowane komputerowo w kontekście rozwoju CGI oraz skutków bezszwowego łączenia fotorealistycznej animacji z materiałem live action. Wpisuje zjawisko rozwijające się od lat 90. w kontekst studiów nad efektami wizualnymi i animal studies. Szczególną uwagę zwraca na kwestię postępującej antropomorfizacji cyfrowych zwierząt w obrębie kina live action ostatniej dekady. Autor wyróżnia trzy podstawowe strategie kreowania percepcyjnie realistycznych zwierząt w zależności od stopn

APA, Harvard, Vancouver, ISO, and other styles

37

Krisnawan, Gabriella Joselyn, Nia Amelia Ridwan, Dewi Meyrasyawati, and Nadya Afdholy. "ANALYSIS OF THE AUDIENCE'S MEANING MAKING PROCESS TOWARDS THE MOVIE DISNEY CARTOON MULAN (1998) AND DISNEY LIVE ACTION MULAN (2020)." E-Journal of Cultural Studies 17, no. 4 (2024): 26. https://doi.org/10.24843/cs.2024.v17.i04.p03.

Full text

Abstract:

This article explores the portrayal of Mulan as a symbol of women's empowerment in Disney’s animated "Mulan" (1998) and live-action adaptation (2020). Drawing on Stuart Hall’s theory of reception study, the study examines how both films depict Mulan’s defiance of traditional gender roles and her journey towards empowerment. Through qualitative analysis of audience responses, it reveals that respondents from diverse backgrounds perceive Mulan as a bold, intelligent, and resourceful heroine who challenges societal expectations. In the 1998 animated film, Mulan's valor in replacing her father in

APA, Harvard, Vancouver, ISO, and other styles

38

Bruckner, Franziska. "Hybrid Image, Hybrid Montage: Film Analytical Parameters for Live Action/Animation Hybrids." Animation 10, no. 1 (2015): 22–41. http://dx.doi.org/10.1177/1746847715570815.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Qingli, Xu, and Shi Ying. "Female Gender Identity in the Adaptation of Disney Live-action Film Mulan." English Language, Literature & Culture 5, no. 3 (2020): 112. http://dx.doi.org/10.11648/j.ellc.20200503.16.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Champoux *, Joseph E. "Comparative analyses of live‐action and animated film remake scenes: finding alternative film‐based teaching resources." Educational Media International 42, no. 1 (2005): 49–69. http://dx.doi.org/10.1080/09523980500116662.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Opfer, James. "Back to the Drawing Board." Groundings Undergraduate 4 (April 1, 2011): 45–56. http://dx.doi.org/10.36399/groundingsug.4.247.

Full text

Abstract:

Animation has long occupied the sidelines of cinema. As its essence resides not in the ability to capture the world as it really is but in an artistic representation of reality, conventional animation has often been discarded as an outdated by-product of cinema’s early technological development. However, with advances in digital animation, live-action film is becoming increasingly reliant on computer-generated images as a tool to manipulate the on-screen image, whether to subtly tweak aesthetics or to create entire scenes. The relationship between animation and live-action cinema is therefore

APA, Harvard, Vancouver, ISO, and other styles

42

Bezruchko, Oleksandr, and Volodymyr Bardyn. "Presentation of the Sacred Heritage of Boikos by Means of Audiovisual Art." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 5, no. 1 (2022): 38–45. http://dx.doi.org/10.31866/2617-2674.5.1.2022.256950.

Full text

Abstract:

The purpose of the study is to analyze the coverage of the Boiko church heritage in live-action films and documentary films, in mass media and in photographs. To determine the role of audio-visual art in the coverage of sacred objects of Boikivshchyna and to prove the necessity to preserve works of sacred heritage by means of photo art. The researh methodology consists in the application of the following methods: theoretical – the analysis of television plots and documentaries providing information about the church art of Boikivshchyna, synchronous and comparative method for deeper analysis of

APA, Harvard, Vancouver, ISO, and other styles

43

Bezruchko, Oleksandr, and Volodymyr Bardyn. "Presentation of the Sacred Heritage of Boikos by Means of Audiovisual Art." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 5, no. 1 (2022): 38–45. https://doi.org/10.31866/2617-2674.5.1.2022.256950.

Full text

Abstract:

<em>The purpose of the study is </em>to analyze the coverage of the Boiko church heritage in live-action films and documentary films, in mass media and in photographs. To determine the role of audio-visual art in the coverage of sacred objects of Boikivshchyna and to prove the necessity to preserve works of sacred heritage by means of photo art. <em>The researh methodology </em>consists in the application of the following methods: theoretical – the analysis of television plots and documentaries providing information about the church art of Boikivshchyna, synchronous and co

APA, Harvard, Vancouver, ISO, and other styles

44

Solomon, Matthew. "From Screen to Stage and Back: Max Linder and the ‘Cinematographic Sketch’, 1908–1913." Nineteenth Century Theatre and Film 48, no. 1 (2021): 30–43. http://dx.doi.org/10.1177/17483727211000209.

Full text

Abstract:

Between 1908 and 1913, as Max Linder emerged as a major international film star for Pathé, he made a specialty of combining film projections with live theatre performances. In these ‘cinematographic sketches’, action that began onscreen appeared to continue onstage. Using considerable primary-source evidence drawn from French, British, and American film and theatre trade periodicals, the essay demonstrates the liminality of Linder’s multimedia stardom during cinema’s ‘transitional period’ by demonstrating how frequently he went from screen to stage and back.

APA, Harvard, Vancouver, ISO, and other styles

45

Rozenkrantz, Jonathan. "short subject: Expanded epistemologies: Animation meets live action in contemporary Swedish documentary film." Journal of Scandinavian Cinema 6, no. 2 (2016): 189–97. http://dx.doi.org/10.1386/jsca.6.2.189_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Jaka Pratama, Andreas. "Disembodied Surreal Tendencies of Silent Hill the Film: Traces of Japanese Abreaction Terror." IJVCDC (Indonesian Journal of Visual Culture, Design, and Cinema) 2, no. 2 (2023): 138–48. http://dx.doi.org/10.21512/ijvcdc.v2i2.8244.

Full text

Abstract:

The Silent Hill live action cinema was an adaptation of a survival horror videogame title that explored the theme of loss, delusion, but also of internal conflict that leads to the ultimate self-redemption. Through the psychoanalytical reading, the surreal tendencies and symbolisms are analysed, the signs of abreaction terror sourced historically from the post-war Japan made manifest. This article looks at the possible point of origin of the surreal symbolism utilized by first the videogame iterations, then secondly the adaptation to the silver screen which may not translate into its contextua

APA, Harvard, Vancouver, ISO, and other styles

47

Ekinci, Barış Tolga. "A hybrid documentary genre: Animated documentary and the analysis of Waltz with Bashir (2008) Movie." CINEJ Cinema Journal 6, no. 1 (2017): 4–24. http://dx.doi.org/10.5195/cinej.2017.144.

Full text

Abstract:

The word documentary has been described as an advice” in “Oxford English Dictionary” in the late 1800s. Document is a main source of information for lawyers. And in cinema, basic film forms are defined with their own properties. The common sense is to separate documentary from fiction, experimental from main current and animation from the live action films. While these definitions were being made, it has been considered that which expression methods were used. The film genre which is called documentary has been defined in many different ways. In this study, animated documentary genre which is

APA, Harvard, Vancouver, ISO, and other styles

48

Roe, Annabelle Honess. "Absence, Excess and Epistemological Expansion: Towards a Framework for the Study of Animated Documentary." Animation 6, no. 3 (2011): 215–30. http://dx.doi.org/10.1177/1746847711417954.

Full text

Abstract:

This article gives an overview of the history of animated documentary, both in regard to the form itself and how it has been studied. It then goes on to present a new way of thinking about animated documentary, in terms of the way the animation functions in the texts by asking what the animation does that the live-action alternative could not. Three functions are suggested: mimetic substitution, non-mimetic substitution and evocation. The author suggests that, by thinking about animated documentary in this way, we can see how animation has broadened and deepened documentary’s epistemological p

APA, Harvard, Vancouver, ISO, and other styles

49

Frølunde, Lisbeth. "Animated war." Convergence: The International Journal of Research into New Media Technologies 18, no. 1 (2012): 93–103. http://dx.doi.org/10.1177/1354856511419918.

Full text

Abstract:

In this feature article two DIY (do-it-yourself) film projects are examined from perspectives of resemiosis (transformations in meaning-making) and the textual production practices of contemporary multimedia authorship. These practices are considered as evolving in a complex media ecology. The two films analysed are Gzim Rewind (Sweden, 2011) by Knutte Wester, and In-World War (USA, expected 2011) by DJ Bad Vegan. The films are currently in production and involve many collaborators. Both films have themes of war and include film scenes that are ‘machinima’ – real-time animation made in 3D grap

APA, Harvard, Vancouver, ISO, and other styles

50

Suwastini, Ni Komang Arie, Made Ayu Wiranti, I. Ketut Supir, and Ida Ayu Made Istri Utami. "The Characterization of Hua Mulan in Disney’s 2020 Live-Action Mulan." Indonesian Journal of Religion and Society 4, no. 1 (2022): 17–27. http://dx.doi.org/10.36256/ijrs.v4i1.244.

Full text

Abstract:

Disney's 2020 live-action film Mulan is remade of the 1998’s cartoon version, with several changes, including the characterization of the main character. This study aims to investigate the characterization of Hua Mulan as the main female character in Disney's 2020 Live-Action Mulan. Using the qualitative interpretive method by Miles, Huberman, & Saldana (2014), the research was conducted in four simultaneous processes: data collection and condensation, data display, and conclusion drawing/verification. This research revealed that Mulan is a village girl who was reckless, brave, strong, and

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!